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Conversion in James Shirley's St Patrick for Ireland
CONVERSION IN JAMES SHIRLEY’S ST PATRICK FOR IRELAND (1640) Alison Searle In his play St Patrick for Ireland (published in 1640), the Caroline dramatist, James Shirley (1596–1666), represents the complex process of Ireland’s conversion from paganism to Christianity.1 There are two distinct reasons why St Patrick for Ireland is unique in Shirley’s oeuvre: it was specifically written for his Irish audience at the Werburgh Street theatre, and it makes extensive use of spectacular stage effects (devils, serpents, fire and so on). It was produced while Shirley was in Dublin, under the rule of the English Deputy, Sir Thomas Wentworth. Shir- ley’s own religious convictions are unclear: his biographer, Anthony Wood, claims that he converted (as an ordained clergyman) from the Church of England to Catholicism before he became a playwright.2 This is largely unverified by biographical evidence to date, but it has had a profound impact on subsequent accounts of Shirley’s life and works.3 Shirley lived during a period of revolutionary religious change. He wrote plays and masques for Charles I and Henrietta Maria; he was principal dramatist at the Werburgh Street theatre in Dublin 1 I am grateful to the anonymous peer-reviewer of this essay for suggestions that clarified the structure and presentation of the overall argument. I have also been helped by discussions with Eugene Giddens, Samantha Rayner, Justine Williams, Eva Griffith and Rowlie Wymer. 2 Anthony Wood, Athenae Oxonienses (London: Thomas Bennet, 1692) vol. 2, 260–261. 3 Sandra Burner notes that James Shirley can probably be identified with the Jaco- bus Shirley listed in a Recusant Role (The National Archives E77/49); however, there is also a record of his assent to the Bill of Uniformity on 18 August, 1662: Burner, S., James Shirley: A Study of Literary Coteries and Patronage in Seventeenth-Century Eng- land (Lanham: 1998) 168, 194, 210. -
The Significance of Anya Seton's Historical Fiction
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2017 Breaking the cycle of silence : the significance of Anya Seton's historical fiction. Lindsey Marie Okoroafo (Jesnek) University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Literature Commons, American Popular Culture Commons, European History Commons, European Languages and Societies Commons, Gender and Sexuality Commons, Higher Education Commons, History of Gender Commons, Inequality and Stratification Commons, Language and Literacy Education Commons, Liberal Studies Commons, Literature in English, North America Commons, Modern Languages Commons, Modern Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, Political History Commons, Politics and Social Change Commons, Public History Commons, Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, Reading and Language Commons, Secondary Education Commons, Social History Commons, Sociology of Culture Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Okoroafo (Jesnek), Lindsey Marie, "Breaking the cycle of silence : the significance of Anya Seton's historical fiction." (2017). Electronic Theses and Dissertations. Paper 2676. https://doi.org/10.18297/etd/2676 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional -
Year 7 History Project
Year 7 History Project Middle Ages - Power and Protest Session 1: King Edward I • In the following slides you will find information relating to: • Edward and parliament • Edward and Wales • Edward and the War of Independence Edward I • Edward facts • Edward was born in 1239 • In 1264 Edward was held prisoner when English barons rebelled against his father Henry III. • In 1271 Edward joined a Christian Crusade to try and free Jerusalem from Muslim control • Edward took the throne in 1272. • Edward fought a long campaign to conquer Wales • Edward built lots of castles in Wales such as Caernarfon, Conwy and Harlech castles • Edward had two nicknames - 'Longshanks' because he was so tall and the 'Hammer of the Scots' for obvious reasons • Edward’s war with Scotland eventually brought about his death when he died from sickness in 1307 when marching towards the Scottish Border. Llywelyn Ap Gruffudd • In 1275 Llywelyn ap Gruffudd of Wales refused to pay homage (respect) to King Edward I of England as he believed himself ruler of Wales after fighting his own uncles for the right. • This sparked a war that would result in the end of Llywelyn ap Gruffudd (the last) who was killed fighting the English in 1282 after several years of on off warfare. • Edward I destroyed the armies of Llywelyn when they revolted against England trying to take complete control of Wales. • As a result Llywelyn is known as the last native ruler of Wales. • After his death Edward I took his head from his body and placed it on a spike in London to deter future revolts. -
The Heart of the Empire
The heart of the Empire A self-guided walk along the Strand ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits 30 © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail of South Africa House © Mike jackson RGS-IBG Discovering Britain 3 The heart of the Empire Discover London’s Strand and its imperial connections At its height, Britain’s Empire covered one-quarter of the Earth’s land area and one-third of the world’s population. It was the largest Empire in history. If the Empire’s beating heart was London, then The Strand was one of its major arteries. This mile- long street beside the River Thames was home to some of the Empire’s administrative, legal and commercial functions. The days of Empire are long gone but its legacy remains in the landscape. A walk down this modern London street is a fascinating journey through Britain’s imperial history. This walk was created in 2012 by Mike Jackson and Gary Gray, both Fellows of the Royal Geographical Society (with IBG). It was originally part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
John Gassner
John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era. -
Vol. X. No. 4. Price Per Number 2/- (50 Cents); for the Year, Payable in Advance, 5/- ($1.25)
Vol. X. No. 4. Price per number 2/- (50 cents); for the year, payable in advance, 5/- ($1.25) THE JOURNAL OF THE FRIENDS HISTORICAL SOCIETY TENTH MONTH (OCTOBER), 1913 London: HEADLEY BROTHERS, 140, BISHOPSGATE, E.G. Philadelphia: HERMAN NEWMAN, 1010 ARCH New York: DAVID S. TABER, 144 EAST 20TH J CONTENTS IThomas__ Bennet, Schoolmaster, of Pickwick,^^ Wilts. Illustrated 203 Record of Friends Travelling in Ireland, 1656-1765. II. 1713-1765 212 The Cambridge Journal of George Fox.— VI. 262 A Stuart Among the Quakers. By Mabel R. Brailsford. 263 Fatherly Solicitude .. .. .. 269 " Going out for a Husband and Wife " 270 Friends in Nova Scotia, 1785 272 Which was the Greater Hero ? .. 274 The Story of Martha and Mary.. 275 Harrison, of Brighton and Poole. By Perceval Lucas 276 "The Life of John lanson" 277 " Nonconformity under the Clarendon Code " 278 The Value of "Teamwork" 279 Conscientious Shoemaking 279 Jane Watson, of Edenderry, Ireland. By Edith \Vebb .. .. .. •. .. .. .. 280 A Particular Observation of Truth's Progress, 1731 281 Extracts from State Papers. Review by Prof. G. Lyon Turner, M.A. 282 Friends in Current Literature. By The Editor 292 Editor's Notes 294 Further Extracts from the Diary of Abiah Darby.. 295 Joseph Garratt of Cork 295 Notes and Queries: " Sesis " William Holbem, of Lewes-" Rail ways" A Curious Coincidence Joseph Taylor, of Co. Durham A Quaker Solicitor General- John Hull Elson or Nelson 296 Index .. 298 Vol. X. No. 4 Tenth Month (Oct.), 19J3 THE JOURNAL OF THE FRIENDS HISTORICAL SOCIETY For Table of Contents see page two of cover of tc6wtc6, QDitte construction of a life-history from scattered and often slender data is an interesting if somewhat exacting task. -
St Dunstan in the East: an Architectural History of a Medieval London Parish Church
London and Middlesex Archaeological Society Transactions, 66 (2015), 47—77 ST DUNSTAN IN THE EAST: AN ARCHITECTURAL HISTORY OF A MEDIEVAL LONDON PARISH CHURCH Jennifer Ledfors SUMMARY 1996, 18). Consequently, the vanished inter- nal layout of these medieval churches has to The medieval parish of St Dunstan in the East was one be reconstructed from archaeological and of three London parishes referred to as juxta Turrim; historic sources. This article aims to examine the other two parishes were St Olave’s Hart Street and the evidence for the medieval fabric of St All Hallows Staining. It is a well-documented London Dunstan in an attempt to reconstruct the community that is surprisingly under-researched. medieval church based upon documentary, The prevalence of such a rich supply of documentary archaeological, visual and cartographic sources can be attributed to the fact that many of sources. These documents support not only London’s powerful social, civic and governing elite the existence of speciþc features in the pre- lived in the community and also to the parish’s status Reformation parish church, but also provide as a peculiar of the archbishopric, which consequently impressions of the building structure and served in various ways the administration of the architectural features. This allows for the archbishops of Canterbury. The rich records for St construction of a narrative on the various Dunstan in the East have allowed for a study of the elements of the interior fabric, a perspective architecture in a pre-Reformation parish church, on their appearance and usage, as well as which has consequently served to illuminate various providing an impression of the religious aspects of Londoners’ expressions of popular piety and practices and preferences of the people who daily liturgical practices in the later Middle Ages on lived and worshipped in the parish. -
Cambridge County Geographies General Editor
CA MBRIDGE C O U NTY GEOGRA P H IES l : . U I L L E M A R I) M A ra M . D . G e n e G . Ed itor F H H , , E A ST L O N DO N C A MB R I D GE U NI V E R S I TY P R E S S R N E . fl o nh o u : F E TTE L A E , C Y M N E R C F . G . CLA , A A QE t o o P R I NC E S S TR E E T h in hm g b : , H E R A ND S C . B er l in : A . A O F B R K H iLcimi g : . A . OC AU S P P U TN M ’S S O NS fil t h) 35 m : G . A 'I M C M I L L AN A ND T D l l : CO . L . B umb a g a n!) L a r u t a A , A l l r i g/1 1s r es u med ’ Ca m ér zdg e C o u n ty Geog r a ph er E A S T L O N D O N F B O SW RTH G . O . , Wi t h M a s a n d Il l u s t r a t io n s p , D iagrams C a m b r idg e a t t h e U n i v e r s i t y P r e s s CO NTE NTS PAG E o u n t Th o u n t . -
Prince Eugene's Winter Palace
Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Edited by Agnes Husslein-Arco belvedere belvedere Table of Contents Agnes Husslein-Arco 6 Prince Eugene’s Winter Palace on Himmelpfortgasse Richard Kurdiovsky 9 “its name is known all over Europe and is reckoned among the loveliest of buildings.” The Winter Palace: The History of its Construction, Decoration and its Use Andreas Gamerith 25 The Ornamental Paintings of the Winter Palace Sylvia Schönolt 39 The Recently Completed Restoration Leopold Auer 87 Prince Eugene and the Ideal of the honnête homme. Behavioral Norms of the Elites under the Ancien Régime Georg Lechner 99 Prince Eugene of Savoy The Hercules and Apollo of His Time 136 Biographical overview 138 List of Artists and Individuals 142 Cited Literature 148 Authors’ biographies 152 Colophon and Picture Credits 5 Prince Eugene’s Winter Palace on Himmelpfortgasse Agnes Husslein-Arco Today the Himmelpfortgasse is located in a highly buy a building on Himmelpfortgasse. Subsequently, he desirable part of Vienna’s inner city. In Prince Eugene’s was also able to buy the neighboring building; and in time, it was more of a bourgeois district, with the 1696 Johann Fischer von Erlach who at that time had aristocracy preferring the proximity to the Hofburg and already made himself a name as an architect and stood in constructing its palaces on Herrengasse, for instance. the favor of the imperial house began constructing a Old-established families had the best locations so that palace. With its seven south-facing windows this building people who later moved in needed a lot of luck and even was anything but imposing, yet its real splendor only more money to be able to settle in their vicinity. -
JSR 3-2.Indd
ariel hessayon goldsmiths, university of london Early Modern Communism The Diggers and Community of Goods Freedom is the man that will turn the world upside downe, therefore no wonder he hath enemies. —Gerrard Winstanley, A Watch-Word to the City of London and the Armie (1649), preface I. Positioning the Diggers within a Communist Tradition Since their rediscovery in the nineteenth century—first by Liberal, Social- ist, and Marxist historians and then by Protestant nonconformists—the English Diggers of 1649–50 have been successively appropriated; their image refashioned in the service of new political doctrines that have sought legitimacy partly through emphasizing supposed ideological antecedents. In a previous article I demonstrated that recent attempts to incorporate the Diggers within a constructed Green heritage are unconvincing and that at worst these emerging “Green narratives” are insensitive to historical context.1 Similarly, here I want to show how, either through lack of understanding the finer points of Protestant theology or deliberate distortion, most explanations of the Diggers’ implementation of the doctrine of community of goods have been misleading. Journal for the Study of Radicalism, Vol. 3, No. 2, 2009, pp. 1–50. issn 1930-1189. © 2009 Michigan State University Board of Trustees. All rights reserved. 1 2 Ariel Hessayon Although the term “Communism” is anachronistic in an early modern context—the Chartist Goodwyn Barmby apparently coined it in 1840—Fried- rich Engels nonetheless used it in his study of Th e Peasant War in Germany (summer 1850). Engels, at that time a journalist and political activist with republican sympathies, linked the revolutionary struggle of the German people in 1848 with the defeated uprising of their forebears.2 Moreover, since the 1890s a number of scholars writing in the wake of the emergence of British socialism and burgeoning trade union movement have used the word to describe an ideology that burst forth during the English Revolu- tion. -
MEDIEVAL PA VINGTILES in BUCKINGHAM SHIRE LTS'l's F J
99 MEDIEVAL PAVINGTILES IN BUCKINGHAM SHIRE By CHRISTOPHER HOHLE.R ( c ncluded). LT S'l'S F J ESI NS. (Where illuslratio ns of the designs were given m the last issue of the R rt•ord.t, Lit e umnlJ er o f the page where they will LJc found is give11 in tl te margi n). LIST I. TILES FROM ELSEWHERE, NOW PRESERVED IN BUCKINGHAM SHIRE S/1 Circular tile representing Duke Morgan (fragment). Shurlock no. 10. Little Kimble church. S/2 Circular tile representing Tnstan slaying Morhaut. Shurlock no. 13. Little Kimble church. S/3 Circular tile representing Tristan attacking (a dragon). Shurlock no. 17. Little Kimble church. S/4 Circular tile representing Garmon accepting the gage. Shurlock no. 21. Little Kimble church. S/5 Circular tile representing Tristan's father receiving a message. Shurlock no. 32. Little Kimble church. S/6 Border tile with grotesques. Shurlock no. 39. Little Kimble church. S/7 Border tile with inscription: + E :SAS :GOVERNAIL. Little Kimble church (fragment also from "The Vine," Little Kimble). S/8 Wall-tiles (fragmentary) representing an archbishop, a queen, S/9 and a king trampling on their foes. S/10 Shurlock frontispiece. Little Kimble church (fragment of S/10 from "The Vine"). Nos. S/1-10 all from Ohertsey Abbey, Surrey ( ?). S/11 Border tile representing a squirrel. Wilts. Arch. Mag. vol. XXXVIII. Bucks Museum, Aylesbury, as from Bletchley. No. S/11 is presumably from Malmesbury Abbey. LIST II. "LATE WESSEX" TILES in BUCKINGHAMSHIRE p. 43 W /1 The Royal. arms in a circle. Bucks. -
Dom Gregory Dix – Reshaped
Homo Eucharisticus: Dom Gregory Dix – Reshaped David John Fuller, B Sc, B Th Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Theology and Religious Studies University of Glasgow December 2013 Copyright © David Fuller, 2013 Homo Eucharisticus: Dom Gregory Dix – Reshaped 2 ABSTRACT In his book The Shape of the Liturgy Dom Gregory Dix coined the phrase ‘Eucharistic man’. In a speech to clergy Archbishop Rowan Williams remarked that Homo Eucharisticus, his Latinised version of Dix’s words, was, ‘a new human species who makes sense of the world in the presence of the risen Jesus at his table’. This thesis will seek to define what is specifically meant by the term Homo Eucharisticus and to indicate that, in a very real sense, Dix is Homo Eucharisticus, understood in his life, vocation, and his primary scholarship as it is centred on The Shape of the Liturgy. I shall demonstrate that Dix’s theology was Incarnational and that his Trinitarian understanding was based on the precept of a ‘Spiritual-Logos’. I shall examine these concepts in the context of Dix’s experience and personality. I shall assess the historical, intellectual and theological influences that helped to shape his life and vocation, and explore his Anglican identity as a priest, a scholar and a member of a religious community. I shall explain Dix’s creative understanding of the Trinitarian nature of the Eucharist and determine that he was a noteworthy theologian of major significance. I shall include studies of his writings on the Ministry of the Church and his major liturgical works The Apostolic Tradition of Saint Hippolytus and The Shape of the Liturgy.