DOCSLIB.ORG

Bärenreiter Chormusik Eine Auswahl 2017/2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bärenreiter Chormusik Eine Auswahl 2017/2018 YOUR NEXT PERFORMANCE IS WORTH IT Bärenreiter Chormusik Eine Auswahl 2017/2018 Discover baerenreiter.com 1 Urtext-Posters-A2.indd 7 23/03/2017 08:54 INHALT Gemischter Chor Komponisten und ihre Werke in alphabetischer Folge .................. 3 Sammlungen .............................................................................................39 Für 3 Stimmen .......................................................................................... 44 Männerchor .........................................................................................45 Frauenchor ..........................................................................................46 Kinderchor .......................................................................................... 50 Musikbücher ..................................................................................... 52 Register Themenregister .........................................................................................58 Editionsnummern ....................................................................................60 ABKÜRZUNGEN UND ZEICHENERKLÄRUNG Die eingeklammerten Ziffern st stimmig Stand: August 2017 am Schluss der bibliographischen Vc Violoncello Angaben bezeichnen den Mit Erscheinen dieses Verzeichnisses dt deutscher Text Schwierigkeitsgrad: verlieren frühere Verzeichnisse engl englischer Text 1 = sehr leicht / 2 = leicht franz französischer Text ihre Gültigkeit. 3 = mittelschwer / 4 = schwer lat lateinischer Text 5 = sehr schwer tsch tschechischer Text Noten u. Bücher sind preisgebunden. BA Bärenreiter-Ausgabe Preisänderung, Irrtum und Lieferungs- BE Bosse-Ausgabe möglichkeit bleiben vorbehalten. ISBN Internationale Standardbuchnummer Auslieferungsbeschränkung ) (nicht weltweit lieferbar * bedeutet, dass folgende www.facebook.com/ Staffelpreise gelten: ° Aufführungsmaterial käuflich baerenreiter ab 10 Ex. 10% www.twitter.com/ ♦ Aufführungsmaterial leihweise ab 25 Ex. 15% BarenreiterUK ab 50 Ex. 20% www.youtube.com/ ▲ POD (Print on Demand) ab 100 Ex. 25% Nachlass BaerenreiterVerlag ✆ Inhaltsverzeichnis ▼ Mindestbestellmenge: 10 Ex. Ed./Hg. Herausgeber/ Bärenreiter-Verlag herausgegeben von ◼ Mengenpreise möglich Karl Vötterle GmbH & Co. KG Bc Basso continuo Heinrich-Schütz-Allee 35-37 ChSt Chorstimme + unverbindliche Preisempfehlung 34131 Kassel · Deutschland Chorpart. Chorpartitur www.baerenreiter.com Kb Kontrabass E-Mail:[email protected] KlA Klavierauszug Part. Partitur Künstlerfoto Titelseite: Printed in Germany TP Studienpartitur Marco Borggreve 8/1708/7 · SPA 481 2 GEMISCHTER CHOR Komponisten Urtext der Neuen Bach-Ausgabe Klavierauszug: A. H. Gomme Ed. A. Mendel (4) ° (4) ♦ BA 5037-01 Partitur Ln € 107,– BA 5209 Partitur € 58,– Altenburg, Michael BA 5037-96, -97, -98, -99 BA 5209-90 KlA € 20,50 (1584–1640) ChSt (dt/engl) je € 4,75▼ BA 5037-90 Matthäus-Passion KlA (dt/engl) € 14,95 BWV 244 für Soli (T [Evangelist], TP 197 € 21,95 B [Jesus], SATB), zwei Chöre (SATB+SATB) und Orchester. Werkeinführung S. 54 Nach dem Urtext der Neuen Bach-Ausgabe Magnificat D-Dur Ed. A. Dürr, Vorarbeiten M. BWV 243 (mit den vier Einlage- Schneider (4) ° sätzen aus der Es-Dur-Fassung BA 5038-01 Partitur Ln € 113,– BWV 243a, transponiert) für Soli BA 5038-96, -97, -98, -99 (SSATB), Chor (SSATB), Orchester ChSt (dt/engl) je € 6,25▼ und Orgel (lat). Nach dem Urtext BA 5038-90 der Neuen Bach-Ausgabe KlA (dt/engl) € 16,95 Ed. A. Dürr (3) ° TP 196 € 21,95 BA 5103 Partitur € 25,50 Werkeinführung S. 54 BA 5103-91 Chorpart. € 4,75▼ BA 5103-90 KlA € 8,– Faksimile S. 56 TP 2 € 8,25 Laß leuchten uns dein' Stern Magnificat Es-Dur Sieben Motetten und Lieder zur BWV 243a (mit den vier Einlage- Weihnachtszeit (SATB, SSATB) sätzen) für Soli (SSATB), Chor Ed. K. Winkler (2/3) (SSATB), Orchester und Orgel Chor-Archiv (lat). Nach dem Urtext der BA 6946 € 7,75*▼ Neuen Bach-Ausgabe Ed. A. Dürr (3) ° BA 5208 Partitur € 26,50 BA 5208-90 KlA € 9,50 Bach, Carl Philipp Emanuel (1714–1788) TP 58 € 12,50 Magnificat Einlagesätze: Vom Himmel Wq 215. Bearbeitet für Soli (SATB), hoch / Freut euch und jubilieret / Chor (SATB) und Orgel (lat) Gloria in excelsis / Virga Jesse Ed. A. Köhs (2/3) floruit Chor & Orgel Matthäus-Passion BA 7517 Partitur € 14,50 Frühfassung BWV 244b für Soli (T [Evangelist], B [Jesus], SATB), zwei Chöre (SATB+SATB) und Bach, Johann Sebastian Orchester. Nach dem Urtext (1685–1750) der Neuen Bach-Ausgabe Ed. A. Glöckner (4) ° Große Vokalwerke BA 5099-01 Partitur Ln € 188,– BA 5099-90 Himmelfahrts-Oratorium KlA (dt/engl) € 21,50 BWV 11 für Soli (SATB), Chor (SATB) und Orchester (dt). Matthäus-Passion BWV 244 Nach dem Urtext der In den Versionen von Neuen Bach-Ausgabe Felix Mendelssohn Bartholdy Ed. P. Brainard (3–4) ° Berlin 1829 und Leipzig 1841. BA 10011 Partitur Für Soli (Soprano in ripieno, = TP 1011 € 11,95 SATB), Chor (SATB) (2) und BA 10011-90 Orchester (dt) Markus-Passion KlA (dt/engl) € 8,95 Urtext BWV 247 für Soli (T [Evangelist], Ed. K. Winkler (3) ♦ B [Jesus], SAT), Chor (SATB) und Johannes-Passion BA 9088-90 KlA € 32,95 Orchester (dt). Rezitative und BWV 245 für Soli (T [Evangelist], turbae von Reinhard Keiser B [Jesus], SATB), Chor (SATB), (1674–1739). Orchester und Orgel. Nach dem Rekonstruktion, Edition und Discover baerenreiter.com 3 GEMISCHTER CHOR Messe h-Moll – Missa G-Dur Kantaten (Missa, Symbolum Nicenum, BWV 236 für Soli (SATB), Chor Nach dem Urtext der Sanctus, Osanna, Benedictus, (SATB), zwei Oboen, zwei Violi- Neuen Bach-Ausgabe Agnus Dei et Dona nobis pacem) nen, Viola und Bc ° BWV 232. Für Soli (SSATB), Chor BA 5185 Partitur € 11,50 – Also hat Gott die Welt geliebt ▼ (SATB, 5- bis 8stimmig), Orchester BA 5185-91 Chorpart. € 5,25 Kantate BWV 68 zum 2. Pfingst- und Orgel (lat). Nach dem Urtext BA 5185-90 KlA € 9,50 tag für Soli (SB), Chor (SATB), der Neuen Bach-Ausgabe – Orchester und Orgel (dt) Revidierte Edition – Missa g-Moll Ed. A. Dürr, A. Mendel (4) ° Ed. U. Wolf (4) ° BWV 235 für Soli (SATB), Chor BA 10068 Partitur € 23,50 BA 5935 Dirigierpartitur (SATB), zwei Oboen, zwei Violi- BA 10068-91 Chorpart. € 3,95▼ kart. € 82,– nen, Viola und Bc ° BA 10068-90 KlA € 7,50 BA 5935-01 Partitur Ln € 303,– BA 5184 Partitur € 10,75 ▼ BA 5935-90 KlA € 12,95 BA 5184-91 Chorpart. € 5,25 – Bereitet die Wege, bereitet die TP 1232 € 19,50 BA 5184-90 KlA € 9,25 Bahn Kantate BWV 132 zum 4. Advent Weiterhin lieferbar: für Soli (SATB), Chor (SATB), – Das Aufführungsmaterial Orchester und Orgel (dt) zum »alten« NBA-Band (BA 5102) Johann Sebastian Bach Ed. A. Dürr, W. Neumann (4) ° BA 10132 Partitur € 19,50 BA 5001-01 Partitur Ln € 107,– Sämtliche Kantaten, BA 10132-91 Chorpart. € 2,95▼ BA 5102-92 KlA € 13,95 Choräle und Motetten BA 10132-90 KlA € 6,50 Werkeinführung S. 54 Urtext. Studienpartitur-Edition Faksimile S. 56 in 19 Bänden – Bleib bei uns, denn es will Abend mit mehr als 11.000 Seiten werden Messe h-Moll, TP 2004 € 811,– Kantate BWV 6 zum 2. Ostertag Frühfassungen für Soli (SATB; Solo-Sopran Missa BWV 232I, Fassung 1733. kann auch vom Chor gesungen Credo in unum Deum BWV 232II/1, werden), Chor (SATB), Orchester Frühfassung in G. Sanctus und Orgel (dt) BWV 232III, Fassung 1724. Für Soli Ed. A. Dürr (3) ° (SSATB), Chor (SSSATB), Orchester BA 10006 Partitur € 26,50 und Bc (lat). Nach dem Urtext BA 10006-90 KlA € 6,50 der Neuen Bach-Ausgabe Ed. U. Wolf (4) ° – Brich dem Hungrigen dein Brot BA 5293-01 Partitur Ln € 134,– Kantate BWV 39 zum 1. Sonntag BA 5293-90 KlA € 19,50 nach Trinitatis für Soli (AT), Chor (SATB), Orchester und Orgel (dt/engl) Ed. A. Dürr ° Lutherische Messen Weihnachts-Oratorium BWV 233-236 (lat) BA 10039 Part. BWV 248 für Soli (SATB), Chor Nach dem Urtext der = TP 1039 € 10,25 (SATB), Orchester und Orgel Neuen Bach-Ausgabe BA 10039-90 KlA € 7,95 (dt/engl). Nach dem Urtext der Ed. E. Platen (4) Neuen Bach-Ausgabe – Christ lag in Todes Banden Ed. W. Blankenburg, A. Dürr (4) ° – Missa A-Dur Kantate BWV 4 zum 1. Ostertag BA 5014-01 Partitur Ln € 113,– BWV 234 für Soli (SATB), Chor für Soli (SATB), Chor (SATB), BA 5014-96/-97/-98/-99 (SATB), zwei Flöten, zwei Violi- Streicher und Bc; Cornetto und ChSt je € 4,75▼ nen, Viola und Bc ° drei Posaunen ad lib. (dt/engl) BA 5014-90 BA 5183 Partitur € 11,50 Ed. A. Dürr (3) ° KlA (dt/engl) € 14,95 BA 5183-91 Chorpart. € 4,75▼ BA 10004 Partitur TP 85 € 22,50 BA 5183-90 KlA € 7,95 = TP 1004 € 8,25 Hieraus: Weihnachtschoräle BA 10004-90 KlA € 8,95 – Missa F-Dur BA 6230 S. 10 BWV 233 für Soli (SATB), Chor – Der Friede sei mit dir Hieraus: Chorsätze (SATB), zwei Oboen, Fagott, Kantate BWV 158 zum 3. Oster- Chor & Orgel S. 8 zwei Hörner, zwei Violinen, Viola tag für Solo-Bass, Chor (SATB), und Bc ° Werkeinführung S. 54 Oboe, Violine (Flöte) und Bc (dt) BA 5182 Partitur € 11,50 Ed. A. Dürr (4) ° BA 5182-91 Chorpart. € 5,25▼ BA 10158 Partitur € 11,95 ▼ BA 5182-90 KlA € 8,25 BA 10158-91 Chorpart. € 2,95 BA 10158-90 KlA € 5,75 ° Aufführungsmaterial käuflich 4 GEMISCHTER CHOR – Der Himmel lacht! Die Erde – Erschallet, ihr Lieder – Gleichwie der Regen und Schnee jubilieret Kantate BWV 172 zum 1. Pfingst- vom Himmel fällt Kantate BWV 31 zum 1. Ostertag tag für Soli (SATB), Chor (SATB), Kantate BWV 18 zum Sonntag für Soli (STB), Chor (SSATB), Orchester und Orgel (C-Dur- Sexagesimae für Soli (STB), Chor Orchester und Orgel (dt/engl) Fassung) (dt) (SATB), Orchester und Orgel Ed. A. Dürr (3) ° Ed. D. Kilian (3) ° (Leipziger Fassung) (dt/engl) BA 10031 Partitur BA 10172 Partitur Ed. W. Neumann (3/4) ° = TP 1031 € 10,75 = TP 1172 € 8,75 BA 10018 Partitur BA 10031-90 KlA € 9,25 BA 10172-91 Chorpart. € 2,95▼ = TP 1018 € 8,25 BA 10172-90 KlA € 6,50 BA 10018-91 Chorpart. € 3,50▼ BA 10018-90 KlA € 5,50 – Es ist dir gesagt, Mensch, was gut ist Kantate BWV 45 zum 8. Sonntag nach Trinitatis für Soli (ATB), Chor (SATB), Orchester und Orgel (dt) Ed. A. Dürr (4) ° BA 10045 Partitur = TP 1045 € 9,95 BA 10045-90 KlA € 7,95 – Es ist ein trotzig und verzagt Ding Kantate BWV 176 zu Trinitatis für Soli (SATB), Chor (SATB), Orchester und Orgel (dt) Ed. R. Freeman (3) ° – Ein feste Burg ist unser Gott BA 10176 Partitur Kantate BWV 80 zum Reforma- = TP 1176 € 8,25 tionsfest für Soli (SATB), Chor BA 10176-91 Chorpart.
Load more

Recommended publications
  • FEST05 Lutheran Vespers.Indd
    the artists programme thursday august 3 at 1:00 pm | christ church cathedral Madeline Lucy Smith lutheran vespers: soprano songs for troubled times Shane Hanson countertenor Samuel Scheidt (1587-1654): Erik Kallo Tulerunt Dominum countertenor / tenor Taka Shimojima tenor Heinrich Schütz (1585-1672): Die mit Tränen säen Ian Bannerman tenor Johann Rudolph Ahle (1625-1673): O lux beata Trinitas Jacob Gramit bass with Johann Rudolph Ahle: Magnificat à 7 Ellen Marple Heinrich Schütz: Jeremy Berkman Herr nun lässest du deinen Diener Nathan Wilkes Alexander J. Fisher sackbuts Hans Leo Hassler (1564-1612): Pater Noster Christopher Bagan Johann Christoph Bach (1642-1703): organ Der Gerechte ob er gleich Johann Michael Bach (1648-1694): Ich weiß, daß mein Erlöser lebt Johann Hermann Schein (1586-1630): Da pacem Domine Andrea Gabrieli (1532-1585): Benedicam Dominum Pre-concert chat with host Matthew White at 12:15: Jacob Gramit THE UNAUTHORISED USE OF ANY VIDEO OR AUDIO RECORDING DEVICE IS STRICTLY PROHIBITED earlymusic.bc.ca Text Insert - Lutheran Vespers: Songs for Troubled Times Vancouver Bach Festival 2017 1 programme notes Between 1618 and 1648, Europe and Germany in particular were ravaged by the Thirty Years’ War. Following the Peace of Westphalia, the immediate conflicts were stayed, but the feelings of uncertainly remained, as they often do in the aftermath of a political upheaval. In the Lutheran church, the music for the evening Vespers service reflected this, praying for safety as the light of day turned into the uncertainty and potential danger of night. In a concert rather than a liturgical context, today’s programme samples music that could have been found in the context of that service.
    [Show full text]
  • Magnificat JS Bach
    Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16
    [Show full text]
  • Concordia Theological Quarterly
    CONCORDIA THEOLOGICAL QUARTERLY Volume 84:1–2 January/April 2020 Table of Contents Christology as Basis for Lutheran Theology Aaron M. Moldenhauer ................................................................................... 3 Double Truth? Daniel Hofmann and the Discussion on the Relation of Theology and Philosophy Roland F. Ziegler ............................................................................................ 23 Illumination, Healing, and Redirection: A Lutheran Philosophy of Reason Angus Menuge ................................................................................................ 39 The Challenge of Karl Barth’s Doctrine of the Word of God Jack D. Kilcrease ............................................................................................. 59 Luther on the Fulfillment of the Law: Five Theses for Contemporary Luther Studies Brian T. German ............................................................................................. 83 Fellowship in Its Necessary Context: The Doctrine of the Church and the Overseas Theses of 1961 Jonathan G. Lange ........................................................................................ 101 Praying the Psalms with Jesus and His Body Thomas M. Winger ...................................................................................... 119 Contraception: An Embryo’s Point of View Donna J. Harrison ........................................................................................ 137 Theological Observer ................................................................................................
    [Show full text]
  • Vox Luminis Lionel Meunier, Founder and Artistic Director THU / OCT 11 / 7:30 PM
    Vox Luminis Lionel Meunier, Founder and Artistic Director THU / OCT 11 / 7:30 PM Zsuzsi Tóth SOPRANO Stefanie True SOPRANO Caroline Weynants SOPRANO Victoria Cassano SOPRANO Alexander Chance ALTO Jan Kullmann ALTO Robert Buckland TENOR Philippe Froeliger TENOR Olivier Berten TENOR David Lee TENOR Sebastian Myrus BASS Lionel Meunier BASS & ARTISTIC DIRECTOR Anthony Romaniuk ORGAN Ricardo Rodríguez Miranda VIOLA DA GAMBA PERFORMANCES MAGAZINE 8 ABOUT THE PROGRAM PROGRAM Martin Luther (1483-1546) “Music for farewell” Mit Fried und Freud ich fahr dahin The hymn Mit Fried und Freud ich fahr dahin (“In peace and joy Martin Luther (1483-1546) I now depart”) by Martin Luther is a paraphrase in German of Mit Fried und Freud ich fahr dahin (verses 1 & 4) the Latin “Nunc dimitis,” which is the canticle of Simeon. Luther created the text and melody in 1524, and it was first published in the same year. It has been used for funerals and appears in Schütz’ Heinrich Schütz (1585-1672) Musikalische Exequien and Bach’s chorale cantata Mit Fried und Musikalische Exequien, "Funeral Mass", Op. 7 Freud ich fahr dahin, BWV 125. Concert in Form einer teutschen Begräbnis-Missa SWV 279 Heinrich Schütz (1585-1672) Motette: Herr, wenn ich nur Musikalische Exequien, “Funeral Mass”, Op. 7 dich habe SWV 280 Heinrich Schütz, the greatest German composer of the 17th Canticum B. Simeonis: Herr, nun lässest du century, belonged to a prominent bourgeois family. Facile in deinen Diener in Friede fahren SWV 281 many languages, Schütz also showed an early gift for music. The Landgrave Moritz, who was a distinguished musical amateur, INTERMISSION heard him sing in 1598, and was so impressed that he invited him to his court in Kassel, where Schütz would attend the Collegium Mauritianum, a school for local nobles.
    [Show full text]
  • Old Testament Background of the Magnificat James T
    Marian Studies Volume 12 Article 12 1-24-1961 Old Testament Background of the Magnificat James T. Forestell Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Part of the Catholic Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Forestell, James T. (1961) "Old Testament Background of the Magnificat," Marian Studies: Vol. 12, Article 12, Pages 205-244. Available at: https://ecommons.udayton.edu/marian_studies/vol12/iss1/12 This Article is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Forestell: Old Testament Background of the Magnificat OW TESTAMENT BACKGROUND OF THE MAGNIFICAT Mary's Magnificat has always been recognized to reflect the Old Testament in almost every phrase. Some have even suggested that it is simply a mosaic of Old Testament cita~ tions.1 Any commentator will point to a number of texts scattered throughout the Old Testament which offer verbal similarity with the Magnificat. Upon closer examination it is obvious that these similarities are not accurate enough to support the view that the Magnificat was composed as a patchwork quilt from Old Testament texts.2 This is true 1M-]. Lagrange, OP., EvCIJlg1le sdon Saint Luc (4th ed, Pam, 1921) still offers the most complete commentary on the text He suggests a great many OT parallels U. Hob:meuter, Tna ront1ca N, T., m VD 26 (1948) 360 collSlders the Magnificat "quasi mu.nvum e-,; lap:Jlis textuum b1bkcorum arte maxima composdorom." V, Hamp, Der alltestamentliche Hintergrund des Magmfikat, m BK 2 (1952) 17.
    [Show full text]
  • Bärenreiter Chormusik Eine Auswahl 2019/2020
    Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Bärenreiter Chormusik Eine Auswahl 2019/2020 Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG · Heinrich-Schütz-Allee 35–37 · 34131 Kassel · Germany Discover baerenreiter.com 1 [email protected] · www.baerenreiter.com · SPA 481 INHALT GEMISCHTER CHOR Gemischter Chor Komponisten Johannes-Passion Matthäus-Passion BWV 245 für Soli (T [Evangelist], BWV 244 für Soli (T [Evangelist], Komponisten und ihre Werke in alphabetischer Folge ..................4 B [Jesus], SATB), Chor (SATB), B [Jesus], SATB), zwei Chöre Sammlungen .............................................................................................42 Altenburg, Michael Orchester und Orgel. Nach dem (SATB+SATB) und Orchester. (1584–1640) Für 3 Stimmen .......................................................................................... 46 Urtext der Neuen Bach-Ausgabe Nach dem Urtext der Neuen Ed. A. Mendel (4) ° Bach-Ausgabe. Ed. A. Dürr, BA 5037-01 Partitur Ln € 114,– Vorarbeiten M. Schneider (4) ° Männerchor .........................................................................................47 BA 5037-02 BA 5038-01 Partitur Ln € 124,– Dirigierpartitur kart. € 69,– BA 5038-02 Dirigierpart. kart. KlA von W. H. Bernstein (Durch- ET: Oktober 2019 ca. € 79,– 49 Frauenchor .......................................................................................... sicht u. Überarbeitung von A. Köhs) KlA von E. Müller (Durchsicht BA 5037-90 u. Überarbeitung von A. Köhs) KlA rev. (dt/engl) € 15,50 Kinderchor .......................................................................................... 53 BA 5038-90 BA 5037-96, -97, -98, -99 KlA rev. (dt/engl) € 17,50 ChSt (dt/engl) je € 4,95▼ 55 BA 5038-96, -97, -98, -99 Musikbücher ..................................................................................... TP 197 € 21,95 ▼ Faksimiles ........................................................................... 59 ChSt (dt/engl) je € 6,50 Werkeinführung S. 57 TP 196 € 21,95 Werkeinführung S. 57 Magnificat D-Dur Register Faksimile S.
    [Show full text]
  • Number Composer Arranger Title Publisher Instrumentation Inventory 504 Don't Sit Under the Apple Tree MS 9 651 Carols for Choirs
    number composer arranger title publisher instrumentation inventory 504 Don't sit under the apple tree MS 9 Oxford 651 Carols for choirs 3. The Oxford Book - SATB 13 University Press Oxford 650 Carols for choirs 1,The Oxford Book - SATB 140 University Press Paulus 957 Pilgrims' Hymn (from the Church Opera The Three Hermits) Publications SATB a cappella 56 SP101 Jenson Distinctive 647h Dale Warland Christmas editions, Vol. II Publications 419- accompaniment 57 23054/Vol II s 73 Adamo, Mark Supreme Virtue, No. 10 MS - 1 copy only Double choir 1 906 Aguiar, Ernani Psalm 150 (Salmo 150) earthsongs SATB a cappella 54 983 Albright, William Chichester Mass (Agnus Dei, Gloria, Kyrie, Sanctus) Editions Peters SATB 43 Walton Music Corporation WGK-111; AB 26 Alfven, Hugo Maiden is in a Ring, A (Och jungfrun hon gar I ringen) SATB a cappella 37 Carl Gehrmans Musikforlag. Stockholm 55 Alfven, Hugo Aftonen Walton Music 51 Augsburg 382 Alwes, Chester Let all the people praise thee SATB 8 Publishing 358 Anonymous Verbum caro: dies est laetitiae MS 44 357 Anonymous Nova, nova MS 46 399 Anonymous Ave maria (Gregorian chant) MS SATB 17 Boosey & SATB, 172 Argento, Dominick I Hate and I Love 51 Hawkes percussion SATB, Boosey & 847 Argento, Dominick Toccata of Galuppi's, A harpsichord, 41 Hawkes string quartet Boosey & 239 Argento, Dominick Peter Quince at the clavier SATB, piano 40 Hawkes Boosey & 480 Argento, Dominick Gloria (from The Masque of Angels) SATB 96 Hawkes Boosey & SSA Harp and 63 Argento, Dominick Tria Carmina Paschalia Hawkes B.H. Bk. 21 Guitar
    [Show full text]
  • Music Next to Theology: the Impact and Influence of Martin Luther's Reformation on Johann Sebastian Bach
    Musical Offerings Volume 10 Number 2 Fall 2019 Article 3 10-7-2019 Music next to Theology: The Impact and Influence of Martin Luther's Reformation on Johann Sebastian Bach James H. Ryan Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Fine Arts Commons, and the Musicology Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Ryan, James H. (2019) "Music next to Theology: The Impact and Influence of Martin Luther's Reformation on Johann Sebastian Bach," Musical Offerings: Vol. 10 : No. 2 , Article 3. DOI: 10.15385/jmo.2019.10.2.3 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol10/iss2/3 Music next to Theology: The Impact and Influence of Martin Luther's Reformation on Johann Sebastian Bach Document Type Article Abstract The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life's work was that of the Protestant Reformation and the theology of the Lutheran church. Through this research, it is evident that Bach strongly held to the doctrines and theology of the Lutheran church and that his employment in the Lutheran church was not merely a vocation for him, but an outward expression of his inward religious and theological conviction.
    [Show full text]
  • Orlande De Lassus
    LaudentSACRED Deum MUSIC BY ORLANDE DE LASSUS His Majestys Sagbutts & Cornetts Choir of St John’s College, Cambridge CHANDOS early music Andrew Nethsingha Orlande de Lassus, 1580 Painting by Johann von Achen (Hans von Aachen) (1552 – 1615) © Lebrecht Music & Arts Photo Library Orlande de Lassus (1530 / 32 – 1594) premiere recording 1 Ecce nunc benedicite Dominum*† 2:22 premiere recording 2 Veni in hortum meum 4:11 premiere recording 3 Qui sequitur me 1:26 Leo Tomita • Jonathan Langridge soloists 4 Resonet in laudibus*† 3:37 Julian Gregory • Pablo Strong • Tristan Hambleton soloists premiere recording 5 Sine textu 15* 1:47 6 Omnes de Saba venient*† 2:38 premiere recording 7 Qui moderatur sermones suos*† 2:03 premiere recording 8 Exaudi, Deus, orationem meam 2:12 9 Jubilate Deo, omnis terra*† 1:37 3 premiere recording 10 Sine textu 19* 2:06 11 Timor et tremor 5:15 12 Omnia tempus habent*† 4:02 13 Alleluia, laus et gloria 1:08 premiere recording 14 Magnificat tertii toni 4:58 Basil McDonald cantor premiere recording 15 Quid gloriaris in malitia*† 4:55 16 Laudate pueri Dominum*† 3:48 premiere recording 17 O Maria, clausus hortus 2:07 Leo Tomita • Bradley Smith • Tristan Hambleton soloists 18 Laetentur caeli 3:26 19 Laudent Deum cithara*† 0:42 4 premiere recording 20 Sine textu 13* 2:02 premiere recording 21 O peccator, si filium Dei*† 3:29 premiere recording 22 Fratres, qui gloriatur*† 2:32 premiere recording 23 Agimus tibi gratias 1:18 Julian Gregory • Francis Williams • Pablo Strong soloists premiere recording 24 Magnificat ‘O che vezzosa aurora’*† 7:07 Bradley Smith cantor Leo Tomita • Pablo Strong • Tristan Hambleton soloists TT 71:00 His Majestys Sagbutts & Cornetts* Timothy Ravalde organ† Choir of St John’s College, Cambridge Andrew Nethsingha 5 organ Timothy Ravalde by Justin Sillman & Co.
    [Show full text]
  • Download Issue
    AMERICAN CHORAL REVIEW GEORGE]. BUELOW •• A SCHUTZ READER Documents of Performance Practice JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XXVII • NUMBER 4 • OCTOBER, 1985 AMERICAN CHORAL REVIEW ALFRED MANN, Editor ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD jACKSON MARTIN PICKER WESLEY S. COFFMAN The AMERICAN CHORAL REVIEW is published quarterly as the official journal of The American Choral Foundation, Inc. The Foundation also publishes a supplementary Research Memorandum Series. Membership in The American Choral Foundation is available for an annual contribution of $27.50 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's advisory services. All contributions are tax deductible. Multiple back issues of the AMERICAN CHORAL REVIEW and Research Memorandum Series are housed and maintained at the Temple University Boyer College of Music, Philadelphia, Department of Choral Activities, Alan Harler, Chairman. A computerized, annotated listing of the contents of back issues by author, title, subject, and period has been assembled as a joint project of Temple University and the American Choral Foundation. Back issues of the AMERICAN CHORAL REVIEW are available to members at $5.00; back issues of the Research Memorandum Series at $2.00. Bulk prices will be quoted on request. Through affiliation with the American Choral Directors Association the Foundation offers membership to American Choral Directors Association members at a reduced contribution amount. Please consult the boxed announcement on the inside back cover for details. THE AMERICAN CHORAL FOUNDATION, INC. Administered by the Association of Professional Vocal Ensembles Janice F.
    [Show full text]
  • Pianodisc Music Catalog.Pdf
    Welcome Welcome to the latest edition of PianoDisc's Music Catalog. Inside you’ll find thousands of songs in every genre of music. Not only is PianoDisc the leading manufacturer of piano player sys- tems, but our collection of music software is unrivaled in the indus- try. The highlight of our library is the Artist Series, an outstanding collection of music performed by the some of the world's finest pianists. You’ll find recordings by Peter Nero, Floyd Cramer, Steve Allen and dozens of Grammy and Emmy winners, Billboard Top Ten artists and the winners of major international piano competi- tions. Since we're constantly adding new music to our library, the most up-to-date listing of available music is on our website, on the Emusic pages, at www.PianoDisc.com. There you can see each indi- vidual disc with complete song listings and artist biographies (when applicable) and also purchase discs online. You can also order by calling 800-566-DISC. For those who are new to PianoDisc, below is a brief explana- tion of the terms you will find in the catalog: PD/CD/OP: There are three PianoDisc software formats: PD represents the 3.5" floppy disk format; CD represents PianoDisc's specially-formatted CDs; OP represents data disks for the Opus system only. MusiConnect: A Windows software utility that allows Opus7 downloadable music to be burned to CD via iTunes. Acoustic: These are piano-only recordings. Live/Orchestrated: These CD recordings feature live accom- paniment by everything from vocals or a single instrument to a full-symphony orchestra.
    [Show full text]
  • V-By Song Title
    V6C030 Christmas Prayer L. Adams V8D002 Folk Dances Of Latin America (C.D.) D. Cavalier V6A065 Run Children Run S. Hatfield V7B126 "B Is For Bully: 1 T. Ed. , 16 st. ed. A. Gotlib & A. Brass V7B126C "B Is For Bully: Accompaniment Tape A. Gotlib & A. Brass V7B127D "Bugz"- Performance & Accompaniment CD J. Jacobson & J. Higgins V7B127 "Bugz"- Teachers Manual- Repro Pack J. Jacobson & J. Higgins V1D123 c.1 "Cats"- Vocal Selections Hal Leonard V1D123 c.2 "Cats"- Vocal Selections Hal Leonard V6D004 "Joy To The World"- 15 Sacred Carols for Christmas- John Rutter Hinshaw V7B129 "The Family Feud"- Teacher's Manual with Performance & Accompaniment CD L. Fiftal V1B111 (A) The Big Red Bus (B) Grandfather Clock V1B117 (A) The Squirrel (B) Little Silver Fishes T. Dunhill V5D *See V4D002 Reflections of Canada Vol.2 (SSA, SAT, SAB) V7D001 …And A Glass Slipper L. I. Fallis V1D013 120 Christmas Songs (Voice and Piano) D. Nelson V1D050 40 French Hits of Our Times (Bk. 7) MCA V1D067 60 Silly Songs R. Edison V1B068 A Bag of Tools J.L. Hodd V4A023 A Blessing S. Porterfield V1C029 A Carol of Peace E. Thiman V6A061 A Celtic Prayer B. Peters V6C027 A Child Is Born M. Weir V3B231 A Child of Song D. Herring/ A. Beck V3A062 A Child's Credo Greg Gilpin V3B146 A Child's Hope M. Donnelly V1C002 A Christmas Carol J. Broeck V7C005 A Christmas Carol B. Treharne V7C046 A Christmas Carol L. Averill V7C065 c.1 A Christmas Carol J. Higgins V7C065 c.2 A Christmas Carol J.
    [Show full text]