The Seven Penitential Psalms
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RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S
Manuscript description by Brittany Rancour RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S. XV2/4 CONTENT The Seven Penitential Psalms (f.1r); a Litany of the Saints (f.12v3); Agnus dei (f. 17v5), Alma Redemptoris Mater (f.18r1), Suffrages (f. 18v2), the Hours of the Cross (f.20v1); the Hours of the Holy Spirit at Matins (f.23v1); Memorials to the saints (f.26r1); the Office of the Dead with vespers, Matins (first, second, and third night readings), and Lauds (f.31r11-61v3); Prayers for use at Mass (f.63v7), the hymn Ave verum corpus (f.66r2), and the Obsecro te (f.67r1). MODERN EDITIONS Medievalist.net. “A Hypertext Book of Hours.” http://medievalist.net/hourstxt/home.htm. PHYSICAL DESCRIPTION Parchment. 71 folios. Multiple scribes. 9 quires I-II8, III6, IV-VIII8, IX9 lacking final blank. Catch words at the end of each quire provide the first word of the next quire. HF’FH. Bound, s. XV. Dimensions of folio 11.5 cm X 8.7 cm. Text dimensions 6 cm X 5 cm. 14 long lines, ruled by dry point with single vertical bounding lines. Prickings in outer margins. Gothic textura. Blank spaces left for miniatures (f.1r, 31r). Decorated initials in gold leaf, frequently with red pen flourishes. Decorated initial D in purple box (f.1r). Decorated initial D in a decorated square bordered in gold with gold dots and filled in purple, purple and gold dots continue staining the left upper and outer margins; the decoration is not complete, only part of the outer left margin has been stained purple, and some bole dots were added without the gold leaf decoration. -
The Musical Encart of the Royal Printers Le Roy & Ballard in The
The Musical Encart of the Royal Printers Le Roy & Ballard in the 1583 Hours of Jamet Mettayer Held in the Musée de l’Amérique francophone in Quebec City geneviève b. bazinet University of Ottawa The Heures de Nostre Dame, a l’usage de Rome: selon la Reformation de Nostre S. Pere pape Pie VI pour la Congregation roiale des penitens de l’Annonciation de Nostre Dame, printed at the request of King Henri III by Royal Printer Jamet Mettayer (Paris, 1583) and held at the Musée de l’Amérique francophone in Quebec City, is a rare example of a Book of Hours that contains music. The musical encart printed by the Royal Printers of Music Le Roy & Ballard (Paris, 1583) follows the texts of the Hours and totals thirty-six pages. This article focuses on the music in the encart and its relationship to the rest of the book, and on references to music in the statutes of the Congrégation. The musical encart is an essential part of this Book of Hours as it provides music for the Hours of the Virgin and the other offices celebrated by theCongrégation , as well as insight into their musical performance practices. Les Heures de Nostre Dame, a l’usage de Rome: selon la Reformation de Nostre S. Pere pape Pie VI pour la Congregation roiale des penitens de l’Annonciation de Nostre Dame, imprimées à la demande du roi Henri III par l’imprimeur royal Jamet Mettayer (Paris, 1583) et conservées au Musée de l’Amérique francophone dans la ville de Québec, sont un exemple rare d’un livre d’Heures contenant de la musique. -
Acknowledgements/Continued Hymns for the Church Year 1231
HymnsAcknowledgements/ for the Church Yearcontinued 1231 ADVENT I LENT II A – Awaken, Sleepers 393 A – Transform Us 880 The King Shall Come When Morning How Good, Lord, To Be Here! 881 Dawns 403 The Glory of These Forty Days 467 B – As Servants Working an Estate 411 B – Transform Us 880 C – When the Lord in Glory Comes 863 How Good, Lord, To Be Here! 881 From the Father’s Throne on High 865 The Glory of These Forty Days 467 C – Transform Us 880 ADVENT II How Good, Lord, To Be Here! 881 A – Wild and Lone the Prophet’s Voice 390 The Glory of These Forty Days 467 On Jordan’s Bank 392 B – Comfort, Comfort, O My People 402 LENT III A Morning Star Draws Near 400 A – Leaving Her Water Jar Behind 912 C – Wild and Lone the Prophet’s Voice 390 B – You Strode within the Temple, Lord A Morning Star Draws Near 400 729 C – Sovereign Maker of All Things 960 ADVENT III As the Winter Days Grow Longer 479 A – Are You the Coming One 399 When the King Shall Come Again 395 LENT IV B – The Moon with Borrowed Light 877 A – He Healed the Darkness of My Mind On Jordan’s Bank 392 976 C – Wild and Lone the Prophet’s Voice 390 Awake, O Sleeper, Rise from Death On Jordan’s Bank 392 915 B – What Wondrous Love 641 ADVENT IV What Love and Deep Devotion / Porque A – Though Famed in Israel’s Royal History de Tal Manera 648 396 C – Our Father, We Have Wandered 963 Savior of the Nations, Come 388 B – Unexpected and Mysterious 407 LENT V Also see nos. -
Cathedral of Saint Joseph, Manchester, New Hampshire
Cathedral of Saint Joseph Manchester, New Hampshire Sacred and Liturgical Music Program 2019 – 2020 (Liturgical Year C – A) Most Reverend Peter A. Libasci, D.D. Tenth Bishop of Manchester Very Reverend Jason Y. Jalbert Cathedral Rector Vicar General Director of the Office for Worship Mr. Eric J. Bermani, DMin (Cand.) Diocesan & Cathedral Director of Music/Organist 2 Music at The Cathedral of Saint Joseph 2019-2020 Welcome to a new season of sacred music at The Cathedral of Saint Joseph. Music has always played an important role in the life of this Cathedral parish. Included in this booklet is a listing of music to be sung by assembly, cantors and the Cathedral Choir, highlighting each Sunday, feast or liturgical season. “Sing to the Lord a new song: sing to the Lord all the earth. Sing to the Lord, and bless his Name: proclaim the good news of his salvation from day to day.” Psalm 96:1-2 “When there is devotional music, God is always at hand with His gracious presence.” J.S. Bach “Music for the liturgy must be carefully chosen and prepared.” Sing to the Lord (Music in Divine Worship) Article 122 “The treasury of sacred music is to be preserved and fostered with great care. Choirs must be diligently developed, especially in cathedral churches.” Constitution of the Sacred Liturgy, Article 114 “Music is the means of recapturing the original joy and beauty of Paradise.” St. Hildegard von Bingen “All other things being equal, Gregorian chant holds pride of place because it is proper to the Roman Liturgy. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
Psalm 6:1-10 Man of Sorrows the Trajectory of Pain and Confrontation
Psalm 6:1-10 Man of Sorrows The trajectory of pain and confrontation that began in Psalm 3 continues in Psalm 6. The three day sequence of morning, evening, and morning prayers in Psalms 3-5 is climaxed in Psalm 6 by an intensely personal plea for deliverance from the threat of imminent death and God’s wrath. Psalm 7 brings this long dark night of the soul to a cathartic and redemptive end. The psalmist makes his final appeal to God Most High, the Lord of righteousness, for vindication and deliverance on grounds of his innocence and integrity. This five psalm unit ends on a strong note of thanksgiving and praise: “I will give thanks to the Lord because of his righteousness; I will sing the praises of the name of the Lord Most High” (Ps 7:17). The 2 Samuel narrative provides the historical landscape for David’s cartography of the soul. The psalms reveal a soulful self in sync with a storied account of sin and judgment, betrayal and treachery, violence and hatred. This paralleling of history and spirituality is explicit enough for us to identify the occasion in David’s life but implicit enough for us to commend these powerful psalms to our own circumstances and experiences. The psalms are rooted not only in a particular place and time but in the shared personal experience of our fallen human condition and God’s redemptive provision. After two introductory psalms Jesus’ Prayer Book launches into David’s Passion Narrative. It is not difficult to see how Jesus identified with these prayers in the days leading up to the cross. -
Read Psalm 149: 1-3
Praying the Psalms Janet Schaeffler, OP In her book Undercurrents (HarperSanFrancisco, 1995), Martha Manning says, “It’s incredible to me that we never learned the psalms as children. All that time and energy memorizing the catechism when the real thing was right here. It’s like memorizing TV Guide rather than watching the show.” A few years ago when I was serving on a task force for the US Bishops, one of the bishops mentioned that he met once a month with a small group of ministers in his area to reflect upon the Sunday readings. When this group first began meeting, he was startled because the others kept talking about the four Sunday readings. As Catholics, we tend to talk about the three readings. One of the things he learned from them, he said, was the deep importance of the Responsorial Psalm. Do we have a gift that we are unaware of? That we are ignoring? That we are not utilizing to its full potential? Saint Ambrose of Milan in the fourth century said: A psalm is a cry of happiness, the echo of gladness. It soothes the temper, lightens the burden of sorrow. It is a source of security by night, a lesson of wisdom by day. It is a shield when we are afraid, a celebration of holiness, a vision of serenity, a promise of peace and harmony. Day begins to the music of a psalm. Day closes to the echo of a psalm. More and more today we are being challenged to reclaim this great heritage in our tradition: the Book of Psalms. -
A Six Week Study in the Book of PSALMS Window to the Soul: a Six Week Study in the Book of Psalms
W t I o N SSOOUULL D t O h W e A Six Week Study in the book of PSALMS Window to the Soul: A Six Week Study in the Book of Psalms Since the inception of the Church, the psalms have been the sweet hymnbook by which God’s people have praised him for His goodness, kindness and Glory. They contain words of comfort in times of pain and encouragement for those who suffer. They are an example to us of how to be authentic in our struggles and honest in our failures, while always trusting Him to restore our souls. More than communicating a story, the psalms communicate experience, feeling, and emotion. As you study, remember that “The word of God is living and active…it judges the thoughts and attitudes of the heart” (Hebrews 4:12). God’s Word touches the depths of our souls, and leads us to the one who has all we need. Whether you are in a season of pain or sweet blessing, you can find rest as you read and study… The Psalms. Session 1: Psalm 100 The Elements of a Psalm Session 2: Psalm 100, Jonah 2 Psalms of Praise Session 3: Psalms 22, 80 Psalms of Lament Session 4: Psalm 51 Psalms of Penitence Session 5: Psalms 96, 99 Psalms of Kingship Session 6: Chapters 1, 19 Psalms of Wisdom 2 Session 1: Psalm 100 The Elements of a Psalm Helpful Hints: o The English word “psalms” is a Greek word simply spelled in Roman letters. The Greek word originally meant a striking or twitching of the fingers on a string. -
A Pass Through the Psalms: Week 6: Psalm 6
A pass through The Psalms: Week 6: Psalm 6 Getting the Context: My assumption is that Psalm 6 was written in the same context of 3-4-5-7; which were all clearly written during the flight from Absalom in 2 Sam 15-17, the year 1023 BC (and was therefore not inserted later, out of order, while on his death bed.) In Psalm 3-4, (2 Sam 15-17) David is clearly on the run from Absalom. In Psalm 5 (2 Sam 17) David is still on the run and fears wicked men getting near the dwelling (Temple) of the Lord. Psalm 7 (2 Sam 16:22) appears as though Absalom has won as he enters Jerusalem and David's house and sexually abused some of his wives. My assumption then is that Psalm 6 was written out of David’s fear that God was going to remove David’s kingdom, via Absalom, out of punishment for his sin with Bathsheba in 980 BC in 2 Sam 11. As prophesied by Nathan in 2 Sam 12:11-12… In Psalm 6 then David is beginning to realize that Absalom is the one who was ‘close to him’ who will take his ‘wives in broad daylight’ as a chastising for the sin with Bathsheba. In Psalm 6 then David begins to plead with God regarding his chastisement (as he did when he pleaded with God about the death of his son with Bathsheba in 2 Sam 12:15-17) and begging God to be gracious in his dealing with him. -
A Service of the Word 2015
A Service of the Word 2015 Table of Contents Introduction ii Structure iii A SERVICE OF THE WORD 2015 1 I PREPARATION 1 1 Gathering 1 2 GREETING 1 3 PRAYERS OF PENITENCE AND FORGIVENESS 2 4 Gloria in Excelsis or Hymn or Psalm of Praise 5 5 COLLECT OF THE DAY 5 II PROCLAMATION OF THE WORD 5 6 READINGS FROM HOLY SCRIPTURE 5 7 SERMON or other Exposition of the Word 5 8 REFLECTION 5 9 AFFIRMATION OF FAITH 6 III PRAYERS 7 10 INTERCESSIONS & LORD’S PRAYER 7 11 OFFERING 8 IV CONCLUSION 9 12 ACT OF DEDICATION 9 13 Gloria in Excelsis (if not used at 4), Te Deum or Hymn 9 14 DISMISSAL 10 ALTERNATIVE TEXTS 11 NOTES ON EACH SECTION 33 ii A Service of the Word A Service of the Word 2015 Introduction Modern – and Ancient There are times when neither the Eucharist nor Morning Prayer meets the needs of a particular congregation’s main act of worship on Sunday. A Service of the Word is now offered as a resource for use by congregations of the Scottish Episcopal Church. The origins of a Service of the Word lie in early Jewish Sabbath day worship. When Jesus worshipped in the synagogue, he joined in liturgy largely based on the reading and exposition of Scripture, and the saying or singing of Psalms – a ‘Service of the Word’. Early Christian gatherings for worship were also based on this pattern, eventually combining with the Eucharist to provide the familiar shape of the Eucharistic liturgy of Word and Sacrament. -
Concordia Theological Quarterly
CONCORDIA THEOLOGICAL QUARTERLY Volume 84:1–2 January/April 2020 Table of Contents Christology as Basis for Lutheran Theology Aaron M. Moldenhauer ................................................................................... 3 Double Truth? Daniel Hofmann and the Discussion on the Relation of Theology and Philosophy Roland F. Ziegler ............................................................................................ 23 Illumination, Healing, and Redirection: A Lutheran Philosophy of Reason Angus Menuge ................................................................................................ 39 The Challenge of Karl Barth’s Doctrine of the Word of God Jack D. Kilcrease ............................................................................................. 59 Luther on the Fulfillment of the Law: Five Theses for Contemporary Luther Studies Brian T. German ............................................................................................. 83 Fellowship in Its Necessary Context: The Doctrine of the Church and the Overseas Theses of 1961 Jonathan G. Lange ........................................................................................ 101 Praying the Psalms with Jesus and His Body Thomas M. Winger ...................................................................................... 119 Contraception: An Embryo’s Point of View Donna J. Harrison ........................................................................................ 137 Theological Observer ................................................................................................ -
Michaelmas Term 2017 Chapel Services and Music MAGDALEN
Michaelmas Term 2017 Chapel Services and Music MAGDALEN COLLEGE OXFORD COVER IMAGE: DETAIL FROM MAGDALEN COLLEGE LIBRARY MS LAT 5, A FIFTEENTH-CENTURY FRENCH BOOK OF HOURS We welcome you to our worshipping community at Magdalen. Prayer and praise have been offered to God in this place since the fifteenth century, when the College was founded by William of Waynflete, Bishop of Winchester. The statutes of 1480 make provision for a Choir comprised of sixteen boy Choristers and a number of adult Clerks, ‘that the worship of God, from whom all good things come, might be increased more widely and better sustained’. That tradition continues unchanged today. The Choirmaster at Magdalen retains the ancient Latin title Informator Choristarum, and among those who have held the post over the centuries are John Sheppard, Daniel Purcell, Sir John Stainer, Sir William McKie, and, in more recent years, Dr Bernard Rose. It is the aim of the Dean of Divinity and the Informator Choristarum that all our services here should be dedicated to the glory of God. Our music is not an end in itself but part of a larger whole. We hope that in the singing and in the silence, in the spoken word and in the beauty of this house of God, you will feel that greater presence, and be blessed by the peace that passes all understanding. MARK WILLIAMS JONATHAN ARNOLD Informator Choristarum Dean of Divinity www.magdalencollegechoir.com www.magd.ox.ac.uk/chapel-and-choir MICHAELMAS TERM 2017 Choral Services Services are normally sung by Magdalen College Choir (men and boys).