Religious Architecture: Anthropological Perspectives
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/150023 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications ‘AN ENDLESS VARIETY OF FORMS AND PROPORTIONS’: INDIAN INFLUENCE ON BRITISH GARDENS AND GARDEN BUILDINGS, c.1760-c.1865 Two Volumes: Volume I Text Diane Evelyn Trenchard James A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Warwick, Department of History of Art September, 2019 Table of Contents Acknowledgements ………………………………………………………………. iv Abstract …………………………………………………………………………… vi Abbreviations ……………………………………………………………………. viii . Glossary of Indian Terms ……………………………………………………....... ix List of Illustrations ……………………………………………………………... xvii Introduction ……………………………………………………………………….. 1 1. Chapter 1: Country Estates and the Politics of the Nabob ………................ 30 Case Study 1: The Indian and British Mansions and Experimental Gardens of Warren Hastings, Governor-General of Bengal …………………………………… 48 Case Study 2: Innovations and improvements established by Sir Hector Munro, Royal, Bengal, and Madras Armies, on the Novar Estate, Inverness, Scotland …… 74 Case Study 3: Sir William Paxton’s Garden Houses in Calcutta, and his Pleasure Garden at Middleton Hall, Llanarthne, South Wales ……………………………… 91 2. Chapter 2: The Indian Experience: Engagement with Indian Art and Religion ……………………………………………………………………….. 117 Case Study 4: A Fairy Palace in Devon: Redcliffe Towers built by Colonel Robert Smith, Bengal Engineers ……………………………………………………..…. -
Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
Moorish Architectural Syntax and the Reference to Nature: a Case Study of Algiers
Eco-Architecture V 541 Moorish architectural syntax and the reference to nature: a case study of Algiers L. Chebaiki-Adli & N. Chabbi-Chemrouk Laboratoire architecture et environnement LAE, Ecole polytechnique d’architecture et d’urbanisme, Algeria Abstract The analogy to nature in architectural conception refers to anatomy and logical structures, and helps to ease and facilitate knowledge related to buildings. Indeed, several centuries ago, since Eugène Violet-le-Duc and its relationship to the botanic, to Phillip Steadman and its biological analogy, many studies have already facilitated the understanding and apprehension of many complex systems, about buildings in the world. Besides these morphological and structural aspects, environmental preoccupations are now imposing themselves as new norms and values and reintroducing the quest for traditional and vernacular know-how as an alternative to liveable and sustainable settlements. In Algiers, the exploration of traditional buildings, and Moorish architecture, which date from the 16th century, interested many researchers who tried to elucidate their social and spatial laws of coherence. An excellent equilibrium was in effect, set up, by a subtle union between local culture and environmental adaptability. It is in continuation of André Ravéreau’s architectonics’ studies that this paper will make an analytical study of a specific landscape, that of a ‘Fahs’, a traditional palatine residence situated at the extra-mural of the medieval historical town. This ‘Fahs’ constitutes an excellent example of equilibrated composition between architecture and nature. The objective of this study being the identification of the subtle conjugation between space syntax and many elements of nature, such as air, water and green spaces/gardens. -
A Design Research Journal of the Moorish Influence of Art and Design in Andalusia Written and Designed by Breanna Vick
FOLD UN - A design research journal of the Moorish influence of art and design in Andalusia written and designed by Breanna Vick. This project is developed as a narrative report describing personal interactions with design in southern Spain while integrating formal academic research and its analysis. Migration of Moorish Design and Its Cultural Influences in Andalusia Migration of Moorish Design and Its Cultural Influences in Andalusia UROP Project - Breanna Vick Cover and internal design by Breanna Vick. Internal photos by Breanna Vick or Creative Commons photo libraries. All rights reserved, No part of this book may be reproduced in any form except in case of citation or with permission in written form from author. Printed and bound in the United States of America. Author Bio Breanna Vick is a Graphic Designer based in Minneapolis, Minnesota. She is interested in developing a deeper understanding of different methods of design research. On a site visit to Morocco and Spain in May through June of 2017, Breanna tested her knowledge of design research by observing Moorish design integrated in Andalusia. By developing a research paper, establishing sketchbooks, collecting photographs, and keeping journal entries, she was able to write, design and construct this narrative book. With Breanna’s skill-set in creating in-depth research, she has a deep understanding of the topics that she studies. With this knowledge, she is able to integrate new design aesthetics into her own work. Project Objective My undergraduate research project objective is to advance my understanding of how Moorish design appears in cities located throughout the southern territory of Spain. -
A Comparison of the Great Mosque of Cordoba and Notre-Dame-Du-Chartres
Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres Author: Rachel King Persistent link: http://hdl.handle.net/2345/504 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2007 Copyright is held by the author, with all rights reserved, unless otherwise noted. Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres By: Rachel King Advisor: Katherine Nahum Art History May 1, 2007 1 TABLE OF CONTENTS Introduction………………………………………………………………...3 1. History and Culture……………………………………………….......12 2. Form and Function……………………………………………………27 3. Light and Space……………………………………………………….36 4. Narration and Decoration..............................................................49 5. Beauty and Order………………………………………………….….65 Bibliography……………………………………………………………....74 2 INTRODUCTION Rising above the French countryside, with high towers ascending into the sky and graceful buttresses soaring over the ground, the Cathedral of Notre-Dame-du-Chartres cuts a magnificent profile against the French horizon. It is unmistakable, commanding the eye for miles, sitting on the hill like a queen Fig. 1 Notre Dame-du-Chartres Cathedral , aerial view upon a throne. An elegant symphony of glass and stone, the cathedral bridges earth and sky, both literally and symbolically. A miracle of engineering, the cathedral is a testament to human creativity and divine majesty. One thousand miles to the south, the white streets of Cordoba twist and turn until, as if by accident, they stumble upon a magnificent sand colored building hidden behind a grove of trees. The mosque does not rise vertically but stretches horizontally, low to the ground, except for the tall minaret that casts its shadow over the courtyard. -
Tour Highlights.ICAA Morocco.2014.Eblast
ICAA Private Morocco: Casablanca and the Imperial Cities Exemplary Sites, Private Residences & Gardens of Rabat, Casablanca, Fes, Meknes & Marrakech Sponsored by Institute of Classical Architecture & Art Arranged by Pamela Huntington Darling, Exclusive Cultural Travel Programs Saturday, May 10th to Sunday, May 18th, 2014: 8 days & 8 nights The Kingdom of Morocco's rich and ancient culture bears the traces of conquerors, invaders, traders, nomads and colonists—from the Phoenicians and Romans to the Spanish and French. An extravagant mosaic of stunning landscapes, richly textured cities and welcoming people, Morocco's high mountain ranges, lush forests, sun-baked desserts and exotic cities, including many UNESCO World Heritage sites, make for a traveler's paradise. Gateway to Africa, the influence of the many peoples and cultures that have left their mark on this storied country is captured in the architecture and monuments, gardens, art, music and cuisine. The bustling bazaars and splendid Medinas, Kasbahs and mosques of Casablanca and the Imperial Cities offer travelers a tantalizing mix of ancient and modern. For eight magical days, in the company of our expert lecturer, we will explore some of Morocco's most important sites and monuments under privileged conditions and received by officials and prominent members of the community. We will enjoy rare and unique visits, receptions and dinners with the owners of superb private riads (palaces), and villas celebrated for their architecture, gardens, interior décor and world-class art collections, details of which will be sent to confirming participants. Tour Highlights Extra Day: Friday, May 9th: Rabat We recommend that you arrive in Casablanca one day prior to the official program. -
Restoration of the Moroccan Riad
TYPICAL FEATURES OF A RIAD [1] ROOF RESTORATION OF THE MOROCCAN RIAD Terrace • Used for gardens, pools, or laundry CULTURE, CLIMATE AND COURTYARDS OF THE MARRAKECHI MEDINA • High walls common [privacy] Behind the walls of the Marrakechi and the Alaouites (1666-present), each 14 entrances My studies would focus on how these Mouchara-bieb: through medina walls medina lies a dizzying labyrinth of tight, leaving their own unique contributions riads showcase and translate Moroccan carved wooden latticework windowless alleyways of which no map to the architectural heritage of the city. traditions and culture through their Tadelakt: smooth colored surfaces has precisely documented and no trace Yet through each political and economic restorations and renovations. MEDINA W of logic or contemporary planning can shift, the riad, the backbone of the Zelige: complex geometric tilework Pre-trip research will include a more ALLS be found. Modest portals sporadically medina, has remained. dot these aged passageways, entering in-depth analysis of the history of SECOND FLOOR the medina and the riads’ role in its [8] DENSITY OF PUBLIC RIADS, through one of which will usher you into The most recent influx of architectural Tight, winding stairs TYP. THROUGHOUT contributions has come alongside development, as well as its origin story • Dimly lit ALMORAVID KOUBBA the heart of domestic Moroccan living. A • Tucked into corners 12th century monument, globalization. In the late 20th century, and influences throughout time. last remaining example of [2] dimly lit -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Resources for the Study of Islamic Architecture Historical Section
RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION Prepared by: Sabri Jarrar András Riedlmayer Jeffrey B. Spurr © 1994 AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION BIBLIOGRAPHIC COMPONENT Historical Section, Bibliographic Component Reference Books BASIC REFERENCE TOOLS FOR THE HISTORY OF ISLAMIC ART AND ARCHITECTURE This list covers bibliographies, periodical indexes and other basic research tools; also included is a selection of monographs and surveys of architecture, with an emphasis on recent and well-illustrated works published after 1980. For an annotated guide to the most important such works published prior to that date, see Terry Allen, Islamic Architecture: An Introductory Bibliography. Cambridge, Mass., 1979 (available in photocopy from the Aga Khan Program at Harvard). For more comprehensive listings, see Creswell's Bibliography and its supplements, as well as the following subject bibliographies. GENERAL BIBLIOGRAPHIES AND PERIODICAL INDEXES Creswell, K. A. C. A Bibliography of the Architecture, Arts, and Crafts of Islam to 1st Jan. 1960 Cairo, 1961; reprt. 1978. /the largest and most comprehensive compilation of books and articles on all aspects of Islamic art and architecture (except numismatics- for titles on Islamic coins and medals see: L.A. Mayer, Bibliography of Moslem Numismatics and the periodical Numismatic Literature). Intelligently organized; incl. detailed annotations, e.g. listing buildings and objects illustrated in each of the works cited. Supplements: [1st]: 1961-1972 (Cairo, 1973); [2nd]: 1972-1980, with omissions from previous years (Cairo, 1984)./ Islamic Architecture: An Introductory Bibliography, ed. Terry Allen. Cambridge, Mass., 1979. /a selective and intelligently organized general overview of the literature to that date, with detailed and often critical annotations./ Index Islamicus 1665-1905, ed. -
Dictionary of Islamic Architecture
DICTIONARY OF ISLAMIC ARCHITECTURE DICTIONARY OF ISLAMIC ARCHITECTURE Andrew Petersen London and New York First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 First published in paperback 1999 © 1996 Andrew Petersen All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0-415-06084-2 (hbk) ISBN 0-415-21332-0 (pbk) ISBN 0-203-20387-9 Master e-book ISBN ISBN 0-203-20390-9 (Glassbook Format) Contents Preface vii Acknowledgements ix Entries 1 Appendix The Mediterranean World showing principal historic cities and sites 320 The Middle East and Central Asia showing principal historic cities and sites 321 Dedication This book is dedicated to my friend Jamie Cameron (1962–95) historian of James V of Scotland. Preface In one of the quarters of the city is the Muhammadan town, where the Muslims have their cathedral, mosque, hospice and bazar. They have also a qadi and a shaykh, for in every one of the cities of China there must always be a shaykh al- Islam, to whom all matters concerning Muslims are referred. -
RELIGIOUS Architecture
RELIGIOUS RELIGIOUS Religious Architecture: Anthropological Perspectives develops new anthropological perspectives on religious architecture, including mosques, churches, temples and synagogues. Borrowing from a range of theoretical perspectives on space-making and material religion, this volume looks at how religious buildings take their RELIGIOUS place in opposition to the secular surroundings and the neoliberal city; how they, as evocations of the sublime, help believers to move beyond the boundaries of modern subjectivity; and how international heritage status may conflict with their function as community centres. The volume includes contributions from a range of anthropologists, ARCHITECTURE ARCHITECTURE social historians, and architects working in Brazil, India, Italy, Mali, the Netherlands, Russia, Spain, and the UK. ANTHROPOLOGICAL PERSPECTIVES Oskar Verkaaik is Associate Professor of Anthropology at the Edited by Oskar Verkaaik University of Amsterdam. “Compelling and thought provoking collection of essays by anthropologists on religious architecture that shed new theoretical light on the relation between the material and immaterial in the realm of religion in our so-called secular world.” Jojada Verrips, em. professor of Cultural anthropology, University of Amsterdam Verkaaik (ed.) Verkaaik ISBN 978 90 8964 511 1 AMSTERDAM UNIVERSITY PREss • www.AUP.NL AMSTERDAM UNIVERSITY PRESS religious architecture Religious Architecture.indd 1 26-08-13 20:32:52 Religious Architecture.indd 2 26-08-13 20:32:52 Religious Architecture Anthropological Perspectives Edited by Oskar Verkaaik Religious Architecture.indd 3 26-08-13 20:32:52 Cover illustration: View across the Mosque’s roofscape of skylights or vents and towering pinnacles (Trevor Marchand) Cover design: Studio Jan de Boer, Amsterdam Lay-out: V3-Services, Baarn Amsterdam University Press English-language titles are distributed in the us and Canada by the University of Chicago Press. -
The San Gabriel Mission: Whose Architecture Is It?
The San Gabriel Mission: Whose Architecture Is It? By Gary Frueholz, Dilbeck Real Estate The Moors had a profound influence on the San Gabriel Mission. And I am not speaking about Alhambra High School and its mascot. What I am alluding to is the striking and yet unusual architecture of the San Gabriel Mission. Many California Missions like San Fernando and San Juan Capistrano have a friendly and welcoming architecture with arcades and courtyards leading into them. Some missions like Ventura and Santa Barbara have impressive church entrances that generally catch your attention. But the San Gabriel Mission has a different appearance as you approach it. This California mission has almost a fortress like look to it with tall walls and capped buttresses against the walls to provide additional strength to the structure. No other California mission has this appearance. Windows are present, but they are long, narrow, and elevated to minimize potential security risks which larger windows could pose. These elements are indicative of Moorish architecture seen in southern Spain. Two Spanish cities which demonstrate this Moorish architecture are Cordoba and Granada, Spain, with the Alhambra Palace. But where is the linkage between southern Spain and the San Gabriel Mission? Some experts on California missions say the connection results from the man in charge of building the San Gabriel Mission, Father Antonio Cruzado. Father Cruzado was born and raised in Cordoba, Spain. Cruzado lived in this cross cultural city of Spanish and Moorish roots until his early adult years. And ultimately, Father Cruzado was placed in charge of the design and construction of the original Mission San Gabriel Arcangel which was completed in 1805.