Delft University of Technology Architecture and Democracy
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Floris Paalman Thesis Final Version 2010-05-25
UvA-DARE (Digital Academic Repository) Cinematic Rotterdam: the times and tides of a modern city Paalman, F.J.J.W. Publication date 2010 Link to publication Citation for published version (APA): Paalman, F. J. J. W. (2010). Cinematic Rotterdam: the times and tides of a modern city. Eigen Beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 CHAPTER 9. EXTENDED CITY § 1. multiple extensions In the 1940s and 1950s, urban development was framed in terms of progress, which literally meant ‘growth’. Along with the growth of the port, the city needed new residential quarters, which was already foreseen by the ‘Basisplan’ (1946). Extending the city was a matter of building suburbs, which relied on a social programme. -
Modernist Heritage Conservation: an Evaluation of Theories and Current Practice
Modernist Heritage Conservation: An Evaluation of Theories and Current Practice Gaia Ileana Carla ZAMBURLINI School of the Built Environment College of Science and Technology University of Salford - UK Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy, April 2016 Table of contents TABLE OF CONTENTS ......................................................................................................... II LIST OF FIGURES ............................................................................................................. VII ACKNOWLEDGMENTS ........................................................................................................ IX ABBREVIATIONS ............................................................................................................... X ABSTRACT ……………………………………………………………………………………………................XIII PREFACE ....................................................................................................................... XIV RATIONALE .................................................................................................................... XIV METHODOLOGY .............................................................................................................. XVI AIM ............................................................................................................................... XXII OBJECTIVES .................................................................................................................. XXII RESEARCH -
News and Events in from Holland This Autumn Current and Future Events
News and Events in from Holland this Autumn Current and future events & exhibitions Current David Cronenberg - The Exhibition, EYE, Amsterdam Until 14 September 2014 EYE presents a major exhibition focusing on director David Cronenberg, who acquired cult status with his idiosyncratic films about the relationship between body, mind, technology and mass media. Curated and organized by the Toronto International Film Festival (TIFF), the exhibition explores Cronenberg’s world through the main themes of his films: the physical and psychological transformation of his protagonists. Highlights of this exhibition include the weird and wonderful special effects items from Cronenberg’s films, together with bizarre props, set photos and original costumes. Cronenberg has worked with famous actors such as Jeff Goldblum, Keira Knightley, Holly Hunter, Jude Law, Jeremy Irons and Robert Pattinson, whom he challenged to push the boundaries of their profession. Fashion, the musical, Centraal Museum, Utrecht Until 30 November 2014 Fashion illustrator Piet Paris is guest curator for Centraal Museum. More than 150 items are selected by Piet Paris from the Centraal Museum collection and presented in a surprising manner: as scenes in a musical. Taking the visitor from backstage and the red carpet to – eventually- the stage, he shows more than fifty looks by designers such as Comme des Garçons, Maison Martin Margiela, Iris van Herpen, Viktor & Rolf, but also 17th and 18th century costumes. Paris wants to show fashion in context, and not isolation. He combines fashion with objects, which he actually puts to use: ticking clocks, flower-filled vases and burning lights. He breaks the anonymity of the mannequin by giving each one a complete outfit, as well as a face drawn by the illustrator himself. -
The Tradition of Making Polder Citiesfransje HOOIMEIJER
The Tradition of Making Polder CitiesFRANSJE HOOIMEIJER Proefschrift ter verkrijging van de graad van doctor aan de Technische Universiteit Delft, op gezag van de Rector Magnificus prof. ir. K.C.A.M. Luyben, voorzitter van het College voor Promoties, in het openbaar te verdedigen op dinsdag 18 oktober 2011 om 12.30 uur door Fernande Lucretia HOOIMEIJER doctorandus in kunst- en cultuurwetenschappen geboren te Capelle aan den IJssel Dit proefschrift is goedgekeurd door de promotor: Prof. dr. ir. V.J. Meyer Copromotor: dr. ir. F.H.M. van de Ven Samenstelling promotiecommissie: Rector Magnificus, voorzitter Prof. dr. ir. V.J. Meyer, Technische Universiteit Delft, promotor dr. ir. F.H.M. van de Ven, Technische Universiteit Delft, copromotor Prof. ir. D.F. Sijmons, Technische Universiteit Delft Prof. ir. H.C. Bekkering, Technische Universiteit Delft Prof. dr. P.J.E.M. van Dam, Vrije Universiteit van Amsterdam Prof. dr. ir.-arch. P. Uyttenhove, Universiteit Gent, België Prof. dr. P. Viganò, Università IUAV di Venezia, Italië dr. ir. G.D. Geldof, Danish University of Technology, Denemarken For Juri, August*, Otis & Grietje-Nel 1 Inner City - Chapter 2 2 Waterstad - Chapter 3 3 Waterproject - Chapter 4 4 Blijdorp - Chapter 5a 5 Lage Land - Chapter 5b 6 Ommoord - Chapter 5b 7 Zevenkamp - Chapter 5c 8 Prinsenland - Chapter 5c 9 Nesselande - Chapter 6 10 Zestienhoven - Chapter 6 Content Chapter 1: Polder Cities 5 Introduction 5 Problem Statement, Hypothesis and Method 9 Technological Development as Natural Order 10 Building-Site Preparation 16 Rotterdam -
In Case of Architectural Design Critique and Praise of Case-Based Design in Architecture
KATHOLIEKE UNIVERSITEIT LEUVEN FACULTEIT TOEGEPASTE WETENSCHAPPEN DEPARTEMENT ARCHITECTUUR, STEDENBOUW EN RUIMTELIJKE ORDENING Kasteel van Arenberg, B-3001 Leuven In case of architectural design Critique and praise of Case-Based Design in architecture Jury: Proefschrift voorgedragen tot Voorzitter Prof. Joos Vandewalle, vice-decaan het behalen van het doctoraat Prof. Herman Neuckermans, promotor in de toegepaste wetenschappen Prof. André Loeckx Prof. Jan Schreurs door Prof. Johan Wagemans Prof. Albert Dupagne (Université de Liège) Ann Heylighen Prof. Rivka Oxman (Technion Haifa) UDC 72.011 Mei 2000 Katholieke Universiteit Leuven – Faculteit Toegepaste Wetenschappen Kasteel van Arenberg, B-3001 Leuven (Belgium) Alle rechten voorbehouden. Niets uit deze uitgave mag worden vermenigvuldigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm, elektronisch of op welke andere wijze ook zonder voorafgaande toestemming van de uitgever. All rights reserved. No part of this publication may be reproduced in any form by print, photoprint, microfilm or any other means without written permission from the publisher. D/2000/7515/17 ISBN 90-5682-248-9 For my grandmother Acknowledgements Five years ago, I had to decide on a subject for my graduate’s thesis. Professor Herman Neuckermans made the suggestion to have a look at Case-Based Design, at that time a ‘hot topic’ in the field of CAAD. Computers were not exactly what I would call my cup of tea, but I nevertheless accepted his suggestion – not in the last place because it would enable me to spend one semester at the ETH in Zürich. Although the thesis became an unqualified success in terms of scores, it left me with an uneasy feeling. -
H E T N Ie U W E in Stitu
An Installation in Four Acts Education, Ideals, Building, the City programme Landscape and Interior fi l e Ongoing research on Structuralism Instituut project Het Nieuwe Structuralism curator Structuralism: An Installation Dirk van den Heuvel / in Four Acts is the first presen- Jaap Bakema Study Centre tation on the subject. It is the starting-point of a research project mining the historical dimensions of 1960s structuralism while investigating exhibition design its potential for today. An Lada Hršak / Bureau LADA Installation in Four Acts con - centrates on the event of Dutch Structuralism in archi- tecture. For 2016 a follow-up project is planned: Total Space, which looks into the interdiscipli- graphic design nary aspects of structuralism as Patrick Coppens well as its international context. objectnummer / inventarisnummer architect / author year An Installation in Four Acts An Installation in Four Acts 2 3 Education, Ideals, Building, the City Education, Ideals, Building, the City objectnummer / objectnummer / inventarisnummer architect / author year inventarisnummer architect / author year Academy before moving their weekly evenings The Event City of to Hertzberger’s attic space. Exchange between teachers and students would be a recurring motif Dutch Structuralism in the Forum issues. The first one, largely com- Dirk van den Heuvel piled by Van Eyck and called ‘The Story of Another Idea’, was distributed at the last CIAM conference in Otterlo in 1959, organized by Jaap Bakema. It portrayed the history of CIAM and the beginnings Dutch Structuralism was born from a unique of Team 10 from the perspective of its Dutch confluence of people and events in the city of members, while it also made a strong plea for a Amsterdam in the second half of the 1950s. -
The Urban and Cultural Climate of Rotterdam Changed Radically Between 1970 and 2000. Opinions Differ About What the Most Importa
The urban and cultural climate of Rotterdam changed radically between 1970 and 2000. Opinions differ about what the most important changes were, and when they occurred. Imagine a Metropolis shows that it was first and foremost a new perspective on Rotterdam that stimulated the development of the city during this period. If the Rotterdam of 1970 was still a city with an identity crisis that wanted to be small rather than large and cosy rather than commercial, by 2000 Rotterdam had the image of the most metropolitan of all Dutch cities. Artists and other cultural practitioners – a group these days termed the ‘creative class’ – were the first to advance this metropolitan vision, thereby paving the way for the New Rotterdam that would begin to take concrete shape at the end of the 1980s. Imagine a Metropolis goes on to show that this New Rotterdam is returning to its nineteenth-century identity and the developments of the inter-war years and the period of post-war reconstruction. For Nina and Maria IMAGINE A METROPOLIS ROTTERDAM’S CREATIVE CLASS, 1970-2000 PATRICIA VAN ULZEN 010 Publishers, Rotterdam 2007 This publication was produced in association with Stichting Kunstpublicaties Rotterdam. On February 2, 2007, it was defended as a Ph.D. thesis at the Erasmus University, Rotterdam. The thesis supervisor was Prof. Dr. Marlite Halbertsma. The research and this book were both made possible by the generous support of the Faculty of History and Arts at the Erasmus University Rotterdam, G.Ph. Verhagen-Stichting, Stichting Kunstpublicaties Rotterdam, J.E. Jurriaanse Stichting, Prins Bernhard Cultuurfonds Zuid-Holland and the Netherlands Architecture Fund. -
Old and New in Adaptive Reuse of Modern Industrial Heritage Ava Moshaver Ryerson University
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2011 Re Architecture: Old and New In Adaptive Reuse of Modern Industrial Heritage Ava Moshaver Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Architecture Commons Recommended Citation Moshaver, Ava, "Re Architecture: Old and New In Adaptive Reuse of Modern Industrial Heritage" (2011). Theses and dissertations. Paper 1421. This Thesis Project is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. RE ARCHITECTURE: Old and New In Adaptive Reuse of Modern Industrial Heritage by Ava Moshaver B.Arch Sci.,Ryerson University 2009 A Design Thesis Project presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Architecture in the Program of Architecture Toronto, Ontario, Canada, 2012 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this thesis project. I authorize Ryerson University to lend this thesis project to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis project by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii ABSTRACT Adaptation of existing buildings for new functions is not a new phenomenon: the theoretical approach towards adaptive reuse was well established and theoretically formulated as early as at the beginning of the 19th century. -
'Forum' Architectural Journal As an Educational
‘FORUM’ ARCHITECTURAL JOURNAL AS AN EDUCATIONAL AND SPREADING MEDIA IN THE NETHERLANDS Influences on Herman Hertzberger Rebeca Merino del Río Escuela Técnica Superior de Arquitectura, Universidad de Sevilla / Superior Technical School of Architecture, University of Seville, Seville, Spain Abstract In the sixties, the journal Forum voor Architectuur en Daarmee Verbonden Kunsten becomes the media employed by the Dutch wing of Team 10 to lecture on and spread the new architectural theories developed after the dissolution of C.I.A.M. Aldo van Eyck and Jaap Bakema head the editorial board in between 1959 and 1967. The editorial approach gravitates towards the themes defended by these young architects in the last meetings of the International Congresses of Modern Architecture, accompanied by the analysis of works of architecture that, in the editorial board’s opinion, give a correct response to the epoch’s needs. Moreover, the permeability and cross-sectional nature of the content, bring the editors’ board closer to the European architectural, cultural and artistic avant-garde. Thus, it is appreciated that similar theoretical assumptions than the ones that gave support to the different revolts that happened in Paris, London and Amsterdam between 1966 and 1968 underlie in great part of the journal’s writings. Its content is aligned parallel to the revolutionary phenomenon, contributing to some degree to it. Herman Hertzberger, a young architect who worked for years as a part of the editorial board, was highly influenced by the contents of the journal. His later dedication to education as professor at Delft University of Technology, and his association with Dutch Structuralism as well, turn him a key figure to study, because of the determining role of Forum’s acquired knowledge in his future professional activity. -
Bakemavolume328lowres29 0.Pdf
OPEN:ABAKEMA CELEBRATION CONFRONTATION INTERPRETATION INVOCATION1: CIRCULATION SITUATION INSTALLATION IMPROVISATION COMPLICATION RECREATION INFORMATION DEMONSTRATION PROVOCATION RELATION INTERRELATION 2:OPEN Open the future direction of Dutch society, but together with the Guus Beumer and Dirk van den Heuvel office of Van den Broek en Bakema he also exemplified a practice that integrates design and research. Then and now, such integration seems necessary to achieve the innovation When Het Nieuwe Instituut was established as a needed in times of change. At the same time Bakema’s transdisciplinary merger between three separate institutes correspondence archive, especially the so-called ‘Post Box it also inherited the archive of the former Netherlands for the Development of the Habitat’, which Bakema initiated Architecture Institute, one of the largest collections of at the end of CIAM in 1959, is a wonderful and still inspiring architecture in the world. The question of how to open up example of the exchange of ideas between architects who this rich historical material had to be newly addressed. sought to contribute to the ideal of open and inclusive The specificity of the archive and its hundreds societies. Therefore, next to the installation proper and this of thousands of drawings, sketches, models, building paper publication, a contemporary post box will go online documents, photographs, and letters requires the during the Venice Biennale: the ‘Post Box for the Open development of an equally specific research program, in Society’, which will be open for anyone to participate in terms of scholarly qualities as well as artistic practices. debates and to contribute designs to counter the problems Thanks to the collaboration with TU Delft and the decision of societies today. -
The Fagus Factory in Alfeld
THE FAGUS FACTORY IN ALFELD NOMINATION FOR INSCRIPTION ON THE UNESCO WORLD HERITAGE LIST SEPTEMBER 2009 Summary SUMMARY I Fagus Factory – Nomination for Inscription on the Unesco World Heritage List II Summary State party Federal Republic of Germany State, province or region Lower Saxony, town of Alfeld Name of property Fagus factory Geographical coordinates to the nearest 51° 59’ 01” degrees North second 09° 48’ 40” degrees East Textual description of the boundary(ies) of Historical industrial area to the west of the the nominated property core city of Alfeld: the nominated area borders the Hanover-Göttingen rail route in the northeast and the Hannoversche Straße in the southwest. A4 (or „letter“) size map of the nominated See end of summary property, showing boundaries and buffer zone (if present) Justification With the construction of the Fagus factory, Statement of outstanding universal value Gropius made a breakthrough to new, modern art that went hand in hand with the age of technology. The Fagus factory, with a radical break from the conventional design practice, represents for the first time a new expression of architecture, which develops space and form from function, takes into account the light, air and lucidity require- ments of its users and makes use of the new technical possibilities of construction with glass and steel in industrially pre-produced processing. Glass, which is actually an unsubstantial material,becomes a formative building material and mode of expression of architecture.The design concepts underlying this construction had a decisive influence on the development of twentieth century architecture not only in Germany and Europe, but around the globe. -
TEAM 10 out of CIAM: SOFT URBANISM + NEW BRUTALISM LA SARRAZ DECLARATION (1928) 1
TEAM 10 out of CIAM: SOFT URBANISM + NEW BRUTALISM LA SARRAZ DECLARATION (1928) 1. e idea of modern architecture includes the link between the phenomenon of architecture and the of the general economic system. 2. e idea of ‘economic eciency’ does not imply production furnishing maximum commercial prot, but production demanding a minimum work eort. 3. e need for maximum economic eciency is the inevitable result of the improvished state of the general economy. 4. e most ecient method of production is that which arises from rationalization and standardization. Rationalization and standardization act directly on working methods both in modern architecture (conception) and in the building industry (realization). 5. Rationalization and standardization react in a threefold manner: 5. Rationalization and standardization react in a threefold manner: (a) they demand of architecture conceptions leading to simplication of working methods on site and in the factory; 5. Rationalization and standardization react in a threefold manner: (a) they demand of architecture conceptions leading to simplication of working methods on site and in the factory; (b) they mean for building rms a reduction in skilled labour force; they lead to the employment of less specialized labour working under the direction of highly skilled technicians; 5. Rationalization and standardization react in a threefold manner: (a) they demand of architecture conceptions leading to simplication of working methods on site and in the factory; (b) they mean for building rms a reduction in skilled labour force; they lead to the employment of less specialized labour working under the direction of highly skilled technicians; (c) they expect from the consumer (that is to say, the customer who orders the house in which he will live) a revision of his demands in the direction of a readjustment to the new conditions of social life.