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BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Desire, Disease, Death, and David Cronenberg: the Operatic Anxieties of the Fly
Desire, Disease, Death, and David Cronenberg: The Operatic Anxieties of The Fly Yves Saint-Cyr 451 University of Toronto Introduction In 1996, Linda and Michael Hutcheon released their groundbreaking book, Opera: Desire, Disease, Death, a work that analyses operatic representations of tuberculosis, syphilis, cholera, and AIDS. They followed this up in 2000 with Bodily Charm, a discussion of the corporeal in opera; and, in 2004, they published Opera: The Art of Dying, in which they argue that opera has historically provided a metaphorical space for the ritualistic contemplation of mortality, whether the effect is cathartic, medita- tive, spiritual, or therapeutic. This paper is based on a Hutcheonite reading of the Fly saga, which to date is made up of seven distinct incarnations: George Langelaan published the original short story in 1957; Neumann and Clavell’s 1958 film adaptation was followed by two sequels in 1959 and 1965; David Cronenberg re-made the Neumann film in 1986, which gener- ated yet another sequel in 1989; and, most recently in 2008, Howard Shore and David Henry Hwang adapted Cronenberg’s film into an opera. If the Hutcheons are correct that opera engenders a ritualistic contemplation of mortality by sexualising disease, how does this practice influence composers and librettists’ choice of source material? Historically, opera has drawn on the anxieties of its time and, congruently, The Fly: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée CRCL DECEMBER 2011 DÉCEMBRE RCLC 0319–051x/11/38.4/451 © Canadian Comparative Literature Association CRCL DECEMBER 2011 DÉCEMBRE RCLC The Opera draws on distinctly 21st-century fears. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Exhibition Brochure Is There A
‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
CONCERT THEATRE SOME GUYS at GALLERY 242 — by Wade Daniels 26 So
a cool two nice illustration 3a photos 6a a big black box a bitchin’ band 4a pic 7a a lovely chart 5a ufl0 AND ENTERTAINMENT College Radio First o f a Three-Part Series byadam liebowitz punk, rap and neo-pop. any college station the commercial constraints, line between commercial to create a definition of When its not rocking answer is a resounding "I has its downside. A and alternative couldn’t alternative music. The What is the sound of there’s some blues, jazz don’t know.” paradox exists where be more vague. KCSB's introduction definition is: college radio today? It is and salsa. Trying to define bands can receive music director Keith York "A blend of styles, genres best summed by that In other words, along alternative music is like enough attention to be selects albums by a and formulas of music infamous term — the lines of an unofficial trying to answer the considered non-alternat simple criteria: "If it’s that is vibrant (whatever alternative music. credo of filling the void question, "If an orange is ive, yet commercial radio good, it's good.” that means)." Other Alternative music is not left behind by commercial called an orange, why considers their music too Last year at a con criteria expand the that which is found on radio, alternative radio is isn't an apple called a esoteric. ference of University of definition to music that “post-modern MTV,” the sounds which are not red?" The appeal of alter California broadcasters doesn’t "sound” com where the cutting edge of convenient segues The quirkiness of native radio is in its (UCRN) a mini-manifesto mercial. -
Popular Music Stuart Bailie a Troubles Archive Essay
popular music A Troubles Archive Essay Stuart Bailie Cover Image: Victor Sloan - Market Street, Derry From the collection of the Arts Council of Northern Ireland About the Author Stuart Bailie was on the staff of the NME (New Musical Express) from 1988 to 1996, rising to Assistant Editor in his last three years there. Since then, he has worked as a freelance journalist for Mojo, Uncut, Q, The Times, The Sunday Times and Hot Press. He has written sleevenotes for U2 and wrote the authorised story of Thin Lizzy, The Ballad Of The Thin Man in 1997. He has been presenting a BBC Radio Ulster show each Friday evening since 1999. He has been Associate Producer of several BBC TV music programmes, including the story of Ulster rock and pop: ‘So Hard To Beat’ in 2007. He has also been the scriptwriter / researcher for a series of BBC Radio 2 documentaries on U2, Thin Lizzy and Elvis Costello. Stuart is now CEO of Oh Yeah, a dedicated music centre in Belfast. Popular Music In September 1968 Van Morrison was in NewYork, recording a series of songs about life back in Belfast. This was his Astral Weeks album, one of his most important works. It was also a vivid snapshot of Northern Ireland just before the climate changed dramatically with the outbreak of the Troubles. In Morrison’s sentimental picture, there were youthful voices, parties and high-spirits; flamboyant figures such as Madame George cruised the streets of Belfast as the post-war generation challenged social conventions. The hippy ideals were already receding in America, but Belfast had experienced a belated Summer of Love and a blossoming social life. -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
Banos.10.3.P2alfinal Maquetación 3
RMC Original JMM Ingeniería genética en el cine: el caso de las quimeras Gemma Rodríguez, Josep-E Baños Facultad de Ciencias de la Salud y de la Vida. Universitat Pompeu Fabra. Barcelona (España). Correspondencia: Josep-E Baños. Departamento de Ciencias Experimentales y de la Salud. Universitat Pompeu Fabra. Dr. Aiguader 88. 08003 Barcelona (España). e-mail: [email protected] Recibido el 9 de enero de 2014; aceptado el 29 de enero de 2014 Resumen El desarrollo de la genética molecular durante la segunda mitad del siglo XX ha permitido plantear situa- ciones que hasta entonces se mantenían dentro de la biociencia ficción. Entre ellas se encuentra la posi- bilidad de realizar quimeras mediante la combinación de material genético. El cine ha reflejado repetida- mente esta posibilidad a partir de obras literarias o directamente de guiones cinematográficos. El pre- sente artículo analiza algunas películas que ayudan a comprender las creencias sociales sobre las quimeras a lo largo del último siglo. Se consideran La isla de las almas perdidas/Island of lost souls (1932) de Erle C. Kenton, La isla del Doctor Moreau/ The island of doctor Moreau (1977) de Don Taylor, La mosca/ The fly en las versions de Kurt Neumann (1958) y de David Cronenberg (1986), Mimic (1997) de Guillermo del Toro y Splice. Experimento mortal/ Splice (2009) de Vincenzo Natali. Las principales conclu- siones del análisis son la presencia de una visión negativa a la posibilidad de construir quimeras con argu- mentos similares en la crítica de Frankenstein, así como una aproximación prácticamente ausente a la posible utilidad de seres de tales características. -
Paul Weller Wild Wood
The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month. -
Jukebox Oldies
JUKEBOX OLDIES – MOTOWN ANTHEMS Disc One - Title Artist Disc Two - Title Artist 01 Baby Love The Supremes 01 I Heard It Through the Grapevine Marvin Gaye 02 Dancing In The Street Martha Reeves & The Vandellas 02 Jimmy Mack Martha Reeves & The Vandellas 03 Reach Out, I’ll Be There Four Tops 03 You Keep Me Hangin’ On The Supremes 04 Uptight (Everything’s Alright) Stevie Wonder 04 The Onion Song Marvin Gaye & Tammi Terrell 05 Do You Love Me The Contours 05 Got To Be There Michael Jackson 06 Please Mr Postman The Marvelettes 06 What Becomes Of The Jimmy Ruffin 07 You Really Got A Hold On Me The Miracles 07 Reach Out And Touch Diana Ross 08 My Girl The Temptations 08 You’re All I Need To Get By Marvin Gaye & Tammi Terrell 09 Where Did Our Love Go The Supremes 09 Reflections Diana Ross & The Supremes 10 I Can’t Help Myself Four Tops 10 My Cherie Amour Stevie Wonder 11 The Tracks Of My Tears Smokey Robinson & The Miracles 11 There’s A Ghost In My House R. Dean Taylor 12 My Guy Mary Wells 12 Too Busy Thinking About My Marvin Gaye 13 (Love Is Like A) Heatwave Martha Reeves & The Vandellas 13 The Happening The Supremes 14 Needle In A Haystack The Velvelettes 14 It’s A Shame The Spinners 15 It’s The Same Old Song Four Tops 15 Ain’t No Mountain High Enough Diana Ross 16 Get Ready The Temptations 16 Ben Michael Jackson 17 Stop! (in the name of love) The Supremes 17 Someday We’ll Be Together Diana Ross & The Supremes 18 How Sweet It Is Marvin Gaye 18 Ain’t Too Proud To Beg The Temptations 19 Take Me In Your Arms Kim Weston 19 I’m Still Waiting Diana Ross 20 Nowhere To Run Martha Reeves & The Vandellas 20 I’ll Be There The Jackson 5 21 Shotgun Junior Walker & The All Stars 21 What’s Going On Marvin Gaye 22 It Takes Two Marvin Gaye & Kim Weston 22 For Once In My Life Stevie Wonder 23 This Old Heart Of Mine The Isley Brothers 23 Stoned Love The Supremes 24 You Can’t Hurry Love The Supremes 24 ABC The Jackson 5 25 (I’m a) Road Runner JR.