THE DIAPASON AN INTERNATIONAL llONTllLl' DEVOTED TO TIlE ORGAN AND THE INTERESTS OF ORGANISTS

Sixly-third rt"ar. Nrl. 10 - WI/cle No. i54 SEPTEMHER. 19;2 S"llScript;ollS $4.00 n )'t'ar - 40 cellI! tJ copy

University of Iowa Dedicates New Facilities

N~chthorn .. fl. The 5Ccond studio organ \\'~5 built Prinzillal 2 h. hf the Moller Organ Company in 1971. "oll£.lole 2 h. The 2i-SIOp. 3-manual instrumcnt has Sc:squiahera II 2% h . Kleinmhtur III I (t. electro· pneumatic key and stop action. Zimhel III y. re. al!d the manual compa5S is 61 noles. Duq ian l ti h. It ill Mollcr'!! opus 10500. Oboe 8 ft. The new Caso\'onl organ in Clapp R,citol Ha:l. KI:.rine -I It. GREAT T U:mui;Ult Ilrill1ipal 8 h. PEDAL Rnhrflnle 8 h. Prinzillal 16 ft. Ocla\·c" h. Subbass 16 It. Dnllblelle 2: h . The School or Music of the Unh'crsity The llIain case contains the Hauptwcrk Okla,· 8 ft . Fourniturc III I ft. of IOW3, Iowa Cit)'. has IlImcd into a and Sthwellwcrk, the Pedal didsion be· Rohrpomlllrr B ft. Sordlln 16 ft. (POIili\') multi-million dollar cOlllpl c: x consisting ing dh'idcd in two cases at each side Cllnralbus .. ft. SWELL of a new Music Building. CIOlPP Recilal o£ the main case £om'ard on the org:tn Rnhr"lrife -I ft. Unurdon 8 fl. Hall, ami Hancher Auditorium. plat£orm. The manual compass is 56 Nachlhorn 2 ft. Sal:cinnal 8 ft. The organ department, which "rof. notes_ Mililur V 2 h . Weit Prinzipal -I It. Ilosaune 16 h . 8Iocknolc ~ It. IIAUI'TWERK Gerhard Krapf staned In 1961 with a F' gnu 16 It. Cymbcl II ~ £t. Quillt;u.len 16 ft. S-rank, uuified Hoh"amp practice organ Tmmpelc B h. Tmmllrlc 8 £t . aud five students, totla), has au enroll­ "rillziJl;&1 8 ft. ",ollrllOlc 8 le . Schalmci "' (1. Trichtcr RrKal .. h. Trcmnto mcnt of 40 students. Two (ull' lime Oktav", h. teachers. Prof. Krapf amI Dr. llclhcrt Two studio organs also double as re­ I'OSITIV S"iLlnole 4 ft. N:uon Gl:'dackt 8 It. Dissclhotst. :md four assistants comprise Nasat 2Y; h . cilal instruments (or the organ llepart. the facult),. Dt'gn."Cs offered include the Superoktal' 2 It. ment. The rirsl is a Schlicker organ of Koppelflole" h. PhD. OMA. MFA, Mt\, and BA, In U1ocknotc 2 h . IIrillzil1"11 2 It. 19i1 with mechanical key action anll Langol I~ (t. addition to organ instruction, course of. Ten IYs ft. electro-pncumatic stop action. The 2- Sesquia!lcra II 2% It. (TC) Mixtur IV 1!.ol It. fetings include organ literaturc, history manual encasell organ contains 22 stops; ~ nrdun 8 It. (73 "ipes) o£ organ building and design,organ ped­ Scharr til y, ft. the manual compass is 56 notes. Tnlllolo agog}', church sen'icc playing, church Kornclt V 8 ft. lTC, IIEDAL Fagott 16 h. mU$ic, improvisation, and thorough­ GREAT UnunJon 16 ft. TrOlllllele 8 h . SpillJlnnciJlal 8 It. bass. Klarinc" fl. Principal 8 h . Hobgcdt1:k' 8 11 . Gcd«k, II h. The ne"" Casa, ant organ in Clapp ROCKPOSITIV Chor Ib:us 4 Ie. RccitOil Hall is behlg tledicatctl this Gcd.ukl 8 It. Oct::l,\·c" h . Rohrnoele of h . R:au!chllfdle II 2% It. month in :10 opening recital by Dr. Dis­ QUlIIl ldrlla 8 h . 50rdun 16 It. (Pouli,') Pnllzipal .. h . Waldfloele 2 h. sclhorSl and l'ro£c.."Ssor KlOIp£ on Sept. Mixtur IV ~ordun 8 ft. (Pmi':\') 6, two prognlOls on Sept. 2'J and OCI. I. KOl'"l:Inoll: .. h . Trolllpric B It. Somlln 4 h. (PO'I:Ih-) Nalat 2~ and a Sacred Music Workshop on ~m ' . h . Okla\' 2 ft. SWELL I and 2 which will £cature Anton Hcil­ Waldflote 2 h . Rohrfloete 8 ft. It''r in recital and l« tllres. The 3·man­ Trrz ft. Salicional 8 fl. lYs SJlildloelro .. It. ual org:lIl has mechanical key action Quintflolc 1 ~ ft. Princi,Iat 2 h. with electric stop action aud comprises Sifflole I £to In addition to the two studio organs, Srsquiahera II 2 ~ It. eTC) 53 stops. 11 is loc:ated on a plat£onn Seharr IV o/s It. Seharf III y, ft. thcre are £h'e practice organs in thc abo\'c the rear o£ the stage, and the Rankru 16 fl. new huilding: a Ca,a,'ant 2·manual or Krummitorn 8 ft. Dulzbn 16 h. RUd:.posith' division i5 lIIon'1l slightlr Schalmei B It. T relllulant 7 SIO(>:, wilh mechanical key and stop to the right of the console to enable Tremolo :lelion: a Schlicker 2'm,lI1ual unit organ u:ot .. lists to he Sl'C1l by the audience. SCIIWELLWERK rEDAL or 9 stops and 2 ranJ..s with electro­ GrdacktnOlr 8 ft. Suhha55 16 II . Salizional 8 h . pneumatic action: a Holtkamp 2·mall­ IIrinci"al 8 It. nat unil organ o£ 12 SlOpS and 5 ranks VO"I: Cod eJli ~ 8 h. (Tel Melalgedackl 8 It. Gromthnrn .. it. Choralbass 4 h. with c1(.'Clro-pneumatic action: and two Rauschpfdle II 2 It. Mollet· unil organs o( 2·nt:1I1uals , II Datum 16 r'. stoP!!, and 2Jf.r ranks with electro­ Srhalmci .. It. pJIt'U1natic actions.

Clapp Recital Hall, .hawing room, . toge, and organ.

Uni,."nity of Iowa argon faculty: Prof. Ger­ haAl ",apf. chairman (abo,..), Dr. D.lbert Di ...lhont (rightl. Further Thoughts Towards An THE DIAPASON Interpretation of Reger's Organ Music EoUrbIIM ... In 11109 ( TrGd't'mork rt'I"'end al U. S. Palen' Office)

or S. E. CRI1ENSTE/~', P.ww.., (11109-1857 ) SEPTEMBER, 1972 IOIER' SCHUNEMAN "Youn, man, let', not ptal my things 100 faR; play e'rrl'}'thing quile drli~r.:Ul!ly, frlltor enn though it'. notattd fa.trr."1

FEAT1II\ES DOROTHY ROSIER by James W)'I)', Grinol"11 College, Grinnrll, Iowa Unl.erslty of Iowa Dedicate. lu"" ••• Ma""ge, He,.. FacWU.. WESLEY VOS It is good to sec Raymond Mabr)"s something other than thc identification Further Thou9bts TowarU All ANI.,,,n' Uk., translations of Manfrt'd Hoffman's and o( Kioll wilh HoffUlann's "noncom­ IalerpretatloD 01 Bever'. Mule Hans Klotz's noles on (llt: pcrfonnancc mittal and o\'ercaU(iolls soberness" by Jam.. Wyly 2 of Max Reger's otg:ln works in the which is all too cas)' to read into th~ir August DlArASON. They raise issues juxtaposed writings, We can estabhsh which h:n'c long dcscncd morc aUen­ its nature more accurately. Hoffmann lion tJlOlO the}' ha\c gouen in the United seems to proceed on the 3ssumption that An ',,'«'mnlioNI" "'on,hl" Dcoo,e4 lei Stales. Rt'gcr 5 music can no longer be only two positions an: possible: either ,ht' Or,an and '0 Or,hilts .... The Mb.ae Bre" 01 J. So Bach taken Hghtly by AmcriCin organisLS. the player ohen Reger's instructions by Thoma. J. McGarr 4, 5. 17 ChalTh Midk and the approach of the Reger ccn­ 10 thc letter or' he doesn't; and if he tennial )'cOir. 1973. gi\"(~5 added impctus doesn't, then his only remaining allcrna· In the ~arch for rt."50lutions of the th'c is to pia}' Reger in a way HoH­ Arthur How" Feted Upoa aetheme.t 1'II.D/oIHUoIt problems which con(rolll those in· mann finds narrow. QlIs baroque, antI Irom habody COalierYatory 1.. 11 Edit• ...., ..d B"""... ott"'" tereslctl In playing lhis music in the doesn't like, This mOIl' h3\'e been the 434 South W.w.m AOInI.",. CJ.leqo, "'a), Reger cOl'isioned. situation Horfmann found around him m., 80605. T.Iep/ooft. 312·HA7-3148 in 1967, but a lillie reflection should As the Ho[fm::mn and Klotz articles REVIEWS S .. bacriptio" ,me8. '4.00 a lit' ... ,.. .d· make dear. opinions differ as to wheth­ indicate that iI falls short of encom­ eance. Si",r. cop;e. 40 en',. Bile. er Rl."gcr's music is 10 be interpreted in passing the enlire spectrum of pos­ More Re.lew. hom U.e Harpaichordlat.· World numbe,. mo,,, '''em 'IDO "Hr, old, 18 the "orchcstTaI" style which results from sibilities. by Larry Palmer 12 cen". Fore/,n aub.cripl'o", mud b. literal application of Reger's dynamic Careful comparison of the two ar­ paid in U,.II.d Sta'e, fund. 01' ,h. instructions upon a ca. 1900 German ticles gives a rather differcnt pcrspec­ HARPSICHORD HEWS 12-13 _,,,lea"'" thereof. organ or whether the instructions arc to th·e. I£ wc resist the temptation to LETTERS TO THE EDITOR 13 he t~l:.en more or less loosely. This identify Klotz with HoUmann's "bad HlRfC OIMITTIS 2D is a man},.sidccl question, and it is guys," wc sec that the main difference Adoerlu'nl rate. on applica"on. not likely to be pcrmanently resoh'ed betwccn them would seem to be (hat CALENDAR 22 in the immediate future. Howe\'er, the Hoffmann ad,'ocates strict adherence Routine lie .... fol' pabUcntion trlW' b. two articles tend 10 polarile the is­ 10 all the markings in Regcr's scores, ORGAH RECITAL PROGRAMS 23-25 r~ehed no' latn .han 'he lOt" of ,h_ sue, as the reductioll of any issue to a while Klotz produces evidence that Re­ CLASSIFIED ADVERTl8EMEl'fTS 21-27 WID"''' '0 .... ,e ,....,.,Ion I" ,,,_ iuu_ pair o[ contrasting slalemen1.5 neces­ ger himself did not always (a"or ad­ for '''e nm mon'''. For ,.cleol J'ff'O­ sarily must do;. and: lIt~rc scriou~ly, hering 10 them. Hoffmann's position is '''''''' ad ad.,.,.,.... ". eapu. ,h. do... the), permit a mlsleadtng tnterpretatton unassailable as long as one has ac­ "'_ d4t. " ,"_ Sth. Mat...w. for nt­ cess to an organ built about 1000 by AU .ubsaibcn are urged to saad to be read of the interpretation of Reger ch:Iogcs o( addras promptly to tht' trieut al.ould reoc" ,he office bll ,h_ espoused b)' Hans Klotz, wl~ich is Sauer, "'alcker, or some such firm. Gh'clI I ... office o( The Diapason. Chaft£U familiar to those who havc dISCussed this inslfument, it would be hard to must WI tht' Reger's organ works witll him af!d heard justify deviating from tbe printe? '!'ark. ream Ix(oft the 15th o( him pia)' Ihem. My purpose m these ings an)' more than the outer hmlLs of month prcading the dale of Ihl' first issue to be mailed to the De,," 5eco..... r... _. "'"" oJ Chi. nOlcs b 10 expand upon thc two slale­ onc's technique, Ihc organ, and the addrcu. The Diapason Qnnot pro­ coco, JU, • .... at fJddkfonal mlfiUn, rnenls in the hope that my comments acoustics might demand. But what about office. , ...ed rll. Dlopaon will encourilge further thought upon a the rest of us? Those wcre atypical vide duplicate copies millled Meuur triO"''''", of a subscriber. failure 10 notify. Off/co .f ,..u.ucollo., 434 Sou.h W'­ problem which is both difficult and and idiosyncratic organs, and it seems ANn"', Chlc",o, Ill, 80805 importanl, doubtrul that instruments like them will I do not wish 10 imply that Ho[f­ be built again. Arc we to abandon the mann is wrong, His profound respect allcmpt to pia)' Rl'ger entirely, then, for Reger's intentions IS only to be a~­ or mal' we lISC Reger's known dcvia­ o£ Rl.'ger's pro£llse dynamic mark! can Reger's instruclions as well 3.5 any­ mired and emulated. Futhennore, It tions from his scores as bases upon be accurately observed. For example, thing. If the comet is ex~sed, then is certain that some rcrcllt organists which to build convincing pcrfonnances let us consider the Fantasy on Siraf' no expression will be pos,uble, There havc attempted to apply rigidly baroque upon the inslruments we ha,'e at hand? midi niehl in deinem Zorn, op 40/2. tlle matter ends. Reger could hardly concepts of registration, dynamiCS, tem­ Stated thus, the question answers it· The introduction contains what seems havc e1l\'isioned an ideal performance po, etc., to the interpretation of Reger, self; and though we are not yet out an appalling number of d)'namic mark­ in which every dynamic chan~e in Ihis and In so dOing put Reger in the "ba­ of the woods, we are faced with a dif­ ings, coming se,'eral to the har and eCltatic, long-drawn·out solo line is ac­ roque strait jacket" which Hoffmann fercnt kind of problem than originally ranging from fPPP to FFF. Howevcr, companied by the jolts of stops com­ rightly finds both unflattering and seemed to be the case. It is this kind Reger's manna changes (for an o~n ing on and off (though it must haw· exceedingly confining. His arguments of consideration that leads Klotz to the with three keyboards and pedals) and been so played more than once) . Here, against this sort of thing arc wcll­ kinds of performances he ad"oc:::J.tcs, coupling instructions are prtcise, and thc obYIOUS larger context seems to (.3ken: one who defends this kind of rather than adherence to somc sct or it is perfectly possible to play the pas· dictate hoth kinds of liberties that historial anadltonism in the per­ supposal "baroque" principles, the im­ sage observing Reger's instructions ex· an be taken with indicated details and Cormance of Bach skates on ,'cry thin plied ,.iIIain of the Hoffmann article:. actly. with no changes or SlOpS at all. their ultimate limits. So while Lbi.5 ice indl'Ctl. Furthermore. it is not a5 difficult In Ihis ClSe, PPPP is to be interprcted, kind of reasoning does not remove But the juxtaposition of HofFmann's 10 achic"e cre:sandi, deacscendi, Iud· of COllrse, as more-or-ltsS·full third anachronislic details of Reger's inSlnlc, article with that oC H:ms Klotz can den changes in d}llamics, elC., on l-1't'fk­ manual with swell box closed, as it tions, it does put them in a conlext in be somewhat misleading, for it im· pr;"rip mechanical otgolns as is often has been as a matter or course in :l "'hich one can rccl rclatively securc :lS plies (though this may not be Mr. implied. A moment's consideration of great deal of organ music ,,'ritlen O\'er to what changes 10 make in thcm in or­ MabrJ's express intent) lhat Klott is the organ works of Cesar Franck. pro\'ei Ihe last hundred·odd years, One simply der to render the piece playable and one of these skaters, and that he pro­ Ihis. Crescendi, etc" abound, but they follows Reger's directions :lnd USC5 the eSlhetically convincing. It is hard to poses for Regcr's works "an anaemic arc all achieved by coupling and un­ swell box, and the dmamics take care suppose Ihat Hoffmann, or for that mtcrprctation according to baroque coupling, changing manuals, employ· of thcmselves. The exact Iype of or· matter, Straube or Reger himself would taste, whercby. in order to do justice ment of OJ single s\Io'elibox, and ter· gan on which one docs it becol1le1 :l mat­ disagree with this kind of solution when to the mechanical action, c\'en the tempi raced additions and subtractions of ter or secondary importance. the problem is put this - Klotz's - arc taken at a 'baroque' slow pace." Leav­ groups of stops - all (except, in a Yes, one may answer, but what about way. ing aside for the moment the issues minority of cases, the s\lo'ellbox) re­ the FF in the twelfth bar of ,'crse Examples could go on: ,erse 4 of of how accurate it may be to character­ sources which arc available to the play­ 5 (mostly JIP 10 jJ) of the same the samc piece can be seen as a des­ ize the true baroque taste as "anaemic," er of nearly an}' sizeable organ in use piece (p. 11 in tlle Uni,'et5:l1 edi­ cendant of the cromOnle en laWe; '-erse or how slow or b.st may be truc baroque today. These devices can be perfectly tion, UEI207)? On the surface, it 6 is an elaborate dialogue among three paccs. it must bc said that Klotz ncver casily applied to Reger's music, simply seems Reger's instruction here is a manuals and pedals, each sounding a indicated that his rcmarks or his ideas substituting them for the constant usc serious problem, and so it is, But the different color and d)'namic le\'ei; e\'en of Reger perfonnance should be so of thc roller-crescendo. (The modem problem diminishes (but dot'S not dis­ the extended complexities of "crse 7 interpreted. One scans Klou's remarks cresccndo pedal, operating as it docs appear, unfortunately) if one considers can be rcsoh'ed when it is pla)'ed as in \'ain Cor the word "baroque." Those on an instrument with stops of widely Ihe larger context. Reger is obviously a mm'ement for coupled plena, obey­ who know his Reger playing know it \'arying timbres, gh'cs an entittl), dif­ cmula_ing a common 18th century fonn ing Reger's manual changes and adding is anything but anaemic or slow. After ferent effect from tJle old German one, with an om amen led cantus finnus as the reeds uf one ke)'board after another a performance of h~ at the Church of which operated man)' SlOps of \'Cry simA a soprano solo for this "crsc. He indio in onler to make the indicatct1 climax. St. Da"o, H .... rlem. in 1962. I heard ilar COlor.) It is this kind of substitu­ Qtes no manual changes during its I cannot believe that this kind or in­ the rcmark. "It sounded as though the tion that is .u the center of Klou', course. The soprano remains on a sep· terprelation is contrary to the inlent of organ were on fire." A recording he approach to Rq::er'l music, and it is arale manual from the acompanying Reger, and I know it is anything but made in 1961 of the Fantasy on Waclu:l probably this. rather than perfectly ,'oices. Surely Klotz's remark, " •.. in dull, or "baroque" in the emasculated, auf (op. 52/2, Kant:lte 642 228) suf- static dynamics. that Straube, Klotz's the details of registration we must be pejorative sense the word has acquired 6cientl)' e5labUshe, that his Reger teacher, employed on the famous oc­ guided by the fonnal structure of the as a result or organists' efrorts. It sim· interpretations possess their full com­ casion cited by Klotz at Basel Cathedral works" must suggest itself to us here. ply represents an attempt to play Re­ plement or red corpuscles. and wide on 14 June 1905. The result is not so This then becomes the kind of dynamic ger's music on the organs available dynamic changes as well. diHetl'nt in the ~nd rrom Ihat of Klotz says does not reqUire (for it today as expressively, dramatically. and Clearly, then, the diffcrence between skilled use of a roller-crescendo in a cannot require) "the literal obscnance honestly as hc intended it to be played Hoffmann's and Klotz's positions is large old Gennan organ; and, it must of (Reger's] performance markings ••. on the organs a\'ailablc to him, This be said. it is nearer the essential nature suited to thc ... organ with Walze ..." was Hans Klotz's stated intention in of the instrument as we now conceive If the mO\'emenl looks like a certain formulating this approach, and it is it. It Is hard to imagine that a musi· kind of chor.lle·prelude, then the ob­ to be hoped that it will be exp:tnded cian of Reger's genius would not ha\'c vious thing to do is to pia)' it like one. upon by increasing numbers of org:an­ lMas: Rl'IU 10 Gl'J'2.rd Bunk. 1910, quot~d gmsped this. It sounds well as a kind of r~cit de cor­ ists, for the mllsic or Reger yields by HaN Klou in TAe Or,.. H."JhGl, Con­ H an otgolnist approachn Reger', 'Jet, and if the comet il on an enclosed aSlonishing satisfactions to those who (':O nii.a, 1969, p. 183, mmic in this way. a surprising number manual, then the swell can 3pproximate ha\'e the patience to explore it.

2 THE DIAPASON In 1962 the German musicologist. observance was usually pouponed to Friedrich Blume. created a veritable the following Sunday. (uror in certain musical and theological Lent began with Invocavit Sunday. circles, primarily German, by making No mention is made of Ash Wednesday. certain new assertions pertaining to the Although the performance of JIlusic was life and work of Bach. The picture he restricted for some services during the drew was for them a distressing one Paschal season, it was greatly expanded because it marked a dear departure in others. The high point of the Good from the traditional portrait of Bach Friday observances was the Passion ora­ we have come to know. torio. The Passion as an annual event The basic thrust of Blume's writing began at St. Thomas Church in 1721 placed into question the established !c­ and at St. Nikolas tluee l'ears later. lationship bClwccn Bach's personal f:uth During the following years it alternated and his liturgical music. According to Worship in between tJte two churches. him. pious sentiment and nineteenth No " busine$$ as usual" was tolerated century romantic thought had turned on holy days or during Lent. On high Bach into a saintly figure that could festi\ al dals the city galt.'S remained not be substantiated by the historical locked except to pedestrians. Iron chains facts. The liturgical compositions of were strung across the streets to pre\"ent Bach. claimed Blume. rcally took shape Bach's Leipzig noisy traffic from disturbing or dis­ by virtue of the position he held at tracting the worshippers. Fasting was Leipzig. Moreover, Bach's po.! ition as encouraged, especially 011 penitential cantor did not carry with it all the days announced by Saxony's ruling mon­ preotige we tend to accord it toda)'_ by Reuben G. Pirner :nch. Days of penance were announced Indeed, e\'en in the eyes of Bach it twice each year until 1710 and three may have been a step down from the times annually thereafter. previous court appointment he h~ ld at To the Director ,""sices and cantor Cocthen. at St. Thomas's was entrusted the su­ Blume depicts Bach as an autonomous pervision of music in all the city's artist composing and performing large­ dlUrches. Bach's 55 singers were divided ly for the sake of music alone. He went among four of the congregations, the on to say that Bach may not have c~m· two main churches laying claim (0 the posed his cantatas out of a com~lhng of Christian "calling" that perhaps Greater emphasis was placed upon best singers. The choir which performed desire to proclaim the Gospel, much marks the most severe limitalion of catechetical instruction and the regular Bach's cantatas was comprised of the less as an act of faith. Rather, it ap­ his work. examination of both young and old. school's very best. Little more was ex­ pears likely that Bach composed for Already at Muehlhausen in 1710 Bach Such instruction (Kalechismu.sexamirla) pected of the less gifted singers than the the Lutheran liturgy simply because enunciated his goal: to establish a well­ came to be structured liturgically into a leading of the congregation in the sing­ this is what his position required of regulated church music to the glory of formal service of worship. These con­ ing of the chorales. Each choir con­ him. God. In pietism and rationalism Bach tinued throughout the 18th century. sisted of no lUore than 14 singers. In Since Blume's iconoclastic foray, a sometimes encountered barriers to the The first decades of the 18th century the cantata performances the instru­ number of writers with a mixed arsenal realization of this goal. But he never witnessed a continual increase in the mentalists irn'ariably outnumbered the of historic facts and subjecth'e views abandoned it. At Leipzig, a bastion of number of scheduled worship services. singers. The instrumental players were have stepped forward to defend the tra­ Lutheran onhodox)', Bach found the Vespers were added on holy days, spe­ largely enlisted from the citizenry, ditional portrait. Rarely does a nation atmosphere and the circumstances which cial passion music for Good Friday. though older students were occasionally take kindly to a criticism of its heroes were most congenial to his own theo­ Celebrations of the Eucharist replaced also pressed into service. Instrumentalists or a tampering with its cultural mas­ logical and musical orientation and ordinary preaching services. Every were always in short supply, sometimes terworks. In this instance the act was which permiued him to pursue his change seemed to bear witness to a requiring the cancellauon of a per ~ perhaps judged all the more treason­ objecti\'es. significant renewal of worship and piety. formance. The cantata had its fixed ous since it was perpetrated by a com­ In m)' view the outstanding value of Bach stepped into this liturgically­ liturgical place between the Epistle and patriot. No defense has been as thor­ Stiller's work lies not in its polemics charged atmosphere as Mllsikdirdtor of the creedal hymn. Its performance lasted ough as the recently published book by btH in its excellent and detailed de­ the city. The oft· repeated title, "Cantor 35 minutes in summer and 25 minutes Guenther Stiller. Jollann Sebastian Bach scription of the piety and the worship of St. Thomas", is rather inaccurate in· in winter. Occasionally the cantata was und das Leipziger goueldierutliclle life that was to be found in Leipzig asmuch as it only points to the hat divided into two parts so that the sec­ Leben leirlu ZeltJ is a remarkable book. when Uach was engaged there as cantor. he wore as teacher of the school at­ ond half could be performed after the Once again the vast Bach literature is When much of northern Europe had tached to St. Thomas Church. St. Niko­ sermon. Since special music was regu­ examined, including the original sources fallen under the spell of the Enlight­ las Church was really at that time the larly performed during the Communion, in an attempt to disprove the unortho­ enment, when the forces of seculariza­ city's main place of worship. It was it is likely that cantatas may also have dox - if not treasonous - charges. tion e\'erywhere undermined faith and here that the leading clergyman (the been perfonned then. This possibility Stiller is intent upon showing that worship, Leipzig continued to cultivate SllperiPitenderlt) preached at the main gains credence inasmuch as Bach's can­ Lutheran orthodoxy provided the cli­ her orthodox Reformation heritage. service on Sundays and holidays. It was tatas frequently employ dlorales with mate most congenial to the ~I?weri~g 'Vhen elsewhere the secular style of also in her sanctuary that Bach's can­ images or allusions 10 the Eucharist. of church music, that conditions 10 Baroque music, especially opera, re­ tatas were generally first perfonned. Bach looked upon the cantata as an Leipzig during the first half of the placed the liturgical-musical style en­ Since Bach's responsibilities eXlended 10 important correlative of the sermon in 18th century provided precisely sue!) demic to Lutheranism since the Refor­ the far-flung musical activities of the the proclamation of the Gospel. It was an atmosphere, and that .Bach CO!l~CI ' mation, Leipzig's liturgy and its music city as a whole, the title, Director perhaps the most essential clement in ously sought out this particular milieu remained anchored in the tradition of musices, reflects his true pOSition more his plan for a "well·regulated" church of worship and piety so that he might Lutheran otlhodoxy. accurately. musIc. pursue and attain his chosen goals. ~he The reader is frequently reminded On an average Sunday Leipzig's The dloir played an important litur­ author believes Bach's own theological that Leipzig's rich and varied liturgical burghers could choose from no less gical function by singinJr the liturgy orientation was most perfectly attuned services, which provided the settings for than 16 different sermons in as many antiphonally with the congregation. to the spirit of Luth~ra!l orthodoxy ~s Bach's cantatas and passions, flowered services. Depending upon the occasion Leading the congregation in the sing· it was manifest at LeipZig, and that, 10 coterminously with the enlightenment. and the number of communicants, tile ing of the hymns was slill another im ­ retrospect, we todaT,. can ~e how the The piety that was common to Eu­ celebration of the Lord's Supper general­ portant task, since the organ accompani­ stylistic features of IS musIC most per­ rope's Christians for centuries, now, ly lasted from 3 to 4 hours. Since ser­ ment of the hymns was unknown at fectly renect thi, . propelled by the Protestant Reforma­ vict'S were sclleduled on festivals from Leipzig until the second half of the 18th Stiller raisel again the question as to tion. was coming to an end. Isolated early morning until late ahernnon, somr. century. Certain individuals were whether Bach's cantatas can still fulfill pockets in Hamburg and Leipzig, were people actually chose to listen to as charged with leading the congregation a liturgical function in today's evan· slow to lake up the secularizing inOu­ many as three sermons in a single dayl in tJle absence of the choir. gelical worship, but he .does not .,?m­ ('necs of the Enlightenment. Christian The Sunday and holiday services by It is to the spirit of Lutheran ortho. mit himself to an uneqUlvocal poJltlon. Thomasius. a proponent of rationalist no means exhausted the worship sched­ doxy that Stiller ascribes the basic im ~ He wishes this were po,.ible. The re­ thought at Leipzig's university, was ule. Throughout the weeks there were petus for the renewal of worship and covery of the Bach cantatas for today's forced to leave his position in 1690 preaching services, and liturgical Bible church music at Leiplig. There were worship was the primary goal of the when his lectures antagonized tradition­ classes of various description. The lat· other circunu tances, to be sure, that New Bach Society founded in 1910. He al sensibilities. For the most part the ter, designed primarily for catechumens, contributed to this renewal such as the acknowledges that in the last resort theological faculty as well as the city's included hymns, collects, and a closing preaching ability of the clergy. There this question can be answered only when clergymen were apologists for Lutheran benediction. The sermon e\'en at a are few features about pietism that Stil­ theoloa-ical rather than musical ~on­ orthodoxy. mid-week service could last an hour. ler finds commendable. He doubts sideratlons take precedence. He defmes It is both strange and remarkable On Wednesdays and Thundays the whether a pietistically-inclined clergy. his own investigation as basically a theo­ that when nearly all of Germany ex­ Lord's Supper was again celebrated at man could have been called to Leipzig. logical one. perienced a spiritual and religious de· St. Nikolas and St. Thomas respectively. Bach is pictured as a faithful disciple An understanding of the liturgical cline, Leipzig underwent an actual re­ Each week also witnessed from 15·20 of authentiC Lutheran orthodoxy, \'ersed function of the cantata in the first half newal - at least if stati51ics such as baptisms, 10-12 weddings, funerals, and both in Luther's writings and the works of the 18th century requires a familiari­ church and communion attendance can other occasional services and special of some post-Reformation Lutheran dog· ty with both the SOC!O-cultu~l condi· serve as a guide. celebrations of various kinds. Five clergy­ maticians. But this judgment is not en­ tions and the worship practices that Already in 1694 a subnantial increase men were kept busy. There was a clear tirely coO\'incing in light of an examina­ nurtured it. Rich burghers in the in­ in communion attendance is recorded. delineation of clerical ranks and liturgi· tion of Bacll's cantata texts. Neither is dependent cities vied with proud nobles It became necessary to schedule mid­ cal functions among the one superin­ his argument conclusive when he main­ 10 grace and enlighten their churches week celebrations of the sacrament to tendent, one archdeacon. two regular tains that Bach's use of the recitath'e and courts with music and art. For reduce the burgeoning number of com­ deacons, and one preacher. The preacher and aria in no way represents a secu· Bach to compose superlative music was municants on Sundays and holidays. alone among the clergy was unordained. larization of church music. It is true, perhaps no less an act of worshiP. than Even more significant was the renova­ It was his special task to preach the however, that Bach sought a position in a participation in a sacred rite 1~1f. tion of churches abandoned since the Saturday night Vesper sennon. an orthodox Lutheran milieu, for the It is Stiller's failure to fully appreciate time of the Refonnation and their dedi­ Visitors to Leipzig recorded in their pietists were generally suspicious of all Luther's distinctly new understanding cation as new, places of worship. There annals the remarkable number of war· church music over and above simple was also the remodeling of older ship and devotional opportunities which hymnody. In both the cantatas and the churches regularly in use. Whenever pos­ reached a special climax during the cele­ passions, the pietists could sm ~ 1I the sible, space was added to accommodate bration of the three major festivals - atmosphere of the opera. more worshipers. New organs were in­ Christmas, Easter and Pentecost. For Stiller is convinced that this late stalled and old organs were rebuilt. three successive days one service followed blooming of Lutheran orthodoxy, like Reuben Pirner is associate prOfessor 01 When Bach arrh'ed in 1723, regular another. The festivals were lI 11hered in the final glow of a dying ember. was worship, mUlic, and tile arts at Wart­ wonhip was held in six different by a fifteen-minute tolling of the church rooted in a genuine spirituality_ Despite burg Theological Semitlary~ Dubuque~ churches. hells, followed immediately by a ft!sth'e its strength and its authentic piety, it la. Reprinted by permission from Re­ Private confession remained a com­ service of Vespers. Minor festivals sllch could not for long ward off the forces sponse, XII, I, 1972, tile journal of tile mon practice in Leipzig throughout most as Apostle Days were observed during of secularization that rationalism and Lutlleran Society for Worship~ Music or the 18th century. The times at which the week on the day tradition had as­ the Enlightenment helped to unleash . arid tile Arts. .:onfession could be made were increased. signed them. Elsewhere in Germany their (Continued, page 16)

SEPTEMBER, 1972 3 The Missae Br~;.J DC Bach h:l\"c long been neglected ooth in scholarly rt.'SCafch :lOd in concert pcr(orm:mcc. They have b(.-cn dismissed as sccontl·r.ne Bach. not deserving to be considered. Defore 1965 The Missae Brevis of J. S. Bach there had not been one thorough analy· sis of these Masses. Most writers seem to ha\'c accepted the writings or Spiua 3nd SchweitlCr as the (inal word con­ by Thomas J. McGary (cruing them. Since 1963, however, there has been a more positive ap­ proach. Sc\"cral qUC'5tions arc r;aiscd by the The exact d .. (es of the composition sho\\' his apprCClatlon, Schweitzer also they were composed for the Dresden nc.:glcct of these works aud the 1I1Icon· or the MiJsoe Brevis cannot be asccr· helie\'cd that Bach had no opportunity court." He then declared that nach's (crned attitude of 1110St wrilers. "'as tllineti. In MGG the dates of the rour to perrorm these Masses, leading to the predecessors Kniipfrer and Kuhnall Spina right or wrong? Did he thorough­ Missae IJrevis arc given as no later than conclusion that they were written rOt wrotc M iuae Brevu, and ror the second I ly analyze these Masses? Since these 1737.' Spiua was certain that the), were Dresdcn. ' lime he gil'es conclusive e\'idence for Masses arc all deri\'ed from existing all composed after 1730 and that the Spilta, who researchcd the Leipzig their usc in tJle Lutheran service. How­ ClI1tala 1Il00'cmcnls. arc the)' worthy or Mina Ilrr:v;s in G major and the Mi,UlI liturgy quite thoroughly, first stated e\'cr, Spitta secmed unable to recognize public performance or should one ad­ IJretlis in A major were written around that the Miune Brevis were composed the significance of his own proof and here to the original ,'enion of the can­ 1737.- Ilendrick Willem Van loon stales ror the Lcipzig service, but at thc last again said they were for Ihe CatJlolic l:::Itil movement? Is there ::my particular that Ihc), were writtcn between 1i37 inslant rC\'crscu himself and said tJlal court ::at Drcsden.1t ll!thniquc that Hach used throughout and 1740.- AcconJing to C. L. \'on Hil· in his IHlraphrasing? Were these Masses gcure)dt, the MiSSile llrev;J in A majol' written for the Llilheran scnice or for was composed in 1735,10 Schmieder dales the Roman Catholic service? These arc the Milsae Brevis around 1737 and CHART 1 a few oC the questions that the Missae 1738,1l From the aoo\'c m3terial onc Drt!llis posc. deduction can be made: The Mu.sae COMPOSER MASS (Kyrie and Gloria only) Approximate Duration in Min. Bach wrote the following Latin com· Jlrevis were composed during the Leip­ }-ux Alissa Purification is 5 minutes pOSitions: zig period. Fux Miua oclo vocum SSmae Tn"ita';s 7 minutes Lutheranism was a moderate rorm of Caldara M issa Dolarosa 17 minutes Missa Jjrevis in IS mil~or , IUI' V 2321 rehellion. Luther ret:tined much of the Uiber Alissa Brevis sarlctorum s~plem dolorum n.v.l\I. Misla /ln~vis in F major. nll'Jf 233 Itoman Catholic rite. including the usc 8 minutes K)'rje deiJuII. C"r;sle tlu Lnmlll Gal- of the Lalin Ma1!. Although Luther 1\:­ Hayun l\I;ssn in Tempm-a Bdli 17 minutes Ha)'dn I.ord Neuon Mafj les, nU'l' 23301 rused to aCCept the Mass as a sacral1lclll 16 minutes Mina IJu:v;s in A major, BII'" 234 he did IIOt ueny the usc or lhe ~Iass Haytin Alissa St. Nicolai (G major) 8 minutes Ha)un Mina lJrevis in G minor, nil''' 235 as a rite. lIecause of this, the usc of the M;ssn Brevis stlliea Joa,mil de Deo 3 minutes Latin Mass continued in man)' parts or MOlart Mass in C major, K. 1117 8 ~ minutes Misst' Brevis in G minor, D!1'J' 236 Mozart Mass in C millar, DII'I' , I\nh_ 24 protestant Germany, particularl)' in Miua Drevis in Bb, K. 275 5 minutes Mass in E minor, 811'1', Anh. 26' larger urban churches. Mass in G major, DWI', Anh. 1671 A comparison of the liturgy or the Kyrie, /JII'I'. Anh. 168. early Lutheran Church with that or the ChriSM eleison. llll'J' 242. churdl in Leipzig re\'eals Ihat there CHART II had been very little change. Two adap­ SQncl,u in C major, BWV 237 Mis.sa BrC\'is No. 2 in F Major Sanctus in D major, llll'l' 238 tions or Ihe Medicval Mass of the Ro­ Souelus in G major, BfI'V 240 man Catholic Church were fashionct.l Kyrie Chorus SATB F Tonic Glor;a F Sa,IeIIU in D major, nJIII' 241 by Martin Luther: I) The Latin rorm Choms SATD Tonic Selnclus in F major, DII'I', Anh. 27 of the Mass and Communion of 1523 Domine Delll Aria Ba" C Dominant and 2) the vernacular Germ3t1 Mass or Qui Tollil ,\ria Soprano g Su~rtonic Quollitllll Aria ,\Ito d Su mediant OC the fh'e Minae Drevis. this article 1526. rhcsc two rorms had a substantial influence on the orders o[ sen' ice. Cu", Sallcto Chorus F Tonic is concerned with those in G major, A SATD The typical Lutheran Sunday ami major, G minor, and F major. The Instrumentation: 2 obOCll, 2 horns. strings, continuo MiSla Brevis in B minor bccame the restival service of the 16th ceUlm), iu­ chilled an bltroit, Kyrie, Glm';tl, Salu­ basis for the Mass in B minor. Missa Brc:\'u No. 3 in A Major None oC the Miu ae Brr:vis conlains lalion, Culled, Epistle, Grtlllttal and Alleluia \'el'Se, Nicetle Kyrie Chorus SATU A Tonic new nmterial. The K)'rie oE the Missa Gospel, Cree,/. Gloria Chorus S,\TB A Tonic Drr:vis in F major is based on an ear­ Sermon, OJ/alury, Great intcl'cl'ssion, SoncllU and words Domine Deus Aria U::ass It SUbllll."chorale Cllri1te du La",,,, Gallel is Cum Sarleta Chorus SATU A Tunic round ill the chorus, whereas in the nioll, IJertedicllu, and llIt"SSing, The second version the chorale melody has Kyrie and Gloria were still sung ill the InHrumentation: 2 Clutes. strings, continuo Leipzig liturgy during Hach's tenure been transrerred to thc horns and oboes. there,l- This is one of the last examples of the In thc rerormed liturgy of the Luth­ chorale as a Mass ingredicllt. It is Missa Brc\'u No. 4 in G minor- eran Church, the most importalll IIlU­ Bach's only work or this type, and docs K)'rie Chorus SATD g Tonic not ronn an exact parnllel to his meth­ sical activity, including thc Kyrie amJ Glorin) took place before the SCI'mUII , Gloria Chorus SATII g Tonic otJ or including the chorDle in the can­ GralitU Agimlu Aria Bass Thl'S(! two mon:ments 1M.'C3UlC kilO\\'II d Dominant (minor) laeas, rOt there the \'oices participate Domine F,1i Aria. Alto lib Mct.liallt in the chorale while in this Kyrie the as UtC Missae nrrois or simply OIS the Messe. The name Missa Jlrh/;j docs not Qui Tollil and Quoniam Aria Tenor Eb Submediant melody is preseUled as a commentary Cum Sancia Chorus SATU g Tonic by the instfutllenl.5.' me3n the same thing ill the Lutheran Church as it docs in ule Roman Catho. InstrumenUtion: 2 obocs, strings, continuo The Gloria and Gratial oC the Mina lie Church, where it is a setting uf the Brevis in F major are Crom lost canta­ entire ordinary, but in a sill1ple form. las. In the in A major the ~[issa Brc:\is No. 5 in G Major- Mis.sa nrevis The Lutheran M;.ssa BrnJil, howc: ver. K)'rie and Domi"e Delu arc also from K)'rie Chorus SATB G Tonic appeared in two [arms: ute cOlllrapulI­ Gloria Chorus SATn lost cantatas. The chorus Cm,. Sanclo tal style, emplo)'ing a familiar churale G Tonic GratiM Ag;,mu Aria D or Lhe Miua Brevis in A lIIajor is laken as the basis tor the pol}phoIlY, ami the Uass Dominant Domine Deus Duel Soprano/ Alto a rrom Cantata 136, which is thought to rreely composct.l, imilalt\'c pul}phonic Superlonic have come rrom a lost work.' Qllau;nm Aria Tenor e Submwiant lil)'le of the Wth CClltllf}. !loih tn"_'5 Cum SarlCto Chorus S/\TIJ G Tonic In general the structure oC cadi Mass were wrillen with and without Cig ,ned is similar to that o[ a cantata. In each bass. Instrumentation: 2 oboes. s. trings, continuo lWO·l11o\'ClUenl Mass, the Kyrie is set as According to Eva and S)dney Gre"', a continuous, related musical idea, ow· these scllings of the Mass, lIurmall)' con· ing, no doubt, to the simplicity o[ the CHART III text. In the Gloria the text is broken sisting of only the Kyrie ano Gloria, werc sung on festive occasions. On ,"Dille Missa Bre\'is No. 2 in F Major iuto a number o[ sections. occasions the Sant t,u was also sling to 1\[1\S5 MOVEMENT Elw}n Wienalldt, in Clloral Mluic 0/ elaborate music.p SOURCE '''e elmr"" refers to the teChnique that Qui Tollis Cantata 102: Welt der Seele, die de" Schade" Bach usc..'tl in tJtC Mil16 Brevis as corl­ Parry bdie\'cd that the Mijja IJrt;f/;s Quolliam Caulata HY2: Erscllfeeke dacl,~ dll allL'U lje/,'re See/e lrll/aelu",: in B minorl was used in the Lutheran C'1111 Sancia Cantata 40: Da:m ist eTsc";eneu der Sollll Galles scn'icc, but that the MiHae IJrct'is in r\ Missa Bn=,'u No. 3 in A Major nlC we of chol'UJC:l (rom cantOltou could :u major. G major. and G millor were Glcria Cantata 67: Friede sci mil ell", well be called parody. jwt :u the transfcr written for che Catholic st.-n icc, He aho Quoninm Cantata 79: Cott ist mISer Soml lmd Schild of moleu or secular sonp to the RenllWance stated "that thc F major Mass can hard­ Qui Tollis Cantata 179: Uebster Golt, eriJarme d.-el, M:w constituted parody, In dIOse cues, how. I)' ha\'c been intc: nded ror the Roman Cu", Sancia Cantata 136: Erlorlche mich. Gall urld c~' er, one preexistent coml1osilion served as Catholic ceremony. as the remarkable the lIIateriai (or an cntire Mass, while here er/ahre mein Herz the borrowed muerill l is ",cd In conntction feature occurs in the K)'rie or a I'rotes­ Missa Bre\'is No. 4 in G Minor with only a few ,",ords, or at most, a section tant choral, Chrisle du Imum Gottes, Kyrie Cantata 102: Herr, deine Augeu sehen rlae" of Ihe ordinary.- being imroduced in the instrumental d~", Glallben accolllpani men t.''11 GIOf'ia Cantata 72: Allel ",,,. flaeh Galles Willen U this was lruly the casc. l'alTy's writ­ Cralia.s Cantata 187: Dnm", solll illr ni,,,, sorgen ings pose the question: Why was the Dalllille Fili Cantata 187: DII Herr. du .TarUl allei" das Missa Ifrevil in B minor uscd in lhe lailr mit dei"ern Gut Mr, McCary ;1 a catldidate lor the Leipzig sen'ice and the MiHae IJrt:fJis Qui Totlil Cantata lSi: Gall verlorgeL allel Leben doctorate in musicology and tlleory Ilt in G major, G minor. and A major not Cum Sarlcto Calltata 187: E.s warlet allel au/ did, t"~ Uuillersity oJ Ci"cimlnti CoIIl'ge­ uscd, as well as the other Masses ched l\lissa Btt\·is No. S in G Major Ctmsenmlor)' oJ Mluic. He is aho or­ earlier? Kyrie Cantata li9: Sieile Zll. tllISS deine Gottel/"re'" gtmist tHul choir c/irector at St. Clement Schweitler tJ10ught Ihilt the Misfae Glcria Cantata 79: Call der Hell' ill Sorln fwd Schild Clmrcll, .\1. neruartl, Ohio. Mr. McGary ilrt:fJis werc intended for thc court at Gratias Cantata 138: All/ Gott slellt mei"e ZlIuers;eI,1 ;1 " watillate 0/ tile Unillersity 0/ Louis· Dresden. He rurther stall.'ll that when Domine DeliS Cantata i9: Colt. acil Gatt. verlass die flille mltl lias sellled ns ,"airman 01 the 1Iach rC(eived Ihc titlc of COllrt Com. Deiner 1J;mmermel,r ""uie tlt:/Hlrtmeut at S/IIJ11ltliug College. poser :at Dresden, he sent the four Quoniam Cantata 179: Fabcha HellcMer Ebenbild ,\'n::;,""" C4mpus. MUSM Brevis to the Drt...sdcn Coun to Cum Sancia Cantata 17: Wer D,m" oP/I!TI, der preiset ",ith

THE DIAPASON The evidence suggests that the Alis the meal line. menial line o(Ien 50unds an octave low­ result of the paraphrase is a piece ,fnt: Drtv;,f were wrilten for the Luther In the Qrum;nm aria Bach has used er in the Mass, which is in contrast which f:"'.ploits the best of the original an service and not for the Catholic a strikingl)' different paraphrase (ech· In the preceding ilria where the instru­ within a Ilew selling. service. The Leipzig liturgy would h:1\ c nique. He has limited his reworking mental paris often sound it ninth high­ The Domi"i Fili parody is unique. given Bach an opportunity to usc the to four major alterations. with the re­ er. The outstanding roint of lhis para­ Hach did not concentrate on rework­ Mi.ua B,tv;,f, though not ohen. This maining modiricntions being of less phrase is the UlHlsua manner in which ing the instrumcntal and vocal lincs. may be one of the reasons why he did significance. The main concern has been nach deleted and inserted measures. hut placed his emphasis on expanding not write original music for the Masses. in adjusting the cantata to fit the new In the Gum Sanclo paraphrase the ccrtalll sectiolls hy the iU$Crtion of cx­ They arc not short Masses of the Ro­ tcxt. majority of the changes wcrc caused by tra mcasures. Thc material in these cx­ man ~tho1ic Church, but complete The majority o( changes in the Cum the new text. In the orchestra parl!l, tra measures is free, bcarinJ; only a Masses for the Luther.:an Church. bcCUlSC of the IISC of two fink'S in slight resemblance to the mam thema­ Snrlctu 1 escept those of deletion and The artic1e in MGC stales that the addition. arc a result of the Latin text. place of the oboe and oboe d'amore, tic material of the mo\'cment. Also. the Mi.uae Brtvi,f were commissioned by some of the thematic material is found rrorchcstration of certain parts givcs DuJ.e Anion von Sporck. Bach was in different octave registers. The hom gTcater \'ariely to tJle sound of thc aria. chosen only after Sdlering refused to Missa Brc\'is No. .3 part has been omitted from the Cum For his Qui Tallis and Qlloninm accept the commission.tl If Duke Anton in A Major StlllctO. and the introduction of the paraphrase Bach uscs the aria Gatt veT­ \'on Sporck. a Catholic, did commission cantata has been greatly shortened. sorget of Cantata 187. The alterations the Minne Brtv;s, why did Bach not In his Paraphrase of the fourth made in the original have been minor, compose the full Mass text for the mm'elUcnt of Cantata 67, Bach has writ­ except for the addition at the end of Catholic sen'ice? This one fact would ten new choral parLS, even though the Missa Brc\'u No. .j the Uu poco tlllegro section of the indicate that the Mi.f.ftle Drtv;s were instrumental part~ arc almost un­ in G Minor mo\'emcnt. not composed (or thc Dukc, but for the touched. The exception is found in thc Lutheran Ii.turgy. second theme where two oboi d'amore The K'Yr;e paraphrase o( the opening The only major change in the Cum From the beginning of Bad,'s Leip· pans arc condensed into one part. movement of Cantata 102 is stmight· Sancia paraphrase is the rcplacing or zig period, he had di.sagreemen1.5 wit!, Again in the Clor;n paraphrasc, Bach's forward. Bach has made only minor al­ the 26 measure orchestral introduction his employcrs; he deSired to lea\'e tlH~ ability to worl.:. wilhin a preset form terations. and almost all of these were of the cantata with a scven measure post if another position could be se· is re\'caled. made to accommodate the Greek text. choral introduction. The remammg cured. During this period the Aliutr Not one or the changes affects the changes were minor and caused by the IJrtvis in n minor was composed. The (Examplc,f lA, III, below) hannonic IIIm'elUent of the piece, demands of the Latin text. scoring for this Mina Drevl,f reflected The orchestral jntrodllction of the the musical forces of the Dresden court The most strikin~ feature of the Qui cantata is omitted in the Gloria para­ Mwa Brevis No.5 rather than those of Leipzig. Bach was Tallis paraphra5C IS his attainment of phrase. The modifications made in the in G Major as eager in 1733 to leave Leipzig a~ he a lighter texture ad,ie\'cd by lhe chang­ \'Dcal parts scrve to male the Latin had admittedly been in 1730. He hoped ing of instrumentation which caused tcxt fit, although this did not seem to A minimum of changes is revealed to gain the position of Kapr:llmei,fter at the greater portion of the instrumental he the prime consideration. Many limes in the K'Yr;e. Bach made extensive the Dresden court of Saxony by prcscnt ~ line to sound a nimh higher. The rna· Bach could Jlave accommodated the chord alterations from m. 58·62. The ing the Aliua Brevi,f in B minor. jority of the changes in the vocal line tt;x t without making the elaborate greatest number of alterations in the Since the Dresden court was Catholic, were made necessary by the Latin Lext . ,hanges that he did. rhythm were made when he wished to Bach was then offering a Lutheran Mass The QrlOniarn parody is gi\'en a die· The Gralias parnphrase is another alter the harmonic progressions, which to a Catholic establishment. If. as many ferent sound by the u.sc of violins and example o( how Dach took the basic sene to make the harmonic mO\'ement writers stale, the MiS.fae Brevis were \'iolas in unison rather than the oboe framework of one aria and almost re­ lUore logical and create a tension that (or nute) in the cantata. The insITu- sent to the Dresden court, it means that worked it into a new picce. The end (Colllitllledl page 17) DOlch persisted in submitting Lutheran worb (or a ~tho1ie court. I find this an inconceivable probability. It is pos­ sible that Bach may have done this once, but not £i\"e times, One final indication that they were not for the Catholic service is that of Ex. 1A. Cantata 6i: Chorus, "Friede sci Es. II\. Mi$sa Ure,is in A major. their length. The Missne Brevi,f average mit cuch ." " Glori;," from 25 to 35 minutes in lenglh. A comparison of the Kyr;e and Gloria of the Masses of Bach's contemporarics Flute J. J. Fu", A. Caldara, and C. H. Diber, and of the later masters J. Haydn and W. A. Mozart (all of whom wrote M;uscs for the Catholic service) with the Missne Brevis of Bach reveals that Hadl's works are longer. a.. d'a,.,.,~n

(Cllart I) a",. Although the greater length of Dach's Minne Brev;,f is not a positi\'e proof, it docs emphasize that to use the M;1sal! in the Catholic service would grcally lengthen the service. The Minnl! Brevis all share the same basic framework, although the text is divided at dirferent places. The Minnl! Brcvi,f in A major and F major share uactly the same division of text. cm­ ployment of mo\'ements, and combina· tion of soloists. The l\li,fJ(It! Drevi,f in G major and F major share the same relationship of kcys within tire whole. The following chart will show the over­ all relationship of the M;uat: IJrroi, to each other.

(Cllart /1) As stated previously. the Missae nre­ vi,f dcSCMle to bc e\'aluated on their own meriu first, then compared with the OJtTcsponding cantata mo\'cments. By judging the Alisstlt: on their own merils the problem of word painting and symbohsm can be gi\'en position of secondary importance. The primary concern is whether the Latin text func­ tions satisfactorily and to a lesser ex­ tent whether the music coO\'eys the mood or expression of the text. To show this a chart correlating each Mass movement and its source in a cantata and a slIullnatioll o( cach paraphrased Ulo\'emerll is given.

(Chart 111) Mimi. Bn,-is No. 2 in F Major

The Qui To/Ii,f parody emerges in a new light. \VitJlin a basic hannonic framework and while fCtaining the oboe part in this original fo"n, Dach ha..s ex­ tensively reworked the continuo part and made superficial modifications in

SEPTEMBER, 1972 5 NEW APPOINTMENTS,

Elizabeth Manoogian Banks has been appointed organislEngland Conservatory of Musicology Department Music; his tcachcl'.! have b(.'Cn Arthur Gerhard Krapf, Head Daniel Moe, Head Poistcr, Donald Willing, and Daniel Organ Department Choral Department Pinkham. Delbert Disselhorst Richard Bloesch Robert j\lacDonald has been appoint­ Olllan Department Choral Department ed director of music of The Interchurdt Center, New York City. The Inler­ church Center, which i! world hcad· WRITE TO: quarlers for Ol'er forty Christian de. nominations. will Ital'e a chapel choir University of Iowa Conferences made up of emplorct'S rrom the build· Iowa Memorial Union ing. In addition, organ :md choral pro· Iowa City. Iowa 52240 grallls h)' visiting performers are plan­ ned. Mr. MacDonald is abo associ:1le or· ganist-choir direclor or The Ril'erside Churdt, and he appeal'.! on the roster of the McFarlane·Nlclsen Concert Malt· agcment. Robert Pibnan has been appointed full·time organist for the commg year Frank W. KUlschera hal be.n appointed at St. John's Benedictine Abbey. Col· district sal•• manag.r for the Southeastern legevillc, Minnesota, efrective Sept. 1. region for Austin Organs, Inc. of Hartford, THERE'S Mr. Pitman is a graduate of Oberlin Connecticut. Mr. Kutsch.ra has eslablished College Conservatory of Music where he his office in Atlanta, Ga., and will be re­ MORE TO studied organ with Fenner Douglass sponsible for all sales negotiallons from and Haskell Thomson, and harpsichord lOuthern Virginia to Florida. He suueeds with David Boc. Thl! past year he has Percival S. Fanjoy who announced his de­ CHURCH been a Fellow in Churd. Music at the cision to relire at the end of Aflgust. Mr. Washington Cathedrul. While in Wash­ Kutsch"ra has been o$.lOCloted with Austin MUSIC ington, D.C., Mr. Pitman scrvrd as ac~ Organs since 19-49 when he io/ned the companist for the Choral Art Society voicing stoff of the flrm. In 19.55 h" was THAN and ;u a music reviewer for the Wash­ appoint.d h"oct 'IOk.r and conth,ued In ington Post. Mr. Pilman is the fint or­ this capacity until 1968 wh.n he became gani!t at the monastery who has not factory r"preMntotiv". During his yeall as MEETS been a member of the monastic com­ head voicer, he was auistant to Rithard J. munity. Piper, Yice pre.ldent and tonal director, and he was 0110 responsible for the tonal THE EAR D. C. Rhoden has been named head of music at Athens Academy, AthcR!, finishing of many organs throughout the by RIchard DeVinney Georgia, beginning August, 1972. Dr. country. illustrated by Sandy Baver Rhoden is a past dean of the AtheR! and Macon Chapters of the A.C.O., and INFORMATION REQUESTED If you're a church musician. you might be wondering how hc holds the Cfl.M. c.c:rtifiClte. He is a ON FELGEMAKER ORGANS you can - graduate of the University of 50Ulh Carolina (BA degree), the Southern William E. Lindberg. a member of • deal with ministers who interfere. who seem indifferent, Bapti!t ThoologiClI Seminary (MSM de· the Pittsburgh Chapter A.G.O., Penn­ or who love to hear themselves preach. . gree), has done summer study at Union sylvania, is currently doing research for • get along with the choir and have fun at the same time. ThoologiClI Seminary, and he holds the • Improve the musical tasle of your congregation. :1 dissertation on the Felgemaku Organ PhD degree from Florida State Unil'er­ Company_ He would like to hear from These and many other problems are the subject of this sity where he held teachinJ assistant­ anyone who knows of any Felgemaker delightfully humorous book. Richard DeVinney, an orgar:-ist­ ships in organ and imprOVisation 'and organ! that are still in existence_ He chOirmaster himself, takes a candid look at the non-mUSical a te5Carch fellowship ror his disscrtation would also apprrciale hearing from any­ pitfalls that are part of his church music job. He gives on "'Community Related Boy Choin in one who has any information about 10- concrete suggestions on how to improve relationships . ~ the U.S." He has sen'ed 33 minister of Cltions of imtruntents, dales of con­ tween musician and minister, musiCian and choir, mUSICian music for the First Baptist Churches of tracls, wind pressurH. and the IClling and congregation. Underlying the Buthor's advice is the Athens, Ga.. and MilJrdgeville, Ga., belie I that people come before music. antI \'oicing of pipes. etc. Mr. Lindberg prior to relurning to graduate school, will be happy to res~nd to any com­ Music students looking for their first jobs 85 well as and he now sen"cs lhe First Daptist muniCltions on the subjett, and assures oxperienced members of the church slaff will be grato'ul Church of Jerrcrson, Ca" as minister correspondents that their contributions thai someone has finally given such full and entertaining of music. will be acknowledged in his work. He allenllon 10 Ihe "people problems" encountered by a church 1I1ay be contacted by writing him ::1t 229 musician. $2.25 C. Thomas Rhoads wal aPr>inled Constitution Dri\'c, Pittsburgh, Penn­ organist·choinnaster at SL Bede s Epis­ sylvania 15236. Available at all bookstores copal Church. Menlo Park, California as of July I. 1972. Previous to this ap­ TilE FOURTH PRESBYTER.IAN FORTRESS PRESS pointment, Mr. Rhoads was organist­ CHURCH, Chicago. Illinois, will again hold choirmaster of St. Mark's Church. Palo a series of six recitals on the new Atolian­ Ph ~ ad.lphla , Pennsylvania 19129 Alto for 4 yeaI'.!. He will dIrect three Skinner organ during the coming yCOlr. The series will begin on Sept. 24 wilh orsanist choin at St. Dede's: St. Bede's Choir, and choirmalter Morgan Simmon. playing. the Boys Choir. and St. Bede's Choral Other recitals will be given Oct. 23 by Paul Society. Mr. Rhoads is also on the Pettin8'a; Nov. 27 by Karel Paukcrt; J:an. 28 teaching and administrative staff of Las by William Whitehead: Feb. 26 by MOl". Lomitas School, Atherton, California. , Simmom; and March 26 by John Hwton. 6 THE DIAPASON I.EWIS AND CLARK COLLEGE Portland, Oregon

~asauant frtl!2 ST-HYACINTHE, QUEBEC, CANADA International Organ Seminar at Southern Methodist University

Marie·Claire Alain, Anton Heill~r. sccundi toni, Canlon "La Spiritata," and Luigi Ferdinando Tagliavini re­ Fuga nuni loni, G. Gabrieli; 10ecala V TWELFTH ANNUAL mained in Dallas. Texas for one week wpra i pt.'1.Iali. Toccala IV per 1'[lc· following the A.G.O. national (onVen· \azioue, Canlon (rancese "La Q.ucrina," loin for their rirst joint appearance in Frescobaldi; Capriccio nomallCO, In­ a lcaching capacity in L1.is counlry. as tonazione cromatica. Canzona in C. they h.n't! done at the Summer Ac:U.lClUY Mcrula; Conccrto in D minor, Vh'aldi· in HaarlclIl, Holland for many )'ears. Bach; Prclude in A minor on "Ich hab' CONFERENCE Sponsored by Soulhcm Methodist mcin' Sach' GnU hcimgL'Stcllt." Prel· Unh·crsity. the seminar drew 135 reg­ udc in D minor. RL'Spighi. istrants from all O\'cr the United StalL'S Anton Heiller, Church of the Trans­ and Canada. Each of the three artists figuration, Episcopal, June 28: Prelude presclllcd a course all his or her spe­ and Fuguc in E minor (Grcat). nndms: cialty, leaching two hours each day. Chorale l' relude on "Es in das Hcil Players ror the dass(.~ included six uns kOlllmen her," Four Variations nn ON ORGAN MUSIC regional winners or the A.G.O. or· "Vater unser im 1-limlUelrcich," Chor:lh: gan playing competition (Michael Beat· Fantasy 011 "'Vie schon Icuclnet der tie. jane Gmham. Harry Hufr. ,\nna Morg ~ nstem," UuxtchUlIc; Partita 011 jetcr. Karen McKinncy. :md Bccky Ros· "Sci gcgriissct. lesu gUlig," BWV 76R, endahl) as well as sc\'cn SMU students Bach; Sonata .. Hindemith; Impro\'i­ (Grorge Baker. R. Harold Clark. Rob· sation on a theme submitted by Marie­ crt Lo\'c. RclJccca Peal, Donald Pcarson, Claire Alain. Rick Ross. and Ross Wood). ~larie-aairc Alain, Caruth Auditori. OCTOBER 15, 16, 17, 1972 {'rof. Heiller dealt wlth nach's urn, SMU, June 50: I')cin jcu. Duo sur Clmnenib"tlg, Part 111; Mme. Alain les ticrccs, Dialogue. Tierce en uille, dealt with works by Coupcrin, de Recit de comet. Cromome en tame. Grigny, and Clcmmbault; and Prof. and Dialogue sur Ics grands Jeu", al.1 Tagliavini dealt with works by Fresco­ £rom La MCMC dcs ParolSSCS, f . baldi and M. Rossi. Each of the three Cotlperin; Chorale I'reludcs on "Durch played a public c\'ening recital, of which Adams Fall" and "Komlll. hciligcr the programs wc: re the rollowing: Geist," TocC'.lta in F major, nuxtchude: Luigi Ferdinando Taglia\'ini, Caruth Prelude and Fuguc in A minor, UW" University of Michigan, Auditorium, SMU, june 26: Toccata 'i,13. Uach; Trois Dansl.'S, ] . Alain, Ann Arbor

recitals and lectures Michael Radulescu Front row, left to rightl Dr. Lorry Palmer, associate professor of organ and harpsichord at SMUi Dr. Robert T. Anderson. profenor of organ and sacred music at SMU, Marie· Claire Aloin of Paris; Anton Hellier of Vienna; and Luigi Ferdinanda Tagliavlni of Iologna. Elinore Barber The)' are shown with the 135 organists wha attended the International Organ Seminar at SMU.

Searle Wright 1972 SYDNEY ORGAN Fugue in C minor (BWV 515), 15 Or· gclbuclhcin Chorales, Prelude and FESTNAl PROGRAMS .ugtle in C (BWV 531). Trio in 0 mi­ nur, PaTtita "0 Gatt till £rom mer Gatt," Ten da),s o£ recilals, maslerclD.SK'S and Toccata and Fugue in F. Robert Jones workshops were [catured [or .the 1972 Keith Asboc, Aug. 21: Preludes and Sydney (Australia) O rgan Fesll val held Fugucs in E minor (533), C minor (549). from August 18 10 27. f our m D.~ t er· and C (545). 17 Chorale Preludes, Fugue classes were included in the [csll\'al: in B minor after a thcme o[ Corelli, "'The Place or Electronic Instruments Allabreve. Robert Glasgow in Churches" or "The Ballie of Ihe Or· Jeanne de Voss, Aug, 22: The Eightccn gans. 20th Century Style" by Robert Chorales. Boughen; '''Organ Accompamment to Michael Wentzell, Aug. 2.5: Prclude Hymns and Psalms" or "Should We and Fugue in C minor (546). 11 Or· Use the Town Band (or Reformation gelbfichlcin Choralcs. Tno Sonata 5, Hymns?" bv james forsyth; "Chait "Little" Fugue in G minor. "Gigne" Training \\'ithout the Keyboard" or Fugue in G, Three Choralc Preludes, Organ Faculty: Marilyn Mason, "The Well·Tempered Chorister" by Passacaglia and Fugue in C minor. John O'Donnell: and "The Thomas Christa Rumsey, Aug. 24: PreludC5 Kantor's Li(e: Relevant to the 20th Cen· and Fugue in r\ (536), and G (541). Robert Glasgow, tun' Church Musician?" or "How to 10 Chorales ror Manuals only (rom the Takc an Extra Three Months' Holiday Clavicriibung. Canzona, Fugue on a and Get Away With h I" by David thcme of Lcgrcnli. 10 Chorale Preludes. Robert Clark Rumscy. James Forsyth, Aug, 25: Toccata, The recitals were played ~Y ten art­ ,\dagio and Fugue. 15 Orgclbitchlein ists on the mechamcal :action organs Chorales, Trio Sonata 6. Fantasia. in 011 The KinG'S School and Knox Gram­ C minor, Ein' restc Burg. Canonic V:t­ mar School, :lUd also on the new Flcn· riations on "Vom Himmel hoell," Prel. trop in SI. Paul's college Chapel and ude and Fugue in B minor. For brochure and information write: the new Pogson organ at The King's School Chapcl. This yraT, Ihe enlire Robert Boughen, Aug. 26: Pastorale, schedule was given O\'er to the works 4 Chorale Preludes, Preludes in A mi· University of Michigan Extension Service of J. S. Bach. The progr3lOs: nor and C. Trio Sonala ~ , Prelude and David Rumsey, Aug. I8~ ClavierU· Fugue in G minor ( 5~~ ). Fantasia in G. bung, Parl III (I'reludc :lUd Fugue in Chorale Partita "Christ, der du bist der Conference Department E-flat. 11 large Chorale Preludes, 4: helle Tag." Fantasia and Fugue in G Ducts). minor. 412 Maynard Street John O'Donnell, Aug. 19: Prelude and I\IidtaeI Wentzell, Aug. 27: Preludes Jiugue in D, A minor (DWV 54~), and and Fugues in C (547). A minor (551) Ann Arbor, Michigan 48104 E minor (Wedge), Trio Sonata 2, Chor4 and G (550), 7 Orgelbiichlein Chorales, ale Partita "Sci gL-grUssct," G Schilbler Fantasia con imilatione, 9 Chorale Prd. Chorales. ndes. "Dorian" Toccata and Fugue, Tel.: (313) 764 5304 Roben Boughen, Aug. 20: Fantasia Trio Sonata 4. Toccata and Fugue in and Fugue in C minor. Trio Sonata I, D minor.

8 THE DIAPASON Tills recording is an important milestone in our appreciation process, one whicll may be as for reaching in its effect as E. Power Biggs· recordings of old European orgalls have been . . . Tile organ is a wonderful treasure . . . We need neglect it only a low months longer and then we can tndy regret not having an American 'Zwalle: Buy tllis record and sec if you dont agree witll me tllat tllat would be a real tragedy. George Bozeman, in Art of tile Organ

Herbert Manfred Hoffmann, German or­ gan yirtu05O, will relurn to the U.S. during Odober and NOYember for his third redtal tour in this country. His itinerary include. performances in Michigan, Ohio, Pennsyl. vonia, Miuauri. Illinois, Nortlt Corolina, Texas, and California. Mr. Hoffmann. the Vienna M",k Conservatory. canlor of Emmaus-Klrche in Fronkfurt. West Austria, will return for his third Ametican Germany, has been the director of the tour this fall. The opening recital will b. annual Max Reger festival since 1966, and at St. Thomas Church in New York on Od. he is also conductor of the Frankfurt Can· 1. Th. tour will include mos'er classe, at tala Choir. In oddition. he holds on op· Iowa State University. Ames. on Oct. 7·8, pointment to 'he faculty of the Mozarteum and he wUl tall. port In the An"ual Church in Salzburg. Austria. Whll. Mr. Hafflnann Musk: Conference at the Unive",ty of Mkh ... i, considered to be one of GermGny', lead· gan on Oct. 16-17, where h. will giwe two ing exponents of the works of Mall Reger. moster clones and a recital in Hill Audi· hi. performance. of significant contemporary torium IpanlOred by the Ann Arbor Cho~ compositions and hi' recordings for the ler A.G.O. On Oct. 30.31 he will give a PElCA label hove received enthusiastic crit· recital and master class at Northweat.rn leal «dalm. Uni ••"ity, Evanston, lIIinoi •• Mr. RoduleKu', recitol in Columbus. Ohio on Oct. 15 will b. on the lerjes dediC,Qtjn9 the new von Schantz to Build for Beckeroth organ at Firs. CongregaUonol Church. All of his recital dotes will be Montgomery, Ala., Church listed in the calendar pages. The prominent First Baptist Church Duncan, Okla. Gets uf l\folllgomcry. Alabama h:lls signed a contract with Schantz Org:m CompaQ) . New Reuter Organ Orrville, Ohio for a 55 ·rank. 3·manual The Reuler Org:tn company. Law­ organ. The installation will be in a rence. Kansas has recently installed a shallow chamber across the front of the ~ . tnanual, 34 ·rank instntment in the church with a facade of speaking pipes. First Baptist Church, DUllcan, Oklaho· The church is noted for 115 large choir ma, The orgall is installed in :111 area allli music programs. and the organ will directly &,chind and above the choir he used for accompanimental work as loft \\lith the Swell and Choir divisions well as for organ literature or all 1)'pt.'S. being independently expressive. A mao The new organ is to be buill and in· jor portion of the Grcal and Pedal is slallcd during the Spring of 191!. Mrs. e"p'?sed in front o( the ornamental Vi rginia Figh, organist of the church, grillwork. A Trompeue·en.chamade Is worked with Alfred E. Lunsford of lhe installed in the balcony area of the Schanlz cump:lIIy in the design of the dlurch. Joel Duncan is minister of mu· nrgan. sic for .be church. GREAT GREAT Violone 16 It. 61 pipa Principal 8 ft. 6t pipes I'rincipal 8 It. r.t pipes nordun 8 ft. 61 pipes Uourdon 8 It. 61 pilH!S O (. I:W~ .. ft. 61 pipes . . • one of tlw finest records of organ music produced in tid. Octave <4- ft. 61 pipes SpitdlGle .. le. 61 pipes (or tile lost) decade. A talented young artist, a marvelous romantic ~oppelnoe'e 4 It. 61 pipes SUIter Octave 2 ft. 6t pip" Naaat 2;S h. 61 pipes instrument, a cllurch with large volume and '~cathedral" acoustics7 Fourniture IV 244 pipes Super Octave 2 It. 61 pipes Trompeltc t:n dutm:l.de 8 fl. and excellellt engilleering make it one of tile finest tloat we have Ten I ~ h. 61 pipes SWELL 1ICard in a long time . . . The registrations, tempi, manual changes, Mu.ture IV 244 pipes Gededa 16 ft. 73 Inpes phrasing, and rhythmic freedom arc, in our opinion, some of the Chima GecJeclr.t II It. D~UI Viola II It. 61 pipes most authentic and romantically inspired that we have ever heard. SWELL (Expressive) Viola Celeste (GG) 8 h. 5-f pipes Robert Schuneman, in Tile Diapason Flul~ a ch~millee It. 16 12 pipes Pri ncipal" It. 61 pipes Flut~ n ~hemille~ 8 ft . 61 pipes KoppdHole .. ft. 61 pilMel Viol~ d~ Gamb~ 8 ft. 61 pipes Nat.:lrd 2 ~ ft. 61 pipes His performance of Franck is warm. assured., exciting. and com­ Viol~ Celeste 8 h . (TC) 49 pipa Gem. hum 2 It. 61 pipes pletely free of gimmickry . •• none of his maslen} comes across as I'retant .. ft . 61 pipa Tietee I ~ It. 61 pi~ Cor de nuit 4 It. til pipes console showmanship, but rather as the most natural and perfect SilflOte I (I. Flute Ii bn: 2 h. 61 pipes Plein Jeu III 183 pipes exposition of Franck s musical ideas. Plein Jeu II 183 pipes Bassoon 16 It. 73 pipes George Bozeman, in Art of tloe Organ Basson 16 ft. 61 pipa Trompclte 8 ft. 73 pipes TrompcHe 8 It. 61 pipu Oboe 8 ft. Clairon 4 It. 61 pipes Clarion 4 h . From botlo a musical and historic standpoint, MUITDY's album Is Tremulant Tremulant remarkable and significant . •. TechJlically loe is among the best CHOIR (Exprcs.tive) CHOIR young American organists. Musically llis feeling for tI,is difficult Spitlprincipal 8 h. 61 pipes Rob rflot~ II ft. 61 pipes Naronllocle 8 It. 61 pipes Dolan 8 ft. 61 pipd but expressive Franck music is worthy of a first-rate artist . .. For Enahler 8 ft. 61 p ipa Dolean Celesle (GG) 8 ft . ~ pipes organ buffs and for those wloo enjoy Franck lovingly played on an Enahler Celeste 8 h . {TCl 49 pipes Nachthom 4 It. 61 pipes instnunellt peculiarly sUfted to his French romantic sound, this Principal 4 ft. 61 pipa I'rina pal 2 ft. 61 pipes recording is a must. HohlIloctc .. h . 61 pipes Larilot I ~ It. 61 pipn Octave 2 [I. 61 pipes Krummhom 8 h. 6t pipes Richard Stiles, in the Pasadena Star·News Quinte 1~ h. 61 pipes Trompclte en cha.made 16 h . 5c:harl III JBl pipes Trocnpclt~ en chamade 8 It. Kl'lImmhom 8 It. 61 pipes Clairon en ch.tlRade -t ft. We award tlois disc our Prize for tloe Seasoll! TremuJant Chimes Vernon Gotwals, in Music, the AGO Maga=ine Festival Trunlpct 8 It. 61 pipes Trcmulant PEDAL Resultant 32 It. Resultant 32 ft. PEDAL Principal 16 ft. 32 pipes Principal 16 ft . 56 pipes Brummb:w 16 It. 32 pipes Bounlon ,6 h. -H pipes Flule a cllt~ minte 16 ft. (Swell) Gcd« kt 16 It. (Swall) THOMAS MURRAY Violone 16 h. ( G~c ) Octave 8 ft. Enahler 16 It. 12 pipes (Choir) Bour'dvn II It. plays works of Cesar Franck Gcdeclr.t 8 ft. (Swell) Octave 8 It. 32 pipes Grande PiH. Symphanique Fantaisi. In A Gcdadr.t 8 ft . 12 pipes ell,na! Bass 4 It. Violonc 8 h. (Oreat) Gcdeclr.t'" ft. (Swell) Enablcr 8 ft. (Choir) Mill ture III 96 pipes on the magnificent E. & G. G. Hook organ (1863) Super Octavc 4 h. 32 pipes Contrc Trompclte 16 h . 12 pip" at Church of the Immaculate Conception, Boston G~bckt .. h. 12 pipa BallOOn 16 fl . (S\~.. ell) Mixture JIl 96 pipes Trolllpt'lle 8 It. (Swell) Sheffield Records, Box 5332 in stereo I'utaune 16 It. 112 pipes 000e 8 ft. (Swell) 8auon 16 It. (Swell) Krunnnhoni .. ft. (Choir) Santa Barbara, California 93103 $6.00 post paid Bauun 8 It. (Swell) Trumpcue ell dlam:I.I..1e 8 It. Basson 4 ft. (Swell) Trumpcttc en dlamade .. ft.

SEPTEMBER, 1972 9 Beaver, Pa. Gets 12TH ANNUAL CHURCH 3-Manual Austin MUSIC INSTlTIJTE IN LOUISVILLE A ncw 5·m:lIlUal Austin organ is now bcing imlalflod in the Park nilcd Prcs. The SOlllhern Baptist Theological bytcrian Church. Bcal·cr. Penns),h·ania. Semin" f). Loui!willc. Kenlucky will hold The church building is almost square its 12th Annual Church Music Institute in plan Wilh a chanccl in thc frOliC , and sponsored by the School of Sacred Mu ~ Ihe orgall is dh'ided on eithe r 5idc of SIC from OC1. ~O 10 :\0\'. 3. Along Wilh the chancel. The IWo lone openit~ in- lhe SBl'S music faculty. the following 10 the chancel cOlltain a facade 01 iO% will make tip the pcrliOl1nel , (or the in· lin speaking Principal pipes. Na,'c stittllC: openings h:n'c thin acoustical cloth. The franCt."S Aronol( of New York Uni· chancel has been redt.osignt.-d as part of n '..-sity. music edt.cation spccialist; the lOla I project. and thc console will Harold Decker of the nhersity of be tum'cablc on a doll)'. ContlOlct I1c.'go· Illinois. choral clinician; tiations wcre handled by Willia", n. Irwin Frcundlich of The Jttilliard Stickel for Amlin Organs. ]nc., \\'orkin~ 3chool. piano; with Ihe }te\'. William C. Koon, assi s­ Anita lawton (at right above), 15, 01 DesJ.>y Karlas of the Unh'crsity of Golden. Colorado. wal named winner of tant minister and organist of the Georgia, piano lIIasterc1ass; church. Paul Mallen of Indiana Unhersit)'. the third annual Moher School of Music or· gan scholarship. The competition was held baritone recital and two m3.Stcrclasscs; GREAT Mrs. Paul Matten of Indi:ma State on July 8 at the Arvada Presbyterian I'noeil,al 8 h . 61 pipes Uni\·crsit)'. org:w; Chuuh. Arvada, COllHodo. MilS lawton was Donold 8usorow a:sumes his duties this Iiollbourdon 8 h. 61 pipes Wallcr Robert of Indiana Unil'c rsin', awarded a scholarship worth $300. She is loll at Concordia Co~lege, Milwaukee, Wis· Ocbve .. h. 61 pipes a studont in 'he Maher School of MUlic, SllitdlOu'l 4 h . 61 pipes pianist: . consin as assistant profes50r of music. after William Reynolds. William Leach. Denver, studying with Thomas M. George. ho.. ing served Outer Dri .. e faith lutheran Fifleentb 2 h . 61 pipes Judging the contest wo. Mrs. Phyllis Trem· Carillon tV 244 pipes and Leroy McClard, Sunday School Church in Detroit for the post sl.e years. Board. Nasll\·ilIc. Tennessee; mel of Temple Buell College, Denver. Mr. At Concordia CoUege h. will "rve as col­ SWELL (ExprUli,'e) Richard Sp.L1ding of the Unh'ersity Douglas Benz, scholarship chairman, is leg. organist and wi"! teach in the organ Gedecke 8 ft . 61 pipes shown left above with Thomas George. Viola 8 rc. 61 pipes of louis\'ilJe. Carl Orff specialist; d"p':lIrfmllnt as well as c'asse. in theory. In Dr, and Mrs. Edward Thompson of odditian to hi. duties at the college, he will Vou; Celeste 8 It. (TC) 49 pilla I'rinopal .. le. 61 pipes Jndson College. S:J.crcd duet rccital, and THE CATIIEDRAL OF THE SACRED 0150 Mnoll 01 conluhant for the E. f. Walde· KohrUate .. ft. 61 pipes Mrs. Thompsoll " 'ill direct a session on e, Organ Company of ludwigsburg. Gor­ III::J\RT. NEW.\RK, foo,' C\'l J~fHY , will ~r. i " N:uard 2:S-; fe . 61 pipes handbells and bring a hantlbcll choir itJ. fourth Je.lilon of \ft'Ckly conc~rb with th~ ma,y. Mr. 8ulorow is a graduate of Con· Cktavin 2 h. 61 pipes (rom Illinois; o»l'lling concert by Jobn Rlfte. DrlI:3nist 01 cordia Teachers Colloge, Ri .. or Forest. Illinois. Plein Jeu III 181 pipes Malcolm Williamson of London. Eng­ Ihe ca.lhedral, on SCllt , 19. Thereafter, frt'c Trompelle 8 h. 61 pipes His graduate study in organ at the Univer· land. organ in and composer. master­ admiu ion concerts will tak~ place cach Tllcs, sity of Michig::.n and Th. CI .... lond Institute Rohnchalmd -4 ft. 61 pipes d3Y e"ening thro\lSh May of 1973 ae 8:30 pm. class; A "aridy of programs 3n: planned for the of Music where he received the MM dlgree. CHOIR (Exprl'!ui\"e) Elwyn A. Wicnandt of Hay lor Unh·cr· H. is present y a doctoral candidate at u:alOn . although orgo," rn:itah will account Nason Flute 8 h. 61 pipes sity, lecturer; for half of the schedule. The second program Michigan State University where he plans Flauto Dolce 8 ft. 61 pipes The Concert Choir of Carson·Ncw· will fealure Gcorge McPhee of Paisley Abbey to compl.te the phD requirements by De­ Flule Celeste 8 ft, (TC) 49 pipes in Glasgow, Scotland, who will be on tour in Koppelfilitl'! ... ft. 61 pipes man College. Jefferson City. Tenn., di. cember. His organ study has been witt. rcctt.'tI by Charles Jones. the U.S. in Scptember. His pro!ram will lll: Victor Hildner, Robert Noehren. Henry fus· Princip.1 2. Ie. 61 pipes on Sept. 26. The highlisht of the autumn L.rigoe 1~ ft. 61 piprs fun her iuformation aoout the insti. "er. and Corliu Arno~d . schedule will be an e\'ening with Brieish com­ Cymbehtcm tute may be obtaincd from Dr. Maurice ,}Mer Ma.lcolm Williamson on Nov. 14, with ClriUon ROBERT ELMORE will dire· t the lint Hinson. 2825 Lcxington Ro::.tl, Louis­ the comllOSeJ" perlormins worb by himsdl and .pecial music pr~ralll or Ihe 1912-13 .euon PEDAL ,·ille. KY 40200. olher contcmporary Englis h composers on the al Tenth Preibyte';an Church. I'hil:u!elilhia, Resultant 32 It. organ, piano. and Wilh choir. Pa , on O ~. 29. Th:! IJr01ram w'n indude Principal 16 h. 12 pipes (Great) FREDERICK BURGOMASTER, organill worl... by Bleh. R~er, and Albll fo r choir. Gedecke 16 ft. 12 pipes (Swell) RAISSA TSELEr-.,tS CHADWELL, (ounder :lnd choirmalter at 51 . P.:..ul's C ;a th~dral. Bu(· org"n. :li nd p~d:d lIi30n. The lirst Ilu blie all' Contra Violo 16 ft. 12 pipes (Swell) ~nd president nf thc Juhann Sebastian Bach falo, N.Y., was director of che Boy Choir pe3r:lnCe o( the mo:lern conccrt grand pcUal Octave 8 It. 32 pipes Inlernat ~ onal ClImpetitilln. was awanled the Camp for the Episcopal DioceJe 01 Weilerll p~no co ns t-ucted by Ma~k Allen. a local G~deckt 8 fc. (Swell) Cross of Merit I Clus of the Fedl'ral Repllblic New York, July !)·16. Excel')lu from th~ lIew "cultom bllil 'er of p:anos," will b ~ Icatllred Choral Buss 4 ft. 01 Genllany on Jllly 13. 1972. The presenta­ publication "Sonp (or Lieurgy and MOR! in die Ilto ~r.lI n with N'onn1n Mad:ell2ie phy. Rauschquinte II 64 pipes tiun look place in Ihe German Embany, Walh· flymnl and Spiritual Son .... were featun-d, in! Alk3n's "IIIIJlroIllIIU JUr \111 ro.t rem· TromJIClle IG rt. 12 pipa (Swell) inSlon. D,C, by iii. Excellency Dr. Ro!f ::1 well al ant h ~ms by Wycon, Hurford, and rn n." KrummhGm 4 ft. (Choir) I'.,l uh, th~ Alllha"3~o r o( Genn-ny. Vaughan Williams.

'engineering eRee I One thing you can be sure of w~ q yo6. buy a Reisner Console is.tHamls·exterior beauty is malched by somelhiOl[llequally valuable INSIDE-engineering e~QellenQe. -• For example, eachcomponenl i gaRe ~e~ console is Ihoroughlydesigned ' aiul ~eek­ ed for lop eleclrical and mechanioal,!!!!!· lormance. In lacl, a fu l ~size engineering draw ing is.made for every Relsnel llUStom console. This drawing shows llie combinalioll' o a~ ion conlrol layout, ijle manua ~ keY;; even the cuslom·designed lela'/ riiOl I Everything lils, everything wO'ris, alld I everything is jusl Ihe viay ~O U Want

10 THE DIAPASON PEDAL ORGAN RECITALS BROADCAST Subbass 16 ft. 32 pipes Rohrgedackt 8 It. 32 pipes IN 4-CHANNEL STEREO

The first regularly scheduled pro­ gram of organ music broadcast in 4 Large Zimmer to channel FM stereo to he produced in Athens, Georgia the New York area will make its debut Friday, September 29, at 9:05 p.m. on WDHA 105.5 FM serving the New .Ter­ W. Zimmer &: Sons, Inc. will build a sey· New York-Connecticut metropolitan 3·manual. 45·rank instrument for the area. The new weekly program will first United Methodist Church, Athens, feature organist John Rose and will be Geor~ia. The organ will be installed on recorded at the Cathedral of the Sac­ one side of the chancel area. The speci. red Hearl, Newark. N.J .• where Mr. rication was drawn up by Franz Zimmer Rose is organist and choinnaster. of Ihe organ building firm, Reginald Smith. minisler of music for the church. The cathedral instrument is a 150- Miller Builds for and the Rev. John Roark. consultant. rank Schantz installation with 100 ranks The new instrument will be installed divided on both sides of the nave run­ Kansas City Church in the early part of 1973. ning from the gallery to the transept. and 50 ranks surrounding the chancel A 2-manual organ by the Miller Or­ located abm'c the apse in the triforium. gan Company, Cleveland, Missouri, has GREAT been installed in the Calvary Lutheran In addition to being the New York Church. Kall5:ts City, Missouri. The Quintadena 16 ft. 61 pipes area's first 4 channel FM stereo organ Principal 8 ft. 61 pipes Great and Pedal divisions of the 17· Gedackt 8 ft. 61 pipes program. officials at WDHA belie\'e it rank, 2i-stop organ are exposed on the Oeta\'e 4 ft. 61 pipes will be only the second such program rear wall of the church. The dedicatory Spitdlote 4 fl. 61 pipes produced in Ihe country, following the red tal was performed by Dr. Robert Superocta\'e 2 ft. 61 pipes 4 channel FM broadcast recordings be· Rcutcr, chainnan of the organ and ~esCJuialter II (TC) 98 pipes Wilhelm Builds for ing produced from the famous Monnon (hurch music departments of Chicago Mixture III-V ty, fl. 268 pipes Tabernacle in Salt Lake City. Oklahoma State University Trompete 8 ft. 61 pipes Musical College, Roosevelt University, The first broadcast of the new half­ and consultant for the church. POSIT1V A new mechanical action organ built hour organ program will originate from Holzgedackt 8 ft. 61 pipes the New York High Fidelit)· Music GREAT by tIle Karl Wilhelm Organ Company, Gemshom 8 h. 61 pipes Show at the Statler Hilton Hotel in Diapason 8 ft. 61 pipes St. H)adnthc. Quebec. Canada has been Gemshorn 8 fe. 61 pipes Gennhom Celeste 8 h. 49 pipes Manhattan 011 September 29, and there­ installed in the Bennet Memorial Chap­ Spillnute 4 ft. 61 pipes after the show will be broadcast from GWl'cltt 8 h. 61 pipes el at Oklahoma Stale Onil'crsity. Still­ Principal 2 ft. 61 pipes Principal" h. 61 pipl'S Nasat IV, ft. 61 pipes WDHA's studios in Dover and Morris­ Nadllhorn 4 rt. 61 pipes watef. The 2-mal1l1al and pedal organ town, N.J. The show. recorded at the of 15 ranks is located in the front of Zimbel III % ft. 183 pipes Fhchnule 2 ft. 61 pipl's the chapel. and it is designed to func­ Schalmei-Rt>gal 8 {I. 61 pipes Newark cathedral on TEAC equipment, Mixture II 122 I)ipes wilt be narrated as well as perfomled Chinll'S tion for church scn'iccs, teaching, and chamber recitals. The instrument was SWELL by Mr. Rose and will feature occasion­ 5WELL Rohrnote 8 ft. 61 pilles al guest artists. Gedl'cltt 16 ft . designed by Karl Wilhelm. antI the in­ Rohrllute 8 ft. 61 pipes stallation and lonal rinishing was done Salicional 8 h. 61 pipes Celeste 8 rt. 49 pipes John Rose is also a member of the Gamba 8 ft. 61 pipes by Christoph Linde. Antone Godding Principal 4 ft. 61 pipes music faculty at the Newark campus G:lll1ba Celesle 8 It. 49 pipes played the dedicatory recital in October Nalard 2% h. 61 pipes of Rutgers, The State Unil'ersity of New Violin 4 fl. 12 pipes of 1971. Joanne Curnutt is organist of Blocknale 2 ft. 61 pipes Jersey. He is an acth'e recitalist who Slliunole 4 ft. 61 pipes the chapel. Scharf( III 1 ft. 183 pipes has perfomled in e\'ery section of the Nazard 2 ~ ft. 61 pipes Schalmei 8 It. 61 pipes United States and early next year will lIohlflole 2 h. 61 pipes MANUAL I Tremolo Clarinet 8 h . make his third concert tour in Europe, Oboe 8 h. Rohrflole 8 ft. 56 pipes induding a performance at Westminster PEDAL Trompeue 8 h . 61 pipes Jlrinzipal 4- It. 56 pipes Abbey. London. Mr. Rose camc 10 the Clarion 4 It. 12 pipes Waldflote 2 ft. 56 pipes Principal 16 rt. 32 pipes cathedral as organist in 1968 at age 20 Mixtur 11-111 I fl. 150 pipes 5ubbass )6 ft. 32 pipes PEDAL Cramorne 8 ft. 56 pipes Quintadena 16 ft. (Great) and built a large audience for his own Contra Bourdon 32 It, Octave 8 ft. 32 pipes recitals there and for a weekly recilal Bourdon 16 (t. 32 pipes MANUAL II RohroaD 8 ft. 32 pipes series now in its fourth season. Geded:t 16 It. lIolzgedackt 8 ft. 56 pipes Chornlbau 4 ft. 32 pipes Principal 8 ft. 32 pipes RohrflOte 4 fl. 56 pipes Nachthom 2 ft. 32 pipes The new radio program will be Nachthom 8 h. 12 pipes Prinzipal 2 ft. 56 pipes Mixture III 2 ft. 96 pipes broadcast by WDHA each Friday eve· Oclave. 4 h. 12 pipes Quint!! I V, ft. 56 pilles Posaune 16 h. 32 pipes ning at 9:05 after il.5 debut on Septem· Trompt'lte 8 h. St'Squialtera II 78 pilleS Clarion 4 ft. 32 pipes her 29. Clarion 4 ft . Gress-Miles: Priceless, yet economical.

Gress-Miles has a deserved reputation for top quality. But the economy of a Gress-Miles is nften overlooked. We began by banishing forever all leather 'or plastic pneumatics, so there's nothing to rot away with time_ Nexr, we got rid of relays, multiple switches, coupler stacks and combination machines. We replaced all rhis with the world's first bounceless, solid state electro­ mechanical action-utterly simple, virrually impossible to wear out. Amaz­ ingly, the more you use it, the more reliable it gets_ And its sensitivity and precision make it a dream to play. A forrunate by-product is flexibility. Witham losing chorus independence. we give you many more useful, colorful registrations from the same size organ. So it sounds JUSt right for the music-not like a watered-down com­ promise. At very little extra cost. But most exciting of all is the eloquent, singing tone one eminent critic called a "miracle of sound_" That's what makes a Gress-Miles priceless.

o R G A NCO M PAN Y, INC. PRINCETON, NEW JERSEY

SEPT~BER, 1972 11 More Reviews from the Harpsichordists' World

Sy Larry Palmer

Domenico Scarlalli. Complete Key. deli~ht in such scholarly undertakings. hoard Works. Ed. Ralph Kirkpatrick, Aboam, congratulations to Heugel and New York: Johnson Reprint Company. to Mr. Gilbert for another fine volumc; Shortly after the publication of our we await the continuation of this series Scarlalli reviews in THE DIAPASON for with high anticipation. June, we received for review a complete set of the Scarlatti Sonatas in the fac­ Louis Cou~rin, Francou Couperin, simile edition assembled by Ralph Kirk­ Pieces de Clavecin, Albert Fuller. harp­ BAssmAnn patrick. AU 555 keyboard sonatas of sichordist, Nont=!uch H·71265. Program: fj!1lJlsi dJOl'~5 Domenico Scarlatti arc thus available Louis Couperin - Chaconnt! in G minor. in 18 volumes handsomely bound in PrehuJe in F, Allemande gravt!, Couran­ :ppballJar.p5ic~or~5 blue with titles in red and gold on te, Tombeau de Mr. de Blacrocher, the spine; the set costs $250, with single Branle de Btuque, all in F major; Cha­ :8or·(fonstrurlion volumes available at $15 each. This is conne in D minor, Pavane in F.sllarp the first publication to present all the mitIOr. La Pit!montaise. Francois Coup· sonatas in the numerical order es­ erin - Muscte de Clroisi, Musette de ~od)ure5 - bmlm~ip5 tablished by Ralph Kirkpatrick in his Tavenli; Ordre 26 in F·sllarp minor. DOImmi,o Scarlatti (1953; paperback Albert Fuller, the noted American Q;agoire ~arp5irl}Drb 1968) . Recently this order has been harpsichordist playing French repertoire questioned in a Brandeis Unh'ersity dis, on a William Dowd copy of a Taskin bismbutors sertation by Joel Sheveloff. It seems harpsichord, employing a lowcred pitch to lIS, howe\'er, tImt since Mr. She\'elo£f standard and (in the Louis Couperin) ~rlPmont:Jlln55 . Olll,? admits the impossibility of a chronology a special tuning based on pure thirds: gh'en the existing sources (or lack of we could scarcely wait to get home from Ordre consists of five pieces: La Carr ­ them), it is more advantagt.'Ous to the record shop with this recordingl valescellte (fhe Convalescent), Gavote, use Kirkpatrick's calalogue than 10 re· And sure enough, the research had been La Sopllie, L'£pineuse (which Fuller tum to the haphazard numbering of done well. The harpsichord sounds translatcs as "thonty" or "intricate" Allesandro Longo, who was unaware magnificent: the tuning adds a plln ~ - a stlill1ge title (or this rathcr gentle Harpsichords that many of the sonatas could be geney to the lIIusic. making Louis Coup­ piece; wc agrt.'C morc fully with Wil­ grouped in pairs, and who scattered the erin's hannonic daring e\'Cf\ more hair­ frid Mellen' idca that it may mcan "the thirty "Essercizi" publishl'll by Scarlatti raising than usual; :lud the playing is fcmale spinet-player''). and La Panl~ himscl£ throughout the \'ahunes of his generally quite dull. The ear cnes out mime, a witty picture of a contemporary Clavichords complete edition. ror a slight eccentricity. for that dra­ Marcel Marceau. The distribution of sonatas among the matic sense, whether of ebullience or Once again Mr. Fuller credits a fine 18 volumes of Kirkpatrick's facsimile pathos, which must be a part of the modern edition of these pieces: the edition is as follows: VoJ. I: Sonatas K. successful pedormance of baroque complete edition of Francois Couperin's ~3·68: Vol. 3: K. 69·97: Vol. ~: K. 98· dance (and dance· inspired) music. Pieces de Clavean, rdited by Kenneth 123: Vol. 5: K. 124-147: Vol. 6: K. 148· Throughout these perronnances note Gilbert (Heugel. l..c Pupitre 23 and 24- 176; Vol. 7: K. 177·205; Vol. 8: K. 206- follows note, usually cxactly as written. the 3rd and 4th volumes of the set). 235; Vol. 9: K. 236·265: Vol 10: K. The science is there: the soul is not. 266·295; Vol. 11: K. 296-325: VoJ. 12: K. This lack. of poetry is nowhere marc Recordings by \Vanda Landowski 326·357: Vol. 13: K. 358·387: Vol. 14: apparent than in Fuller's playing of the which are being reissued on Victrola K. 388·~17: Vol. 15: K. 418·~53: Vol. by now well-known Tombeau de Mr. dt! have been the subject of our lislening 16: K. ~54483: Vol 17: K. 484·513: Vol. Blacroclrcr. This work is surely an elegy; recently. TIley are Landowska Plays 18: K. 514·555. crashing dissonances abound. But in Bach, Vol. I: Partita 2; Fantasias in C The 463 sonatas preserved in the this pedonnance which is too fast millor, BWV 906 and 919; Prelude. Lihrary of Panna ha\'e been reproduced throughout there is no preparation ror Fugue, and Allegro,· Capriccio,' Vol, II: in their entircty in this edition, al­ the surprises; they simply gallop by. the complete TIV~Part Inventions, sev­ though their order has bcen changed A comparison of this piece as perronned en Three·Part Sitlfonitu, and the Con· slightly to conform to Kirkpatrick's by Gustav Leonhardt on Victrola 1370 rerto in D major after Vivaldi. The rec· numherings which are bascd frimarily will show what magniricent music it ords reminds liS so vividly of the im· on the surviving ...·olumes 0 sonatas can be. portance of musicianship and personal­ in the Venice Library. The remaining The D minor Chacomle has no pauses Ity to thc player. The harsichord (Mme. 92 sonatas arc reproduced from other ror breath, and, as in all of these pieces, Landowski's belovcd Pleyel) is not important Scarlatti sources (no man· unequal notes, so much a part of the what we have come to prerer as true Sperrhake uscripts exist in Domenico's own hand) French style, arc nearly absent; they harpsichord sound: her frequent changes round in New Haven (Yale U. School arc not employed until the end of the of registration arc not what we ha\'e Harpsichords of Music); Venice (Bibliotcca Nazion­ rourth couplet, where they sound fine: come to rlogard as stylistic. nut thc con· air Marciana); Coimbra (Bibliotcca da the oramenlation of the last refrain is ccpt or a musician with a message - Unh'crsidade): Paris (Biblioteque dc also idiomatic and enjoyable. something vilal to communicate with ConscT\'aloire); London {British Mu­ Fuller plays from the excellent mod­ her audience - is deHnilc1y thcre. and seum); Cambridge (Fitzwdliam Musc· em edition of Louis Couperin's works it sparkles with surprises. It is thor­ Passau IW. -Germany urn) ; MOnster (Bischofliche Santani­ by Alan Curtis (Hengel, Le Pupitrc ollghly delightful. Bihliothck): and Vienna (Bibliothek number 18). On the jacket notes, del' Gesellschart del' Musik(reunde). Bran Ie de Basque (listed as number 71) Box 532 In most cases, it would be possible to should be number 72: Pallane in F.sllnrp Apology to Howard Schott: In our play the sonatas directly from the fac· minor (listed as number II) should re\'iew of r..rr. Sdlott's Hne book, Play. similes. A few are diHicult to read have number 100. ing the Harpsichord, we questioned his due to thc diHiculty of photographing The F·sllnr!, mi"M Pal/aile sounds ascription of thc Marcello C01lcerto in the original bound \'Olumes, the high marvelous in the pure.third tuning. D mitIOr. transcribed by Bach. to Ales­ acid content ink eating through the Known in baroque times as the "ton de sandro Marcello (page 75). We have pages, or sloppy caligraphy in the or­ 141 chevre" ("The key of the goat'), since Icarned that the original C minor iginal. Only one small matter mars F.sharp minor was a rarely used key CotJcerto for Oboe and Strings from FINEST IN NATURAL PERCUSSION the elegance of this edition: when cx­ due to the harshness of some intervals which this concerto was transcribed was trancous material cxists on a page, it in mean·tone tuning. Thcre is no other originally ascribed to Vivaldi, then to has simply been crosscd out. A nealer example of this key in Louis Couperin's Benedetto Marcello (as it still appears Solid solution would have been to delete it work, as indeed therc is no other in Schmieder's catalogue). and finally Cathedral Chimes entirely. Nonetheless, the a\'ailability Pmmne. Here again, howcver, notes - more recently - to Benedctto's elder of this edition mahs Scarlatti much irltfgal would help to gh'e life to the brother Alessandro (1684-1750). under Electric more accessible than r.reviollsly; no perfonnance. as, for instance, in the whose name it was published in Am· Adlons institutional IibraT}' wi I be without long group or 8th· notes which begins sterdam in 1716. AMPLIFIED TOWER CHIMES it. and most serious playeT5 or the harp­ Ihe third section of the work. sichord will want to own it as well. The two most successful perfonnanccs LAKEVILLE ror the Louis Couperin music arc the Domenico Scarlatti. Sonatas, Volume short Rrmllf! de Basque and La CONNECTICUT 06039 IX (Kirkpatrick numbers 408·457). Ed. PiimonlaiJe, in which the music does Harpsichord News by Kenneth Gilbcrt. Paris: Heugel It! dance a bit. Unfortunately for maUer· Co., Le Pulpitre number 39. or·fact composers. His music is full of IIana Pomeranz BeTtl5tein, recorder Scarlatti is really holding his place subtleties which arc simply passed over player, and Barbara Marquart, ha r~ i­ in the news these days; here is the in Fuller's perfonnanccs. chordist, presented a recital at thc second volume of Gilbert's 11·\'olume Mr. Fuller is certainly more success­ Dallas Muscum of Fine Arts, Dallas, complete edition. A companion, of ful in the works of Louis' nephew Texas on May 21. The program: coursc. to Vol. VIII, reviewed in THE Francois Couperin. " 'e wondcr if per­ Spagtlolella arid Fortune, My FOt!, Anon. DIAI'ASON in June, it has all the same haps he has not lived with this music ymous 16th century English: PieceJ good features. For those who want this (or a longer time? The two MuseteJ are from 'he Fit:william arid Eli%llbelll Rag. glorious music in an "easy to read" rollicking. driving, bagpipe.drone mu­ ers r'irginal Books; Sonata in G minor version, here are 50 more sonatas. Gil­ sic, and they could scarcely be played lor Treble Recorder (transposed from THE NOACK ORGAN CO., INC. bert's edition is purposely based on the better. Couperin's 2611, OrdTe, again in the Fillte Sorrata in E minor). J. S. MAIN AND SC HOOL STREET S "Venice" sources for the sonatas since the sombre key of f-sharp minor. comes Bach; Divertimento for Treble Re­ GEORGETOWN, MASS . 01833 Kirkpatrick's facsimile edition presents from his fourth and final book of corder, John Graves: Sonata in A minor, primarily the "Parma" versions. Thus PUces de Clavecin published in 1730 opus 5, number 8, for Soprano Record· a comparison is possible for those who only three years before his death, This er, Corelli.

12 THE DIAPASON World.famou, avant.garde composer deKribed by Andreas Werc.meister, I can re­ pnrt that thi, tempera'ment h3J not UploC ' ItrzyU(o( P~ndcrC(kt was commissioned utilit:arian UKS of the o ....an . It has wor.ed to wrile a new composition as part o( well with choir, .trin! nn:hf::ltr.J., brass enwm· the Eastern School of f\.hui«:'s 50th an· hie, suitar, and a \'anely of solo inslruRK!nts. nh:cfSary celebration. He rcsponc..lcd It. Advanbgcs af(: that certain tonalities seem with Parlitn, scored (or ampHficd barp­ 10 n:lu and "bloom," becauw: o' the adjtdl. sichortl and chamber orchestra. The menll of lilths and Ihirds, while olhen pro­ work also includC5 solo instrumenta' \·ide elements 01 (elUion; each lonality, io a .enlr, hal its owns (;haracler. Aim, Ihere is tion (or electronically amplHied guitar, more eJ:citement al climax points in composi­ contrab;w:. and harp. Par-lila was ded· tions conlaining "alteftd" chord and highly icated to Flicja nIumcnthal. who was chromalic pauages. Such climactic passages the featured 5OIoiu at the premiere the have a spttial crunch - an :t.dded lenlion - following evening in Carnegie Hall. wllicll heightens the acilement of .ao phrase again with Miss Blumenthal and the and .trengthem its resolution. Anton Heiller usrd the va.rialion in color in the several HAYDN HARMONIE·MESSE (Bb) (Lot) (P3538)* $2.50 Eastman Philh:mnonia. Walter Hcndl tonalitics to great ad.... ntage in .lIIn improvisa­ conducting. tion played on the in.troment. ,howlng the Fealural and news items (or these added dimension thb ILIpecl of instrument HEllIG·MESSE (Misso Solemnis, 1796) pagl!! arc a1wa)'1 welcome. Address them making can bring 10 the mu.ic. (Bb) (Lot) (PI372)* •...... 1.50 to Dr. LalT\' Palmer, Divison of Music, Your t'ditorial was on the nl3rk in its effort Southern Mcthodbt Univenity, Dalla!!, In eliminate Irillt and consider fundamentals. In the past, increasing gadgetry and conve­ NELSON MASS (Imperial; Coronation; Texas 75222. nirnce has often meant dttreasing musical Missa In Angustiis) (d) (Lot) (P4351) 2.50 quality. To illY it apin, the ~und of the instrument to a musically sensitive. ear must be the final arbiter. Full Score (P4372) $15.00 Letters to the Editor Sincerely. Doris Lon. Set of Ports (incl. Organ) $15.00 To the Editor: Rt'prding 10Uf ndic:al t'ditorW in the Feb. East Strnucbburg, Pa., July 19. 1972 - nlary issue (1 UK! Ihe lerm ndicat in its OI'i­ To the Edilor: Extra Strings, each $1.00 sinal senle _ goins: 10 mot caUICS, In (linda­ While it appears Ih~t Lowell Mason W3J one men,al colDidt-~liolD), tread il with gffat of the mnSl prolilic hymn wmpolCn of the enthusiasm, lemJ)('rell with lOme .aopprehcn,ion. 19th ceotUf)·. there is abo reason to believe It .eems incn:dible ,h.t al long l:ut a major that lie. was one of the In:alctt pI~gi aril lt . as organ journ.aol, rr;oad hy more tllan a highly well. MOZART MASS (C) (K.317) (Coronation) (Lot) (P8115) ______.. 3.00 .peeialind elile, has Cl)me out Ibt·(()Otcd (or At the lime publie school mu.ie. was gelling quality (for c:UlIlPle, "pmuming, nf coune, started in America in the 1830'., Ihe philosophy that mttbanir:al key :tction b the nnl,. (1I1e of Pestaloui was makins on impact upon MASS (c) (K.4271417a) (Robbins Landon) under diKUlSion in ,lit. entire Witnrial"). To American t'ducalon. The Rev. W. C. Wood­ (Lot) (P4856) ...... ____ ...... 3.50 presume stich a thin", e\'cn though organ bridge, whn had learned of the work of Pes­ builden are frnntic.:.lIy scramhling to get on taloui in Europe interalftl EI~m Ives, Jr. to the tnu::ker bandwagon, is In nlO Ihe risk of gi\'e a demorut";tion of the PfeiUer.Naegeli Full Score (P4856A) $25.00 alienating :l larse IfOIlP of re:tde" who might Shor'er Sin,in, Course, ~ music method based .impl,. dismiss the rel1l:tinder of the rditorial upon Pestalouian principles, ill Hartford ill as eccenlric rowinJp, 1830. (ScI' Robert N. John, "Elaln Ives, Jr_ Set of Parts (incl. Organ) $32.50 Howevrr, I will readily sit in )'Our camp, and the Pestalontan PhilosopllY of EdllC2tinn," in journtd 0/ ReJeouh in Af,Hic Bdura'iil rl, lIa\'ing lived Cor Jt'!\'eral }'ean with tracker or­ Extra String., each $2.50 pns of some of the Lest buildeR. There is no VIII, Spring, l!HiO, p. 59.) TIlat same year, Ives mo\'ed to l'hiladelphi:l and continued 10 question in my mind tllal the beauty of tone in the well.built, classically voiced tl2cker or­ teach accordins to Pestaioui. (See BernarT "Orchestra material available on rental Rainbow, Tile Lrnul ",i,lIo.' .'(lIfie, London: pn is mperior to other RK!thOlb of construc­ NO\'eUo .. Co., 1967, p. 88.) When Wood· tion, 10 NY nolhing of the eJ:citement the Loose m",'ed to Boslon later that I.IIIH! year. pla~r feels when "''Orking with IUch a semi. he enlisted LO""cll Mawn to give another livc, raronsive instrument. And, come 10 demorutralion of Ihis mcthoc1. Mason trained Ihink of il I'm even wtllin~ to lislen to your a choir lor this pUrpolC himsell. (See. Rain· C. F. PETERS CORPORATION esoleric ide'..s weh going back 10 flat pecbl­ :u bow, p. 88.) AI IoOrne time during Ihis period. boanls ~au$e it Reins 10 me Ihal if one ;, Woodbridgc amangt'd for h 'es and Mason to 373 PARK AVENUE SOUTH NEW YORK, N. Y. 10016 inlen:slt'd only in the rnuUaI results (that ;,. co.aulhoc The jur;n.ile Lyre. the finl lOng considerations of con\'enienc;e must neccsurily bile a back Kat to mUlir:a.1 con.idel2lions). book in America, and the finl boo. 10 use Pestalouian principles. (John, p. 24) Wilh (212) 686-4147 then anT and all ideas which might put or­ eJ:Ception of Ihe. preface, the book was prob­ pnists back in the m3inslfC3m of music·mak­ ably written by Ives. who intended Tlte jwve­ ing must be considered. nile Lyre to be part of his .eries of music Now to lOme 'pedric puinlt in your edi· bookt. Tlte Amen,." £Ie"",.tllry Si,.",., tori.l. The AGO console lIand:trds were Jet Boob. which wen: wrillen in 1830. ngisteftd down in the mid.30'.. hued primarily, it in 1831, and published in 1832 by F. J , Hunt· Jeems, on E. M. Skinner'l practices. No one ington in Hartford. In lubsc:quelll ftprintings. in this cmmby W3S dlinking of tracker organs Ivcs' name was .uppr1'SCd, and finally omit· at that time, when Ihe romantic, electric or­ ted. (John, pp. -15, -HI) gan held sway; a time which, it now appean, In 1832, Mason founded thc Boston Acad­ was one of the most decadent periods o[ or­ emy of Music, and in 1834 he published MtI,.­ pn building. So one must ask whether stand· ual 0/ Ihe BOI.o,.-Academy 01 Mu,ic, hued on ards let down In tueh an atmosphere are Pestalozzian principles. The man::al "':II prillt­ ftaJly the rinal word. Certainly there is justi­ ed eight timcs betwrcn 1834 ~nd 1861. and fic.:.lion for .tandardizin. pedalhoard dimen­ used an almon eJ:act trouulation of the G'!nnall .ions, inlennanual .pacings, basic bench heights method writcen hy G. F. Kubler, ",,,ltad 01 and perhaps c,'en .eyboard dimensions (both Teo,hj", Sj",i", Acrordi,., 'ro PeJ/oIozzMrt depth and ranse), but tile Itandardiling ,hould pn,uipltJ. Kubkr's i~ were his innovalions be: done with musical considerations foremost. 10 the Neilfer.Nat'gdi melhocl. Several hymns My orpnbuilder rriendt say lmt the flat "''Cft included in thit bnM. MILlOn xkno",·I· pedalboard is much ks.s of a problem tn edged Pfeiffer. Naegeli. llIfld KuLte,.. as the buikl in a lracker inslrumenl Ihan the rad~t­ ilUpiralion for the book but lilts his (Illmc as ing, concave venion. Your wggestion, how· Ihe author. ( ~ How;trd Ellis, "Lnwcll Ma- ever, thai a llat pcdalboard provides an nr­ 50n and the Manual 01 Ibe Bnslnn Ac.:.dcmy ganie relationship between pedal and manual of Music," jowr",,} n/ RtJtttrrh irt }.Iwlic Ed· keys fot Ihe pJ:ayer doesn'l make tense In me. ."tJ,iort. 111, SprinS, 19!i!i. p. 5. ) The relation.hip of feet and honw to the CONOle is very diUeftnt. The feel hang in I .usped Ihat many 01 the hymn. which an: a kind or IWpensaon , whereal Ihe hands are now attributed 10 Lowell Masoo in nur hym­ BRADLEY HULL JOHN ROSE at the end of Ihe righl ansle o( the ann, nals .bould be reuamined, at leall those which c.ame from the boob ..I Kubler and Ivo. "laudable talent" "brilliant" 10 I don't undentand the C2Ie for making the - Newark Star·Ledger - Kansas City Times keyboard and pedal. parallel. You might well 'nlere an: allo hymns lisled wilh the com· be correct in believing Ihat plarasing would hint'd names Mason-Naegeli, a nd these hymnl : be mOft uniroml, but to Ine thaI is nnly an should also be rcexamined. . assertion which renu.iN to lae verified. One can read of MILlOn's activilies ill His­ lori,aI Fou,.dtJ';onl 01 Mu,ie Edu~a/iort i" lice • I ,~ It aeems c.1ement:uy that winding, as you \ point out, ill one of the basic facets of all U nittd Sla/u Ly L . F, Sundennan (Metuchen, ...... organ, and certainly mould be uplorcd for N .J .: The Scarecrow I'n:ss, 1971 ). While this ill possibilitiet of ma.ing more eJ:pnssive mu­ :s a recenl book, it i. based on rese~r'Ch per· ,ie. ] couldn't agree more with your plea iormed during an earlier period in Mr Sun· '~. '~, - 1 ' ror making the orJ3n more alive, more. li"e!y, denllan's career, and it is not necessarily lip· i!" ~ f · nlun: n:sponsi,'e. C('rtainly the types nf Wind· lo-cble as lar as Mason is concerned. Sevrral inl such :IS a well· made Schwimmer whicl. recent articles in the jo.".aI tJl Rtltore" irt maintaim virtually conltant prasun: has Sltme· Mwi, EJuco,ion deal with M»O:ln. ~t'l~i what .terile raullJ. Apin, it seem!! thai thi..~ ( am lOfTY lhat ( dn not. have mnre lime .ind 01 winclins .,.. tem haJ prevailed la'8dy If' 1110 a bit more intn detail. I want to es:press '~.1~ because 01 its convenience tn the builder an.1 a mild pmll!3t 10 a Mason Feslival. althoullh ill providing JiOJuliolU to conltruct;"n prnh. I am aware that Ihe roan did make ,;sniri. Sem,. with the rautl Illat mUliC21 consider..­ r:a.nt contnDutions 10 American mUNc in hi. o , lion. again han taken a back seat. On th,. Ilwn IlamOO)-ant and conlMWenial way. MaJOn " c ~ olher hand, wedge bellows, although Ihey ta.c !eelns In he a juicy .ubJCCt fnr all IU51nrical \' ~ up more room and need larger conductor'll In Itndy, but not a fcs;tival. the chesb, provide a \'amble wind .upply Sincerely yount FRANK SPELLER which breathes wilJt Ihe mwie, which ac-tulllly K. ReJllarrl Schade II. major American organist" provides the effect o[ a crescendo on a final - Suburban New Jersey Life chord when full organ u usr:d. And it is hard Note from the Editor: to describe the livtlinea or tone which results. THE REV. GEORGE LITCH KNIGHT, PLUS OUTSTANDING EUROPEAN ARTISTS A wonl on luning_ Again, 1 3srce lhat there pastor of The Lafayelle Avenue Presbyterian haJ been much over-emphuis on rigid equal Church. Brooklyn, New Yor., writes that lempered luninr. Tile ear tolerates consider­ jwt such a Masoo Hymn Festival was in­ able departure fmm equal temperatment with cluded in the church', Aug. 13 Sunw,y ser­ very little trauma. Tuning collsiderations raise vices. The followinl "Muon hymns" were Ihe queslion of .a..cotdtiC21 pcc:dsion versus included: "Ariel," .aorr. from Mozart; "Ux­ human pen;rption of lOund. The cycles per bridge"; "Atmon," arr. lrom Clazer; "Belh· second of II tone And :l penon's perception any"; "Olivet"; "Henley"; "Hamburg," art. ~~ Arts Image (201) of that lone do not nc:c:esu.rily follow a one­ from a Gftgorian chant tune; and " Dennis," ~~ox 1041, Newark. New Jersey 07101 484-G021 lo-one cOrTespondenc.e. Havinl wor.ed for arr. from Nageli. Michael Monaco was the IORK! time with an orp.n tuned not in equal summer orsani,t for the lemce. and tneuOo PHILLIP TRUCKENBROD, Director temperament, but in .ao V2rUtion of meaD·lone IOplllno Nancy Carpentc.r the soloilt.

SEPTEMBER, 1972 13 Two of the remarkable men who work to keep Miller on the map. And all tile way across it!

In the West, In the East, Leslie Pearl Victor I. Zuck Corpus Christi, Te.as Pittsburgh, Pennsylvania

What moves an organist to fly 1,200 miles, di s­ Master of Sacred Musi c degree at Union Theo­ Imagine the expertise required to present a 62 ranks then being installed at West Point. He mantle a 1926 Moller organ in three days, load logical Seminary in New York. series of lectures on pipe organ building at a remained on loan from Moller... to the U.S. Gov- it pipe by pipe in a Hertz truck, drive it 1,200 Hi s love affair with Moller began with another major university! The instrument's evolution, ernment for two years. miles back, and re-engineer and install it, all restoration. As organist and choirmaster in his wind supply, pipe construction and voicing, Fascination with electronic tone production between June and Thanksgiving? first post after completing hi s military service, proper location, space requirements and his­ led him for a time to leave Moller. He had finan­ Les Peart somehow makes this formidable he worked with the company to revamp the torical organs of Europe and America are ele­ cial interest in a number of basic patents in the undertaking sound almost routine. It seems that 1930 Moller at Toledo's First Baptist Church. ments of the course. earliest electronic organ, the 'Orgatron'. Vic o ne of his choir families at Corpus Christi's First Moving on to Texas with his wife, Audrey, and And where did the University of Pittsburgh also personally held th irteen patents on subse­ Methodist Church wanted to present a gallery their daughter, also find its expert lecturer? At Moller, in the person quent improvements. organ as a memorial to their son lost in Viet Leslie, he now rep­ of Victor luck. Interestingly enough, he kept up with advance­ Nam. As it is so often, the budget was limited. resents ' us there Like many fami­ ments in Moller organs during this period by Les thought their best hope lay in acquiring an with the vigor and lies in Hagerstown, servicing them free of charge! When his patents old organ due for replacement, and together they enthusiasm this where Vic was born, expired in 1952, Vic rejo ined Moller, taking over began watching the ads. Moller Opus 4474 turned great state always the lucks were in­ representation in the Pittsourgh area. up in Springfield, Illinois. So they set out to seems to attract. In volved with Moller. In the past twenty years, Vic has become in­ bring it home. every way, from His mother taught tensely interested in the classic organ-even to lis restoration, completed in 1~69, revealed a pipes to recitals, he organ at home on the point of making several study trips through vaulting musical dimension available by no other is their compleat an old-fashioned European instrume nts. Vic's design of many means. The Moller voice literally soars through Moller man! Moller parlor in­ of the prominent Pittsburgh organs reflect his the long, lofty sanctuary. And Les Peart did most strument; his Uncle thought, including the recently installed Moller of the re-engineering himself! David worked here, tracker at Nativity Lutheran Church, Allison Park. Curiously enough, he had played this very where Vic joined Vic has even represented Moller at the gatherings organ as a lad in Springfield. Later he majored in him on New Year's of the International Society of Organbuilders. organ at Southern Illinois University, taking his Day, 1924. His wife, Nathalie, is a grand-niece of a former Apprenticeship was broad and deep, embrac­ Moller Tonal Director and their daughter, Vicki, ing every step in organ manufacture. Six years li ves in Ankara, Turkey, with her husband and the later Victor was equipped to collaborate on the l ucks' two grandsons. new, much publicized Harmonic Division of

Perhaps the significant poi nt the e two expert Moller men must make is thei r shared devotion to thei r product. Neither can resist getting into the works from which proceed the o rgan's exalting tone. In one way o r another, this dimensional scope is part of all twenty-two Molle r represent atives across the country. They're an organ breed apart, unusual and most interesting men to talk to. Have yo u, late ly? Write or Hagerstown, Maryland 2·t740 Phone 301-733-9000 call us for the name of the Mo ll er man in your area. INCORPORATED (Conti'llted from page !) Guenther StiJIer's exhaustive study Paul Graff once observed that a con· will certainly become a standard worl; gregalian's disposition coward the in the Bach bibliography to be placet.l Church Year tends to serve as a reliable beside those of Spilta, Schweitzer and a gauge in determining the depth and host of other Bach scholars. Whether viability of its liturgical me. At Leipzig he has succeedcd in retaining for our we can absent an unusual reverence for day the older picture of Bach is another the IiturgiClI calend:lr. In this Ihe city mailer. In my view he has not. The remained 10)'al to her Reformation heri­ moli\:es of the Daroque genius will not tage. The strength of her worship Jay allow themsch'cs to be explained eJthcr in the active participation qf the con­ that simply or that easily. This is not gregation. the important role played by to qucstlon the depth or the sincerilY the choir. the division of liturgical tasks of Bach's faith, but rather the rest'"k­ among the clergy. and in Ihe interesting th'e manner in which Stmer would al­ alternation of Latin and Greek, choir low that faith to manifest il$C1f in the and congregation. chant and polyphony. composer's life and works. In my opin. giving to each service liturgical inlerell ion it is unrealistic to assume that the and variety. Bach who absorbed and transronned tbe Dskar Soehngen noled that those re­ musical styles about him should noL gions in Germany which cultivntcd a also do the same in a11 other areas of rich litUrgical tradition are abo those life. Bach may well have been a child which witnessed a flowering of church of his age more than we arc usuaU) music. In Lripzig all the classic parts willing to admit. of the M:us were retained throughout Perhaps the relationship betwe~n the 18th century. Moreover. the cdebra· Bach's (aith and works will never reo tion of the: Lord's Supper remained an ceive a final resolution. Even to his integral part of each Sunday's worship contemporaries he largely remaUlf:d an rather than having bttn relegated to enigma. Had it not been for certain special services and festivals. men - Forkel and Mendelssohn among A decish'e turn in the direction of them - all his works might ha\'e been secularilation began in 1785 when Jo· lost to posterity. hann Georg Rosenmuellcr, a new min· If Stiller, then, has not succeeded in ister with rationalist leanings, became prm'ing his main thesis, he has, never­ Superintendent. Using the liturgy as a tlteiess, brought into clearer relief the MEMBER APOBA tool to edify the worshipen, he under· worship life of Leipzig in Bach's day. took to make substhuuons, additions. There Bach found a congenial atmos· and omissions to the classic liturgy, In phere for carrying out his plan (or a 1787 the first general confcssion was "wclt·rqulatcd church music." But it introduced. The historic mass vcstmcnts is probablr wrong to assume that this THE REUTER ORGAN COMPANY were stored away in 1795. The lessons was his on y aim or asniration. That he: BOX 486 AJ were ch::mted for the last time in 1810. continued to aspire to a COUrt appoint. LAWRENCE, KANSAS 6604 .. The number of mid' '''eck services was ment can hardly be disputed. Ne\'erthe­ TELEPHONE (913) 143·2622 reduced and all scn'ices were shortened. less, since the council at Leipzig diOse One of lhe last encl:lves of orthodoxy to engage him, his life and work as· had begun to give way to the growing sl1IlIcd a certain style and .... attern. Had sccularil.:ltion of life. he succeeded in gaining a court appoint­ A shalF drop in Ihe number of com· ment at either Berlin or Dresden - mUniCln15 bcg:ln in the last quarter of facts which Stiller chose to ignore - the 18th century 50 that on the fint rhe history of both Bach and Leipzig Christmas Day in 1854 only rive com· during the second quarter of the 18th municants at the St. Nikolas Church century might have taken quite another Clme forward to receive the elements. turn. The neglect of the Sacrament was such that the: celebration of the Eucharist soon was abandoned as an integral part NOTES of the Sunday's service. lKrwd and Basel : Baerenreiter Verlag, 1970. I Have a Dream

Anthem.s I Have a Dream Morose, restless, and unresolved-so many Americans dued to hopeful in a sensitive, at times ethereal inter­ cling to the dream described eloquently by Martin Lu­ pretation. Moderate. Max Exner. APM-921 SATB 501' ther King in 1963. This composition develops from sub- Collections Beneath the Forms of Outward Rite Not Alone for Mighty Empire Hymn Descants, Volume III A setting of the new Communion hymn For accompanied or a cappella men's For choirs, soloist, or instruments on tune, PIlTT1/, by Leo Sowerby. May be voices. Suitable as a general anthem or final stanzas of Christmas hymns. Mod­ sung in 4-part harmony or unison. Mod­ for brotherhood, thanksgiving, patriotic erate. Eugene H. Bonham. APM-870 erate. Austin C. Lovelace. APM-940 or festival use. Moderate easy. Robert o. SATB $1.50 SATB 20¢ Hoffelt. APM-944 TTBB 55¢ Organ Solos Three Anthems of Praise Jubilale Deo "Rejoice, Ye Pure in Heartt" "The Lord An Easter anthem with original text and Tolenlanz Jehovah Reigns," and "Ye Servants of music. Optional use of combined choirs, Probably the only example of an organ­ God" are arranged to give melodic bari­ with brass ensemble and organ adds in­ istie and theological adaptation for the tone and occasional alto parts. Youth or terest. Moderate. Natalie Sleeth. APM- organ of the "Danse Macabre." Episodes adults. Moderate easy. Walter Wade. 885 SATB 55¢ and fugue. Difficult. Gerhard Krapf. APM-549 SAB 50¢ APM -704 $2.50 Suile for Organ Utilizes twentieth-century tonal style. For recital, teaching, or worship. Diffi­ ot your book or rruslC slo

16 THE DIAPASON (Ccml;'lIIed 'rom page 5) even more mteresung and e£fective. A was lacking in the same secllon (s) of close examination of Ihcse parody works the cantata. re\'cab that they e\'Oh'ed inlo clabonte Since 1780 The Gloria tr:msaiption is \'ery lit· compositions which probably necessi· en1. The omission of the two horns tated the im'eslment or more time than and timpani in the orchestra made il an original composition. necessary fat' Bach to reorchestrate cer· This writer feels that the Missn e \Valeker Organs tain paru of the mOlo'ement. nrevi! were not nnderUkcn merely as The GrntitU aria is yet another ex· an economy measure. but were signifi· Represented by: ample of an extensive reworking of a cant projects. It is it valid hope that Bernard Cavelier, organ builder, voicer, now vocal line with only a minimum of these Mis5tle nrevis will 500n take their Bernard Cavelier represents the German firm, E. F. Walcker. change in the orchestra, The Domine rightful place in the realm o[ lhe mas· 2519 Sheridan Drive Mr. Cavelier was born in France where he Delu duct of the Mass is not as aca· terpieces of choral liter:lIUre. Tonawanda, New York 14150 Telephone (716) 838·2509 learned his craft with several well·known demic as the duct o[ the cantata and organ companoes. He then worked in-ner. displays a thoroughness in preparation. NOTES In the QlIouinl1l paraphrase there has many for several years as builder and voicer heen more of an effort to integrate lExpanded lah:r to form the complete letting for E. F. Walcker. He came to the U.S. in the oboe and voice pariS. The voice of the Catholic Mau. M iua BT~w.symb olum 1963 and worked for the Aeollan.Skinner line has been extensively reworked. The Nicenum· Sa"t hll.A"uu Dei. Organ Company, and more recently he has causc for the extensive reworking can· 'Attributed to Johann Nichnlat B.ch. 'Attrihlltecl In Johann Ludwig: Bach. been a voicer and finisher for the Schlicker not be entirely placed on the Latin tElwyn A. Wienandt. ClIoraJ MUJic 01 'he Organ Company. text. Bach has in realily created a new Churrh (New York ' The Free Press, 1965). p. vocal line within the framework of the 1"'. existing movement. 'William Gillu Whittaker, The C""',,'IU 01 E. F. WALCKER & CIE, ORGELBAU As in u\e prclo'ious settings of the l .,h,."Jt SeblU'itlJt Btlcll, Stirred ,,"d Srcular 714 Ludwigsburg Postflch 1148 Cum Sonclo chorus of the M iSJoe lIre· CI.nndon : Oldonl Univenity " res" 1 !)~!), I, vis, the orchL"Stl'3. introduction of the p. 214. West Germany ' Weinandl, p. 19S. cantata has been replaced with a much ' Frirdrich Blume. "J. S. Bath," MGG, ed , shorter version. Otherwise, this is a Friedrich Blume, Vol. I (1 9-1 9 ), col. 1M3. very literal paraphrase. The minOJ ' rhilipp Spilta , loll,," n Stluu' ;lIn B,.tl& : HiJ changes of notes arc mOlde necessary U'lIrt lI"tI l nlluuu 0" ,lt e At.,it 01 G"m"1I1, by the Latin text. 1685·1750 (New Yorlu Oo\'er PublicationJ, In retrospect, it is d ifficult to justify I ~ , 1!l51) , IV, p. 30. the neglect that the M iSSile nrevis halo'e -Hendrick Willem Van Loon. Th ~ Lile and T im'" 01 1(111"",, SebaJlia" BlId ( Lnndon: been shown. "art of the blame must Genrge G. lIamlp & Co. Lid" 1942 ). p. 00. he placed on Spina. since for many IOC . L. von llilgenfddt, l olta"n Sebtu,ia" years, as stated earlier. his writings naeh'l l.eben_ ",irken_ untl W erke: Ein Bei'ra6 SCHLICKER were considered as a kind of holy rUT KU T'"e,el.itIJ'e tI,., _clltle"t,." lallrhu". scripture, which would admit neither dut. (Leipzig: lIilvenum, )!)6S) , p. 115. substantiation nor criticism. on the tlWnlfgang von Schmieder, Tllrmll,iscllel. 1)"tem_hlth,.J 1' ":tull,,iJ tlu mUlikalilehen study of J. S. Bach. W erle t·o" I . S. Stich (Leipzig: Breilkopf &: for excellence of design, the finest of quality materials. and the II seems thaI until lhe last few years H iirtel, 1958 ), pp. 319·26. the parody technique or paraphrasing t:Charles Sanrord T erry, Botll ~ A Bi06raph, highest order of craftsmanship in mechanical and electric action was not gh'cn thc ;llleniioll it descT\'ed. ( Landon: Odord Univenily Pn-ss, 1950), p. There is increasing agreement among 160. pipe organs. musicologists that by the IISC of the IIEva Mary and Sydney Grew, n ,.th (New York: Famr, Strauss.nd Cudaby, Inc., 1955 ) , parody technique old compositions or p. HIll. 1II0\'ClOenls could be revised in a new uCharic:s Hubert lI:utinp Pa rTY l oll,."" Se­ environment by the underlay of an· baJ, iort Bat" : T'" Story 01 'f" 'DrlJrlDflmtll' other text. 01 II Grrll' P,uouli,,, (New York: The Knick­ Buffalo, New York 14217 Bach, who frequently used parod)', erlJodlef r rca, 1!J(9), p . 3M. carrict1 (Iris technique to the highest ~Albe rt Schweitzer. I. S. BlltA , trant, Ernest Ic\'el of artistry. He prcscned in Ihis Newman (New York: TIle MacMillan Co" 1530 Military Road 1950), II, 1)(1. 326-28. way movements or compositions which ltSl,itta, IV, (J(J. 266·267. were of especial intcre51 to him. In l1lbid. tV. p. 271. brochure available member APOBA (hese ncw conccptiolls they are often 1I.\lGG, I, col. UH3 .

TRINITY COLLEGE HARTFORD, CONNECTICUT

A Hartford landmark since 1932. By Frohman. Robb & lillie, architects of Washington Cathedral.

65 STOPS 78 RANKS Pressure: Manuals 2¥.l" 23,4" Peda ls 2¥.z" 41h"

Clarence Wat1ers, Chairman, Advisory Committee

Case and loft to be finished in a modified Baroque architecture to blend with English Collegiate style of chapel.

AUSTIN ORGANS INCORPORATED The "AUSTIN ORGAN STORY" HARTFORD, CONNNECTICUT 06101 a 16 mm. sound and color film. Available to Guild Chapte rs. Member: Associated Pipe Organ Builders of America

SEPTEJABER, 1972 11. Arthur Howes Feted Upon Retirement from Peabody Conservatory

. At the end of the past academiC. }'car, Howes. The influence of the Organ In­ Arthur Howes retired. afler sevenlun stitute has been rar reaching as its stu­ years, (rom the faculty of the Peabody dents continue to disseminate the knowl­ Consen'atory, where he was head of the edge and to maintain the ideals ac­ department of organ and liturgical mu­ quired there. sic. His decision to retire from Peabody Of incomparable importance was an­ this year was based primarily upon his other of Mr. Howcs' enterprises - the desire to demte time to a new educa­ founding and editorship of the Organ tional project; fortunately, therC£ore, his Institute Quarterly, which was pub. professional acth ities will continue and lished rrom 1951 10 1964. The articles his retirement from Peahody Consen'a· in this magazine, written by tIle editor IOfY only marks the close of another and many other noted American and phase of a long and distinguished ca­ European authorities, provided readers reer. His many accomplishments h,l\'e with a wealth of information regarding earned for him the distinction of being historic instruments and building prac­ regarded as one of the most innuential. tices of past centuries. contemporary or­ enthusiastic. and imaginath'e leaders of gans. interpretation of the great litera­ this century in the ad\'ancement of or­ ture for the organ. and other subjects gan playing. liturgical music, and organ of vital interest to the serious student design. of the organ. Detailed accounts of his activities have Arthur Howes' recognition of the su­ appeared in these pages in the past perior musical qualities of earHer organ years; this article can only summarize building practices preceded that of most his extensive career to date, American organists. and he has been One of this country's most acti\'e or­ a highly influential leader in the or­ Trinity Church ganists. Arthur Howes has played over gan reronn mO\'ement. Having gained .500 recitals throughout the United intimate knowledge of historic Euro­ Newport, Rhode Island States and in Europe. Always adhering pean organs through his recital perronn­ to the belief that a perronner is the ances on them and by examination and sernnt of the music. the medium research. he was an early advocate of through which great music is recreated. 3 return to the principles of organ This new three-manual, his playing has demonstrated his per­ huilding as examphfied by the master· sonal con\'iction of the merits of sim­ pieces of the "golden age" of organ thirty rank organ is ple and clear registration. rhythmic vi­ building, especially by the work of located within the original tality. and expressil'encss achie\'ed Schnitger and Silbennann. through articulation and rhythmic flex­ In order to make it possible ror others case, built in 1733. ibility. Although highly respected for to acquire firsthand knowledge of these his playing of music of all periods, he superb instruments. he initiated. in has won especial acclaim ror his inler­ 1955. 11le European Organ Study Tour, pretation of Cerman Baroque organ the first such tour to be conducted rrom WICKS ORGAN COMPANY IHighland, IJIinois 62249 music and is recognized as an author­ the United Slates. He continues to di­ itv on the perrormance practices of that rect these tours annually and in 1971 Pipe Organ Craftsmen Since 1906 school. and 1972 has conducted two tours, one Mr. Howes has devoted a \'Cry con­ in Northern Europe and one in South· siderahle portion of his time and errort ern Europe. Members of the groups to teaching. at Peabody Consen'atorv have the opportunity to hear. play. and and elsewhere. and his unswerving ded­ examine celebrated old instruments as ication to the highest artistic principles well as contemporary organs. As are· has inspired students to rollow his ex­ suit of Mr. Howes' contacts with lead­ ample. Former pupils of this master ing organists and organ builders on the teacher are now located in all areas of Continent, members of the tour groups the United States and Europe, ha\'ing enjoy the privilege of hearim; and play. KEATES established themselves in careers as re­ ing some organs not generally available citalists, church musicians. and teachers to the public. in conservatories. colleges, and unil"er­ Through the European Organ Study silies. Tours. Organ rfutitute Quarterly arti· ORGAN COMPANY "'ell known ror his work in the field cles, master classes at the Organ Insti· of liturgical music. Mr. Howes has held tute, and the course he taught at the LIMITED positions as organist-choirmaster in sev­ Peabody Conservatory in History of Or­ eral prominent American churches. in­ gan Construction, Mr. Howes has given dudil1J~ Crace Episcopal Church. Had­ considerable momentum toward the re' • donfield. New Jersey; St. Paul's Church, establishment of traditional methods of SCHULMERICH® Chestnut Hill. Pennsylvania; St. John's organ design and construction, includ· Church. Lafayette Square. 'Vashington. ing direct mechanical action. HELPS YOU FORM ENRICHING, D,C.; Christ Church Cathedral. Hous­ The occasion of Arthur Howes' re­ INSPIRING HANDBELL CHOIRS ton. Texas; and Mount Calvary Church. tirement from Peabody Conseravtory Baltimore, Maryland. was deemed by his students and asso­ • Start handbell choirs for youth ••• or any 'Vhen in Houston. he organized the ciates to be a highly appropriale time age group ••• with Schulmerich "Precision Bach Choir. which presented concert!; to express gratitude to him for his ex­ with the Houston Symphony under his traordinary contributions. Accordingly. ACTON, ONTARIO Tuned" Handbells, the finest. Write to direction: he was conductor of the Ceo a celebration in his honor took place cilia Society and conducted its concerts the evening of May 12, in Baltimore. SCHUI.MERICH CARILLONS, INC. with the Boston S)'mphony: in Balti­ and began with an organ recital by 9592 Carillon Hill • Sellersville, Pa. 18960 more, he organized and directed tIle four artists who had studied with ~(r. Renaissance Choir; and in Ando\'er. Howes during his early years at Pea­ Massachusetts, he was conductor of the body. They were: John Merrill, head JOHN BROMBAUGH & CO. Fine Arts String Orchestra. of the Music Department at Gilman Many consider Arthur Howes' direc" School, Baltimore: Paul Davis, raculty Tracker Organ Builders ANDOVER ORGAN COMPANY, INC. torship of the Organ Institute to be his member of the Peabody Conservatory 7910 Elk Creek Road Box 36 most influential contribution to the and of the College of Notre Dame of rield of organ playing. During the sum­ Maryland; Edith Ho, faculty member Middletown, Ohio 45042 Methuen, MassachuseHI 01844 mer sessions of the OrJ(an Institute. of the Peabody Conservatory and of which he rounded in 1947. organ stu­ Dickinson College: and John Cooper, modern mechanical odton dents. professional organists. and organ organist·choirmaster of historic St. teachers gathered at AndO\"er. Massa­ J\nne's Parish. Annapolis, Maryland. chusetts, to stUdy with lllany of the The program. composed entirely of world's great artists. Through the years, German Baroque music. was: Cau/;o Felix Schoenstein the organ raculty included E. Power .mcra "H'arum betri;bst du dich, me;n Biggs. Carl "'einrich. Ernest 'Vhite, H~Zt" Scheidt (Mr. Merrill) ; Passacag­ & Sons Pipe Organ Builders E. H. HOLLOWAY Arthur Poister, Robert Noehren. Catha­ lia ;', D minor, Buxtehude (Mi5S Ho) : rine Crozier, Fritz Heitmann. Finn Vi­ Prelude mid Fugue in F major, Lubeck SAN FRANCISCO, CALIF. derSi. Andre Marchal, Heinz Wunder­ (Mr. Merrill): Passacaglia in G minor, CORPORATION Hch, Marilyn Mason. Russell Hancock Muf£at (Mr. Davis); Prelude, Filgue. Miles. Cotthard T. Arner, and Arthur (CmUifJued next page) Suilders of Traclcer and Electro-pneumatic Your personal wish.s slider chest organs. A.G.O. Midwinter Conclave are in good hand. Phoenix, Arizona INDIANAPOLIS. INDIANA December 26.29, 1972 Fa.I Jacq. Stinken. ZEIST Tel. 637-2029 P. D. Box 20254 Organ pip. makers Holland "For Everything Untler the Sun"

18 THE DIAPASON 50 inte1i':')(et the 1JU{!JlC 0/ Me {:m}Jl()'Jl((:tlcomjt(}{je}cj the jtiano {d .aBOn & Hamlin (WORLO'S FINEST PIANO) Visit Altenburg's ... since 1847 ..• dedicated to music and selling only those instruments that nre traditionally accepted as the finest Four former students who played recital In honor of their teacher, Arthur Howes, on the in tone and quolity. Select from: occasion of his retirement from Peabody ConservotClry: (I. tCl t .) John Cooper, John Merrill, MASON & HAMLIN' KNABE Mr. Howet. Edith Ho. and Paul Davis, SOHMER' EVERETI GEORGE STECK· fwd CIUCOlJtJ in D m;tlor. Pachclbel (Mr. arc, as a collecth'c exprcssion. a tcsti· KAWAI Coopcr): Prt!llldt! and Fugu~ ira A. mi· mony which states our feelings toward RODGERS and nor, HII'I' 543, Bach (Mr. Cooper); ),ou: Knowing the good, )'ou have done "Kornm, hdligt!r Gdll, Ht!rrt! Gall:' it; Knowing the: be3utifol. you have HAMMOND ORGANS nll'I' 651, "Herr Jesu Cllr;ll, did, Zit scn-cd it; Knowing the truth, you ha\'c Altenburg, unsurpassed «nl wend,' If BWJ' 655. and "Komm. spoken it. Thus. Mr. Howes, is it any showcase of these great GoU, SchoPfer, heiliger Geill," BIVV wonder why we so honor you this el'e· ning? instruments, is without 667, DOlCh eMf. Davis); .md Toccata equal in variety, price and atld Filgue in F major, BWV 540. Bach " In retiring from hcr concert career, (Miss Ho). Loue Lchmann expressed to her audio personal customer satisfaction. No greatcr tribute could be paid lD ence a poignant thought, which. with a tcacher than the recital played by slight alleralion. so fittingly can be reo For InformaUon u.anll •• an,. ot Ihe .acnlnc:~"t ltanllard n "Iten", dulpe4 thL'5C four former pupils. The spon ~ pealed hcre: Mr. Howes. 'you have al· Rod.en Or.. a"l. HIli c:oIletl or write 10 Mr. OUo A. Altenbur. or Mr. Willialft Wrenn. t:lIlt,'OtJ5 standing o\'atioll at the condu· \\'3)"S gh'en us more than we have givcn sion of the rrOgT3111 was obviously 3n )'00; you arc the wings on whidt we cxpression 0 admirntion 3ud enthusi· have soared: " asm for both the recltalists 3nd their At the reception, some of the man)' tcachcr. congratulatory telegrams and Ictters that The recital was played at Mount Cal· had becn rcceived were read to Mr. v3ry Church. B ... ltimore, on the And· Howes, The highlight of thc reception o\'er·Flcntrop organ, Built in 1961, whcn was the prcscmation to Mr. Howes of Mr. Howes was organist'choimlaSler of a check reprcsenting the combined girts the chorch, thc organ was designed from current and former students, Or­ jointly by Charles B. Fisk. D. A. }-·Ien· gan Tour mcmbcrs. Organ Institute stu· Authorized ROllI/en R611re.entative for NelD JeruJ/ and New York CitJ/ trop, and Arthur Howes, A large t"'o· dcnts. (ormcr choir members, organ manoal instrumcnt, its tonal dcsign in­ lmiltlcrs. amI numerollS other profes· torporOlles principlcs borrowcd from sional associates and friends. With this Gottfried Silberman" and Arp Sth"it· check a fund [or the purchase of a ger. studio organ has becn established. Mr. There is a new song in the choir loft today! FolloWing thc rccital, a reception was Howcs hali expressed his elation over heM at the Baltimore Hilton Hotel. Ap­ the pro5~t of having a studio organ proxim:ucly 300 prOfessional and per· not on I)' (or his own pf3cticing but OIl· 5OI1al associates attcnded the recital and so for use in carrying out r.rojccls hc reccption. a large numbcr o[ thcm com· has planned (or the time a ter his re· ing froUl hl3ny other statt-os and some tiremcnt from reabody. JI~~'"O tra\'clling a great distance in ordcr to be present for the occasion. In addition to the check. Mr. Howes has also rceeh'ed the gencrous contribo­ John Mcrrill, having earlicr in the AND c\'cning distinguished himscl£ as a par· tions from organ buildcrs o[ ranks of FREE ANTHEMS FREE RECORD ticipanl in thc rccital. rcvt:aled another r.ipt's t? be ma~e to his. specificati~ns, Pockets 1 through ... listed below contain trodiliona! church lIIufic in '1ario'" of his talents in his rolc of master of rhosc lIl\'oln'd m plannmg the proJcct voicing' (no record included). Packet 6 contoins the free demonlfrolion record and cercmonics at the reccption. In a mo\·· arc optimiUic that the fund will grow copies of works on the cuffing edge of "Now." ing acknowledgmcllt speech to Mr. rapidly to its goal. The members of the commiuee were Howcs, he said, in part: Please indicate which pachl of 12 anlhelnl you wish free. 11 InOre than one pacht "As it.is unnl.'1:cssary to resta~e fo~r thc four rcdtalists; Mrs. Kathryn Hodg­ il desired. pleose lend $2.00 for each oddilionol packel, non-returnable. cOlltrihutlons to thc art of mustc, H IS kin, of Greensboro, North Carolina, a impossible to cite those experiences each student at Organ Institute sessions and o Pocket 1-New SArB Nome ______of us ha\'c had with you, expcriences a mcmbcr of many European Organ o Packet 2-New SA8 Study Tour groups; and Miss Do\'ianna PClckel 3-Jr. Choir & 55A "'hid, o\'cr the \'can have honed our o I am Choir Direclor ______intellect and have lifted our spirits. I Barrens. a graduatc swdent at Peabody o Pocke' .c-With instruments 3111 afraid that we would leave this reo Conservatory. or multiple choir. (Church or School) ct: ption by dawn's early light if cach The commiUcc would like to publicly o Pocket 6-New Folk· of us took. the time to speak. of those thank the hundreds of people who, by Rock "Now Sounds" Slrcetl ______significant moments in which you, as their presence and Ihelf gifu, contri· with Demo RecClrd a man of chano, underst3nding, and blUed so warmly and gencrously to the City State Zip _____ wit. have played a large part in the in· lillccess o[ the happy occasion honoring dividual's li£c. So inMead o[ personal Mr. Howes. HOPE BLiSHING COMPANY reminiscences from each o[ us, plcase , Mcalll , I cu ...... 0. III. · 0 H. accept the following words. bricE as they - Dovianna Barrens

LOUIS F. MOHR & COMPANY THE TEMPLE HERMAN RERUNSKJ, minuter of musk LEWIS &. CLARK COLLEGE h:u changed ORGAN Clevelond, Ohio 44106 at the Wa.runllton Hebrew Conarcsation, haa the name of its mu.ic department 10 the just returned from his fourth EUropean con· Lewi. and Clark College School or Mu.ic d · MAINTENANCE cert trip. lie also played ullder the _ponsor­ fcc1ive July I, 1972 . Reinhard Pauly, chairman .hip of the U,S. II1.ronnation Agency in Ber· of tlte fonner mu.ic departmt'nt, will be di­ 2899 Valentine Aye. lin, Dii.scldod. Vienna. Upps:al:l, and Valle· rector of the new .chool. DAVID rOl, SwcUen. New York 58, N. Y. THE WESTERN MICHIG,\N CHAPTER TilE ST. LOUIS CHAPTER ,\GO elected Telephone: SEdgwick &-5628 AGO elected the following oUicen recently: the following officen on May 22: E. Alan GOODING Larry Biser, dean; Mana Hardies, tub-dcan; Wood. dun; Marie Kremer, .ub-deani Katll­ Eme..,ency Senice Yearly Contracts Willa Bau.er, lea-dary. Mary Bibs. trea1ur'llri leen A. Thomenon, sccreUryi DaVId Nelson, H;III"pI - Chimes - BIDWen THE ClEVELAND ORCHESTRA Gcarge Shirley, l'eler Sorenscn. and Sharon trealuteri Shelby BreedlO\'c and Addine G. &pert Overhaulin&' Start. council memben at tarse. E"kine. regist&ra. MUSICAL HERITAGE soclm "An Otl411 Prop~,,'J Main,.i,wl At""u 8tlt~r AIWlit" RECORDINGS ••••••••••••• : ORGANERIA ESPANOLA CMadrld) ORGAN SERVICE .J. l Lee, Jr• • Xo one _ \'1:8. NO ONE - tHlll41 .'11"'" BET· .Tf.R ttln 1M DEDICATED er,u..'lRB ART!­ -SAri'S. Wt art lUll VERY COYl'ETlTIVE. a.od ICNOXVlUE, TENNESSEE 37901 pocor20 BC>q SIOOeRS - HI 70Ur .pee. or detlrtl - ALL Tt'rES - W. lox 2061 STATE CClU.£GE, EAST STROUDSBURG, PENNSYLVANIA 18301 • will qual. and perhallt ,ul'pfbe 7011- D. \\1IIUII.II .IAGOI. !1eprllen1.UTe. tol Boulh Gred ATeOUl. Tuning .. Mo1ntenance ...ebulldlng : Los Ao",lu 10011. C.MUttonb k. BERNARD SCHADE, FOUNDER AND MUSICAL DIRECTOR •••••••••••••••••••••••••

SEPT~BER, 1972 .19 NUNC New Moller to Franklin, Virginia DIMITTIS The Franklin Baptist Church, Frank­ lin, Virginia, has awarded a contract (0 M. P. MolIcr, Inc., H::tgerstown, l\lary­ WILLIAM HERBERT SCHUTT land, to install a new 3-manual organ. Se\'eral ycars ago the congregation built a new colonial style church. and at thai Willi:lIn Herbert SchUlt, minister o[ time the IJilcher organ was IIIm'!:d from music at Crace Covenant Presbyterian thc old church. This is now being re· Church. Richmond. Va. (rom 1939 unli) placcd by the new instrument. Spedfi­ this )'car. died on july 2 ... 1972. cations were prepared ill cOllsult ... tion Uorn in Litchfield. Illinois in 1008. with Ronald Cocrill, organist of the Mr. SchUlt received his BA degree in church, and jatllL'S S. Darling. organist­ economics from Oberlin College in 1930, choirmaster of nrutol) Parish Church, and then recch'ed his 8Mus degree from Williamsburg, consultant for the Oberlin in 1932, studying organ with church. G. W. Andrews and 1.. E. Yeamans. Hc was minister of music at Cuyahoga I:alls GREAT ~fe(hodist Episcopal Cllurch, Cuyahoga Quintaton 16 h . Cil pipes Falls. Ohio for fivc years before he Principal 8 It. 61 pipes SCHANTZ went to Union Theological Seminary in SpiunBte 8 It. 61 pip~ New York where he receivcd his MSM Dctav 4 ft. 61 pipes degree in 1939. He was strongly in­ Super Dctav 2 h. Cil pipes oueneed there by Clarence and Helen Mixtur IV 2-44 pipe. TromlJete 8 ft. Cil pipes ORRVILLE, OHIO Dick.inson. and they TClIJained close SWELL friends throughout their Jh'cs, While Rohrflole 8 II . 61 flil~ at Union. Mr. SchUll was also organist Viola 8 h. Gl pipes and choirmaster at thc First CongTl'g:J.­ Viola Celeste 8 h. (TC) 49 Ilil'" tional Church. South Non\'alk, Connec­ I'rincipal 4 h. Cil pipes titut. Mr. Schutt also slUdied for three Bloclr.f1ote 2 It. Cit pipes summcrs with john Finley Williamson Sesquial1em II (TC) 98 pipes at Westminster Choir Collcge, and onc Mixtur III 183 I.ipes summcr at Northwestcrn Unil'cl"Sity be­ Fas:ot 16 h. 61 JlilH!S Trompelle 8 h. 61 pil~ fore going to Richmoud. Falot 4 It. 24 pipes Mr. SclllHl scrn-d in the u.s. Army Trmawant from 19"3-46, both as a church musi­ POSITIV cian and in the Quartennaster Corps. lIolzledeclr.t 8 It. 61 pipes nuring his 33 years in Richmond, Mr. Enabler 8 ft. 61 pipes (expressive) Schutt was \ef'}' acth'e in the Richmond .'rincipal 4 ft. Cil pipes Ch::tpter A.G.O., holding m::tny of its Koppelflate 4 ft. 61 IliJ1e5 WakJna te 2 It. 61 pipes ~ ~. offia.-s ::tt \'ariolls 1illll..'S and serving as ~\ ....rigot 1 ~ h. 6J pipes dean from 193',55. He pa,scd the Scharf III 183 pipes AACO examination in 1933. His musi­ Krummhofn 8 It. Cil piJH!1 r--A~______~~'-4 cal acti\'itic,:s in Richmond encompassed Tremulant a wide ranne, and his progr ... m at Grace PEDAL CO\'enant uwoh'ed six choirs and SC\'· Principal 16 [t. ' 2 pipes crOll handbcll choirs. SubbNJ 16 ft. 32 pipes Quinbton 16 h. (Great) v .c.... ~ '" Mr. SchUll was also aClh'e in the Ot;tav 8 fl. 12 pipe. Musician's ClulJ of Richmond, and he I'ammer 8 h. 32 pipu "Qualily wi,II was a II1 cmlJcr oC the HYI1lI1 Socict)' of Choralbass .. ft . 32 pip" Ecvnomy" Amcrica. ?tu tUf II 64 pip" [AILIfllj AIKIN ASSOCIATES He is sur\'h'ed by hi!!! wife, Mrs. Flora Aeub II 24 pipes ALL ELECTRIC CHESTS Shephard SchUH of Richmond: two Posaune 16 ft . 32 pipe. ELECTRO PNEUMATIC PEDAL CHESTS Fagot 16 ft. (Swell) AA sons :11111 onl! daugluer: two sislcrs; and I'osaune 8 It. 12 pipes olle grandson. Fagot 4 ft. (Swell) Box 143 Brooklyn, Pa. 181113 Greenwood Installs Unit PRESTON ROCKHOLT Organ in North Carolina

BERKSHIRE ORGAN COMPANY Jlrc !!!ton Rockholl, proCessor of music The Greenwood Organ Company .. at Augusta College. Augusta, Ga., died Charlotte, N.C. has rccenlly completed 68 So. Boulevard, West Springfield, Massachusetts suddenly on June 20. 1972 while travel­ a 2·m;!llual unil organ for ule Front Member: International Society DC Orcan Builde,. ing to the A.C.O. 1972 nationa.l con· Street Baptist Church, Statesville, Nonh \'clttion in Dallas, Texas. Dr. Rockholt Carolina. The instrument is divided in was a \ cry acti\'e member of thc A.G.O" two organ chambers on each side of holding the FAGO degree and being a the choir loft. The specifiCltion was CREATIVE ORGAN BUILDING FOR ARTlmC MUSICAL RESULTS frequellt recitalist at Guild coll\'entions. planned by Carroll T. Harris. minister Dr. Rockholt was graduated with the of mU5ic (or the church, and Nonnan BA degTl'C from Whe::tton College. A. Greenwood. lonal director or (he Greenwood Organ Company Wheaton, Illinois. He continued his cd· firm. ucation at the American Conscf\'atory CHARLOTTE, NORTH CAROLINA 21205 of Music. Chicago, when: he was grad­ SUMMARY uated wilh tJ,e MMus tJegrcc in 195 1. I'tincipal 8 ft . 6( pipn '7HIUE GENERATIONS OF ORGAN BUILDING" Bourdon 8 h _ 85 pipet He won the young artist award of the Dulciana 8 ft. 73 pille. Society of American Musicians in the .'restant 4 It_ 61 pilles saUle year. He was awardl.'d the DrMus Doubldle 2 h . til pilln o dL'gfcc later b)' Northwestern Unil'Crsity. MillhtN! III 183 pil.es HANSEN R After his graduation from ,\merican Voill Eolienne 8 ft. -19 Ililln (Te) G Conscn'ator)', Dr. Rockholt became the Trompdte 8 ft. 73 pipes organist-choinllaster of St. James Meth­ Bourdon 16 re . 32 pipes ORGANS A Li~ b Jicll Gedeclr.t 16 ft. 12: t1ipes odist Church, Chicago. Previous to that, GREAT Conslruclors N he had been organist-choirmaster of the Principal 8 ft. 5~. S"mtof 0/ Quall" Villa Park, HI., Congregational Church. Bourdon 8 ft. & From 195 .. (0 1956, Dr. Rockholt per­ Dulciolna 8 (t. formetl military dut), at Camp Goroon. I'rntanl 4 ft. Rebuild.rs 01 Ceorgia. While there, he was also or­ Bourdon 4 It. P JEROME B. MEYER &SONS Dulcet 4 h. QUALITY ganist ::tnd choinnaster ... t the First Doublette 2 h. I 233' SO. AUSTIN ST. Presb)terian Church, Augusta. Ga .• and Mh:ture III PIPE ORGANS P in Oct. of 1954 he was soloist with the Chimes E MILWAUKEE, WIS. 53207 Augusta Civic Symphony. SWELL QUINCY, ILLINOIS 62301 Laler. Dr. Rockholt was organist ami Bourdon 8 h. 5 masler oC tJle choir at AU Saints Calhe­ Dulcian:l 8 It. voCe Eolicnlle 8 (t. dral. Albany, New YorL:. where he main­ Bourdon 4 h. tained a large choir of men and boys. Dula!t ... It. In 1959 he was appointed associate pro­ Nasard 2% It. fessor of music at Augusta College, Au­ Flageolet 2 It. ROCHE ORGAN G. F. ADAMS gusta, Ga., in 1961 he was appointed Larigot I ~ h . head of the division of Fine Arts, and Tromllelte 8 h . in 1962 he was n::tlned dean of Augusta Clarion 4 h. Organ Builders, Inc. Tremolo Collcge. During this period he was or­ I'EDAL COMPANY ganist and choirmaster of St. John's Dourdon 16 ft. Methodist Church, Augusta. and later Lieblieh Ged~clr.t 16 ft. builders of 204 West Houston Slreet at St. Paul's Episcopal Church, Augusta. I'rincipal 8 ft. ]n 1964 Dr. Rockholt was named di· Bourdon 8 ft. reClor of studies of the new Collegc of Dulciana 8 It. Mechanical Action Organs New York, New York 10014 I'~tant .. ft_ Church Musicians at the Nation::tl Cath· Uourdon of h. Electric Action Organs (·tlral. Washington, D.C. He Telnainoo Duket" Ie. Telephone Ole,on 5-6160 in this post until 1969, when he re­ Mixture 111 P.O. Box 971 Taunton, Mas•• 02780 reluflll.'d to the faculty of Augm5ta Trompette 8 fe. College. Clarion" It.

THE DIAPASON SWE.LL Hobl Flute 8 h. 61 pipes CHARLonE WILUAM Salicional 8 h . 61 pipes Vox: Ceksle 8 ft . 61 pipes Otganilt Autilt Principal" ft. 61 pipes THE ATKINSON DUO KOfIPrlfliile .. h . 61 pipH FIRST PRESaYTUlAN CHUICH ARMY AND NAVY ACAJ)EMY Octave 2 ft. 12 pipes 0CEA1WDf,. CAlIFORNIA Flole 2: ft. 12 pipn CAIltS8AD. CAlIFORNIA Quint l Y. ft. 2-4 pipn BOX 785, CARLSBAD, CA 92008 • 7141729-2990 Mixture IV 1 ft. Banon 16 h . 61 pipel Trompete 8 ft . 61 pipes Hautbois 8 ft. 12 pipes Clarion 4 h. 12 pipes TremuJant ARTHUR C. BECKER, Mus D., A.A.G.O.

CHOIR DE PAUL UNIVERSITY Spiuflote 8 ft. 61 pipes Gedackt 8 ft. 61 pipes ST. VINCENTS CHURCH, CHICAGO Unda Marit 8 ft. (TC) 49 pipes I'rineipat 4 ft . 61 pipu SpildlOte 4 ft. 12 pillU Octa\'e 2: ft. 12 pillrs Spitzquint I Ys ft. 54 pil)(1 Edward D... nymcan, SMD Warren L I.rryman, SMD SilOote I ft. 49 piJlH Sesquialtera II 74 pipe. Tremulant BERRYMAN Organbt-Cholrmaste, Head, Ol1lan-Church Muatc Dept. PEDAL WESTMINSm PRESBYTERIAN CHURCH Resultant 32 h . .ALDWIN.WAllACE COllEGE Conll'3ball 16 h. 24 pipes Mlnn.opolb "rea, Ohio Frels Builds Tracker Bourdon 16 h. 12 pipes t S~,t'II ) for San Antonio Church Principal 8 ft. 12 pipes Flute II fe . (Swell' Margaret (ktave 4 (t. 32 pipet Melvin Dr. nL"SS Hciroll),mou5, head of tllC~ Mixture III 2 fl . !l6 pipes organ dcp:.runcnt at San Amonio Col­ I'osaune 16 ft. 32 pipes DICKINSON lege and org:misl-choirmaster at First Unlventty of Lou'lvllle Presbyterian Church, San Antonio, played the dcdicuory recital on the new Loub.,JlI. Bach Socl.ty organ in Oak Hills l'rcsbylerian Church ~ Calv." Eplscepal St. Franci.. ln .. th.. R.W. EpllCOpal Sail Antonio. T exas. The 2-manual in­ strument was built in the shop of Ru­ bin Steele Frels. organbllildcr of Vic· toria, Texas. The 8' J'rincipal forms the facade of the organ. the lowest (irc WAYNE FISHER pipes sianding Olll on a pointed tower 10 the immediate left of the keyboards. College-Conservatory of Music The C3sc\\'ork is walnut with kC )'checks of maple sandwiched between walnut. University of Cincinnati The large ash stopknob! are mounted \"cnically with ebony inset into the end of each. Preparation has been made for an 8' Celeste in the ncar future. The organ. which pn'SCl1lly slalKis in the DAVID HEWLETT right front cornt.T of the church. will he enl.arged and moved when a new MARSHALL BUSH church building is constructed. The in· strument has mechanical key and stop 1M Con .....alory of Mulk .action. J im NewlIlan is organist of Ihe at Chrlll Church, Fitchburg, Mast. 01420 church. .. .. III .. '"IIIIIIIIIIIIIIII.IIIIIIIIIIIIII..... 'IIIIIIIIIIIIUllllllll ... IIIIIIIIIIIIIIIIIIIII., .... 11111111111111.111111111111111111.1111.""::1 CREAT I'rincipal 8 fl. 61 pipes lIoltgedeckt 8 ft . 61 pill" OClave .. It. 61 "ip" ~ .JOHN HOLTZ I Getleckt 4 h. 61 pipes SlliltnOle 2 ft. 61 pillCi I Faculty: HARn COLLEGE, University of Hartfard ~ Mixtur III 183 pipt$ Small Casavant Tracker SWELL to Wallingford, Conn. ~ Organist: CENTER CONGREGATIONAL CHURCH, Hartford I Gedec.kt 8 ft. 61 pipet Gemshorn 8 ft. 61 pipea .... 1111111111111111111111111111'1111111'" ••••11111111111111111 .....11111111111111111111111111111111111PUIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ... '; Spillpfeife .. h. 61 plpQ A small, I·manual and pedal tIileker 2~ It. 6t NMllt pipet organ built by Casa\'a"t F~n:s, St· Princil,al 2 h . 61 pilJeS Hyacinth, Quebcc, has been installed in Ten. I~ h. )' EDAL the rear gallcry of the Fint Congrega­ Subbasl 16 h. 32 p i ~ tional Churdt. Wallingford, Connecti­ cuL The large Victorian buildinl:', which seats mer 1000 people, has excellent Lurth Rebuilds acoustical properties. The chancel hous­ Mankato,Minn. Organ es 3. 1966 5().rank Aeolian·Skinner or· br.ln. The new easa\'2nt instrument will be used for baroque works to be played The Lurth Organ Company, Manka· with dlOruS and orchestra. MARl LYN MASON jUlt CHAIRMAN, D£PARTMENT OF ORGAN to. Minnesota has completed the reo MANUAL building of the 1952 Moller organ in Gedackt 8 It. UNIVBSITY OF MICHIGAN the First PrC5b)"teri;:m Church. Manka· Ro~rnole 4 It. ANN ARIIOR 10. Since all of the old pipe and chest Principal .. It. work was to be retained. the decision Gemshorn 2. fe , "MI .. Mason pIcJy.d wi'. aust.rity ami , ...rve, clemonlfrcrtln. anew was to aim at a true romantic (not or­ Mixtur III 1 ft. It., .xtraordlnary facility •.•" De, MaIne. Regll.er, October 5, 1964 chestral) organ in the rebuild. An en· tirely new Creat Principal chorus was PEDAL provided with new chest and pipework Untenatz 16 fe. located in an unenclosed posiuon. New reeds were added to the Swell and THE KING OF INSTRUMENTS, a radio Pedal. and uppcrwork ilnd color SlOpS broadcast producrd by Nathaniel johnson for GEORGE MARKEY were added to the Swell, Choir, and WORH·FM, Boston. and heard on Sunday Markey Enterprises 201·762·7674 1'cdal. The pressures of lhe old organ afternoons at 1:30 throuIJhout the East Coast, Records were lowered, and all old pipework was will brgin itl seventh (:l,Iftlecuti,'e leaJOn this Recitals 42 Maplewood Avenue Fall. It is perhaps Ihe lonsat running pro­ fCvo iced. New fCl.'tl and nue pipes were gram of oraan mw ic cunrnlly ai~ in lhe Instruction Maplewood, N.J. 07040 made by Cui Gieset:kc: &: Sohn, Gottin· U.S. and the fi n t to be heard over NalKlnal gen, West Gennany. willi Salling and Public Radio. The luiu i.t allo bn»dc:ue by ,"oicing being done by Mr. Lurth. Dr. WMHT·FM i . Schenectady, N .Y. The pro- Kim Kas1ing. 2ssoci;atc professor of mu· 8'nm prc:seflU dtoic:e and oris inal material sic at Mankato SLate Collcgc=, was the recorded at rC!d ult around Nart Enlland as LARRY PALMER consultant. The organ l\'as dedicated in well as concerts from European ftttivab re­ corded by NHK. ORTF. ehe DBC. CDC, and Organ - Harpsichord a service played by Dr. Kasling. and a Bavarian Radio Sylleml. A number of this dedica.tory recital played by Dr. Robert year'. prosra~ will be devoted 10 Anthony Southern Methodist University Anderson of Southern Methodist Uni­ Nartman and joseph Payne per(onninl and versity. discuuinl their apprnadtes to the mwic of Dallas, Texas 75222 Dach and other baroque maUen. GREAT Pommer 16 h . ~ pipet TilE ST. JOSEPH VALLEY CHAPTER Prili tipal 8 ft. ~ piJICI (Ind.) AGO elected the following officen: Oowo/cl G. Gedackt 8 h. (Choir) Arthur P. LawrC!nce. dean; Mn. Thomas D. M. A. Oktave .. ft. 58 pipes Miranda, .ub-dean and .ooat cbairman; Mn. Oktave 2 ft. 58 pipes R. H. Neitzel, secretary; Mn. Helen Petenen. Mixture IV 1~ ft. treasurer; Mn. Gene Flora, registrar; C. W. RAGATZ l'osaune 16 h. (T C) 46 pipes Becker. Bruce GwWaon, Mn. Andru Hainu, Trompet 8 ft. 61 pipes Orlando Schmidt. Albert Schnaible, David Prohaor .f Organ Klarine" ft. 12 pipes boanISparkes, and ThomH Wel ener, aecutive l .....h INDIANA UNIVDSlTY Lectu,.. Chimes m_

SEPTEMBER. 1972 21 · Carl Fischer Centennial Concert. com- channel Mereo FM program on WMTR, missioned works by Americ:an compo- Dover. NJ CALENDAR sers including Howard Hanson, Jean Alexander Schreiner, uwis &: Clark Uerger. observing 25111 anniversal of College, Portland, OR Westminster Presbyterian Church; C oir, orch .• Stephen Farrow, dir.; W~Ul1inster I Odral. Richmond, VA 4 pm Cemetery, Ft. M yet'S, VA 4 pm John Rose. Mem. Music Hall, Meth­ Carol Curley. Presbyterian Church. Festival of Hymns &: L.cssons. as part John Rose, Cathcdr:tl of the Sacred of 75th anniversary celebration; St. Heart, Newark. NJ 8:80 pm uen, MA 8:30 pm Rock Island. I L 4 pm Frederick 8urgomasler, SUNY, Buf­ U .• John's United Church of Christ, E\'ans­ Wilma Jensen. mastercla55 (or Atlan· Michael Radulcscu, Iowa Stale falo. NY Ames, IA ton, IL 10 am ta Chapter AGO. GA David Pizarro. Fr:antenburg, Germany J. Franklin Clark. St. John's Episco' " Mllsic of the Mass." works by DOlCh, 20 ~ptcmbc:r )lal. Washington. DC 12: 10 pm Mozan. Ramirez; C. Thomas Rho:uls, Karl Schrock, 51. John's Episcopal, Robert Nochrcn, • of Kansas. Law·

LUDWIG ALTMAN robert anderson Wm. G. BLANCHARD DAVID BOWMAN ORGANIST SMD FAGO D.M.A. San Froncltco Sym.phony Orchestra POMONA COWGE CLAREMONT GRADUATE SCHOOL Temple Emanu.EI Southern Methodi.t University Alabama State University THE CLAREMONT CHURCH C.lifornia ,Polan of the Legion of Honor Dan. •• TelCO. 75222 ClareMOnt Ccallfomia Montgomery, Alabama

Joseph Armbrust HEINZ ARNOLD ETHEL SLEEPER BREIT Henry Bridges f.A.O.O. D.Mui. /&os.M. Organist and Recitalist First Presbyterian Church Church of .... Holy COIIInrter STEPHENS COLLEGE Fint Idetbodut Claun:h, Sac:naaeato. Col. Charlotte, North Carolina Sumter, 50 .... Carolina COLUMBIA, MO. , John Barry ROBERTA BITGOOD WILFRED BRIGGS JOHN BULLOUGH ST. LUKE'S CHURCH A.I. M5.M. Ch.M. Fir.' CongregaliontJl Church M.S., CH.M. Farfeigh Dlckin.on University St. John's in the Village Teanecle, New Jersey LONG BEACH, CALIFORNIA MemOlJoI Methodl.t Church BATTLE CREEK, MICHIGAN New York 14, N.Y. Whit. PJain" New York

22 .. .THE QIIIPASOI\I. Karl-Erik Welin, Stockholm, Sweden - In­ Recilal progmms for Induslon In ternational Orran Festi\-al, St. Elidien Chun:h, Nu~mberll , West Gennany June 13: Volumina, these pages must reoch THE DIAPASON LiKrli : Variations I, C3ge: Julio orgnUln wtlMn four wHirs IIf .,.nllrmanc. dot• . julii, Sylva no Buuotti; Gel3ngniue Iii ... Orgel Organ Recitals und Tonband. Dictcr Kau'mann; Pneumolu­ Recitals engaging mOfe tha .. tht" Ot.. dium, Willried Midlel; Cantoun pour ottue, ganiul will nat be included. The pro.. Berthold P.lul. aram must Ifat. the date ond pJace of the p.rformance as w.1I as the name Eridio Cin:elli, Rome, haly - International of the perforrMr. Orsan FHti\"a I, St. Paul's Church, Furth Rich.:ard M. Peek, Charlfule, NC - Zkm Granville Munson, Richmond, VA _ SL (Nuremberg), West G~rmany June 14: Toea­ Lutheran, S3lisbury, NC June 25: Fantasia in Stephen's Church, Richmond July S: Concerto ta 8 (BIr.. I), Tocc.at3 cromalic;a per l' Eleva­ G BWV 572, Tocab and FUlue in D minor 10 in D minor. lIandel; Prelude and PUlUe in zione (Fiori musicali), Frrsc:obaldi; Fugue in BWV 565, Bach; VarialiflM on AUrin Gott in G, Badl; Finale from Symphony 2, Viemej John Rus.scll, Monlpelier, VT - Chrut E·nat, Pflrpora; Concertn in F, Albinflni­ der Hoh, Swerlinck 3nd Scheidt: Prelude in Comtilene 'rom Suite Breve, Lanslais; Fanluy Church, Montpelier June 4: Prelude and Walther; Wir glauben all BWV 680, Allcin D mino .... Pachelbel; Nun bitten wir den hem. and Fugue on How brightly shines the mom. Fugue in E minor, Bruhns; Tierce en taille, Gott in der n oh BWV 662. Fantasie and gen Geist, Toccata and Pugue in F, BU:IIte­ ing star, Reger. Ollertoire (MDss 'or Con\-ents), Couperin; Fugue in G minor BWV 542. Bach ; Theme et hude; Adagio 'fir Mechanle:al Flute Organ, Abide with us DWV 6019, 0 whither .hall I Variations, Bmsi; Prelud~ and Aria (premiere), Beetho\'enj H .. nlich tut mich edreuen, flee BWV t;H;, Sleepers wake BWV &15, Prel­ Giorgio Gad ini. Brahms; Benedir:tu., Reger: Sonata 2, Hinde­ Frederick Bell, Allendale, NJ - St. P3ul'. ude and Fugu~ in B minor BWV 544, Bach; milh. Chapel, Columbio. U., New York Cily July 6: Sonat3 I, lIindemith ; Choral in E, Franck. l's.o'1lm 19, Marcello: FUgue on the Kyne, Cou. perin; Concerto in G, Bar:h: Chonl in A Chrisb Rumsey, Sydney, Auslrotlia - The William Pierce, Sydney, Au.dnli:a - Jlllnter Baillie Mem. I)robyterian Chllrcl" Sydlley minor, Franck: Adagio for Stnnp, Barber; Hans Gebh3rd, Kid, WHI G~nnany - In­ King'. School, Parnmatta, Au.tralia June 16: Toccata, Sowerby. ternational Ors3n Festival, St. Egidien Toccata .eHima, Canlona quar1.a. Canzona June 30: Trio &'no. ta I, Badl; Sonata 8, Rhein­ berger: PJalm Prelude 1/3, Howellsj Prelude Chutth, Nuremberg. Wol G,,""aIlY J une 10: tena, Frucobaldi: Trumpet Voluntary, Du­ Warum belni l"t till dic h, Mhd dl ; Prelude and puis, Voluntary in F, Bennett; Comet Vollln­ :tnd Fugue in G minflr, Dupri; Tnnspmts de tary, Walond: Variation. on Mein junges le­ juie, Messiaen; Symphony 3, Vieme. Michael Murray, Shaker Heifthts, OH - FUgue il, A. lluxtehude: Tnc~ l a and Fugue Pielen Church, Leiden, Holland. Ju1y 7; in E, Badl; Toccata , Mdodia. I'relude, FUI Ue be n, Swcelinc lr. ; P;uS3cas lia in D minor, Nun .u. R.oger Gruybill - First ProbYlc:rian. Lanen . Bach: Sinronia from C3nbb 29, Nun Ir.omm from op_ lZ'J, Rrarr; Vater ullHr in Himmd­ lob mein Sttl, Jesu. Chrillw UIlSC '" Heiland, Von Colt will iell nieht lauen. BlUlehude; Ie ... , PA July 4: :1 lettinp Chriu b Ari.en, der Heiden Heiland, Prelude and Furue fa D. nic:h. Klu.lle ; " MulaIWnr,," rilr Ollld (p ~ ­ Bach; Pnlude and Fugue in G, DuprE. let. rut l.U dir, Christ laS in Todesbanden. mkre), Gebhard: JUcrn:.ar \"010 e T icntfl per Polrtita on Was Golt tut, P"chrlhcl ; Prelude: and Fugue in G BWV 54 1. Bach. Toeata and FuKUC! in D minor, Concuto 2 orpno up. 26 (premiere) , £Slr.it Hembc:flI'. Ro,::er Vine - Fjnt Presbyterian, L:mc:uter, in A minor. Trio on In duki jubilo, Panla.ia PA July 4: Preludt:, AtbSio. Cfwr.ale and and Pugue ill G mlDor. Joachim Grubich, Kn\.ow, Poland - Inter­ Variations on Veni Creator, DUnlO i; Impro\- j­ nlltional Orl'an Festh-al, St. Lorenx Church, Andre LUf, Lausanne, Switzerland - Illter­ sation on a l ubmilled theme. Nurembefll', West Germany J une 12: Magni­ national OtKan Festival, St. Lorcnx Church, Mark Kaulfman - Fint Presbyterian, Lan· Christopher King, Winchester, MA - H:un­ ficat primi toni, BU:lltehude ; Three Preludes Nurember, Wed Gennany J une 16: Passacag· caster, PA July 4: Prelude and Fu:gue in G, mond Museum, Gloucester, MA July 8: Suice rrom the tabula lure fir Jan von Lublin. Nilr.o­ lia, Frank Martin; FiVe Scenes for Oboe and Bach; Priere, Fn ndt. Gothique, Borllmann; Tocc::ata in F, Badl; laus VfIO Kr31r.3Uj 1'~lude in D, Podbielski: ] Org3n (premiere), Berlhflld Hummel; Toccata Fantasy on Wenn ich ihn nur habe, Seyerlen; Esquisse (premiere), Gnurna Bacewiszj Prel­ 2, Eric Sdlmidl: Parlita 3 for Oboe and Jack Edwards, Arlington, VA - Washington One ti,ing have I dC;'lired, SchGtz ; Thou w it­ ude and Fugue in 0 , Bach; Le verbe, Les en­ Organ, J. W. Hertel; Choral in B minor, St. United Methodi.t, Alexandria, VA July 5: cst the earth. Greene: Abr.aham and bue:. 'ants de Diell, Jau. accepte la lOuffranee, Dieu FlOInck: Fantasie in F minor 'or Oboe and Th ~ London Suile, Sbnley j 0 man bewail Britten; Final in B.nat. Franck; Sonata on panni 1I0U., MCSli3en; Sonate, Augwtyn Orsan, Krebs; Prelude and FUSlle in G BWV thy grievous ,in, Belore Thy throne 1 now Psalm 94, Reub"e. Assisted by Mark Hiabie, Bloch. s.tl, Bach. :a ppear, Bach; Suite Gothique, Doellmann. aho, and Ronald Pcanon, tenor.

VemOR de Tllr George Wm. Volkel F.A.O.O .. Mus. Doc., S.M.D. LAWRENCE Church of the Alcen,ion SAC, MUS. DOC., FAG.O. fifth AWln" vt Tenth Sf,...t JAMeS LeLANb New York, N.Y. 10011 ROBINSON First Presbyterian Church The Juililard Schaal HOLLIN. COLLaGla Union Theological Seminary YIRGINIA COMMONWEALTH UNIVERSITY POMPANO lEACH Recllals RICHMOND, YIRGINIA Organ and Choral Workshops ROIItDA

ARTHUR CARKEEK EARL CHAMBERLAIN GEORGE FAXON Charl.s H. Ph. D., F. A. G. o. M.S.M. A.A.G.O. F.r.C.l. DePauw University Organist TRINITY CHURCH FINNEY ST. STEPHEN'S CHURCH Chairman, Dlvi.ion of Mu.k & Art Gobin Memorial Church BOSTON Houghton Coli .... Houghton, N.Y. Greencastle, Indiana Cohasset MaSiachu ..... Houghton W.... yan M.thodlst Church

Gruemlein Award Sporuor CHICAGO Robert Clor" Robert Finster CLUB OF School of Music DMA HENRY FUSNER WOMEN S.M.D., A.A.G.O. St. John', Cathedral ORGANISTS University of Michigan Flrtt Prmyt.dan Church Anamay Owea Wala, Pratdcat Ann Arbor Denver Na.hvIU., TOftn ..... 3722Q

Harry E. Cooper WALLACE M. COURSEN, JR. Antone Godding LESTER GROOM FAG.O. Oklahomo City Unh' ....lty Seattle Mus. D., F.A.G.O. CHRIST CHURCH Seaule Pacific Church or tlte School of Musk BLOOMFIELD AND GLEN RIDGE, NJ. College Epiphany RALEIGH, N. CAROUNA Th. Kimberly School, Monklatr, N. J. Bishop W. Anli. Smith Chap.1 98119 98122

DELBERT D1SSELHORST KATHRYN ESKEY E. LYLE HAGERT DAVID S. HARRIS The University of DMA CrthscmaDc Episcopal Church Church of Our Saviour University of Iowa North Carolina Akron, Ohio Minnrapolis. Minnesota 55404 Iowa Clly Iowa at GrHniboro Organ

GEORGE ESTEVEZ EARL EYRICH Yuko Hayashi '\fILL O. HEADLEE ch.m. SCHOOL OF MUSIC , First Unitarian Church boston Dlreclor Rhode Island Coilege SYRACUSE UNIVERSITY CHICAGO CHAMBER CHOIR Providence new england conservatory SYRACUSE, NEW YORK 13210

ALEXANDER BOGGS Recilals and Masler Class.s Organ Consultation LAYTEN HECKMAN RYAN Cathedral Church of Christ the King Holy TrlnilY Lutheran Church CONCERT ARTIST Wesl.rn Michigan University at Kalamazoo Minneapolis, Minn.sota 5540'

SEPTEMBER, 1972 23 · on an OrigitUll Theme, P"tfn; Toceat:ll, Tnll­ Robert Pilm:ll n, CoII~cvi11c . AIM - St. M'lIj Elqno, Thalben-Hall; r m tlude AUa Mar­ John's Abbey Church, CoUfgevilie july 11: da, Thiman. Cumhat de la IOnrt et de 1:11 vif', MC'Ssiafn; Suite in the sccond tnM, Guilai,,; Fnur Oueu Organ Recitals Richard W. Sl.1oter, Glmd.101e, CA _ ,\11 frtlm CllivierwunlJ. III, Hach; Symphouy 2 Saints Episcopal, 8n-.:rly lIilh, CA july Ifi: in E, Vw,me. I'.lun, Leishtou; Ek-.'alione, ZiflOli; Sonata Dunna N. Robertson. Abn nill, NC - Fint I'ef' Orpno, PC'rgotesi; Andante K 616, MI)­ l'rGhytenan, AlheviUe, NC jul, IB: PrelutJiti JUchnd UnIrkd. Carden Gront CA - AUeluya.. Preston; Petite Fanl;uie P:Ios loralt. uri; Toc:ota and Fugue ill D minor 8WV ImOi Sym"hony 2, Duprf; Prelude and Fugu!: Calhedilli of 51. John the E\-anlleli. t, Spokane, Studer; Roulade, Binsham; Fin:lok from Sym­ 565, Bac:h i Pre-Iude. Fuglte and Variation. WA July S: Glllnd jeLl, Du Mage; Four phnny I . Vieroe. in C 8\VV Sol1, Bach; Verset pour la DetJicIlCC, Franek; Chf)f;1I, Honegger; CllOr:.1 in A minnr, Meuiaen; Grand Piece Symphoniqlle. Frantk. Sketches. Schumann; Choral in B minor, Franck. Fnanck: Fugue And Prelude. Brown: Symphonic Michael Stain, Philadelphia, PA - Fin t Joon Gearhart, Willi:llnubufl!l'. "A - St. I'resbyteri:m. L:mcou ter, PA july II: Fa nlou ia Chorale, Karg-EJerl. Elephl'lI'l Chun::h. R'ichlllnnd, VA July 1!1: in F minor K 608. Mozart ; In lIeavtn Above, John Riddle. Bcnnin!t1on, VT - ~I. Peler'. Prelude :lind Fuguc in D, Buxtehude; Vents Brian Jones, Boston, AlA - St. D.nnaha. Peetenj Christ our Lord to jordan came. Chun::h, Bennington july 16: Fugue in E·l1at. lrmll the Te Deum, Anon,; Agincollrl Hymn, Church. Falmouth. MA July 9: Ballettn del Bacb; Adagio from S)' mphony G. Widor; The l\n Waucrfliusen Blibylon, Sehmiickc didl, Dunstablej Before Thy throne I now al'pear, Granduca, Sweclinck ; All «Jury be to God 1111 Spinner from Suite Urr: lonnt , Dupre; Adagio Vor ddnen Thron, Bach; I'.alm .'.-elude n. I'relude and Fugue in A minor, Prelude lind high BWV 662. fhI, Prt:lude a nd Fugue in D and Fuguc frolll Sonata on Psalm 94 . Reublu·. lIowells; Fugue in A-flat minor, BrahulJ; Mdn Fugue ill D, Bach; Prelude and Fuglle in D minor BWV 539, Badl; ~non in B minoT, J C!U dcr du mich, Brahms; Cortegc el Lit;1Onie, minor, Bruckner; Grands jeux, Langlais; Bene­ William Walkins, Washington, DC - St. Dupre. Fugue on BACH, Schumann: Fantailie in A, Stephen'! Church, Richmond. VA july 12: dictus, Rowley; A migbty fortress, Arnell. Franck; T he Bird, and the Springs from I'relude fmm Suite op. " Dllnlnc; Allrgro Teny l\ndenon. Seattle. \VA - Cathedral Pcntec05t Mus, Meui:u:n; AIIC'lro from Sym­ from Trio Sonata 5 in C, Prelude :lind Fugue D. C. Rhoden, Athens, GA - finl BaPtist, III St. john the E"angelist, Spokane, \VA July J efferson. GA July 16: Ma8nificau in G, E, phony 2. Vic me. in F minor. Bach; Voluntolry in G, Purcell; 22: Variatiulls 011 Mcin junge:s LdKII, Swec· alld G minor, Dandrieui Blesled arc l 'C bith­ Rqinald Lunt., uneasier, PA - Fint Pres­ Psalm 19, Marcello; Fantillia in Echo Style, linck; Knmm l-IeiliKcr Geist BWV 631, AUrin Sw«linck; Ai r with. Variations, Fantasy for ful. BrallmJi Prelude on Tender ThoUKlll, R. Golt in der Huh BWV 662, 663, 6(..4, Had!; bylerian, Lancaster July 9: T OCCIta in F, Andernm; 1I0w brightly shines tlce morninK Flute Stops, SowC'rby; Dieu pllnni nous, Mcs­ Falltasie ill F lIIinor K 6(1), Mo.tart; Choral Wachct a uf, Bach ; The Fifen, Dandriell ; star, Impn)\'isationl on 2 Amf'riQII Folk siaen. ill E, Franck; TOCt':.1ota, Guillou. Chl)f'3l in E, Fr.mck; Resurrection, Dupri; HymnJ, Rhnden; If thou but lulrer G()(I til Postlude for the Office of Compline, Alaill; Charle! Call.1ohan, Philadelphia, PA - City guide thee, Drischner; Now Ih.1onk ,,'c all our Jame! R. Brown, Oberlin, 0" - St. I'ete"s Solemn Melody, D,lIvies; Final from Symphony 1-:IJaclillal. Washington, DC jul, 23 : Prelude lIall, Portlancl, ME july Fantasia in F Gnd (2 settingl), Slcepen aW.1oke (2 seuing!), I , I'" in U nlinor B'VV >H. Trio Sunata. 5 ill C Vieme. minor K 5!H, MOI,ltt : Abidc with UI, My Rnhlig and Bach; God of the Expanding Uni­ Hlul doth mlsniry thc LnnI. r ra.ise tflc Lord. nDe. Litany, Feleiano; Chanl de pab:, LanK­ IIWV 529, Oach; Variations sur un theine ,:c Sharon Kleckner, St. Paul, MN _ Macaln-­ janllequin, Alain; Sonata 2, lIindemith; eh",:!1 B:",~h; F:IInfarn hom 'he Good Friday M usic lais; .. Flotenul!nliicllc. H:IIydn; F:IInrare, Eld· ttr Cotlrse, St. Palll July to: Wir sl.:!.ubcn al1 . ill A minor, Fnmck. Schmikke dich. Wo autt ich n ic hrn hint T oe· fAct JlI o ( Pamfat), Lirbcslod from Act III ridge. Ani5ted hy David Stewart. Inunpet. calli in F. Bach; Alleluyal. r uslon: Adagio nI Trulan and Imide, W"!lncr; Allegm vk.u:e Mary Fenwick. Chalfunt. PA - New Yon in E. Bridge; A T riptych of Fugues. Near; from Symphony 5. Widor: W:II ler Nymphs. Ha.ny Keltun. S:IIlem, AlA - Gr.lce Cllurch. Cultnral Genltr, New York City July 23: In· Fanlouy :and Fugue on Ad not. Lint. Viernc; Final, Ff3nck. S:IIlem July 16: Dialogue dC' Troi5;eme Livre, tlnductioll and I'auacaglia, 1';1llolOlle, Reger; Marchand; Son:llta 6 ill G minor. C.I'.E. Baeh; F:Iontasia in F minor K 608, Mowrt; Wachrt John Weaver. New York. NY - Cily lIall. Chmtophcr Tnwell, CI3~mont . CA - Sonata 1 in F minor, Alcndelnohn; Apparition auf UWV &15. Meine St'C'le erhcbt den Herren Portland, ME July I II Concerto in F op . .., .... Cathedral o( St. J ohn the E,'ansrllll, Spokane. de l' Eglne Eternclle, Mtsliaen; SChUlD (rom BWV &18, Prclude and Fugue in G B\VV 541 , Handel ; Flute Sonata in E BWV 1035, Fan­ WA July 15: Procession, Jackson: Suite in D, Symphony 2, Vierne; Cho ...1 in A minor, nuh; Sarabande, Rhythmic T rumpet. Bing· tasy and FUlue in G minor BWV Sol2. Bacll; Stanley; F uguc in B millar, Bach; V.1oriations Franck. h;1Om : Triplum sur Veni Creator. Kroplreiter.

SAMUEL HILL CARLENE WILBUR HELD SL Paul'. Church WILLIAM H. MURRAY SM.D., FAG.O. Chicago, Dlinob NEIHART Ohio Stat. University Mu •. M. F.A.G.O. Carthage St. Andrew'. EpIscopal Church Trinity Church College Meyer and Wornall COLUMBUS, OHIO KeDosba, Wbcoruia La Grange, III. Kan.a. CIty, Mlpauri 64113

Harry H. Huber JOHN HUSTON NORLING JOHN KEN OGASAPIAN M . Mus. FIRST PRESBYTERIAN CHURCH Saint Ann.'. Church Kansas Wesleyan University SI. John's Episcopal Church University Methodist Church TEMPLE EMANU-EL Matlachu,eH, State Co"',. SALINA, KANSAS New York elly Jenoy alT Heigh .. NewJoney Low.1I

ELLEN KURTZ FRANK. K. OWEN d. deane Jack Ossewaarde JACOBSON Lessons - R~dtab hutchison St. Bartholomew's Church M.MuL u.o.o. St. Paul's Cathedral portland, oregon Concord, Califarn1a New York Los Angeles 17, California

KIM R. KASLING RICHARD M. PEEK D.M.A. HOWARD KELSEY Franklin E. Perkins Ora_hi and (haTt'IIWI., Keyboard INw, Soc. Mu s.. Doc. WlI8hinglon Unlverllily A.A.G.O. - Ph. D. MOil"". State ColI ..e Covenant Presbyterian Church ladu. Chapel ManltIrfO, Mtnn. n. Saint Louis, Mo. 63105 St. Louis, Minourl lodt.h CIa,... CHlllhllllon. 1000 E. Mor.h.ocI ChalloH., N. C. Uniw.rsfty of Mlllowl, St. Lovi,

GEORGE E. KLUMP ARTHUR P. LAWRENCE ARTHUR A. PHILLIPS MYRTLE REGIER DIVISION OF THE ARTS MGO Ch.M. F.T.C.L Doe. Mu •• Art., A.A.O.O., Ch.M. Mount Holyok. Colle •• DALLAS BAI~ST COLLEGE Saint Mary'. Coli ... and St. Alban. Can.r.,ational Church The Unlvenlty of Notre Dame South Hadley, Ma,sachusett, DALLAS~ TEXAS 75211 Notr. Dame. (nellana 46556 172-17 St. Alban., N.Y. 11434

RICHARD W. LlTTERST William MacGowan St. John's Cathedral RUSSELL SAUNDERS Jack Edwin Raqers M. S. M. All Saint. Church Eastman School af Music SECOND CONGIIECATIOHAL CHURCH lactlor', llliliis 'aJOelena, CaUfom1a Jacksonville, Florida University of Rochester

Frederick K. BERNARD SCHADE MARRIOTT ROSALIND MOHNSEN S.M.M. john h. schneider The Introit Institute Westmar College STATE COLLEGE EAST STROUDSBURG, PA. Calvary Presbyterian Church of Musical Art. Detroit. Calvary Methodist Church Warbhop, anel Ledur., Organist, The Introit Symphony LeMars, Iowa Th. Kocialy Choral M.thoel Riverside, California

HAROLD MUELLER FAG.O. Trinity Episcopal Church william whitehead Temple Shcrith Israel SaD FnnckaJ 2344 center street, bethlehem, pennsylvania

24 THE DIAPASON Samllcl J. S~~ru, Palo Alto, CA - Gna: E. F. Dladmer, Sprin,l;field, OH - Cen· C:t.t1ltdral, San Francitco. CA July 23: Dorian trllnial Ibll, AuguSlal1a. COllege, Rock IsiantI, Tf>Ce;lla and Fugue, Bach; I'relnde. Fugue and Il. july 26: Son:ata on the First Tone, Lidflll; Varbtion, Frnnck: The Angd of the Trumpet, Voluntary in G, .'urcdl; Toccalol II, Muffat; Charllentier; Flourish, Wyton; M~itation on Wic .chon leuchtct, J'aehdbcl; Concerto 2, Organ Recitals an Old Covenanten Tunc, Elmore; Prdude Camidge; Sketch 4 ill D.Hat, Schumann; Anti· alld Fugue on BACII, Lint. phon 3, Dupre; .'salm J'relude 2/2, Howells; Robert Roubot, Homer, NY - COlthednl of Four V:.ri;ations on Down Ampncy, Dender. St. juhn tile Divine, Ncw York City july 23: Earl Barr, Minneapolis, MN - Minnehaha Tocala, Badin~; Shimah D· ... oli. Drop drop Methodist, Minneapolis july 27: Toccata in Elsie NaylGr, Winona, MN - Christ Unittd Ceoqc H. Pro, Kansas Citr. KS - Air ,10\\' lean, Penichetti; VariatKmt 00 a Mcdi· E minor, .'achclbcl; Trio SonaU in £oflat Methodist, Rochelter, MN AuS. I: Prelude Force ,\eademy. Colorado Sprinp, CO AUI. C\-al nutch Theme, DadinS1. BWV 521, J'rclude and FUBUe in D BWV and Fugue in 0 BWV 532. Bach: Sd.~mter 13: Toccata .nd Ful'"! in D minor BWV 565, Btlly N;aUe, New Yo,". NY - WQt Door 532, Daeh; Fanblie in F minor K 008, Motart; HelT jl::lU, Schroedu ; In dulci ;ubilo, Mtdi· Pach: Two Nods, d'Aquin; Cbonl·)mprovisa. Conrert, Catllnlnl of 5t. julln tbe Dn;ne, Blnsnl :u'C l'-e who live in faith, B~hms; talion, namnlton; Final froln Symphony I, lion on Vietimae Paschali, Toumemire; 5onal;t New Yurk City Jllly 23: Introonclinn from Toccata and Fugue op. 59, Reger; Sehcndlo, Vierne. in C, Penicbctti; Canon in D minor, Schu· Virme; Choral l'hl'}'8iell, Alain. JCSII$ Chrilt Supl'rstar, L1oyd. Ri ce; Aquarius, Wallace M. CoURCD Jr., Glen Rid!{e, NJ - mann; lIerzliebsler Jcsu, lIenlicb tut micb MacDerm(ltt; We'\'e only jUlt m.gun, Nichnls; Willi:un Weinmann - The United MeIlIC)' St. Paul's Ch:lpcl, Trinity Parish. Nc\" York \'Crlangen, Brahms; Carillon de Westminster, Tom Tmu the piller', lon, The grateful rOl'k dist Church, Rock Rapids, IA July 27: l'reludc City, ~'Y Alii. 2: Sonata ... in E millor. Toe ~ Vierne. (on Nou' thank wc all our God), Nallc; Sum· Alld Fugue in E-f1at BWV ,5,52, Bach; Lobe dl'n eata, Adalia Dnd FUl'le in C, Bach. Paul Comnick. Minneapolis, MN - Christ Iller of '42, Legrand: 1'111 hl'ginlliug to lec the Herren, Jesu meillc Freudc, Walther; In dulei Unittd Methodist, Rochester, MN Aug. IS: light, Ellington-George; Thc tmlll:Y song, Mar· jubilo, Dupre; Henlich tut mich \'Crlangcn, JuJia S. ,\ndenon - Cultural Center, New York City '\UB'. 6: GrantI jeu from Suite clu Toccata in C, Rejoice beloved Christians, tin. Blane; Alfie, BachaTileh; ) ' \'c sntta be mc, BTilhms; Christ lag in Too('siJanden, Sehcidt; Sleepen WAke, Bach; Hymn Tunc, art'. Com· M:uu: Abnnix, Schilrin. Ein felte lIurS, Bach. premier ton, Du Magc; Fugue in C, Nun komm der Jleiden Heiland, Buxtehude; Nun niclt: Adagio and Allelra from S'ymphony 6, MicJw.el Schneider, Cologne, West Gennan)' Ronald W. Hyltoa, Porlland, OR - Cathe­ komm der Heiden Heiland, Fusue in E·(bl, WMfor. - Alice Millar Chapel, NorthweJtern U., dral of St. John the E\",nsetilt, Spok:lrN!, \VA Bach; Olll:an 1'13.Inu 120 and 121. Zimmt:r~ David J. Hurel Jr•• New Yo&., NY - St. £\":InIlOn, lL july 2·1; Warun, belrillHt du july 29: Trumpet VoIunt.uy, Stanley; FuSa, mannj I'aean on Divinllm My~teriulII, Cook; Paul's Chapel, Trinity Parish, New York City dich, Scheidt: Ciacona in F minor, Pac:helbel; Pachdbel; Variations on a Dutch Song, Bourne et Musette, Karg-Elert; Clloral and Allg. 16: Sonatas 3 and 4, Mendclnohn; Can· Fanta.ie in F minor K 59-f, Mourt; Ciacona Scheidt; Nun freut eueh, Bach: Conculo 2 Variations on Veni Creator, DUNne. zona in D minor, Bach. Aug. 23: Partil;t on op. 54, Holler; La)'S (II Stml,hen, condwio), in A minor, Vi\",ldi·Baeh; Epithabo::te, Willan; Marilyn Mason, Ann Arbor, MI - ,\mllhi· o Gott du frommer Gott, Fantasy and Fugue Uc,'er: Ch:aconnc in A minor, David. Rhosymrdre. Vaughan Willianu; Adasio for theater, Chautauqua, NY Allg. 24: Suite (or in G minor, Bach; Sonata I, Hindcmith. Strinss, Uarber; Mooale Suite, Pecten. ROllOlld D:a\'is, Richmond, VA - St. SIc-­ O rgan, HAines; Magnificat du huilicmr ton, Ronald E. Chllund, Rochester. MN - Christ Ilhcn', Church, Richmond july 26: Toccata Marshall Stone, ,\Iuandria, VA - Christ Lc Clcrc; T occata, Adagio and Fusue in C United Methodist, Roches ter AuS. 22: A Let-­ from II l'rimo Lihro, Bonelli: What Goo Unitc:d Methodist, Arlington, VA j uly 30; nwv ,56-J. 8ach; l'astoralc, Roger-Ducaue; son, Selby; Variations on America, lvcs; Air hath done is rightly clone, Now du:rdore ble$l Now thank wc all our God, Deck thyself Illy O rga-Nastro for organ and electronic talle OSI . with Vari:.tiollS, Sowefby; Variations on • Sun· the Lorn of aU, Nm., thallk we all our Goo, 5uul with gladness, Kars-Elert; Abide with 212 (l971) . " rellek; Variations on the Au,· day School Tunc, Thomson; Chorale Prelude, I'rclude and Fugue in A, Alleluia from Can­ Uil. Cn::.tor uf the SUn, Perten; CantaLile, t rian H Ylnn. l'aine. SeUNIRS; Roulade, Nt'ar. tAta 142, Bach; Rigaudllll, Call1pf::I; Sonata I, Tartini; The Lut Spring, CrieS; T he Old La",-n;ncc A. M::r.rtin, RobbiNdak, MN - \VoIfga~ Riibsam. Westcrw.ald, West Ger. Mendduoho; Clmrale, Jonlen; l'rcltlde and Ref ... in, Kreukr; lartl JUlIS Thy lo\oe, Chrise Uni' rd Methodi!!t, Rochestu, AlN Aug. maa,. - 51. Pau1', Chapel, Trinity Parish, J-' ugue in A minor, Brahms; FIlIIt.aSy on \Yare­ Walthu; Fantasy in G minor, Bach; The 8: Suite in the Eisllth Mode, Ifrredia: J esus New Yotk City AuS. 9: Sonata 5 in C, Pre-­ h:un, Wrisht. Allistoo by hr;u. and tym,':lIJi WAY 10 Ellu"am, Weinberaer. As.JQt td by j ane lead Thou on, Manl; l'rcilldc and FUlue in lude and Fugue in E minor BWV 5-18, Bach; ensemble. Stcphens, soprano. E·nat, B:lcll. Nun kOlllm der Jleiden Heiland, Bruhm. JOSEPH SCHREIBER Robert Shepfer sally slade warner CLARENCE WATTERS Indep.ndent Pr•• byterJan Church Organist - Cholrmashr a.a.r.o. ch.m. Birm ..... hcsm.SOulh ...n College SECOND PRESBYTERIAN CHURCH CHURCH OF RECITALS IndianapoU., Incllo"a 46260 ST. JOHN THE EVANGEUST St. John's Church Birm.... gham, Alol:taDMI _Ion Recita" Beacon Hut W. Hartford, Connecticut

ROBERT SMART C. GORDON DAVID A. L. ROBERT SLUSSER Swarthmore, PeDDJ)'lvanla MUS. M•• A.A.G.O. Trinity Episcopal Church Swarthmore CoUcge WEDERTZ Ph.D. LA JOLLA PRESBYTERIAN CHURCH 2554 Wcst 118tb SL WEHR Conpq;atloa Rodepb Shalom, Eastern Kentucky Ualnnlty LA JOLLA, CALIFORNIA CHICAGO 60655 Phlladdpbla RichmondJ Kentucky

Carl Staplin HARRY ARTHUR WELLS tBD.6 WJziflD'I ROLLIN SMITH Ph.D., A.A.G.O. Wo,hington Stale University Drake University FOX CHAPEL EPISCOPAL CHURCH RECITALS University Christian Church Pullman 99163 FUll Chapel. Piltsburgh, Pa. 15238 I ISO forty-first Street, Brookl)'D. NY 11218 DES MOINES, IOWA

ADOLPH STEUTERMAN Orrin Clayton Suthem, II RUSSELL G. WICHMANN HARRY WILKINSON MUI. Doc., F••• O ,O. Chatham College Ph.D., FAG.O. Professor of Music: Southw.st.rn at M.mphi, Shadyside Presbyterian ST. MARTIN·IN·THE.FIELDS Calvary Episcopal Church Orpnist-Conduclor Chestnut Hili, Philadelphia M.mphls, Tennes... Lincoln UniYcnity. Pa. Pltt.burgh, Pa. 15232 WEST CHESTER STATE COLLEGE, PA.

JOHN M. THOMAS - AAGO FREDERICK SWANN Organltt _ Director JOHN E. WILLIAMS DONALD WILLING Fnlme Memorial P,.,by• .,lan Church The Riverside Church Siaff: U"iv.raity of Wisconsin St. A"drawl Prnbyt... lan Collea. '"..tty St.vens Point, Wise. 54411 Laurlnbur. Pr•• byr.,ian Church New York City FOUNDER· DIRECTOR North Texas Slate Unlv.... ky "CHURCH MUSIC INTERESTS" AGENCY Laurlnbu,g, North Carolina Denton

George Norman Tucker WlUIAM "" lapllst Mus. Bach. George Y. Wilson S1'. LUKE'S CIIORISTERS _NCIS TempI. barclay wood INDIANA UNIVERSITY Kalamazoo VOLLMER Temple Squar. FIRST BAYTIST CHURCH Btoomf.gton, Incl. BOY CHOIRS llelyn 17, N.Y. Worcester Muach_tto

W. WILLIAM WAGNER WA-LI-RO Gary Zwicky Classified Advertisements BOY CHOIR OMA FAGO in The DIAPASON MT. LEBANON METIIODIST CHURCH WAbEN C. MILLER - DIRECTOR h ..... 1111",,10 UoI.... lty bring results Pittsbursh, Pt'nJlll'In.aia Cmist Churm, Shahr H.ith•• 22. Oltlo Cha......

Organ Builders and Inc. • Rebuilding * FRANK J. SAUTER SONS * • Repairing Phones: 388·3355 • Contractual Servicing 4232 West 124th Place PO 7·1203 Alsip, illinois 60658 For Unexcelled Service

SEPTEMBER, 1972 25 CLASSIFIED ADVERTISEMENTS

POSITION WANTED WANTED - MISCELLANEOUS MISCELLANEOUS HARPSICHORDS POSITION WANTED ORGANIST OR WANTED - PIPE MAKER TO IIELP THANKS AND BEST WISHES TO OLD HARPSICHORDS AND PEDAL HARPSI· organist and d irector of children's choin, BM, set lip and operate metal Ilipe shop. In reply, frie nds fe·met and new friends made at AGO· chords - the ideal instruments (or organists, MM. MSM, Ph.D. CORne work. recitalist, 4 give resume and salary expected. Abbott &: 72. Dallas. Clavis ImJlOrtI - Houston. individuab, and schoob. For brochure lend 25, yn. part. time experience as organist, 2 yn . lull­ Sielr.cr, 2027 Pontius Ave., Los Angeles, Calif. to S. Sabathil I: Son Lid., Dept. D, 1084 Ho· time experience in churcb music, prefer Mid. 00025. EXPERT RECOVERING OF ANY MAKE mer, Vancouver. B.C., Canada. west or Southwest, available Augmt 20. Address pneumatic, Ilouchboards, and primaries with J-2, TilE DlAI'ASDH. WANTED - COPIES TO RENT OR PUR· Polyurethane. Plastic nuts wed on primary HARPSICIIORDS, CLAVICHORDS chase of motet for double d loir " God Crealed valve wires. Melvin Robinson, U ~ Park Ave" Magnificent tone &: handsome appearance at ORGANIST AND CHOIRMASTER Man" by II. Wallord Davies. Write: William Mount Vernon, N.Y. 10550. reasonable CDSt. Maurice de Angeli, Bol: 190, Catholic; married; pt't'Sentiy employed (13 Partridge, Universi ty Church, 3501 N. Char· R D. :# I, Pennsburg, Pa. 18073. yean); excellent references. Interested in new les Street, Baltimol1'!, Md. 21218. PNEUMATICS AND POUCIiBOARDS OF liturgy and training of children and adult any make r«overed willi Polyurethane plastic. SPERRJlAKE HARI'SICIIORDS AND choin; contemplating early aemi·retiremcnt. WANTED ONE COPY " ORGAN Write for quotation, Church Organ Co., 18 clavichords. EJ;cellent, dependable, beautiful. Address J-8, T HE DIAPAlIOH . Pieces the Whole World Plays" published by Walton 51., Edison, N.J. 08817. Robert S. Taylor, 8710 Garfield St., Bethesda, Appleton. M llSt be in good condition. State Md. 20034. ORGAN.TUNER-TECHNICIAN WITII 15 IlriCe desired. Addl1!S!ll J·7, Tillt DiAP.uON. SERVICE MEN - DO YOU LACK SIIOP yean experience seeks position with a reputable space? We Ipr'dalize in leathrr work, rttOVer· FINE HARPSICHORDS, CLAVICIIORDS, organiution. Would consider working as build­ WANTED - BACK ISSUES TilE DIAPASON ing pneumatic:.. pouches, actions, engra,,·ing, made in diverse configurations and dispositions. cr-selVice combination with college full or part 19-1-9 and earlier; TAO 1952 and earlier. Will etc. Write R. M. Minium &: Son, BOI: 293, Write, phone, visit shop. E. O. Witl, R3, time. Can furnish solid rdcrcnct'S. Send re­ pay your price. Jacoby, 3815 Springfield 20, Lewishurg, Pa. 17837. Three Riven, Mich. 49093. 616/2...... 5128. quirements to )-6, THZ DIAI'ASON . Kansas City, Kansas 66103. QUALITY ALL ELECTRIC CHESTS FOR SALE - HARPSICHORDS, CLAVI· WANTED - MUSIC ROLLS FOR AUS· made to order, good delivery. Aiken Associates, chords by Neupert, world'i linest, oldest POSITION AI'AlLABLE tin, Welee, Ski nner, Aeolian, Duo·Art and Box 143, Brooklyn, Pa. 18813. maker. Catalogs on n:quesl. Magnamusic, Sha· Estey pipe organ playen. J. V. Macartney, ron, Conn. 06069. DIRECTOR OF MUSIC, INCLUDING 406 llaverlord Ave., Narberth, Pa. 19072. TUNERS - THROW AWA Y MESSY organist/choirmaster duties, required to take cotton! Mixture tuning is faster and less flUl· FLEMISH HARPSICHORDS CUSTOM part in ministry and lile of Christ Church WANTED - SMALL WURLITZER TIIEA· trating widl our felt pipe kaps. Set 'A', up to bllilt from Zuckennann kits; very reasonable Cathedral congregation. It u expected that ter Organ. Allen Green, Box 10608, Knoxville, 4 ranks, $3 .50, Set 'B', up 10 8 ranks, ~6. prices. Roy Crouse, N. Wilkesboro, N.C. fint two years of appointment will be l pent Tennessee 37919. Postpaid. KD Kaps, BOI: 66, Buckland Station, 28659. in tempomry church len ing in Vancouver, Manches ter, Connecticut 1)6()..W. whel1'! congl1'!gation will worship while new WANTED - FACADE OF SHOW PIPES. HARI'SICHORDS, CLAVICHORDS, 5-oct. Cathedr.d is being built. Write Mw ic Com· Need not be in playable condition. MllSt cover English spinet ~900, 2 manuals from $3900, in length with 16' tall pipes at ends. St. IMPROVE TIlE SOUND OF YOUR PRES· mittee, 69D Bunan! St., Vancouver I, British 25' ent organ with ColumnSound. Write for infor· sllineltino $550. B.W.M. Benn lIarpsichortb, Columbia, Canada, for position description and Joseph'. Church, 6401 Palisade Ave., West malion. Steve Baranoski, 1332 South Fairview, 4424 Judson Lane, MinnealKllis, Minn. 55435. New York, New Jen ey 07093 attn. Fr. Mimn· application form . I'ark Ridge, III. 60068. di. 201/867·1142. HARPSICHORD AND CLAVICHORDS - EXPERIENCED METAL PIPEMAKER - Various dispositions; harpsichords from $860, Unusual opportunity for the right party to PIPES WANTED - 16' BOURDON, 8' 4' HARPSICHORDS clavichords from $430. Thomas E. Mercer, 215 2' I' Diapawn, and 8' Gamba. Sgt. Bruce Harrison Ave •• Christiana, Ila. 17509. relocate in Midwest area to set up new pipe UNIQUE WIlTMAYER HARPSICHORD! Ihop and train personnel. Five thousand square Gentry, Box 291 , Grifrus MB, N.Y. 13+10. - Concert instnlment. One of few in USA. UNIQUE BOOK AND MUSIC CATA· lect of space available at no cost and pouible Bach model, double manual, 5 pedab, 2 bufls. stock participation in long established fi nn. WANTED - LOW 12 NOTES OF IIIGH logue for harpsichord. Renaissance, Baroque, pressure Tuba or Diaphonc 16', reasonable. I'lnl built·in amplification Iystem. 216/421· Contemporary. ~I.oo. Clavis Imports, 1'.0. AU replys held confidential. Address H-8. Tull. 4676. DIAPASON. L. Johnson, BOI: 1228, Fargo, N.D. 58102. BOI: 593, Bellaire, Texas 77401 . HARl'SICHORD - CUSTOM SPERR· VICTOR PIANOS & ORGANS IS OPEN· WANTED - KINURA, WURLITZER OR "THE HARPSICHORD," INTERNATION· equal. C. A. Sencenbaugh, 678 Chimalus Dr., hake 1968. Inlaid rosewood case, 16-8-8-f, 3 ing three Regional organ service cenlen to buHs, 5 pcdals. Absolutely top condilion. al quarterly for loven of early keyboard in· service all makes of organs. If you are an ex· Palo Alto, California 9-1306. ~3200.00. James Wilson, Music Dept., Douglasa siruments and mwic. Articles, interviews, pho. perienced organ Serviceman Dnd want to get 10gml'M and i11ll1tmtions by today's fOl1'!most WANTED - 8' GED., 4' GEIGEN, 2' College, New Brunswick, N.J . 08903. in on the ground nOOf of It dynamic New artists. $8 per aunum. " The Harpsichord," Sen/ice Concept, Act Now! Victor's pays an Fifteenth, all small scale, 4" w.p. Write details. Box 4323.0, Denver, Colo. 802M. Northern Illinois. Addras J·5. TilE DIAPASON. FOR SALE - HARPSICHORDS AND above avemge salary Illw commission on Sales clavichords made by J . C. Neupert and S. and Service Calb. Send resume to: 300 N.W. WANTED - CHINESE GONG AND AC. Sabathil &: Son Ltd. Finest quality, fully guar· PIANOS 54- St., Miami, Florida 33127. 305/751.7502. tion, Wurlitzer .hutters and motor actions, 2 anteed. Largest selectiou available from our sets (4 shutlers or 2 large). Midwest area, price showroOlns. Finllntin~ N ow AvailDbl" . Free EXPERIENCED ORGAN TECHNI­ Catalog. J. W. Allen, 500 Glenway, Bristol, STEIN FORTEPIANO REI'LlCAS. CUS· and uze to: Richard Ertel, 7 East Lyndale, 10m instrumenll and kits. Philip Bclt, Forte· cian to tune &. maintain major instru· Vinccnnes, Indiana 47591. Va. 24201. 703/669-8396. ments in New England area and assist in "iauo Maker, Bol: 96, Balde Ground, Indiana 47920. organ installations. Senior position and WANTED - DIRECT ELECTRIC MAN· INSTANT IIARl'SICilORDS NEW wages with benefits. Replies held in confi· ual clleslS - Wids or Reisner units. Also Zuckcnnann walnut I)linet $765; New walnllt dena:. Berkshire Organ Company, Inc., 68 pipes lor same if available. Send description c1avicllOn!, cherry keys, ~724. Also. wed Hub· FOR SALE - PIPE ORGANS S. Boulevard. West Sprinslidd, Mass. and price to F.3, Tillt DiAPASUN. bard 2·mallual $2500. Other kits assembled to 01089. order. First class workmanship. Wilson Barry, 76 Morton SI., Andover, Mass. 01810. 6171 FOR SALE - NEW II()SITIVE. ST. DlA. WANTED - RODGERS SPECIFICATION 475·5287. 8' (Snetzler scale); Dulciana 8' (from T.C., hammered tin); Prestant 4' (burnished tin); VOICER INTERESTED IN HIGH 110 2·manual organ with speakers in console. State lowest firm price, etc. in reply. Richard IIARPSICIIORDS AND CLAVICIIORDS. lirincilllll 2' (hammel1'!d tin); Mixture II quality, dauic work for artisan builder in (hammered tin); Scsquiaher II (from middle New England. Mwt have wlid backrround Wilson, Chateaugay, N.Y. 12920. Complele kill hUID ~218, basic kill from ~ 125. Write (or free iIIustraled brochure and c 15% tin); Cremolla 8' (double blocks). The for excellent wages and benelill. Berkshire St. Dia., lirestant !lnd Cremona are divided Organ Company, Inc., 68 S. Boulevard. MISCELLANEOUS price list. Zuckennann Harpsichords, Inc. 160 Avenue of the Americas, New York 'N.Y. at middle C; coIDI'au CC.el; handsome case West Springridd, Mass. 01009. All replies 10013. ' of oiled butternut with gilded, carved pipe in confidence. Most pipes made on premo AUSTIN ACTIONS REBUILT, (PRI. shades. Price $9,875.00 FOB. A David Moore, ises. maries and secondaries) wid. new plastic Per· HARPSICHORDS BY RICHARD KING. N. I'omfret, Vt. 05053. flex material. State your needs and send for st.on. Fl1'!ncb Double (18tla century); Italian detaib. Pernex pouches alw. Foley-Baker, Inc., Smgle (17th century); Flemish Single (17th FOR SALE - THREE·MANUAL WICKS TRACKER ORGANBUILDER FOR Bol: 66, Buckland Station, Manchesler, Con· century). Clavis Imports, P.O. Box 593, Bell. organ (#3598), new in 19~, in good condi· New EnGland finn 5Pecializins in high necticut ()6(}t(). ail1'!, Tcxas 77401 . tion. 32 stops, 19 ranks, Iwpkey console, reo quality, artistic work. Mwt be espcrienccd mote combination action. Being replaced by ORGAN SERVICE MEN - WE WILL to head department. All replies bdd con· HARPSICHORD, VIRGINAL, C L A V I. larger organ. Asking ~7 , 500JIO available Octo· ridential. Berkshire Organ Company, Inc., recover Casavant and Skinner poudlboards, chord kits. Full size pallerns after 17th century ber 1972. Please contact George A. Russell, 68 S. Boulevard, West Sprin&field, Mass. Ilrimary and offset actioru. Write Burncs:l AI· w trumeDlJ, from $235.00. Free brochure on Chainnan Board of Tnutcc:s, Fint Baptist 01009. sociates, 191)7 Susquehanna Rd .• Abington, Pa. requCl t. Heugcl Kits, 2 his, rue Vivienne Chun::)l, 8th & Broad Sireell, Lansdale, I'enn· 19001. Paris 2, France. ' sylvania 19+16. 2I !1 /855·34S7.

QUALITY and COMPLETENESS

Your "one-stop" supplier for all pipe organ supplies and components. DURST ORGAN SUPPLY CO., INC. P. O. Box 116S Erie, Pennsylvania 'Keeum INC. 16S12 MANUFACTURERS OF QUALITY ORGAN COMPONENTS

113 J. H. & C. S. ODELL & CO. y 82-84 Morningside Ave., Yonken, N.w York 10703 ORGAN LEATHERS QZ E ONE HUNDRED & THIRTEEN YEA.RS o tIJ A 1859 - 1972 WHITE, SON COMPANY Five GenerotioJU; building Odell Organs . . : . R 286 Summer Street Boslon, MossadluBells 02210 -'&S· S 914 Yonken 5·2607 FOR SALE, Now Orgon Pipes, 51~ DO IT YOURSELF PIPE ORGAN KITS PIANO TUNING spoHn metnl, Mixtures, Schorffl, Cym. CONRAD O. DURHAM Custom sp.clllcatloni for church or Learn Piano tuning and repair with easy r.. id.nu, campi... or park, full I.... to follow home study caune. Wide open bals, OdnYes, etc. promptly available. structions by .rlabll,h.d o"all build.no Excellent workmanship. Write to: Ex- Rebuilding - Revoicing • Consultotion field with good earning.. Makes excel. COLKIT MFG. Co. P.O. Box 112 lent "extra" lob. Write perts on argon Pipel, Gebriider Kas, P.O. lox 2125, Tonahos... , Fla. 32304 53 Bonn .. Beuel, West Germony. HiI.r Statloll, luffalo, N.Y. 14223 American School of Plono Tuning 17050 Till.,. Dr. OI,L 0 M..... n Hili. CA 95Gn

THE DIAPASON CLASSIFIED ADVERTISEMENTS $.20; minimum charge, $2..50; Itox number, additional 51.00. R.pU.s to box Dumbers should b... nt c/o Th. Diapason, 434 S. Wabash Avenu., Chicago, III 60605.

FOR SALE - PIPE ORGANS FOR SALE - PIPE ORGANS FOR SALE - MISC. FOR SALE - MISC. FOR SALE - WICKS PIPE ORGAN, 2· FOR SALE - 2·MANUAL ORGANS: 3- FOR SALE - ALL PIPES IN UNOPENED FOR SALE - E. M. SKINNER 61·NOTE manual, " ranb, leU-contained. unt'nc!~d, stop, 4-stop Wicks, 6-stop ~~oller, 12.-stop di· Cnltes from manufactureD: L. BOULADOUX: harp. Mint condil:on B""'it offer over $500.00. large scale open llH'd pipe work, ~Id VOICU~IJ, rect-elec:tric' also 5.stop Kllgen UOlt chest, Montre 8' marque M.G.O. 61 pipes; Bourdon Colkit Mfg. Co., 1'.0. Bo'( 112, Buffalo, New suitable ror small church, teachmg studiO, pipes, n:se~oir, relay. Write Ri"e, Inc., 811 8' marque B.G.O. 61 pipes; Flute Hannonique York 14223 . chapel. Less than th~t' yean old, very attrac­ Focis St., Metairie, La. 70005. 8' marque F.H.G.O. 49 pipes; Bombarde· tive prict' if bUYl'f can 1tH)1,'t'. Joh,! Carroll, Trompette 16' 61 pipes: Prestant 4' marque FOR SALE - 2·MANUAL MOLLER CON- 8500 Old Span&sh Trail, Tucson, Am:. 85710. FOR SALE - AF.OLIAN DUO·ART OR· P.G.O. 61 pipes: Doublette 2' marque D.G.O. soles, 4·manual con o'es, one AfOller stop key, gan 3·manual console brautifully carved. Nine 61 pipes; Flute Conique marque F.C.P. 56 one Skinner drawknob: IInnual keyboards, two FOR SALE - 33R MURRAY HARRIS ranks duplexed, chimes, harp. Very comp;1ct pipes. GIESECKE &: SOlIN: Deutsche Trom· and three manuals, Spencer and Kinetic blow_ pipe organ less console, disassembled, good residence organ. $3000.00. In slorage. Juhan pete 8' 49 pipes: Sacqueboute 8' 49 pipes: Bas· en from y.. to 3 HP, Swell shades and en· Bulley, 1376 Harvard Blvd., Dayton, Ohw son.Rf'gal 8' 49 pipes; Posaune.Trompete 16'- gines, oUnole chests. IInit and I)itman chests condition. $5500. Casavant 4.man~al 52-draw­ with pipes. Write Rive, Inc., 811 Focis 51., knob console 1951, el«:pneutnallc,. excellent "5406. 513/276-2481. 8' 61 pipes; Bombarde.Trompete 16'.0' 61 pipes; Clairon 4' 37 pipes. AUG. LAUK· Melairie, La. 70005. condition, $8500. Sp«s on request. Flnt ~res­ FOR SALE - KIMBALL 3·RANK THEA· HUFF: Gemsmhrnole 8' 61 pipes; Spillnote byterian Church, 320 Dale Street, San Diego, tre organ, rebuilt, in excellent condilion, brand FOR SALE - 3·MANUAL MOLLER Calif. 92101. 714/0161.5457. 4' 73 pipes: Principal 2' 61 pipes; Klingend new Kinetic blower, lingle pha!r, ~ HP, 110 Cimbrl 61 pipes; Sesquialtenl 2~' 37 pipes; eleetro.pneumatic drawknob console, 20 yeaD volt. Combination actwn, c~ndo, sforzando, Sesquialtera IYs' 37 pipes; Helle Trompete 8' old. Ivory finish wilh cherry trim. Good con­ fOR SALE - MOLLER ]·STOP CLASSY· all reworked and in A·I condition. Space reo 49 pipes; Pedal Mixture 2' 32 pipes: Spillnote dition with exception 01 nef'd for releathering. que. ElqKHed pipcwork, ,detached console. quired for organ 8'..()" high,,, 8'~ long.: 6:.1)" :!' 49 pipes: Fourniture l' 61 pipes; Cymbale Immediate delivrry. Fint Presbyterian Church, $3OOJ,OO in its pr~nl Incauon. Mn. Wm. E. wide. Console 54" det'!p, 64 Wide, 53 hIB~. !4' 61 pipc-s. Also 5 No. 12·2Oth Cent. Tre· Red Bank, N.J. 201/747.1348. Pilcher. Jr., 2(;01 Selwyn A"'e" C~rlolte, N.C. Pipe work, Flutes, Diapawn, Strings, all In Inolos ; I 3x6 reservoir; Skinner console (Lyn­ 28209. almost new condition. If you want small or· wood Farnuml , as is; Misc. ranks Skinner FOR SALE - LARGE 4-MANUAL MOL. ler console (1928). All in working order. From gan that's ready to play and with real theatre pipes. Organ Comm i t1~, 49 W. 20th St., FOR SALE - IO·RANK HlLL~REEN­ organ sound don't pass this up. Price $4500.00. N.Y.C., N.Y. 10011 . 212/CH 3·5262. Amphitheater, Chautauqua, N.Y. Best offer. Lane dectTOlmcumatic. Most pipes mllered to Tom Walto~, 1015 Ulter SI., Mobilr, Ala. Box 453, Chautauqua, N.Y. 14722. 6 It. 2 swell boxes. Dismantled. Many extra 36608. 205/342·9463. FOR SALE - TRACKER MATERIAL. ",nks, consoles, nther organ parts. James E. FOR SALE - CONSOLES: 3·MANUAL New Organ Supply e1ec:tric actions, 6 and 7· Moller, $200. 2·manual Kimball, $75 . 2·manual Dunnavant, Rt. 9 Box 255 , Athens, Alabama. FOR SALE - PLEASE SOMEBODY BUY stop dnlw pull actions, 2 58·note pallet pull 35611. 205/232.5-121. Morton pipe: orpn, 7.rank, good condition, honcshoc w/ 55 stopkeys, $200. Address H.7, down actions. Make offer. Po·Chedley &: Son. Tile DIAPASON. disassembled, releathered, stored in home. Inc., 329 North Ellicott Creek Rd., Tonawan· FOR SALE _ FOUR·MANUAL F ACfORY Bruce L. Kauffman, .f46 Gene A,·e. NW, AI· da, N.Y. 14150. buquerque, N.M. 87107. FOR SALE 2·MANUAL MOLLER CON- rebuilt late Kimball; 40% new matching .ranks, sole; nak with mahogany slo:Jboard; combina· exposed Great, Positiv, Major Pedal, 5-1 plStons/ FOR SALE - 8' TUBA HORN 10" FOR SALE - F AldOUS RESIDENCE tion action ; $ISO.OO. nle Christian Church, studs 32' Bourdon, 75 stops/9ft ranks, new $250.00. Kimball Marimba HaM $201.00. Wur· 212 S. Pittsburgh St., Connellsville, Pa. 15425. pcdais/pedal relay, new silver w j p i n~ contacts theatre pipe organ now available. Recently litter 260 relay $100.00. 8' Gotdrif'd Diapa. with new manuals. A.G.O. GothiC carved cuslom·built for 8' criling in Pasadena home. son $50.00. 8' String &: Celeste $100.00. Take Contains 12 beautiful ranks. many percussions, FOR SALE - 1962 REISNER TWO·AlAN. drawknob console with double·action combina· all $.550.00. :!III) Wurlitter Console $600.00. ual conwle. 38 slop tabs, ~!JOO . Also 15 ranks tion system. For the organist able to interpret roll player in scpar.llte cabinet and new wal· nut 2·manual console. Wrile for brochure or ~~'71~~orch, 127 Belmill Rd., Bellmore, N.Y. of an 1890's Farrand and Votey organ. De. ALL music in large church. 16 ranks of reeds tails on request. Fnd Schrapiall, Grace plus rxlensions. SERIOUS ONLY. please:. phone Newport Organs, 846 Production Place, Newport Beach, Calif. 92660. 714/645.1530. Church, 33 Church Stn:el, White Plains, N.Y. (Central States). Address J ...... THe DIAPA5oN. FOR SALE - 16' OPEN SUB BASS PED. 10601. al slop in excellent condition. Built by Wicb FOR SALE - KILGEN THEATRE OR· Organ Co. in 1957. Will sell to highest bidder. }o'OR SALE - 3.MANUAL, J6..STOP, 33. pn 3/12 with 16' Diapbone, chimes, xylo. FOR SALE - TUBULAR·PNEUMATIC rank Kimball.Kriisa organ, rebuilt 1961. Avail· Frank Kravig, Box 412, College Heights, AI. console, 4' OC'ave, and 8' Concert Flute with phone marimba, blower, bUI console was berta, Canada TOC OZO. ablr Easter 1973. Fint United Methodist burned beyond we. Make offer. St. Joseph's chest and rackboanl. M. Meixensperger, 139 Church, 201 West North, Decatur, Illinois 51b St., Fond du Lac, Wis. 54935. 414/922- Chutth. 6401 Palisade Ave., West New York, FOR SALE - 8' TRUMPET, 4' PRINCI. 62522. New Jeney 070!J3 attn. Fr. Mirandi. 2at/867. 3229. pal, 32·nole pedal chest, 4·rank 73-nole manual 1142. unit chest, pedalboard, two manuab. and one FOR SALE - KILGEN PIPE ORGAN. FOR SALE 2·MANUAL MARR-COL· reed organ in perrect condition. Lee Dahl, ton console and relay, 58 slops, 10 pistons lor Early I!JOD' •• Tracker 6 ranks. Excellent condi· Ashby, Minn. 56309. 218/685-4006. tion. Best oUer. Buyer to remove. Located FOR SALE - ELECTRONIC ORGANS 9 ranb. rrleathered and rrbuilt 19&1. $500.00. Central Wil. Darlene Budsbcrg, 16-175 Gerd· Also 3·manual Marr·Colton n:lay $450 00. Den· FOR SALE - MOLLER AND HILL. ing, RO$emount, MN 55068. FOR SALE - ORGATRON, 2.MANUAL, nis Unks, 1411 West Mulberry Lane, Fairview, standard pedalboard. excellent condition. gr~n.Lane pipes, chests, misc. organ parts, I'a. 16514. 814/474·2016. two·manual console and two 4' x 5' resrrvoin. FOR SALE - 1952 KILGEN PIPE OR· N.Y.C., N.Y. 10011. 212/CH 3-5262. R. Mahns, 201 Oakllunt Rd., Oakhunl, N.J. FOR SALE - E. M . SKINNER CON. gan, 2·manual, 9·ranks. In usr now. Best offer. 07755. 201/542-0030, Eve. 201/531-1918. Buyer 10 rrmove. Available June 1973. Con· sole, 4·manual, presently in use. To be reo tact: Sr. Mary Ed~'ard Adelman, Mount SI. FOR SALE - MISC. placed on July 10. St. I'aul's Church, Charles FOR SALE - 6 4 RK CHESTS OFF­ Benedict, Crookston, Minn. 56716. 218/281. + + &: Saratoga streets, Baltimore, Maryland 21201. FREE TO AMATEUR BUILDERS, 6 SETS sets: nice church console and relays; 7 rlr.s low ..". of pipes from echo division in my home in· pressure pipes. All $2500.00, or part $?? 802 FOR SALE - MAAS CHIMES, 21 TUBES, Lincoln Ave., Alexandria, Indiana 46001 . FOR SALE - 2-MANUAL, 7·RANK PIPE c1uding 16 ft. Bourdon, 3·rank ches t. reservoir, electric action, excellent condition, best offer. organ, about 30 yean old. 2 HP Orgoblo. SI. YOIl dismantle. you haul. FOR SALE, 7 elec· Fint Lutheran Church, 4105 Catifornia Ave. tric gang switches, Orgoblow 5" new motor, FOR SALE - USED PIPES, CHESTS, S.W., Seattle, WA 98116. Andrew·SI. Joseph Church, 925 Brockhun t St., consoles, misc. parts. Organ Service. Box 2061, Oakland, Calif. 94608. 100 ft . (-6 strand cable, Orgdec:tra 15 amps all for $15J.OO, localed in Northern Ohio. Ad. Knoxville, Tenn. 37001. FOR SALE - SIX-OCTAVE REED OR· dress J.3, THE DIAPA5oN. gan/suction unit of truly unique quality. FOR SALE - USED PIPE ORGANS NOW Hard. FOR SALE - SINGLE AND 6-STOP wOOd case wilh rare pecan trim, $175. Organ in storage in our factory : 2·manual 8·rank IVORY AND ROSEWOOD DRAWSTOPS, chests, Comopean, Trumpet, Vox Humana, Moller; 2·manual H·rank Aliiller; 2·manual desks; only ones in existence and a mUlt for hand engra"ing, and all small organ partl. and Pedal Bounlon slops, wooden pipes and thr collector. Various parts from large church 15·rank Casavant. These organs will be com· ThO$. Ha rrison (Est. 1830), 66 Ada Street, front pipes, 3·manual keyboard as good as pletely factory n:built, installed and guaran· organ including keyboards, pedalboard, chests, London, E.8, England. new, blowen, molors, rectifien and shades, all Iwell shade and engine assembly, blower, many teed. M. P. Moller, Inc., Hagentown, Md. in good condition. Anthony Porto, 94 Hudson 21740. 301/733·9000. ranks of pipes including Midmer ranb and FOR SALE - USED CHURCH AND A,·e., Waldwick, N.J. 07463. Pedal Double Diapason. Estey pipe organ or the.ure organ parts, including some nearly inimitable value. Installation arranged. All FOR SALE - WURLITZER STYLE E new Itraight and un' l chests and pipework. ORGAN REEDS - ONE OR A SET, must go. Write or call David Clyle Mone, The and Style H theater pipe organs. Call between Write for lisl. Junchen Pipe Organ Service, while they last. Roesler·Hunholz Co .• 2200 N. House of Clyle, Williamstown, Vt. 05679. 8f12/ 5 and 6 p.m. EDT. 617/ 698-7548. 816 S. Adams, Westmonl, IL 60559. 11th SI., Milwaukee, Wis. 53205. 433-6668.

Builders of Fine Tracker and Electro·Pneumatic Pipe Organs Inquiries are Cordially Invited W. Zilll.lll.er & Sons McMANIS INC OR P O RATED KANSAS CITY, KANSAS 66104 Mailing Add,.": P. D. Box 1102... CharloH., N. C. 28209 NATIONS FORD ROAD· CHARLOTTE, N. C.

CHESTER A. RAYMOND, INC. DELAWARE PIPE ORGAN BUILDERS ORGAN COMPANY, INC. Rebuilding, Maintenance and Additions a progressive company with traditional ideals designing and building custom pipe organs P.O. Box 55 Princeton, N.J.. 08540 252 FILLMORE AVE. TONAWANDA, N. Y. Phone: 609·924-0935

That Iowely sound ••• af the SotttII GermCin .Clroq.... RANDALL 5. DYER JULIAN E. BULLEY Reid Organ Co. F. C. DREWS & CO. New Organs - Rebuilding P.O •••x ~ 363 Pipe Organs and argon Service ORGAN BUllDUS SINCE 1960 Service (4011 241-3167 NEW WORK FRO .... $6,000, REIUlLT FRO .... $<1,000. Box 4B9 SINCE 1906 1\1 Santa Clara, California 10]( 505, .... Iddl. VllIa9., N.Y. 11m lefferson Cily, Tennessee 37760 1376 Harvard Blwd.-Dayton, Ohio .t.5,ft)6 212·326-12Il 513-276-2481

SEPTEAABER, 1972 27 L •• I •• a n Murtagh C oneert Manage.llent

Box 272 Canaan, Connecticut 06018 203-824-7877

NITA AKIN GERRE HANCOCK , SPECIAL AVAILABILITIES

Season 1972-73

DONALD McDONALD November only

CLYDE HOLLOWAY afler J anunry 1 RODERT ANDERSON -eLYDE HOLLOWAY FREDERICK SWANN LADD THOMAS • Midll'<'St & Enst in March

...... - ... RODERT DAKER WILMA JENSEN

European Artists Season 1972-73

MICHAEL RADULESCU IiIIIo.!.. Oct_-Nov_ '72 DAVID CRAIGHEAD JOA N LIPPI NCOTT LADD THOMAS GILLIAN WEIR Nov_ '72

KAMIEL D'HOOGHE Jan_-Feb_ '73

HEINZ WUNDERLICH Feb_ '73

MONlKA HENKING RAY FERGUSON DONALD McDONALD JOHN WEAVER II-Inr_-Apr_ '73 MICHAEL SCHNEIDER Apr_ - '73

FRANCIS JACKSON lIIay - '73

JERALD HAMILTON MARILYN MASON