09/23/21 LT206 Narrative and film | University of Essex

LT206 Narrative and film View Online

[1]

P. Anderson, ‘Alien vs. Predator.’ Twentieth Century Fox Home Entertainment, [U.K.], 2004 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Fin dex.php%2Fprog%2F0057C112%3Fbcast%3D31415773

[2]

K. Bigelow, ‘Strange Days.’ Universal, [S.l.], 1995 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F004C7180%3Fbcast%3D3599358

[3]

T. Burton, ‘Batman.’ Warner Home Video, Burbank, CA, 1989 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0009C3FB%3Fbcast%3D88280163

[4]

F. F. Coppola, ‘Apocalypse Now.’ Paramount, [Hollywood, Calif.?], 1979 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000A15D5%3Fbcast%3D37575039

[5]

1/23 09/23/21 LT206 Narrative and film | University of Essex

D. Cronenberg, ‘.’ Twentieth Century Fox Home Entertainment, Beverly Hills, 1986 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F004DFCC6%3Fbcast%3D93104241

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R. W. Fassbinder, ‘Effi Briest’, vol. Films of Rainer Werner Fassbinder. Wellspring Video, New York, NY, 1974.

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M. Figgis, ‘Timecode.’ Optimum, [London], 2000 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0016029D%3Fbcast%3D46366842

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J.-L. Godard, ‘Masculin Féminin.’ Nouveaux Pictures, [S.l.], 1966.

[9]

H. Hawks, ‘The Big Sleep.’ Warner Home Video, Burbank, CA, 1946 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0000E51B%3Fbcast%3D15854

[10]

A. Hitchcock, ‘Rear Window.’ Universal Pictures (UK) Limited, [London?], 1954 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F001B1263%3Fbcast%3D101003562

[11]

R. Mamoulian, ‘Dr. Jekyll and Mr. Hyde.’ Warner Home Video [distributor], Culver City,

2/23 09/23/21 LT206 Narrative and film | University of Essex

1931 [Online]. Available: https://archive.org/details/DRJEKYLLANDMR.HYDE31

[12]

F. W. Murnau, ‘Nosferatu.’ British Film Institute, London, 1922 [Online]. Available: https://www.youtube.com/watch?v=FC6jFoYm3xs

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L. Olivier, ‘Hamlet’, vol. Classic collection. Carlton, [UK], 1948.

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M. Ophuls, ‘Letter from an Unknown Woman.’ Second Sight, [London], 1948 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000043E3%3Fbcast%3D122939623

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M. Scorsese, ‘Hugo.’ GK Films, [London], 2011.

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R. Scott, ‘Blade Runner.’ Warner Home Video, [London?], 1992 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0002E219?bcast=55376018

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A. Varda, ‘Vagabond’, vol. Criterion collection. Criterion Collection, [Irvington, NY], 1985 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000C5604%3Fbcast%3D128889858

[18]

3/23 09/23/21 LT206 Narrative and film | University of Essex

W. Wenders, ‘Alice in the Cities.’ Axiom Films, London, 1974.

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J. McTiernan, ‘Predator.’ Twentieth Century Fox Home Entertainment, [UK], 1987 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0016E6E2%3Fbcast%3D122202622

[20]

S. Hopkins, ‘Predator 2.’ Twentieth Century Fox Home Entertainment, [UK], 1990 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0009F272%3Fbcast%3D121064208

[21]

P. Anderson and S. Lathan, ‘Alien vs. Predator.’ Twentieth Century Fox Home Entertainment, [U.K.], 2005.

[22]

C. Strause and G. Strause, ‘Alien vs Predator: Requiem.’ 20th Century Fox Home Entertainment, [UK], 2007 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F01869C2E%3Fbcast%3D75948651

[23]

C. Nolan, ‘Batman Begins.’ Warner Home Video, [Burbank, CA], 2005 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F00888632%3Fbcast%3D88202630

[24]

4/23 09/23/21 LT206 Narrative and film | University of Essex

C. Nolan, ‘The Dark Knight.’ Warner Bros. Entertainment, U.K., 2008 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0108AE48%3Fbcast%3D121716464

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C. Nolan, ‘The Dark Knight Rises.’ Warner Bros. Entertainment, [London], 2012.

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J. Schumacher, ‘Batman Forever.’ Warner Home Video, Burbank, Calif, 1995 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000AF827%3Fbcast%3D69728652

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J. Schumacher, A. Schwarzenegger, G. Clooney, C. O’Donnell, U. Thurman, and A. Silverstone, Batman & Robin. Burbank, CA: Warner Home Video, 1998.

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N. Roeg, ‘Heart of Darkness [DVD] [1993] [Region 1] [US Import] [NTSC].’ [Online]. Available: http://www.amazon.co.uk/Heart-Darkness-DVD-Region-NTSC/dp/B00HQI7WE6/ref=sr_1_3_t wi_2?ie=UTF8&qid=1426264332&sr=8-3&keywords=heart+of+darkness+roeg

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E. Coppola, ‘Hearts of Darkness: A Filmmaker’s Apocalypse (a documentary).’ Paramount Pictures, [London], 1991.

[30]

‘The Fly - Kurt Neumann (1958) / - Edward Bernds (1959).’ 20th Century Fox Home Entertainment, Beverly Hills, Calif.

5/23 09/23/21 LT206 Narrative and film | University of Essex

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‘The Fly - David Cronenberg (1986) / The Fly II - Chris Walas (1989)’, vol. Fox double feature. Twentieth Century-Fox Home Entertainment, [U.K.].

[32]

V. Fleming, 1941 (videorecording), ‘Dr. Jekyll and Mr. Hyde’, Dr. Jekyll and Mr. Hyde. Warner Home Video [distributor], Culver City, 2004.

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S. Weeks, ‘I, monster.’ Optimum Releasing, London, 1971.

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R. Baker, ‘Dr. Jekyll and Sister Hyde.’ Studio Canal, London, 1971 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0001DC29%3Fbcast%3D26753796

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W. Herzog, ‘Nosferatu the vampyre.’ Anchor Bay Entertainment, Troy, MI, 1979 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F00D8D815%3Fbcast%3D57778016

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F. F. Coppola, ‘Bram Stoker’s Dracula.’ Columbia TriStar Home Video, Burbank, CA, 1992 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F00048499%3Fbcast%3D124111855

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E. E. Merhige, ‘Shadow of the vampire.’ in2film, [U.K.], 2000 [Online]. Available:

6/23 09/23/21 LT206 Narrative and film | University of Essex

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G. M. Kozint︠s︡ev, ‘Hamlet.’ Facets Video, Chicago, 1964 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F013D2B30%3Fbcast%3D121572031

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F. Zeffirelli, ‘Hamlet.’ Optimum Releasing, U.K., 1990 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F006B7F92%3Fbcast%3D106988036

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K. Branagh, ‘Hamlet.’ Warner Home Video, [S.l.], 1996.

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T. Fontane, Effi Briest, vol. The Penguin classics. London: Penguin, 2000.

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B. Selznick, The invention of Hugo Cabret: a novel in words and pictures. London: Scholastic, 2007.

7/23 09/23/21 LT206 Narrative and film | University of Essex

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W. Shakespeare, A. Thompson, and N. Taylor, Hamlet, vol. The Arden Shakespeare. Third series. London: Arden Shakespeare, 2006.

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B. Stoker, Dracula, vol. Penguin popular classics. London: Penguin Books, 1994 [Online]. Available: https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=5891 494

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D. Bordwell and K. Thompson, ‘The relation of shot to shot: editing’, in Film art: an introduction, 10th ed., New York: McGraw-Hill, 2012.

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L. Mulvey, ‘Visual pleasure and narrative cinema’, Screen, vol. 16, no. 3, pp. 6–18, 1975.

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R. Barton Palmer, ‘The Metafictional Hitchcock: The Experience of Viewing and the Viewing of Experience in “Rear Window” and “Psycho”’, Cinema Journal, vol. 25, no. 2, pp. 4–19, 1986 [Online]. Available: http://0-www.jstor.org.serlib0.essex.ac.uk/stable/1225456?seq=1#page_scan_tab_content s

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P. Cook, ‘Classic Hollywood Narrative, in The Cinema Book - Pam Cook’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 39–40 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=2612799

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J. Allen, ‘Looking through Rear Window: Hitchcock’s Traps and Lures of Heterosexual Romance’, in Female spectactors [sic]: looking at film and television, vol. Questions for feminism, London: Verso, 1988, pp. 31–44.

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P. Wollen, ‘Godard and Counter-Cinema: Vent d’est’, in Movies and methods: an anthology, vol. 2, Berkeley: University of California Press, 1976, pp. 500–508.

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C. Gledhill, ‘Notes for a Summer School: Godard, Criticism, and Education’, Screen, vol. 14, no. 3, pp. 67–74, 1973.

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P. Cook, ‘Avant-Garde and Counter-Cinema’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 114–120.

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D. Bordwell, ‘Godard and Narration’, in Narration in the fiction film, London: Routledge, 1986, pp. 311–334.

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H. Powell, ‘Conclusion: Time in the Digital Age’, in Stop the clocks!: time and narrative in cinema, London: I.B. Tauris, 2012, pp. 143–164 [Online]. Available: https://ebookcentral.proquest.com/lib/universityofessex-ebooks/reader.action?docID=9455

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J. Harbord, ‘Digital Film and "late” Capitalism’, in Media & cultural theory, London: Routledge, 2006, pp. 263–274 [Online]. Available: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth &target=https://app.kortext.com/borrow/21276

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C. Verevis, ‘Mike Figgis: Time code and the screen’, in New punk cinema, vol. Traditions in world cinema, Edinburgh: Edinburgh University Press, 2005, pp. 168–179 [Online]. Available: http://0-dx.doi.org.serlib0.essex.ac.uk/10.3366/edinburgh/9780748620340.001.0001

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S. M. White, The cinema of Max Ophuls: magisterial vision and the figure of woman, vol. Film and culture series. New York: Columbia University Press, 1995.

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10/23 09/23/21 LT206 Narrative and film | University of Essex

C. Gledhill, Home is where the heart is: studies in melodrama and the woman’s film. London: BFI, 1987.

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S. S. Prawer, ‘Book into Film I: Mamoulian’s Dr. Jekyll and Mr. Hyde’, in Caligari’s children: the film as tale of terror, Oxford: Oxford University Press, 1979, pp. 85–107.

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D. Punter, ‘Gothic in the 1930-80’, in The literature of terror: a history of gothic fictions from 1765 to the present day, vol. 2, Harlow: Longman, 1996.

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F. Botting, Gothic, 2nd edition., vol. The new critical idiom. Abingdon: Routledge, 2013 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=652631

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D. Thomson and British Film Institute, The big sleep, vol. BFI film classics. London: British Film Institute, 1997.

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F. Krutnik, In a lonely street: film noir, genre, masculinity. London: Routledge, 1991.

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F. Krutnik, In a lonely street: film noir, genre, masculinity. London: Routledge, 1991 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&db=nlebk&AN=

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E. Marder, ‘Blade Runner’s Moving Still’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 9, no. 3 27, pp. 88–107, Jan. 1991, doi: 10.1215/02705346-9-3_27-88.

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G. Bruno, ‘Ramble City: Postmodernism and Blade Runner’, in Alien zone: cultural theory and contemporary science fiction cinema, London: Verso, 1990, pp. 183–195.

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S. Bukatman and British Film Institute, Blade runner, 2nd ed., vol. BFI film classics. Basingstoke: Palgrave Macmillan, 2012 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=1513235

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S. Hayward, ‘Beyond the Gaze and into femme-filmécriture: Agnès Varda’s Sans toi ni loi’, in French film: texts and contexts, 2nd ed., London: Routledge, 2000, pp. 269–280 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=764681

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S. Hayward, ‘Beyond the Gaze and into femme-filmécriture: Agnès Varda’s Sans toi ni loi’, in French film: texts and contexts, Second edition., London: Routledge, 2000, pp. 269–280 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site&db =nlebk&db=nlabk&AN=764681

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S. Flitterman-Lewis, To desire differently: feminism and the French cinema, Expanded ed. New York: Columbia University Press, 1996.

12/23 09/23/21 LT206 Narrative and film | University of Essex

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E. Mazierska and L. Rascaroli, Crossing new Europe: postmodern travel and the European road movie. London: Wallflower Press, 2006.

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L. Michaels, ‘Nosferatu, or the Phantom of the Cinema’, in Play it again, Sam: retakes on remakes, Berkeley: University of California Press, 1998, pp. 238–249.

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L. Michaels, ‘Nosferatu, or the Phantom of the Cinema’, in Play it again, Sam: retakes on remakes, Berkeley: University of California Press, 1998, pp. 238–249 [Online]. Available: http://ark.cdlib.org/ark:/13030/ft1j49n6d3/

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P. J. Cook and Project Muse, Cinematic Hamlet: the films of Olivier, Zeffirelli, Branagh, and Almereyda. Athens: Ohio University Press, 2011 [Online]. Available: http://0-muse.jhu.edu.serlib0.essex.ac.uk/books/9780821443651/

13/23 09/23/21 LT206 Narrative and film | University of Essex

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A. K. Kuhn, ‘Modes of Alienation in Fassbinder’s Effi Briest’, in Gender and German cinema: feminist interventions, vol. 1, Providence: Berg, 1993, pp. 35–50.

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P. Cook, ‘Art cinema’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 106–111.

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W. Wenders, ‘Impossible stories’, in The cinema of Wim Wenders: image, narrative, and the postmodern condition, vol. Contemporary film and television series, Detroit, Mich: Wayne State University Press, 1997.

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H. W. Robbins, ‘“More Human than Human Alone”: Womb Envy in David Cronenberg”s The Fly and Dead Ringers’, in Screening the male: exploring masculinities in Hollywood cinema, London: Routledge, 1993, pp. 134–147 [Online]. Available: http://site.ebrary.com/lib/universityofessex/Doc?id=10060854

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