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RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S
Manuscript description by Brittany Rancour RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S. XV2/4 CONTENT The Seven Penitential Psalms (f.1r); a Litany of the Saints (f.12v3); Agnus dei (f. 17v5), Alma Redemptoris Mater (f.18r1), Suffrages (f. 18v2), the Hours of the Cross (f.20v1); the Hours of the Holy Spirit at Matins (f.23v1); Memorials to the saints (f.26r1); the Office of the Dead with vespers, Matins (first, second, and third night readings), and Lauds (f.31r11-61v3); Prayers for use at Mass (f.63v7), the hymn Ave verum corpus (f.66r2), and the Obsecro te (f.67r1). MODERN EDITIONS Medievalist.net. “A Hypertext Book of Hours.” http://medievalist.net/hourstxt/home.htm. PHYSICAL DESCRIPTION Parchment. 71 folios. Multiple scribes. 9 quires I-II8, III6, IV-VIII8, IX9 lacking final blank. Catch words at the end of each quire provide the first word of the next quire. HF’FH. Bound, s. XV. Dimensions of folio 11.5 cm X 8.7 cm. Text dimensions 6 cm X 5 cm. 14 long lines, ruled by dry point with single vertical bounding lines. Prickings in outer margins. Gothic textura. Blank spaces left for miniatures (f.1r, 31r). Decorated initials in gold leaf, frequently with red pen flourishes. Decorated initial D in purple box (f.1r). Decorated initial D in a decorated square bordered in gold with gold dots and filled in purple, purple and gold dots continue staining the left upper and outer margins; the decoration is not complete, only part of the outer left margin has been stained purple, and some bole dots were added without the gold leaf decoration. -
The Seven Penitential Psalms
The Seven Penitential Psalms (translation- The Grail Psalter) Ad privatum usum Cathedral of Saint Paul Saint Paul, MN Cathedral of Saint Paul 239 Selby Avenue Saint Paul MN 55102 Image of Cassiodorus from a 12thc English Manuscript The ancient tradition in the Church of the Penitential Psalmody (Psalms 6, 32, 38, 51, 102, 130, and 143) is rich. In the 5th century writings of Possidius, we learn that Saint Augustine: …ordered the Davidic Psalms, which are few in number concerning penance, to be copied for him, and lying in bed he used to look at those pages which had been placed on the opposite wall and read them, and wept profusely and con- tinuously (Vita S. Augustini, xxxi) The first unequivocal reference to the seven “penitential” psalms as a group dates back to Cassiodorus (d. 580 A.D.), in his Expositio Psalmorum. In his masterful commentary on the last psalm (143), he On the Front Cover. Uriah the Hittite receives a letter from wrote of the “course of their blessed tears” that has just been com- King David. Secret orders in the letter direct that Uriah, husband of pleted, noting that the journey that begins in affliction, leads us “to Bathsheba, be sent to the “forefront of the hottest battle... that the hope of joys.” he may be smitten and die.” Overpainted woodcut depicts a scene from the Old Testament book of 2 Samuel, Chapter 11. Prior to Vatican II, these psalms found a place in the Church’s litur- Paris, ca.1510 A.D.. Latin text shown is taken from the open- gical and sacramental tradition, and their recovery as a tradition ing lines of Psalm 6. -
Reflections on Psalm 32.Pdf
Reflections on Psalm 32 Introduction Psalm 32 introduces us to a unique subcategory of the psalms of lament, a group of psalms referred to as the “penitential psalms” from the word “penitence” meaning contrition or remorse for sin (the other penitential psalms are Psalms 6, 38, 51, 102, 130, 143). These psalms describe the weakness and sinfulness of the psalmist who comes to God for forgiveness and deliverance. As we have seen, often the psalmist takes the stance of innocence when under attack by enemies; he suffers “unjustly” and asks God to deliver him because of his integrity and righteousness (see Psalm 7:3-9). Those psalms provide the true laments. However, other psalms describe times of trouble which came about as the result of sin. These psalms are still laments, but there is a sense of expected judgment, God’s “heavy hand.” Yet there remained the hope of deliverance because of God’s continuing, covenant love and mercy. Psalm 32 is another psalm of David. As with Psalm 24 last week, we are not told the exact circumstances in which David wrote this psalm, but it is generally believed that it has its origin in David’s response to God following the infamous affair with Bathsheba and the death of her husband (2 Sam. 11). This same context is explicitly stated in the superscription of Psalm 51, the most well-known penitential psalm, but it is not unlikely that more than one psalm arose out of this sordid and horrific episode in David’s life. Psalm 32 probably presents his later reflections on the pangs of conscience before that confession expressed in Psalm 51, and his making good on his promise to instruct the godly (Psalm 51:13). -
The Musical Encart of the Royal Printers Le Roy & Ballard in The
The Musical Encart of the Royal Printers Le Roy & Ballard in the 1583 Hours of Jamet Mettayer Held in the Musée de l’Amérique francophone in Quebec City geneviève b. bazinet University of Ottawa The Heures de Nostre Dame, a l’usage de Rome: selon la Reformation de Nostre S. Pere pape Pie VI pour la Congregation roiale des penitens de l’Annonciation de Nostre Dame, printed at the request of King Henri III by Royal Printer Jamet Mettayer (Paris, 1583) and held at the Musée de l’Amérique francophone in Quebec City, is a rare example of a Book of Hours that contains music. The musical encart printed by the Royal Printers of Music Le Roy & Ballard (Paris, 1583) follows the texts of the Hours and totals thirty-six pages. This article focuses on the music in the encart and its relationship to the rest of the book, and on references to music in the statutes of the Congrégation. The musical encart is an essential part of this Book of Hours as it provides music for the Hours of the Virgin and the other offices celebrated by theCongrégation , as well as insight into their musical performance practices. Les Heures de Nostre Dame, a l’usage de Rome: selon la Reformation de Nostre S. Pere pape Pie VI pour la Congregation roiale des penitens de l’Annonciation de Nostre Dame, imprimées à la demande du roi Henri III par l’imprimeur royal Jamet Mettayer (Paris, 1583) et conservées au Musée de l’Amérique francophone dans la ville de Québec, sont un exemple rare d’un livre d’Heures contenant de la musique. -
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them. -
Acknowledgements/Continued Hymns for the Church Year 1231
HymnsAcknowledgements/ for the Church Yearcontinued 1231 ADVENT I LENT II A – Awaken, Sleepers 393 A – Transform Us 880 The King Shall Come When Morning How Good, Lord, To Be Here! 881 Dawns 403 The Glory of These Forty Days 467 B – As Servants Working an Estate 411 B – Transform Us 880 C – When the Lord in Glory Comes 863 How Good, Lord, To Be Here! 881 From the Father’s Throne on High 865 The Glory of These Forty Days 467 C – Transform Us 880 ADVENT II How Good, Lord, To Be Here! 881 A – Wild and Lone the Prophet’s Voice 390 The Glory of These Forty Days 467 On Jordan’s Bank 392 B – Comfort, Comfort, O My People 402 LENT III A Morning Star Draws Near 400 A – Leaving Her Water Jar Behind 912 C – Wild and Lone the Prophet’s Voice 390 B – You Strode within the Temple, Lord A Morning Star Draws Near 400 729 C – Sovereign Maker of All Things 960 ADVENT III As the Winter Days Grow Longer 479 A – Are You the Coming One 399 When the King Shall Come Again 395 LENT IV B – The Moon with Borrowed Light 877 A – He Healed the Darkness of My Mind On Jordan’s Bank 392 976 C – Wild and Lone the Prophet’s Voice 390 Awake, O Sleeper, Rise from Death On Jordan’s Bank 392 915 B – What Wondrous Love 641 ADVENT IV What Love and Deep Devotion / Porque A – Though Famed in Israel’s Royal History de Tal Manera 648 396 C – Our Father, We Have Wandered 963 Savior of the Nations, Come 388 B – Unexpected and Mysterious 407 LENT V Also see nos. -
Cathedral of Saint Joseph, Manchester, New Hampshire
Cathedral of Saint Joseph Manchester, New Hampshire Sacred and Liturgical Music Program 2019 – 2020 (Liturgical Year C – A) Most Reverend Peter A. Libasci, D.D. Tenth Bishop of Manchester Very Reverend Jason Y. Jalbert Cathedral Rector Vicar General Director of the Office for Worship Mr. Eric J. Bermani, DMin (Cand.) Diocesan & Cathedral Director of Music/Organist 2 Music at The Cathedral of Saint Joseph 2019-2020 Welcome to a new season of sacred music at The Cathedral of Saint Joseph. Music has always played an important role in the life of this Cathedral parish. Included in this booklet is a listing of music to be sung by assembly, cantors and the Cathedral Choir, highlighting each Sunday, feast or liturgical season. “Sing to the Lord a new song: sing to the Lord all the earth. Sing to the Lord, and bless his Name: proclaim the good news of his salvation from day to day.” Psalm 96:1-2 “When there is devotional music, God is always at hand with His gracious presence.” J.S. Bach “Music for the liturgy must be carefully chosen and prepared.” Sing to the Lord (Music in Divine Worship) Article 122 “The treasury of sacred music is to be preserved and fostered with great care. Choirs must be diligently developed, especially in cathedral churches.” Constitution of the Sacred Liturgy, Article 114 “Music is the means of recapturing the original joy and beauty of Paradise.” St. Hildegard von Bingen “All other things being equal, Gregorian chant holds pride of place because it is proper to the Roman Liturgy. -
PSALM 16: Gethsemane, Gabbatha, Golgotha, the “Garden Tomb,” and the Glory
PSALM 16: Gethsemane, Gabbatha, Golgotha, the “Garden Tomb,” and the Glory Gordon Franz Introduction On occasions I teach a class on Christian Apologetics. The first assignment I give the students is to read through the entire Book of Acts and note each encounter that believers in the Lord Jesus Christ have with the unsaved in the book. The students are to make a list with: (1) the Christians who are doing the witnessing, (2) the unbelievers bring witnessed to, (3) what the apologetics are that the believers are using, (4) and what the response of the unsaved is to their message. The two main apologetics used by the Early Church in the Book of Acts are: first, the bodily resurrection of the Lord Jesus Christ; and second, the fulfillment of Bible prophecy. Psalm 16 is quoted on two occasions in the Book of Acts in order to demonstrate that the bodily resurrection of the Lord Jesus was the fulfillment of this psalm, predicted almost a thousand years before it happened. The first time the psalm is quoted is in Acts 2, Peter’s sermon on the day of Shavuot (Pentecost). The second time it is quoted is in Acts 13 when the Apostle Paul preached in the synagogue of Psidia Antioch on his first missionary journey. Superscription The superscription of Psalm 16 reads, michtam le David. The verbal root for the word “michtam” is to inscribe, to engrave, or write, like on a stele. One gets the impression of an inscription on a victory stele. A stele is an upright stone slab or pillar that has an inscription or some kind of design on it that serves as a monument for propaganda purposes or for veneration. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
The Splendour of Forgiveness in Psalm 32
The splendour of forgiveness in Psalm 32 A dissertation by BEN CELLIERS Presented to the Faculty of Theology and Religion in fulfilment of the requirements for the degree MTh in the Department of Old Testament and Hebrew Scriptures at the University of Pretoria Pretoria December 2019 Study Leader: Prof. D.J. Human DECLARATION I, Ben Celliers, now declare that the dissertation The splendour of forgiveness in Psalm 32 reflects my own understanding and research on the above title and that all references utilised and quoted are referenced in full and appropriate acknowledgements are given. Ben Celliers December 2019 2 ACKNOWLEDGEMENTS I want to express my appreciation and gratitude to my study leader Professor Dirk Human, who guided me with to become the best researcher I can be. His patience and guidance made this dissertation possible. To my loving wife, Rochelle, thank you for your love and encouragement. I will be forever thankful. For the times that we could spend together in proximity, even on holidays, working and relaxing together helped me tremendously. You are my bright and shining star, and I am thankful for having you in my life. I want to thank my parents, Ben and Hannetjie, for their wise counsel and financial support. My upbringing and believe in me made me the person I am today. Your belief in me helped me pursue my dreams, and your support made it all possible. To my Lord and Saviour Jesus Christ paved the way for me to write this dissertation and who supported me with the grace to do so, may You alone receive glory for every word written here. -
Reading the Psalms As Prophecy: the Example of Psalm 16
Leaven Volume 19 Issue 3 The Book of Psalms Article 7 1-1-2011 Reading the Psalms as Prophecy: the Example of Psalm 16 Timothy M. Willis [email protected] Follow this and additional works at: https://digitalcommons.pepperdine.edu/leaven Part of the Biblical Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Willis, Timothy M. (2011) "Reading the Psalms as Prophecy: the Example of Psalm 16," Leaven: Vol. 19 : Iss. 3 , Article 7. Available at: https://digitalcommons.pepperdine.edu/leaven/vol19/iss3/7 This Article is brought to you for free and open access by the Religion at Pepperdine Digital Commons. It has been accepted for inclusion in Leaven by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Willis: Reading the Psalms as Prophecy: the Example of Psalm 16 Reading the Psalms as Prophecy: The Example of Psalm 16 TIMOTHY M. WILLIS orepassages from the book of Psalms are said to be "fulfilled" in the NT than from any other book of the O'T, Many believers over the years have asserted, therefore, that the Psalms are Mprophetic and contain numerous predictions. In other words, we assume that every O'T passage that is "fulfilled" in the NT was a predictive passage in the O'T, This reflects an interpretive perspective known as "direct fulfillment," in which one assumes that "prophecy" = "prediction" and that the sole purpose of the O'T passage was to predict something of the NT. -
The Majesty and Mystery of the Dead Sea Scrolls
The Majesty and Mystery of the Dead Sea Scrolls Joel M. Hoffman, PhD http://www.lashon.net/JMH CAJE 32 Washington University, St. Louis, MO 1 The Cast Khalil Musa, Jum'a Mohammed, and Mohammed el-Dhib Ð Ta'amireh Bedouin Jalil ªKandoº Iskandar Shalim Ð antiquities dealer Athanasius Yeshue Samuel Ð Archimandrite of Saint Mark in Jerusalem Eliezer Sukenik Ð professor at Hebrew University John Trever Ð research student at ASOR and amateur pho- tographer Yigael Yadin Ð archaeologist and IDF chief of staff (E. Sukenik's son) Lankester Harding Ð director of the Department of Antiq- uities of Jordan ¡ Roland de Vaux Ð director of Ecole Biblique et Archeologique Francaise¢ Ben Zion Wacholder Ð professor at HUC-JIR in Cincinnati Martin Abegg Ð graduate student working with Professor Wacholder 1 2 The Plot 3 The Scrolls Rules Halakhic Texts Eschatological Literature Exegetical Literature Para-Biblical Literature Poetic Texts Liturgical Texts Astronomical Texts, Calendars, & Horoscopes Biblical Material The Copper Scroll 4 Psalms 4.1 4Q88 Let heaven and earth exult. May all the stars of dusk exult with them. Rejoice, Judah, rejoice greatly! Rejoice greatly and de- light greatly, celebrate your celebrations and ful®ll your vows, for there is no evil1 in you. Lift up your hand, strengthen your right hand, for your enemies will perish and all evil[do]ers scatter. You, Adonai, are forever, and your glory is forever.... 4.2 Psalms [Psalm 96] Let heaven rejoice and earth delight... [Psalm 92] When the wicked sprout like weeds and all evildoers ¯ourish, it is that they be destroyed forever.