Moorish Architectural Syntax and the Reference to Nature: a Case Study of Algiers
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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Developing a Sustainability Plan for Hammams in Morocco
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects 2020-03-05 Developing a Sustainability Plan for Hammams in Morocco Alyssa Joy Sousa Worcester Polytechnic Institute Brian Preiss Worcester Polytechnic Institute Nathan S. Kaplan Worcester Polytechnic Institute Payton Bielawski Worcester Polytechnic Institute Rebekah Jolin Vernon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Sousa, A. J., Preiss, B., Kaplan, N. S., Bielawski, P., & Vernon, R. J. (2020). Developing a Sustainability Plan for Hammams in Morocco. Retrieved from https://digitalcommons.wpi.edu/iqp-all/5619 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. Developing a Sustainability Plan for Hammams in Morocco An Interactive Qualifying Project submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfilment of the requirements for the degree of Bachelor of Science by Payton S. Bielawski Nathan S. Kaplan Brian C. Preiss Alyssa J. Sousa Rebekah J. Vernon Date: 8 March 2020 Report Submitted to: Mr. Abdelhadi Bennis Association Ribat Al-Fath Professor Laura Roberts Professor Mohammed El Hamzaoui Worcester Polytechnic Institute This report represents work of WPI undergraduate -
Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
A Design Research Journal of the Moorish Influence of Art and Design in Andalusia Written and Designed by Breanna Vick
FOLD UN - A design research journal of the Moorish influence of art and design in Andalusia written and designed by Breanna Vick. This project is developed as a narrative report describing personal interactions with design in southern Spain while integrating formal academic research and its analysis. Migration of Moorish Design and Its Cultural Influences in Andalusia Migration of Moorish Design and Its Cultural Influences in Andalusia UROP Project - Breanna Vick Cover and internal design by Breanna Vick. Internal photos by Breanna Vick or Creative Commons photo libraries. All rights reserved, No part of this book may be reproduced in any form except in case of citation or with permission in written form from author. Printed and bound in the United States of America. Author Bio Breanna Vick is a Graphic Designer based in Minneapolis, Minnesota. She is interested in developing a deeper understanding of different methods of design research. On a site visit to Morocco and Spain in May through June of 2017, Breanna tested her knowledge of design research by observing Moorish design integrated in Andalusia. By developing a research paper, establishing sketchbooks, collecting photographs, and keeping journal entries, she was able to write, design and construct this narrative book. With Breanna’s skill-set in creating in-depth research, she has a deep understanding of the topics that she studies. With this knowledge, she is able to integrate new design aesthetics into her own work. Project Objective My undergraduate research project objective is to advance my understanding of how Moorish design appears in cities located throughout the southern territory of Spain. -
A Comparison of the Great Mosque of Cordoba and Notre-Dame-Du-Chartres
Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres Author: Rachel King Persistent link: http://hdl.handle.net/2345/504 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2007 Copyright is held by the author, with all rights reserved, unless otherwise noted. Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres By: Rachel King Advisor: Katherine Nahum Art History May 1, 2007 1 TABLE OF CONTENTS Introduction………………………………………………………………...3 1. History and Culture……………………………………………….......12 2. Form and Function……………………………………………………27 3. Light and Space……………………………………………………….36 4. Narration and Decoration..............................................................49 5. Beauty and Order………………………………………………….….65 Bibliography……………………………………………………………....74 2 INTRODUCTION Rising above the French countryside, with high towers ascending into the sky and graceful buttresses soaring over the ground, the Cathedral of Notre-Dame-du-Chartres cuts a magnificent profile against the French horizon. It is unmistakable, commanding the eye for miles, sitting on the hill like a queen Fig. 1 Notre Dame-du-Chartres Cathedral , aerial view upon a throne. An elegant symphony of glass and stone, the cathedral bridges earth and sky, both literally and symbolically. A miracle of engineering, the cathedral is a testament to human creativity and divine majesty. One thousand miles to the south, the white streets of Cordoba twist and turn until, as if by accident, they stumble upon a magnificent sand colored building hidden behind a grove of trees. The mosque does not rise vertically but stretches horizontally, low to the ground, except for the tall minaret that casts its shadow over the courtyard. -
Patterns of Complexity: Art and Design of Morocco and Tunisia 2011 2
Patterns of Complexity: The Art and Design of Morocco and Tunisia Fulbright-Hays Seminar Abroad Curriculum Project 2011 Sue Uhlig, Continuing Lecturer in Art and Design at Purdue University Religious Diversity in the Maghreb From June 12 to July 21, 2011, I was one of sixteen post-secondary educators who participated in the Fulbright-Hays Seminars Abroad program to Morocco and Tunisia. During those six weeks, we were immersed in the culture of the two North African countries, visiting significant historical and cultural attractions, attending lectures daily, tasting regional cuisine, and taking Arabic language classes for the first two weeks. The topic of the seminar was “Religious Diversity in the Maghreb: Morocco and Tunisia,” so lectures were focused primarily on Islamic topics, such as Moroccan Islam and Sufism, with some topics covering Judaism. We were treated to two musical performances, one relating to Judeo-Spanish Moroccan narrative songs and the other by Gnawa musicians. Visits to Christian churches, Jewish museums and synagogues, and Islamic mosques rounded out the religious focus. The group was in Morocco for a total of four weeks and Tunisia for two. In Morocco, we visited the cities of: Rabat* Casablanca* Sale Beni Mellal* Fes* Azilal Volubilis Amezray* Moulay Idriss Zaouia Ahansal Sefrou Marrakech* Ifrane In Tunisia, we visited the following cities: Tunis* Monastir Carthage Mahdia* Sidi Bou Said El Jem La Marsa Sfax Kairouan Kerkennah Islands* Sousse* Djerba* * cities with an overnight stay For more information, you may contact me at [email protected]. I also have my photos from this seminar on Flickr. http://www.flickr.com/photos/25315113@N08/ Background Being an art educator, teaching art methods classes to both art education and elementary education majors, as well as teaching a large lecture class of art appreciation to a general student population, I wanted to focus on the art and design of Morocco and Tunisia for this curriculum project. -
Tour Highlights.ICAA Morocco.2014.Eblast
ICAA Private Morocco: Casablanca and the Imperial Cities Exemplary Sites, Private Residences & Gardens of Rabat, Casablanca, Fes, Meknes & Marrakech Sponsored by Institute of Classical Architecture & Art Arranged by Pamela Huntington Darling, Exclusive Cultural Travel Programs Saturday, May 10th to Sunday, May 18th, 2014: 8 days & 8 nights The Kingdom of Morocco's rich and ancient culture bears the traces of conquerors, invaders, traders, nomads and colonists—from the Phoenicians and Romans to the Spanish and French. An extravagant mosaic of stunning landscapes, richly textured cities and welcoming people, Morocco's high mountain ranges, lush forests, sun-baked desserts and exotic cities, including many UNESCO World Heritage sites, make for a traveler's paradise. Gateway to Africa, the influence of the many peoples and cultures that have left their mark on this storied country is captured in the architecture and monuments, gardens, art, music and cuisine. The bustling bazaars and splendid Medinas, Kasbahs and mosques of Casablanca and the Imperial Cities offer travelers a tantalizing mix of ancient and modern. For eight magical days, in the company of our expert lecturer, we will explore some of Morocco's most important sites and monuments under privileged conditions and received by officials and prominent members of the community. We will enjoy rare and unique visits, receptions and dinners with the owners of superb private riads (palaces), and villas celebrated for their architecture, gardens, interior décor and world-class art collections, details of which will be sent to confirming participants. Tour Highlights Extra Day: Friday, May 9th: Rabat We recommend that you arrive in Casablanca one day prior to the official program. -
The Central Islamic Lands
77 THEME The Central Islamic 4 Lands AS we enter the twenty-first century, there are over 1 billion Muslims living in all parts of the world. They are citizens of different nations, speak different languages, and dress differently. The processes by which they became Muslims were varied, and so were the circumstances in which they went their separate ways. Yet, the Islamic community has its roots in a more unified past which unfolded roughly 1,400 years ago in the Arabian peninsula. In this chapter we are going to read about the rise of Islam and its expansion over a vast territory extending from Egypt to Afghanistan, the core area of Islamic civilisation from 600 to 1200. In these centuries, Islamic society exhibited multiple political and cultural patterns. The term Islamic is used here not only in its purely religious sense but also for the overall society and culture historically associated with Islam. In this society not everything that was happening originated directly from religion, but it took place in a society where Muslims and their faith were recognised as socially dominant. Non-Muslims always formed an integral, if subordinate, part of this society as did Jews in Christendom. Our understanding of the history of the central Islamic lands between 600 and 1200 is based on chronicles or tawarikh (which narrate events in order of time) and semi-historical works, such as biographies (sira), records of the sayings and doings of the Prophet (hadith) and commentaries on the Quran (tafsir). The material from which these works were produced was a large collection of eyewitness reports (akhbar) transmitted over a period of time either orally or on paper. -
Restoration of Amiriya Madrasa Rada, Yemen
2Q6LWH5HYLHZ5HSRUW <(0 E\$\ú̧O7NHO<DYX] 5HVWRUDWLRQRI$PLUL\D0DGUDVD 5DGD<HPHQ &RQVHUYDWRU 6HOPDDO5DGL &OLHQW *HQHUDO2UJDQL]DWLRQRI$QWLTXLWLHV0XVHXPVDQG0DQXVFULSWV 'HVLJQ RQJRLQJ &RPSOHWHG RQJRLQJ Restoration of Amiriya Madrasa Rada, Yemen I. Introduction The Amiriya Madrasa was built by the last sultan of the Tahirid Dynasty at the beginning of the sixteenth century. It is quite a large madrasa, including several spaces that were probably private living spaces alongside a masjid and teaching rooms. The decoration, structure and form of the spaces are rich and varied. Extensive stucco decoration in qudad plaster and gypsum covers the walls and domes alongside tempera paintings. The dangerous condition of the madrasa first prompted interventions to deal with the structural elements of the building, such as the walls and roof. This was mostly finished by 1987. Cleaning and restoration of the stucco decoration continues to the present day, with a team of experts form Italy restoring the paintings. The whole project is financed by contributions from the Yemeni and Dutch governments. The project started in 1982 and completion is planned for the end of 2004. The masjid will then be opened for use by the inhabitants of Rada, and the rest of the building will become a museum under the Yemeni Government Organization for Antiquities, Museums and Manuscripts (GOAMM). II. Contextual Information A. Historical background Yemen’s earliest history, dating from the Stone and Bronze ages, has only recently been studied. For many years the region of Yemen was governed by a series of local rulers and the periods of their reigns overlap. Islam came to Yemen during the time of the Prophet. -
Hammam Catalog 2021
Hammam Catalog 2021 About us Our Expertise Aromen Hammam specializes Hammam education in the traditional Hammam ritual. By sharing our passion and expertise, we aim to enable spas to integrate Hammam treatments into Scrubs their services and create unforgettable wellness experiences for their guests. Treatments With our estabilished Aromen Hammam Method we merge tradition and innovation to exceed today’s spa guest’s expectations, while Hydration respecting the ancient bathing ritual. We stand for high-quality service and put in the work to strongly support the spa Hydrolats, Floral water and wellness industry. We do this by offering carefully crafted, natural, and regionally authentic products that support Herbs optimal physical and mental wellbeing, for both spa and home purposes. CO2 extracts We provide educational programmes for Accessories professional therapists. And we offer services tailored to the needs of Steam bath essence our clients. The ritual of hammam Historically, the hammam is a place where people come together to enjoy social contact, celebrate important milestones in their life and experience a relaxing and purifying purifying routine for their skin. Until this day, the practise of visiting a hammam is very present in daily life and much appreciated by visitors. Although hammam is often called a Turkish steam bath, hammams are not exclusively Turkish experiences as variations have also emerged in other Arabic societies, most significantly in Morocco. Based on centuries of tradition and beauty secrets, all natural products are used to pamper the skin and massages wash away the tensions that builds up in the body, resulting in a complete state of physical and mental wellbeing. -
Turkish Bath, Heating System, Spatial Characteristic, Sustainability
Architecture Research 2017, 7(2): 41-48 DOI: 10.5923/j.arch.20170702.02 Sustainability by Protecting of Traditional Heating Systems in Turkish Baths Müjgan Bahtiyar Karatosun, Tuba Nur Baz* Department of Architecture, Dokuz Eylul University, Izmir, Turkey Abstract The Turkish baths represent an important group of buildings that dating back to the Ottoman period and bearing the traces of daily life. The Turkish baths, which are an important cultural heritage item that reached today, give information about the structural features as well as reflecting the social structure and the way of life of the period they used. In this sense, it is seen that Turkish baths have unique heating, ventilation and acoustical characteristics when they are viewed from the point of view of their construction systems. The heating system in Turkish baths is also an important feature that also affects the spatial character of the building. In this context, it is important in terms of preservation of the building that the heating methods in accordance with the originality of the bath structures which maintain the original characteristic of the present day can be maintained. The aim of this study is to examine the effects of Turkish baths in terms of sustainability by examining them in the context of one of the characteristic features of heating systems and preserving the original character of the baths. Keywords Turkish bath, Heating system, Spatial characteristic, Sustainability In this study, it is aimed to examine traditional heating 1. Introduction systems which are the characteristic feature of Turkish baths in terms of sustainability by protecting these The history of aqua culture, which has a long history, structures. -
Restoration of the Moroccan Riad
TYPICAL FEATURES OF A RIAD [1] ROOF RESTORATION OF THE MOROCCAN RIAD Terrace • Used for gardens, pools, or laundry CULTURE, CLIMATE AND COURTYARDS OF THE MARRAKECHI MEDINA • High walls common [privacy] Behind the walls of the Marrakechi and the Alaouites (1666-present), each 14 entrances My studies would focus on how these Mouchara-bieb: through medina walls medina lies a dizzying labyrinth of tight, leaving their own unique contributions riads showcase and translate Moroccan carved wooden latticework windowless alleyways of which no map to the architectural heritage of the city. traditions and culture through their Tadelakt: smooth colored surfaces has precisely documented and no trace Yet through each political and economic restorations and renovations. MEDINA W of logic or contemporary planning can shift, the riad, the backbone of the Zelige: complex geometric tilework Pre-trip research will include a more ALLS be found. Modest portals sporadically medina, has remained. dot these aged passageways, entering in-depth analysis of the history of SECOND FLOOR the medina and the riads’ role in its [8] DENSITY OF PUBLIC RIADS, through one of which will usher you into The most recent influx of architectural Tight, winding stairs TYP. THROUGHOUT contributions has come alongside development, as well as its origin story • Dimly lit ALMORAVID KOUBBA the heart of domestic Moroccan living. A • Tucked into corners 12th century monument, globalization. In the late 20th century, and influences throughout time. last remaining example of [2] dimly lit