Turkish Bath, Heating System, Spatial Characteristic, Sustainability
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Door/Window Sensor DMWD1
Always Connected. Always Covered. Door/Window Sensor DMWD1 User Manual Preface As this is the full User Manual, a working knowledge of Z-Wave automation terminology and concepts will be assumed. If you are a basic user, please visit www.domeha.com for instructions. This manual will provide in-depth technical information about the Door/Window Sensor, especially in regards to its compli- ance to the Z-Wave standard (such as compatible Command Classes, Associa- tion Group capabilities, special features, and other information) that will help you maximize the utility of this product in your system. Door/Window Sensor Advanced User Manual Page 2 Preface Table of Contents Preface ................................................................................................................................. 2 Description & Features ..................................................................................................... 4 Specifications ..................................................................................................................... 5 Physical Characteristics ................................................................................................... 6 Inclusion & Exclusion ........................................................................................................ 7 Factory Reset & Misc. Functions ..................................................................................... 8 Physical Installation ......................................................................................................... -
Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Developing a Sustainability Plan for Hammams in Morocco
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects 2020-03-05 Developing a Sustainability Plan for Hammams in Morocco Alyssa Joy Sousa Worcester Polytechnic Institute Brian Preiss Worcester Polytechnic Institute Nathan S. Kaplan Worcester Polytechnic Institute Payton Bielawski Worcester Polytechnic Institute Rebekah Jolin Vernon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Sousa, A. J., Preiss, B., Kaplan, N. S., Bielawski, P., & Vernon, R. J. (2020). Developing a Sustainability Plan for Hammams in Morocco. Retrieved from https://digitalcommons.wpi.edu/iqp-all/5619 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. Developing a Sustainability Plan for Hammams in Morocco An Interactive Qualifying Project submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfilment of the requirements for the degree of Bachelor of Science by Payton S. Bielawski Nathan S. Kaplan Brian C. Preiss Alyssa J. Sousa Rebekah J. Vernon Date: 8 March 2020 Report Submitted to: Mr. Abdelhadi Bennis Association Ribat Al-Fath Professor Laura Roberts Professor Mohammed El Hamzaoui Worcester Polytechnic Institute This report represents work of WPI undergraduate -
Moorish Architectural Syntax and the Reference to Nature: a Case Study of Algiers
Eco-Architecture V 541 Moorish architectural syntax and the reference to nature: a case study of Algiers L. Chebaiki-Adli & N. Chabbi-Chemrouk Laboratoire architecture et environnement LAE, Ecole polytechnique d’architecture et d’urbanisme, Algeria Abstract The analogy to nature in architectural conception refers to anatomy and logical structures, and helps to ease and facilitate knowledge related to buildings. Indeed, several centuries ago, since Eugène Violet-le-Duc and its relationship to the botanic, to Phillip Steadman and its biological analogy, many studies have already facilitated the understanding and apprehension of many complex systems, about buildings in the world. Besides these morphological and structural aspects, environmental preoccupations are now imposing themselves as new norms and values and reintroducing the quest for traditional and vernacular know-how as an alternative to liveable and sustainable settlements. In Algiers, the exploration of traditional buildings, and Moorish architecture, which date from the 16th century, interested many researchers who tried to elucidate their social and spatial laws of coherence. An excellent equilibrium was in effect, set up, by a subtle union between local culture and environmental adaptability. It is in continuation of André Ravéreau’s architectonics’ studies that this paper will make an analytical study of a specific landscape, that of a ‘Fahs’, a traditional palatine residence situated at the extra-mural of the medieval historical town. This ‘Fahs’ constitutes an excellent example of equilibrated composition between architecture and nature. The objective of this study being the identification of the subtle conjugation between space syntax and many elements of nature, such as air, water and green spaces/gardens. -
Islamic Domes of Crossed-Arches: Origin, Geometry and Structural Behavior
Islamic domes of crossed-arches: Origin, geometry and structural behavior P. Fuentes and S. Huerta Polytechnic University of Madrid, Spain ABSTRACT: Crossed-arch domes are one of the earliest types of ribbed vaults. In them the ribs are intertwined forming polygons. The earliest known vaults of this type are found in the Great Mosque of Córdoba in Spain built in the mid 10th century, though the type appeared later in places as far as Armenia or Persia. This has generated a debate on their possible origin; a historical outline is given and the different hypotheses are discussed. Geometry is a fundamental part and the different patterns are examined. Though geometry has been thoroughly studied in Hispanic-Muslim decoration, the geometry of domes has very rarely been considered. The geometrical patterns in plan will be examined and afterwards, the geometric problems of passing from the plan to the three-dimensional space will be considered. Finally, a discussion about the possible structural behaviour of these domes is sketched. Crossed-arch domes are a singular type of ribbed vaults. Their characteristic feature is that the ribs that form the vault are intertwined, forming polygons or stars, leaving an empty space in the centre. The fact that the earliest known vaults of this type are found in the Great Mosque of Córdoba, built in the mid 10th century, has generated a debate on their possible origin. The thesis that appears to have most support is that of the eastern origin. This article describes the different hypothesis, to then proceed with a discussion of the geometry. -
Dome Construction
DOME CONSTRUCTION For further information on dome construction Application of Domes: Blue mosque, XVIth century – Istanbul, Turkey Please contact: ( Æ 23.50 m, 43 m high) n Plain masonry built with blocks or bricks n Floors for multi-storey buildings, they can be leveled flat n Roofs, they can be left like that and they will be waterproofed UNITED NATIONS CENTRE n Earthquakes zones, they can be used with a reinforced ringbeam FOR HUMAN SETTLEMENTS They are Built Free Spanning: (UNCHS - HABITAT) n It means that they are built without form n This way is also called the Nubian technique PO Box 30030, Nairobi, KENYA Timber Saving: Phone: (254-2) 621234 n Domes are built with bricks and blocks (rarely with stones) Fax: (254-2) 624265 Variety of Plans and Shapes: E-mail: [email protected] Treasure of Atreus – Tomb of Agamemnon (Æ +/- 18m) n Domes can be built on round, square, rectangular rooms, etc. Mycene, Greece (+/- 1500 BC) n They allow a wider variety of shapes than vaults AUROVILLE BUILDING CENTRE Stability Study: (AVBC / EARTH UNIT) n The shape of a dome is crucial for stability, and a stability study is Office, often needed. Be careful, a wrong shape will collapse Auroshilpam, Auroville - 605 101 Dhyanalingam Temple – Coimbatore, India Auroville, India elliptical section ( Æ 22.16 m, 9.85 m high) (3.63 m side, Need of Skilled Masons: Tamil Nadu, INDIA 0.60 m rise) n Building a dome requires trained masons. Never improvise when Phone: +91 (0)413-622277 / 622168 building domes, ask advice from skilled people Fax: +91 (0)413-622057 -
Unique Properties of the Geodesic Dome High
Printing: This poster is 48” wide by 36” Unique Properties of the Geodesic Dome high. It’s designed to be printed on a large-format printer. Verlaunte Hawkins, Timothy Szeltner || Michael Gallagher Washkewicz College of Engineering, Cleveland State University Customizing the Content: 1 Abstract 3 Benefits 4 Drawbacks The placeholders in this poster are • Among structures, domes carry the distinction of • Consider the dome in comparison to a rectangular • Domes are unable to be partitioned effectively containing a maximum amount of volume with the structure of equal height: into rooms, and the surface of the dome may be formatted for you. Type in the minimum amount of material required. Geodesic covered in windows, limiting privacy placeholders to add text, or click domes are a twentieth century development, in • Geodesic domes are exceedingly strong when which the members of the thin shell forming the considering both vertical and wind load • Numerous seams across the surface of the dome an icon to add a table, chart, dome are equilateral triangles. • 25% greater vertical load capacity present the problem of water and wind leakage; SmartArt graphic, picture or • 34% greater shear load capacity dampness within the dome cannot be removed • This union of the sphere and the triangle produces without some difficulty multimedia file. numerous benefits with regards to strength, • Domes are characterized by their “frequency”, the durability, efficiency, and sustainability of the number of struts between pentagonal sections • Acoustic properties of the dome reflect and To add or remove bullet points structure. However, the original desire for • Increasing the frequency of the dome closer amplify sound inside, further undermining privacy from text, click the Bullets button widespread residential, commercial, and industrial approximates a sphere use was hindered by other practical and aesthetic • Zoning laws may prevent construction in certain on the Home tab. -
The Emotive Power of an Evolving Symbol: the Idea of the Dome from Kurgan Graves to the Florentine Tempio Israelitico
Ori Z. Soltes, Georgetown University The Emotive Power of an Evolving Symbol: The Idea of the Dome from Kurgan Graves to the Florentine Tempio Israelitico Preliminaries: Complementarity and Contradiction It is a truism within the history of art and architecture that a given visual form may symbolize more than one idea simultaneously - even ideas that contradict each other, although there is usually a logic to the apparent contradiction. Thus in abstract Islamic art, for example, the relationship between God and humanity might be symbolized by a monumental structure - such as a domed building or the mihrab form on a prayer rug - overrun with minutely detailed decoration. In that case, the decoration, in being minute, symbolizes humanity, while its monumental framework symbolizes God. But simultaneously, the framework, in being, as a frame, finitizing, symbolizes humanity, while the infinitizing pattern truncated by the frame symbolizes the God who is infinite. Thus ‘monumental’ versus ‘minute’ and ‘infinite’ versus ‘finite’ are visually presented in an interwoven array of apparent contradictions that nonetheless offer a logic to their interweave. For God is by definition utterly other than humanity, yet, according to the Muslim - and Jewish and Christian - tradition, God breathes the soul into us that makes us more than a clod of earth (Bible) or a bloodclot (Qur’an), which means that, in some sense, we are like God. And therefore in some sense God must be like us. So the simultaneous similitude and absolute alterity of that relationship is effectively conveyed by the relationship among these abstract visual elements. We may see this art historical principle well articulated by the dome form. -
Patterns of Complexity: Art and Design of Morocco and Tunisia 2011 2
Patterns of Complexity: The Art and Design of Morocco and Tunisia Fulbright-Hays Seminar Abroad Curriculum Project 2011 Sue Uhlig, Continuing Lecturer in Art and Design at Purdue University Religious Diversity in the Maghreb From June 12 to July 21, 2011, I was one of sixteen post-secondary educators who participated in the Fulbright-Hays Seminars Abroad program to Morocco and Tunisia. During those six weeks, we were immersed in the culture of the two North African countries, visiting significant historical and cultural attractions, attending lectures daily, tasting regional cuisine, and taking Arabic language classes for the first two weeks. The topic of the seminar was “Religious Diversity in the Maghreb: Morocco and Tunisia,” so lectures were focused primarily on Islamic topics, such as Moroccan Islam and Sufism, with some topics covering Judaism. We were treated to two musical performances, one relating to Judeo-Spanish Moroccan narrative songs and the other by Gnawa musicians. Visits to Christian churches, Jewish museums and synagogues, and Islamic mosques rounded out the religious focus. The group was in Morocco for a total of four weeks and Tunisia for two. In Morocco, we visited the cities of: Rabat* Casablanca* Sale Beni Mellal* Fes* Azilal Volubilis Amezray* Moulay Idriss Zaouia Ahansal Sefrou Marrakech* Ifrane In Tunisia, we visited the following cities: Tunis* Monastir Carthage Mahdia* Sidi Bou Said El Jem La Marsa Sfax Kairouan Kerkennah Islands* Sousse* Djerba* * cities with an overnight stay For more information, you may contact me at [email protected]. I also have my photos from this seminar on Flickr. http://www.flickr.com/photos/25315113@N08/ Background Being an art educator, teaching art methods classes to both art education and elementary education majors, as well as teaching a large lecture class of art appreciation to a general student population, I wanted to focus on the art and design of Morocco and Tunisia for this curriculum project. -
The Central Islamic Lands
77 THEME The Central Islamic 4 Lands AS we enter the twenty-first century, there are over 1 billion Muslims living in all parts of the world. They are citizens of different nations, speak different languages, and dress differently. The processes by which they became Muslims were varied, and so were the circumstances in which they went their separate ways. Yet, the Islamic community has its roots in a more unified past which unfolded roughly 1,400 years ago in the Arabian peninsula. In this chapter we are going to read about the rise of Islam and its expansion over a vast territory extending from Egypt to Afghanistan, the core area of Islamic civilisation from 600 to 1200. In these centuries, Islamic society exhibited multiple political and cultural patterns. The term Islamic is used here not only in its purely religious sense but also for the overall society and culture historically associated with Islam. In this society not everything that was happening originated directly from religion, but it took place in a society where Muslims and their faith were recognised as socially dominant. Non-Muslims always formed an integral, if subordinate, part of this society as did Jews in Christendom. Our understanding of the history of the central Islamic lands between 600 and 1200 is based on chronicles or tawarikh (which narrate events in order of time) and semi-historical works, such as biographies (sira), records of the sayings and doings of the Prophet (hadith) and commentaries on the Quran (tafsir). The material from which these works were produced was a large collection of eyewitness reports (akhbar) transmitted over a period of time either orally or on paper. -
Brooklyn Park Sports Dome COVID-19 Policies
Updated 3/10/2021 Brooklyn Park Sports Dome COVID-19 Policies Capacity & Time Usage • As of now, with current Minnesota Department of Health (MDH) guidelines we can accommodate 125 participants at one time in the dome. The following will be how each area of the dome is assigned for maximum participation: ▪ Playing Field = Less than or equal to 100 participants ▪ Batting Cages = Less than or equal to 5 participants per cage ▪ Walking Track = Less than or equal to 10 participants per hour o If your Playing Field group is in need to exceed 100 participants (not to exceed 125), please contact Mike Ramirez ([email protected]) to discuss accommodations. • Players and parents are not allowed to congregate in the dome lobby, as it is a small, confined space. Parents should wait in their vehicle or outside the facility. Tables and chairs will be removed. • Parents are responsible to drop off and pick up their players at the required time. Players dropped off early or staying late will have to wait outside. • The official clock for dome use time is located on the east wall of the dome on the support building above the office window. • It is required that entering groups remain outside the facilities until the exiting group is outside and more than six feet away. This will limit the number of people crossing paths during the entering and exiting process. • Please be cognizant of your time while participating. Your participants should be completely cleared of the field and out of the dome prior to your scheduled end time. -
Restoration of Amiriya Madrasa Rada, Yemen
2Q6LWH5HYLHZ5HSRUW <(0 E\$\ú̧O7NHO<DYX] 5HVWRUDWLRQRI$PLUL\D0DGUDVD 5DGD<HPHQ &RQVHUYDWRU 6HOPDDO5DGL &OLHQW *HQHUDO2UJDQL]DWLRQRI$QWLTXLWLHV0XVHXPVDQG0DQXVFULSWV 'HVLJQ RQJRLQJ &RPSOHWHG RQJRLQJ Restoration of Amiriya Madrasa Rada, Yemen I. Introduction The Amiriya Madrasa was built by the last sultan of the Tahirid Dynasty at the beginning of the sixteenth century. It is quite a large madrasa, including several spaces that were probably private living spaces alongside a masjid and teaching rooms. The decoration, structure and form of the spaces are rich and varied. Extensive stucco decoration in qudad plaster and gypsum covers the walls and domes alongside tempera paintings. The dangerous condition of the madrasa first prompted interventions to deal with the structural elements of the building, such as the walls and roof. This was mostly finished by 1987. Cleaning and restoration of the stucco decoration continues to the present day, with a team of experts form Italy restoring the paintings. The whole project is financed by contributions from the Yemeni and Dutch governments. The project started in 1982 and completion is planned for the end of 2004. The masjid will then be opened for use by the inhabitants of Rada, and the rest of the building will become a museum under the Yemeni Government Organization for Antiquities, Museums and Manuscripts (GOAMM). II. Contextual Information A. Historical background Yemen’s earliest history, dating from the Stone and Bronze ages, has only recently been studied. For many years the region of Yemen was governed by a series of local rulers and the periods of their reigns overlap. Islam came to Yemen during the time of the Prophet.