Old Testament Background of the Magnificat James T
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Magnificat Celebration of the Word 4-5-2020
CELEBRATION OF THE WORD Palm Sunday of the Passion of the Lord This is a celebration of the Word to aid your worship this Sunday, alone or with family. If possible, place a simple cross or crucifix prominently in the room and light one or more candles. You can also place an image of the Virgin Mary there if possible. As a family, choose the one who leads the prayer, and someone to do the readings. Whoever leads the prayer can say: On Palm Sunday, we recognize that Jesus’ full glory and kingship would only come about when he was lifted up. “Our heart feels a joy mixed with sadness at sight of the Master’s seemingly ephemeral triumph, prelude of suffering and death” (Archbishop Luis Martínez). But joy and sadness are dispositions of a holy soul. We can grieve over sin, suffering, and evil, but rejoice with the full conviction that faith gives us— Christ will conquer. Thus, our greatest sorrow and shame is our great relief—the Cross. Finally, Jesus’ experience of being loved and hated, of being welcomed and then rejected, provides us strength to endure the caprices and injustices of our own life. Sign of the Cross After a moment of silence, let everyone begin by making the Sign of the Cross: In the name of the Father, the Son, and the Holy Spirit. Amen. Hymn Choose an appropriate hymn. We place ourselves before the Lord, beginning with an act of contrition: My God, I am sorry for my sins with all my heart. In choosing to do wrong and fai- ling to do good, I have sinned against you whom I should love above all things. -
11 Questions Answered About Mary
11 questions answered about Mary During his visit to Naples in March 2015, Pope Francis spoke to a gathering of priests, seminarians and religious women. In his speech, he told them that a key way to make sure Jesus is at the center of their lives is to “ask his mother to take you to him.” This is the role of Mary in the Church and in our own lives — for who is closer to the Son than his mother? As the Church celebrates Mary throughout the year, this In Focus, compiled by Dr. Robert Fastiggi, a professor of theology at Sacred Heart Major Seminary in Detroit and president of the Mariological Society of America, is designed to help readers more fully understand the Church’s teachings regarding the Virgin Mary and why she is truly the “cause of our joy.” As Pope Francis said in Naples, “If you don’t love the mother, the mother will not give you the Son.” Q: What are Marian apparitions, and how can the Church decide if they are true? A: Marian apparitions are considered to be private revelations according to what is taught in the Catechism. They don’t “improve or complete Christ’s definitive Revelation, but help to live more fully by it in a certain period of history” (No. 67). Marian apparitions can be investigated and approved by the local bishop, but in some cases, the Holy See takes over the inquiry. In 1978, Paul VI approved a document of the Congregation for the Doctrine of the Faith that lays out norms for discerning apparitions. -
May the Month of Mary Mother of Jesus
MAY IS THE MONTH WE ESPECIALLY ASK MARY MOTHER OF JESUS TO ADD HER PRAYERS TO OURS FOR THE NEEDS OF THE WORLD The Annunciation Mary and the Angel Gabriel Latin America Mary greets Elizabeth her cousin and mother of John the Baptist. Africa Hail Mary, full of grace, the Lord is with thee. Blessed art thou among women and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God Pray for us sinners, now and at the hour of our death. Amen An image of Our Lady of the Philippines For Christians May traditionally is a month of honouring Mary the mother of Jesus. During this month we particularly turn to Mary asking her to add her prayers to our own for the needs of our world. A Modern Magnificat (The Song of Mary) My soul praises the greatness of our God and my spirit rejoices in our salvation! You, God, have taken notice of me, and now all generations call me blessed. In your love, you have done great things, your name is holy as is Jesus, the child of my body To those who recognize your love you show mercy for all time. Listen! God has done wonderful things. The proud are scattered and the regal brought down. God raises up the humble and feeds the hungry while the rich leave empty handed. God enfolds the people, honouring the mercy promised from of old. For you God made this promise to our ancestors, to Abraham, Sarah and their children forever. Praise the name of God! PRAYER FOR THOSE WHO ARE GRIEVING. -
Fifty Four Day Novena
FIFTY FOUR DAY NOVENA Origin In an apparition of Our Lady of Pompeii, which occurred in 1884 at Naples, in the house of Commander Agrelli, the heavenly Mother deigned to make known the manner in which she desires to be invoked. For thirteen months Fortuna Agrelli, the daughter of the Commander, had endured dreadful sufferings and torturous cramps. The most celebrated physicians had given up. On February 16, 1884, the afflicted girl and her relatives commenced a novena of Rosaries. The Queen of the Holy Rosary favoured her with an apparition on March 3rd. Mary, sitting upon a high throne, surrounded by luminous figures, held the divine Child on her lap, and in her hand a Rosary. The Virgin Mother and the Holy Infant were clad in gold embroidered garments. They were accompanied by Saint Dominic and Saint Catherine of Siena. The throne was profusely decorated with flowers; the beauty of Our Lady was marvellous. Mary looked upon the sufferer with maternal tenderness and the patient saluted her with the words: “Queen of the Holy Rosary, be gracious to me; restore me to health! I have already prayed to thee in a novena O Mary, but have not yet experienced thy aid. I am so anxious to be cured!” “Child”, responded the Blessed Virgin, “thou hast invoked me by various titles and hast always obtained favours from me. Now, since thou hast called me by that title so pleasing to me, ‘Queen of the Holy Rosary’, I can no longer refuse the favour thou dost petition; for this name is most precious and dear to me. -
Christian Classics Notre Dame, IN
Christian Classics Notre Dame, IN First printing, August 1984 First revised edition, August 2005 Sixth printing, August 2005 75,800 copies in print Excerpts from The Jerusalem Bible, copyright © 1966 by Darton, Longman & Todd, Ltd. and Doubleday & Company, Inc. Used with permission of the publisher. The following editions were also used for reference: The New American Bible, the Authorized Version of King James, and the Nestle Greek Text With Literal Translation by Rev. Alfred Marshall, D. Litt. _________________________________________________________ © 1984 by Ave Maria Press, Inc. Revised edition © 2005 by Ann Johnson Permission is hereby given for the duplication of texts contained in this book for distribution without charge or for use in the context of reviews. The following credit line must appear on the page(s) being duplicated: Taken from Miryam of Nazareth © 1984 by Ave Maria Press, 2005 revised edition by Ann Johnson. Used by permission of Ave Maria Press. All rights reserved. Other reprint requests should be submitted to Christian Classics™, Ave Maria Press®, Inc., P.O. Box 428, Notre Dame, IN 46556-0428. www.christian-classics.com International Standard Book Number: 0-87061-233-6 Cover and text design by John Carson Cover and interior art ©2005 Jane Pitz Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data. Johnson, Ann. Miryam of Nazareth : woman of strength & wisdom / Ann Johnson.– Rev. ed. p. cm. ISBN 0-87061-233-6 (pbk.) 1. Mary, Blessed Virgin, Saint–Fiction. 2. Bible. N.T.–History of Biblical events– Fiction. 3. Christian women saints–Fiction. 4. Palestine–Fiction. -
The Magnificat Luke 1:39-56 This Is a Marvelous Song, the First Song of The
The Magnificat Luke 1:39-56 This is a marvelous song, the first song of the incarnation, from Mary. • The lyrical depth is very edifying. • At IDC, we like songs that have rich theological content (except when dancing!) • We try to avoid the type of songs that Mike Bird says go a bit like this: “Jesus, Jesus, you’re terrific // For you I’d swim the Pacific // Yeah baby, yeah baby, yeah, yeah, yeah.” Only, they’re not that deep! • While a lot of Xmas songs are very rich, others are often very sentimental, and lullaby- sounding. • But Mary’s song blends God-centered theology with beautiful, artistic poetry. If you’re not a Christian, this is a wonderful passage for anyone interested in the Christian faith. One pastor calls this “Mary on the Christian Life.” • She alludes to many important themes of the Christian life in her song. • Luke itself is a good book to study (1:3). He’s a careful researcher/historian. If you’re a teenager, you have a wonderful example in Mary to follow. • Of course, Mary is a great model for any Christian, but esp. for teenagers!! • Prefer Mary over Miley a role model! • Teenagers struggle w/ basic heart questions like: • “Does anyone care about me?” Does anyone see me?” • “Will anything satisfy my soul?” “What’s my purpose in life?” • Young person, Mary gives you answers. • She knows that God cares for her and sees her! • “He has looked upon the humble estate of his servant” • She’s a teenager who has found satisfaction – in God! • “God fills the hungry with good things.” • She’s a teenager that has found purpose! • Westminster: “The chief end of man is to glorify God and enjoy him forever.” • She’s expressing that purpose in this little song - magnify/rejoice. -
Divine Mercy Magnificat
CELEBRATION OF THE WORD Second Sunday of Easter This is a celebration of the Word to aid your worship this Sunday, alone or with family. If possible, place a simple cross or crucifix prominently in the room and light one or more candles. You can also place an image of the Virgin Mary there if possible. As a family, choose the one who leads the prayer, and someone to do the readings. Whoever leads the prayer can say: On this Divine Mercy Sunday we recall the words of Saint Thomas Aquinas: “mercy consists in bringing a thing out of non-being into being.” We see this transpire concretely in the life of the early Church. The believers “devoted themselves to the teaching of the apost- les and to the communal life, to the breaking of bread and to prayers.” They were filled with awe; they were witnesses of wondrous signs; they lived for the good of the other; they were selfless and generous; they overflowed with “exultation and sincerity of heart.” God “in his great mercy” gave them—and us—“a new birth to a living hope” through the Resurrection of Jesus Christ. That is what the Apostle Thomas is looking for in the Lord’s open side. Today, in the midst of our fears and the feeling that we are locked in, prevented from our normal routines and even from our usual practices of the faith, we are confident that the Lord can break through any barrier and reach us with his grace. Sign of the Cross After a moment of silence, let everyone begin by making the Sign of the Cross: In the name of the Father, the Son, and the Holy Spirit. -
FEST05 Lutheran Vespers.Indd
the artists programme thursday august 3 at 1:00 pm | christ church cathedral Madeline Lucy Smith lutheran vespers: soprano songs for troubled times Shane Hanson countertenor Samuel Scheidt (1587-1654): Erik Kallo Tulerunt Dominum countertenor / tenor Taka Shimojima tenor Heinrich Schütz (1585-1672): Die mit Tränen säen Ian Bannerman tenor Johann Rudolph Ahle (1625-1673): O lux beata Trinitas Jacob Gramit bass with Johann Rudolph Ahle: Magnificat à 7 Ellen Marple Heinrich Schütz: Jeremy Berkman Herr nun lässest du deinen Diener Nathan Wilkes Alexander J. Fisher sackbuts Hans Leo Hassler (1564-1612): Pater Noster Christopher Bagan Johann Christoph Bach (1642-1703): organ Der Gerechte ob er gleich Johann Michael Bach (1648-1694): Ich weiß, daß mein Erlöser lebt Johann Hermann Schein (1586-1630): Da pacem Domine Andrea Gabrieli (1532-1585): Benedicam Dominum Pre-concert chat with host Matthew White at 12:15: Jacob Gramit THE UNAUTHORISED USE OF ANY VIDEO OR AUDIO RECORDING DEVICE IS STRICTLY PROHIBITED earlymusic.bc.ca Text Insert - Lutheran Vespers: Songs for Troubled Times Vancouver Bach Festival 2017 1 programme notes Between 1618 and 1648, Europe and Germany in particular were ravaged by the Thirty Years’ War. Following the Peace of Westphalia, the immediate conflicts were stayed, but the feelings of uncertainly remained, as they often do in the aftermath of a political upheaval. In the Lutheran church, the music for the evening Vespers service reflected this, praying for safety as the light of day turned into the uncertainty and potential danger of night. In a concert rather than a liturgical context, today’s programme samples music that could have been found in the context of that service. -
My Soul Glorifies the Lord. Holy Is God's Name
My soul glorifies the Lord. Holy is God’s name. Acknowledgements Front Cover: “Canticle of Mary” . © Jen Norton. Used with permission. www.JenNortonArtStudio.com License Agreement: Usage of the image assumes acceptance of the following License Agreement: Artist Jen Norton grants Sharon Hawson and the Sisters of the Presentation of the Blessed Virgin Mary in Queensland, Australia, the limited rights to use image “JN958_Canticle of Mary” on printed Novena Booklets distributed to its congregation of religious sisters worldwide. Booklet is for internal use only and is not for profit or sale. Any other use not granted in this agreement may be negotiated separately. “Nano’s Companions” ©Mary Southard, CSJ Courtesy of www.MarySouthardArt.org Courtesy of www.MinistryOfTheArts.org Congregation of St. Joseph Magnificats from “Miryam of Nazareth—Woman of Strength & Wisdom” by Ann Johnson Rassouli —“The Guardian” Free Bible Images—”The Visitation” Presentation Day Novena—2017 For internal use only During this year’s Presentation Day Novena, each of us, wherever we are, is invited to journey with Mary as we ponder some of the significant moments of her life. Presentation Day We will reflect on the Magnificat. It is quite a subversive song that Luke placed on the lips of Mary as she encountered her cousin Elizabeth. Susan Connelly rsj writes, “The Magnificat is a whole world-view. It is the perception of a person who is thoroughly steeped in God.” Dietrich Bonhoeffer, notes, “This is not the gentle, tender, dreamy Mary whom we sometimes see in paintings; this is the passionate, surrendered, proud, enthusiastic Mary who speaks out. -
Magnificat JS Bach
Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16 -
Concordia Theological Quarterly
CONCORDIA THEOLOGICAL QUARTERLY Volume 84:1–2 January/April 2020 Table of Contents Christology as Basis for Lutheran Theology Aaron M. Moldenhauer ................................................................................... 3 Double Truth? Daniel Hofmann and the Discussion on the Relation of Theology and Philosophy Roland F. Ziegler ............................................................................................ 23 Illumination, Healing, and Redirection: A Lutheran Philosophy of Reason Angus Menuge ................................................................................................ 39 The Challenge of Karl Barth’s Doctrine of the Word of God Jack D. Kilcrease ............................................................................................. 59 Luther on the Fulfillment of the Law: Five Theses for Contemporary Luther Studies Brian T. German ............................................................................................. 83 Fellowship in Its Necessary Context: The Doctrine of the Church and the Overseas Theses of 1961 Jonathan G. Lange ........................................................................................ 101 Praying the Psalms with Jesus and His Body Thomas M. Winger ...................................................................................... 119 Contraception: An Embryo’s Point of View Donna J. Harrison ........................................................................................ 137 Theological Observer ................................................................................................ -
Vox Luminis Lionel Meunier, Founder and Artistic Director THU / OCT 11 / 7:30 PM
Vox Luminis Lionel Meunier, Founder and Artistic Director THU / OCT 11 / 7:30 PM Zsuzsi Tóth SOPRANO Stefanie True SOPRANO Caroline Weynants SOPRANO Victoria Cassano SOPRANO Alexander Chance ALTO Jan Kullmann ALTO Robert Buckland TENOR Philippe Froeliger TENOR Olivier Berten TENOR David Lee TENOR Sebastian Myrus BASS Lionel Meunier BASS & ARTISTIC DIRECTOR Anthony Romaniuk ORGAN Ricardo Rodríguez Miranda VIOLA DA GAMBA PERFORMANCES MAGAZINE 8 ABOUT THE PROGRAM PROGRAM Martin Luther (1483-1546) “Music for farewell” Mit Fried und Freud ich fahr dahin The hymn Mit Fried und Freud ich fahr dahin (“In peace and joy Martin Luther (1483-1546) I now depart”) by Martin Luther is a paraphrase in German of Mit Fried und Freud ich fahr dahin (verses 1 & 4) the Latin “Nunc dimitis,” which is the canticle of Simeon. Luther created the text and melody in 1524, and it was first published in the same year. It has been used for funerals and appears in Schütz’ Heinrich Schütz (1585-1672) Musikalische Exequien and Bach’s chorale cantata Mit Fried und Musikalische Exequien, "Funeral Mass", Op. 7 Freud ich fahr dahin, BWV 125. Concert in Form einer teutschen Begräbnis-Missa SWV 279 Heinrich Schütz (1585-1672) Motette: Herr, wenn ich nur Musikalische Exequien, “Funeral Mass”, Op. 7 dich habe SWV 280 Heinrich Schütz, the greatest German composer of the 17th Canticum B. Simeonis: Herr, nun lässest du century, belonged to a prominent bourgeois family. Facile in deinen Diener in Friede fahren SWV 281 many languages, Schütz also showed an early gift for music. The Landgrave Moritz, who was a distinguished musical amateur, INTERMISSION heard him sing in 1598, and was so impressed that he invited him to his court in Kassel, where Schütz would attend the Collegium Mauritianum, a school for local nobles.