Charlie Chan: the Untold Story of the Honorable Detective and His Rendezvous with American History New York: W

Total Page:16

File Type:pdf, Size:1020Kb

Charlie Chan: the Untold Story of the Honorable Detective and His Rendezvous with American History New York: W FosteringC BusinessHINA and Cultural HarmonyINSIGHT between China and the U.S. VOL. 10 NO. 3 www.chinainsight.info MARCH 2011 Chinese Heritage Foundation Embrace China Friends celebrates Chinese New Year clock, and sat in rapt attention as Stephen Mao described the hungry beast that was let out of its jail on every New Year’s Eve to devour everyone in sight. Thus was born the Celebrations custom of congratulating everyone, ‘gong xi, gong xi’, on New Year’s Day: for hav- ing survived the beast! With their fists thus cupped in the traditional Chinese manner, the children then lined up to offer Stephen and Ming Tchou ‘gong xi’. In return they each received a hong bao stuffed with a lucky penny. Now no harm will come their way until the next New Year’s Eve. The Calligraphy Team then headed across town to Midtown Global Market on February 4 to anchor its Chinese New Year celebration. Many young families, often First Graders at Normandale French Immersion School wishing everyone ‘gong xi, gong xi’ with grandparents in tow, came to have their olunteers of the Calligraphy presented four talks on Chinese New Year names translated or their fortunes told. How Team of Chinese Heritage traditions and myths to over 200 first graders should the fortuneteller answer an earnest Book Review Foundation Friends were busy in Edina schools, including the Normandale golden-haired little boy’s query on whom this year, answering calls for French Immersion School. he would marry? Or what to say when V his parents drew a josh stick that painted their expertise from around the metropoli- These vivacious kids clamored to name tan area. Over two days in February they the 12 animals that made up the Chinese doom? The answers were and will remain New Year continues on Page 7 Minnesota exports continue rebound in the third quarter s the national economy slowly ranked 16th) and Chile (up 142 percent to ment (up US$150 million to US$575 mil- recovers, Minnesota’s manufac- US$30 million, ranked 23rd) contributed the lion) contributed the most to state export Atured exports continue to grow most to this growth. growth during this period. Countries such strongly, for the third consecutive quarter as China, Taiwan and Germany led export Most Markets Among Top 10 Show this year. State exports totaled US$4.4 bil- Strong Growth Trends gains for machinery products while Can- lion in the third quarter of 2010, showing an ada’s increased demand for transportation increase of 17 percent (or US$649 million) equipment (up US$102 million to US$346 over the third quarter of 2009. U.S. exports million) contributed much of that industry’s grew 19 percent. export growth. • Canada, China, Thailand and Japan were among the many countries that boosted the state’s exports of computer and electron- ics products. • Despite the overall decline in exports of miscellaneous (including medical) prod- ucts (down 13 percent to US$410 million), due primarily to the decline in shipments to Ireland, other markets such as Germany (up 30 percent to US$26 million), China (up 19 In contrast to the somber trends of 2009, percent to US$38 million) and Belgium (up • Canada (up US$262 million) and China Minnesota exports have gained 18 percent 10 percent to US$50 million) performed (up US$134 million) displayed the largest over the year-to-date (first nine months of strongly. export gains. Thailand, Germany, Mexico, 2010, compared to the same period of 2009), Taiwan, Japan and Brazil were other coun- while U.S. exports have grown 21 percent. A Wide Diversity of Products Support tries among the state’s Top 20 markets that Export Growth Strong Regional Performances in Asia increased exports by more than US$30 mil- • China performed strongly across mul- and the Americas lion during this period. tiple leading growth areas of machinery • North America (US$1.5 billion) and •Exports to Ireland dropped by about products, which included office machine ALSO IN THIS ISSUE Asia (US$1.4 billion) each accounted for half to US$97 million, dropping the country parts (up 39 percent to US$143 million, Commentary....................2 & 3 one-third of Minnesota manufactured ex- to the state’s 14th-largest market, based on other leading market: Thailand), liquid- and Events........................4, 5 & 15 ports in the third quarter of 2010. These persistent struggling exports of miscella- sand-dispersing machinery (up 33 percent Finance...................................6 neous (mainly medical) goods. regions were leading sources of export to US$93 million, other leading market: Chinese New year............7 - 9 growth, each increasing 25 percent since Belgium), liquid pumping machinery (up Economy......................11 & 11 Most Manufacturing Industries Experi- 92 percent to US$38 million) and machin- the third quarter of 2009. ence Strong Export Growth Business......................12 & 13 • State exports to Central and South ery for producing semiconductors (up 123 • Machinery (up US$183 million to A Passage to China.............16 America jumped 45 percent to US$223 mil- percent to US$33 million, other leading US$768 million) and transportation equip- lion. Brazil (up 56 percent to US$91 million, Quarterly continues on Page 11 PAGE 2 > MARCH 2011 commentary www.chinainsight.info Applying for China visas. It’s a CHINA INSIGHT Publisher: Gregory J. Hugh compliance issue [email protected] Op-Ed Commentary by Chris Devonshire-Ellis Feb. 10 – The issue over obtaining China in an office or factory in China you must --Copies of the health certificate issued Editor: visas is a perennial question, and China apply for this status. If you do not have a by the Entry-Exit Inspection and Quarantine Jennifer Nordin itself is not always consistent in regard to residency permit and you are caught you Authority* [email protected] the application guidelines for foreigners may face deportation, the most serious of- --Copies of the Industrial and Commer- wishing to travel to the country on business. fense justifying this being the evasion of cial Business License (duplicate)/Registra- Manager of Operations/ In particular, for businessmen, there is often personal income tax. tion or any other governmental instrument Circulation: confusion over which of the two pertinent It should be noted that spousal visas and of ratification Richard He --Reasons for employment visa types should be applied for. student visas do not make the holder eligible [email protected] Here we’ll look at the most common for employment in China. Additionally, if a --Credentials required for job visa types and their usage. In particular, work visa holder changes company, the visa --Curriculum vitae of foreigner to be we will go into detail about work visas and must also be reapplied for in the name of the employed Marketing Director: the related process of obtaining a residency new employer. China’s provinces also from --Letter of intention for employment Will Ahern permit. time to time release guidelines applied on --Criminal record check** [email protected] top of these basic key points. These include * This can vary from city to city and Tourist visa satisfying professional qualifications and even nationality to nationality; some na- Production Editor: These should only be used for the stated experience and not possessing a criminal tionalities do not need this certificate prior Dawn Murphy purpose – tourism. Usually an itinerary will record. Visa issuance during certain occa- to obtaining their entry visa. [email protected] need to be provided, occasionally proof of sions or periods of unrest in China can also **This is a relatively new requirement hotel bookings and even guided tour opera- that is not yet implemented in every city in be curtailed. Artist/Intern: tors in China. The correct issuance of work visas is a China. We suspect that in the near future, it Lauren Hugh It is unwise for businesspeople visiting bureaucratic, yet variable matter nationally. will become a standard requirement. China to be on tourist visas – if engaging in However, in order to first assess whether business activities you breach the terms of your country has a double tax treaty with Notification for Application of Staff Writers: the visa issuance. Sharp-eyed officials can Employment Visa and Residence Greg Hugh China or not, please see our firm’s (com- Permit deport you for breach of terms of stay. [email protected] plimentary) guide to this subject. Following The Entry-Exit Administration of the the determination of the length of stay thus Public Security Bureau in the city where Business visa permitted, regional variations over visa issu- Albert Leung An invitation from a registered company a foreigner wishes to work and reside ance need to be taken into consideration. must issue this notification before an Alien [email protected] or business in China is required (occasional- Applying for (normally one year) em- ly our firm provides this to clients) together Employment Permit will be issued. The ployment and residence documentation in following documentation must be submitted Jennifer Nordin with an itinerary. It permits businessmen to China can be roughly broken down into hold meetings, travel to factories and so on. by the employer: [email protected] four steps: --Employment license It does not allow work – i.e. paid work – (i) Alien Employment License applica- while in China. These are usually restricted --Valid passport of the applicant (cop- Mike Xiong tion ies of main pages and valid visa shall be to double entries of 30 days each stay at the (ii) Employment Visa and Residence [email protected] present time. attached) Permit Notification application --Application for Residence Qualifica- Work visa (iii) Alien Employment Permit applica- tions of Working Foreigners in China (with tion About CHINA INSIGHT Work visas are required, fairly obvious- photos) CHINA INSIGHT is a monthly English (iv) Residence Permit application --Two copies of the Industrial and Com- ly, if one intends to work in China.
Recommended publications
  • Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
    Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on.
    [Show full text]
  • 2018 年度报告2018 Annual Report
    1 | P a g e 2018 年度报告 2018 Annual Report CONFUCIUS.SDSU.EDU 2 | P a g e 圣地亚哥州立大学孔子学院 2018 年度报告 CONFUCIUS INSTITUTE AT SDSU 2018 REPORTS 月份 日期及活动 MONTH DATE & ACTIVITY 一月 20 2018 一月份教师培训 CISDSU Hosts 2018 January Teachers Training January 30 孔子六艺亮相圣地亚哥 NEW 8 早间新闻栏目 Six Arts Featured at San Diego NEWS 8 二月 3 六艺喜迎狗年 圣大孔院新春表演一炮而红 Chinese New Year Celebration at Balboa Park February 6 2018 圣地亚哥州立大学出国留学项目推介会 2018 SDSU Spring Study Abroad Fair 8 人大附中艺术团走进孔子课堂开普敦高中 用完灭的演出欢度春节 RDFZ Art Troupe at El Capitan High School, a Spectacular Performance for the Chinese New Year 圣大孔院参加孔子课堂爱德小学新年庆祝活动 CISDUS Participates in Adobe Bluffs elementary school Chinese New Year Celebration 9 孔子课堂巴纳德小学全体师生展示“六艺”欢度春节 Barnard Chinese New Year Celebration Featuring “Six Arts” Performance 人大附中艺术团在米逊湾高中举办“欢乐春节”演出 RDFZ Arts Troupe Performs at Mission Bay High School 2018 巴纳德社区新年庆祝 10 2018 Barnard Chinese Community Celebration 圣大孔院出席狗年新年团拜 Year of the Dog Celebration Banquet CONFUCIUS.SDSU.EDU 3 | P a g e 12 圣大孔院应邀出席洛杉矶总领馆新年招待会 Chinese Consulate General in Los Angeles Chinese Lunar New Year Reception 13 山丹丹花开 La Jolla Country Day 学校 La Jolla Country Day School Celebrates Chinese New Year with Guzheng Performance SDSU 舞狮表演庆新春 SDSU Lunar New Year Lion Dance 15 圣大孔院参加圣大中国学生学者联合会春晚 SDSU CSSA Chinese New Year Celebration 小小文化周 送福到各州 The Cultural Week in Pacific Beach Middle School 边陲小镇吹起的中国风 “Chinese Style” Blasts in the town of Banning 16 河景国际小学庆祝春节 Riverview International Academy Chinese New Year Celebration 17 一场特殊的音乐会 Chasing My Dream in the Invisible World: A Piano Concert by Xiangjun Wang 18 大年初三海洋世界上演“六艺”圣大孔院师生表演红火全场 CISDSU Celebrates Chinese New Year with Six Arts at SeaWorld 20 圣大孔院助力第十二届心手相连慈善文艺晚会 CISDSU Assist The 12th Annual Hear-to-Hear Hand-in-Hand Charity Series 22 盲人大学生王香君访问 E3 城市高中 Visually Impaired Student Xiangjun Wang Visits E3 Civic High School 23 圣大孔院与中华历史博物馆合办钱思亮先生回顾展 CISDSU Co-Hosts the Life & Deeds of Dr.
    [Show full text]
  • Music for a National Defense”: Making Martial Music During the Anti-Japanese War
    “Music for a National Defense”: Making Martial Music during the Anti-Japanese War Joshua H. Howard, University of Mississippi Abstract This article examines the popularization of “mass songs” among Chinese Communist troops during the Anti-Japanese War by highlighting the urban origins of the National Salvation Song Movement and the key role it played in bringing songs to the war front. The diffusion of a new genre of march songs pioneered by Nie Er was facilitated by compositional devices that reinforced the ideological message of the lyrics, and by the National Salvation Song Movement. By the mid-1930s, this grassroots movement, led by Liu Liangmo, converged with the tail end of the proletarian arts movement that sought to popularize mass art and create a “music for national defense.” Once the war broke out, both Nationalists and Communists provided organizational support for the song movement by sponsoring war zone service corps and mobile theatrical troupes that served as conduits for musicians to propagate their art in the hinterland. By the late 1930s, as the United Front unraveled, a majority of musicians involved in the National Salvation Song Movement moved to the Communist base areas. Their work for the New Fourth Route and Eighth Route Armies, along with Communist propaganda organizations, enabled their songs to spread throughout the ranks. Keywords: Anti-Japanese War, Li Jinhui, Liu Liangmo, Lü Ji, Mai Xin, mass song, National Salvation Song Movement, New Fourth Army, Nie Er, United Front, Xian Xinghai Reflecting on his country’s defeat in World War II, a Japanese interviewed in Taibei attributed China’s victory neither to superior weaponry nor to battle tactics but to the fact that it had “relied on War of Resistance songs (kangzhan gequ) to arouse tremendous popular sentiment” (Chen F.
    [Show full text]
  • Understanding How Western-Trained Music Therapists Incorporate Chinese Culture in Their Practice in China: an Ethnographic Study
    UNDERSTANDING HOW WESTERN-TRAINED MUSIC THERAPISTS INCORPORATE CHINESE CULTURE IN THEIR PRACTICE IN CHINA: AN ETHNOGRAPHIC STUDY A Thesis by JESSICA MARIE DONLEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC THERAPY December 2017 Hayes School of Music UNDERSTANDING HOW WESTERN-TRAINED MUSIC THERAPISTS INCORPORATE CHINESE CULTURE IN THEIR PRACTICE IN CHINA: AN ETHNOGRAPHIC STUDY A Thesis by JESSICA MARIE DONLEY APPROVED BY: _________________________________ Melody Schwantes Reid, PhD, MT-BC Chairperson, Thesis Committee _________________________________ Cathy H. McKinney, Ph.D., MT-BC Member, Thesis Committee _________________________________ Alecia Youngblood-Jackson, Ph.D. Member, Thesis Committee _________________________________ James Douthit, D.M.A. Dean, Hayes School of Music _________________________________ Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Jessica Donley 2017 All Rights Reserved Abstract UNDERSTANDING HOW WESTERN-TRAINED MUSIC THERAPISTS INCORPORATE CHINESE CULTURE IN THEIR PRACTICE IN CHINA: AN ETHNOGRAPHIC STUDY Jessica Marie Donley, MT-BC B.M., University of Louisiana at Monroe M.M.T, Appalachian State University Chairperson: Melody Schwantes Reid, PhD, MT-BC Few studies highlight the implications of music therapy practice with Chinese people. Although music therapists work with Chinese people in the United States, Canada, Australia, and China, little is known about how these music therapists incorporate Chinese culture in their practice in order to provide culturally-responsive music therapy. This ethnographic research study aimed to understand how Western-trained music therapists incorporated Chinese culture in their practice in China. The researcher observed music therapy sessions of two Western-trained music therapists in a neurologic rehabilitation and mental rehabilitation department in a hospital setting in China.
    [Show full text]
  • The Accordion in Twentieth-Century China A
    AN UNTOLD STORY: THE ACCORDION IN TWENTIETH-CENTURY CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC AUGUST 2004 By Yin YeeKwan Thesis Committee: Frederick Lau, Chairperson Ricardo D. Trimillos Fred Blake ©Copyright2004 by YinYeeKwan iii ACKNOWLEDGEMENTS My 2002 and 2003 fieldwork in the People's Republic ofChina was funded by The Arts and Sciences Grant from the University ofHawai'i at Manoa (UHM). I am grateful for the generous support. I am also greatly indebted to the accordionists and others I interviewed during this past year in Hong Kong, China, Phoenix City, and Hawai'i: Christie Adams, Chau Puyin, Carmel Lee Kama, 1 Lee Chee Wah, Li Cong, Ren Shirong, Sito Chaohan, Shi Zhenming, Tian Liantao, Wang Biyun, Wang Shusheng, Wang Xiaoping, Yang Wentao, Zhang Gaoping, and Zhang Ziqiang. Their help made it possible to finish this thesis. The directors ofthe accordion factories in China, Wang Tongfang and Wu Rende, also provided significant help. Writing a thesis is not the work ofonly one person. Without the help offriends during the past years, I could not have obtained those materials that were invaluable for writings ofthis thesis. I would like to acknowledge their help here: Chen Linqun, Chen Yingshi, Cheng Wai Tao, Luo Minghui, Wong Chi Chiu, Wang Jianxin, Yang Minkang, and Zhang Zhentao. Two others, Lee Chinghuei and Kaoru provided me with accordion materials from Japan. I am grateful for the guidance and advice ofmy committee members: Professors Frederick Lau, Ricardo D.
    [Show full text]
  • Afterlives of Chinese Communism: Political Concepts from Mao to Xi
    AFTERLIVES OF CHINESE COMMUNISM AFTERLIVES OF CHINESE COMMUNISM POLITICAL CONCEPTS FROM MAO TO XI Edited by Christian Sorace, Ivan Franceschini, and Nicholas Loubere First published 2019 by ANU Press and Verso Books The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (hardback): 9781788734790 ISBN (paperback): 9781788734769 ISBN (online): 9781760462499 WorldCat (print): 1085370489 WorldCat (online): 1085370850 DOI: 10.22459/ACC.2019 This title is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Note on Visual Material All images in this publication have been fully accredited. As this is a non-commercial publication, certain images have been used under a Creative Commons licence. These images have been sourced from Flickr, Wikipedia Commons and the copyright owner of each original picture is acknowledged and indicated in the source information. Design concept and typesetting by Tommaso Facchin; Illustrations by Marc Verdugo Lopez. Cover design by No Ideas. Cover artwork by Marc Verdugo Lopez. Proofreading by Sharon Strange and Evyn Chesneau Papworth. This edition © 2019 ANU Press and Verso Books Table of Contents Introduction - Christian SORACE, Ivan FRANCESCHINI, and Nicholas LOUBERE 1 1. Aesthetics - Christian SORACE 11 2. Blood Lineage - YI Xiaocuo 17 3. Class Feeling - Haiyan LEE 23 4. Class Struggle - Alessandro RUSSO 29 5. Collectivism - GAO Mobo 37 6. Contradiction - Carlos ROJAS 43 7. Culture - DAI Jinhua 49 8. Cultural Revolution - Patricia M.
    [Show full text]
  • China and the West: Music, Representation, and Reception
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk.
    [Show full text]
  • The Dreaming Mind and the End of the Ming World
    The Dreaming Mind and the End of the Ming World The Dreaming Mind and the End of the Ming World • Lynn A. Struve University of Hawai‘i Press Honolulu © 2019 University of Hawai‘i Press This content is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0), which means that it may be freely downloaded and shared in digital format for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. The open-access version of this book was made possible in part by an award from the James P. Geiss and Margaret Y. Hsu Foundation. Cover art: Woodblock illustration by Chen Hongshou from the 1639 edition of Story of the Western Wing. Student Zhang lies asleep in an inn, reclining against a bed frame. His anxious dream of Oriole in the wilds, being confronted by a military commander, completely fills the balloon to the right. In memory of Professor Liu Wenying (1939–2005), an open-minded, visionary scholar and open-hearted, generous man Contents Acknowledgments • ix Introduction • 1 Chapter 1 Continuities in the Dream Lives of Ming Intellectuals • 15 Chapter 2 Sources of Special Dream Salience in Late Ming • 81 Chapter 3 Crisis Dreaming • 165 Chapter 4 Dream-Coping in the Aftermath • 199 Epilogue: Beyond the Arc • 243 Works Cited • 259 Glossary-Index • 305 vii Acknowledgments I AM MOST GRATEFUL, as ever, to Diana Wenling Liu, head of the East Asian Col- lection at Indiana University, who, over many years, has never failed to cheerfully, courteously, and diligently respond to my innumerable requests for problematic materials, puzzlements over illegible or unfindable characters, frustrations with dig- ital databases, communications with publishers and repositories in China, etcetera ad infinitum.
    [Show full text]
  • Fusion Process in the Instrumental Works by Chen Yi Xin Guo
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2002 Chinese Musical Language Interpreted by Western Idioms: Fusion Process in the Instrumental Works by Chen Yi Xin Guo Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC CHINESE MUSICAL LANGUAGE INTERPRETED BY WESTERN IDIOMS: FUSION PROCESS IN THE INSTRUMENTAL WORKS BY CHEN YI By XIN GUO A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2002 The members of the Committee approve the dissertation of Xin Guo defended on November 6, 2002. James Mathes Professor Directing Dissertation Andrew Killick Outside Committee Member Jane Piper Clendinning Committee Member Peter Spencer Committee Member Approved: Seth Beckman, Assistant Dean for Academic Affairs and Director of Graduate Studies, School of Music ACKNOWLEDGMENTS I would like to express my deepest gratitude to many people who have helped me in one way or another during my research and writing of this dissertation. Dr. Chen Yi’s music inspired me to choose the topic of this project; she provided all the scores, the recordings, and her reference materials for me and responded to my questions in a timely manner during my research. Dr. Richard Bass guided me throughout my master’s thesis, an early stage of this project. His keen insight and rigorous thought influenced my thinking tremendously. Dr. Harris Fairbanks spent countless hours proofreading both my thesis and dissertation. His encouragement and unwavering support helped me enormously and for this I am deeply indebted to him.
    [Show full text]
  • Hong Kong Cantopop
    Hong Kong Cantopop A Concise History Yiu-Wai Chu Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-57-1 (Hardback) ISBN 978-988-8390-58-8 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii A Note on Romanization x Chapter One Introduction 1 Chapter Two Days of Being Marginalized: The 1950s to the Early 1970s 21 Chapter Three The Rise of Cantopop: The Mid- to Late 1970s 40 Chapter Four An Age of Glory: The 1980s 69 Chapter Five The Best of Times, the Worst of Times: The 1990s 105 Chapter Six After the Fall: The New Millennium 145 Chapter Seven Epilogue: Cantopop in the Age of China 184 Appendix Chronology of Major Events 197 Selected Bibliography 218 Index 226 1 Introduction “Every generation has its own voice,” claimed James Wong 黃霑, the late god- father of Cantopop, in his doctoral thesis on the development of Cantopop.1 The English term “Cantopop”—Cantonese popular songs—did not come into existence until the 1970s, when Billboard correspondent Hans Ebert used it “to describe the locally produced popular music in Hong Kong” in 1978.2 Per James Wong’s remark—which was adapted from the well-known saying of the Qing dynasty master of Chinese culture, Wang Guowei 王國維: “Every dynasty has its own representative form of literature”3 —Cantopop is a musical form from and the voice of contemporary Hong Kong.
    [Show full text]
  • Issue 1 6 February 2014 ...Pub
    www.brentwoodparkps.vic.edu.au Volume 20 Issue 1 Thursday 6 February 2014 DATES TO REMEMBER TERM DATES 2014 TERM 1 29 JAN. - 04 APR. TERM 2 22 APR. - 27 JUNE TERM 3 14 JULY - 19 SEPT. TERM 4 06 OCT. - 19 DEC 07 FEB FIRST CANTEEN DAY 2014 13 FEB CRE (CHRISTIAN RELIGIOUS EDUCATION) MONEY DUE $6.50 14 FEB SWIMMING TRIALS ($11.00 DUE WEDNESDAY 12 FEB) NON REFUNDABLE 03 MARCH DISTRICT SWIMMING CARNIVAL 24-26 MARCH YEAR 6 CAMP RUMBUG JIM BELL, PRINCIPAL JENNY REID, ASSISTANT PRINCIPAL elcome tart of School A sincere welcome back is extended to all It is pleasing to report to our community, the W our returning staff, students and families with S extremely smooth start to the school year. With an special acknowledgements given to our new staff enrolment of 415 students, books were quickly unpacked, members; Beth Van Es who is teaching Foundation welcomes and introductions exchanged and lessons [formerly Year Prep], Marina Botros who is teaching readily commenced! Thanks are forwarded to the staff Year 2 and Carolyn Hilton who is teaching Year 4. who worked so industriously on the days before the Welcome also to the new families who have joined the students commenced to ensure such a smooth start to the Brentwood Park Learning Community for the first time. year. The efforts of the children themselves, assisted by I trust all have had a refreshing and satisfying break and their parents, must also be acknowledged. The manner in are ready for the challenges and rewards of the new which they commenced the 2014 school year is school year! commendable.
    [Show full text]
  • ECSTATIC TIME Ecstatic Time Ed
    ECSTATIC TIME ECSTATIC Ecstatic Time ed. by Tiziano Tosolini Ecstatic Time The starting point for Ecstatic Time was the realization that the concept of feast, and the role of time in it, are structural elements of any culture, the defining constituents of people’s identities. As missionaries, we recognize and experience every day that, for the people with whom we live, feast is a ruptured time, an interruption in ordinary duration to make space for something else, for another kind of time which is qualitatively different from normal, ordinary time. Tosolini Tiziano This time, which we have called “ecstatic” reflects, complements and fulfils the meaning of life by recognizing the sacred through the celebration of festivals and rituals. —From the Introduction Asian Study Centre Study Asian tudy S C n en ia t s r e A Xaverian Missionaries – Japan Ecstatic Time Asian Study Centre Series FABRIZIO TOSOLINI. Esperienza Missionaria in Paolo. 2002. S. Targa, F. Tosolini, T. Tosolini. To What Needs are Our Cultures Responding? 2003. S. Targa, F. Tosolini, T. Tosolini. Culture and Alterity. 2004. S. Targa, F. Tosolini, T. Tosolini. Experiences of Conversion. 2005. Fabrizio Tosolini. The Letter to the Romans and St. Paul’s Grace and Apostleship:Towards a New Interpretation. Edited with Fu Jen Catholic University Press, Taipei, Taiwan. 2005. Tiziano Tosolini. Controstorie dal Giappone. 2006. S. Targa, F. Tosolini, T. Tosolini. Faith and Money. 2006. Tiziano Tosolini ed., Women in Context. 2007. Tiziano Tosolini ed., Mission and Globalization. 20o9. Tiziano Tosolini ed., The Other Within. 2010. Tiziano Tosolini ed., Church and Culture. Selected Texts (1965–2009).
    [Show full text]