1937-10-02 [P C-20]
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Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
QUIT the AIR! in THIS ISSUE Week Ending May 29, 1937
THE TRUE STORY OF TRAGEDY IN LUCY MONROES LIFE -WHY SHE QUIT THE AIR! IN THIS ISSUE Week Ending May 29, 1937 M. L. ANNENBERG Publisher CURTIS MITCHELL, Editorial Director OFFICIAL STAR OF STARS ELECTION BALLOT IMETIMTU1 ..-S My favorite Star of Stars is of the Songs You Love My Stories favorite Musical Program is _ How a muddy river became the My favorite Dramatic Program is _ "Beautiful Blue Danube"! My favlrite Actor is by WALTER KOONS 3 My favorite Actress is _. Tragedy in Lucy Monroe's Life 4 My favorite Chldren's Program is by JAMES H. STREET My favorite Dance Orchestra is Bob Trout Speaking - Thrills in an announcer's life! My favorite Male Singer of Popular Songs is by Boa TROUT 8 My favorite Female Singer of Popular Songs is Moron Madness My favorite Singer of Operatic or Classical Songs is by ARTHUR KENT 16 My favorite Comedian or Comedy Act is My favorite Announcer is _ Personalities I My favorite Sports Announcer is My favorite Commentator is Helen Broderick & Victor Moore My favorite promising new star is Twin Stars of Mirth 6 Housewives Are Happier My name is by HALLY POMEROY 11 My address is Burns and Allen's Housewarming 22 Sheet and Number City and State 5-29-37 Bobby Breen at the Circus 2R I News. and Comment I Plums and Prunes by EVANS PLUMMER 12 Inside Stuff by MARTIN LEWIS 13 The Radio Week The Latest Radio News 15 Music of the Masters by CARLETON SMITH 17 Short Waves by CHARLES A. -
Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
Torrance Herald
Page (5-A TORRANCE HERALD. Torrnnce, cmiromia. THURSDAY, SEPTEMBER 1C. 1037 Chateau Thierry Battle Films Found MUSICAL 'Andy* of Amos and Andy Married \ Big Moments NEW YORK HIGHLIPE ON SCREEN ! By Chance After 16 Years In Vault HIT OPENS In New York's WASHINGTON il'.P.I One for p'osterlty. h(>n thoy wen of the- most precious of all World : nln off In th projection room TONIGHT Vivid History War records-tile six reels of , t _ u, " COI1CColleenBP ' 101for tnrthe bcn-"rn fllm showing the 3rd Division, , Rhythm, sweot, trembly and New York In the oarly yea of the A. E. F. In action before '. pflt of thc iWioral stnff and all lowdown; heavenly song hits of the century when "Dlamo Chateau Thierry Is now safely I officers- Interested in studying scrumptious girls: n parade of Jim" Brady was a familiar f In the keeping'of the War De-iAnietiean fiuhting-nien Hi-ae- lire .ind Lillian Russell was t personalities headed by Allc toast of the town, lives brie partnipnt after a mysterious dls- ; tlon. Kayo, the Ritz Brothers, Do: appear;: IB years ago. Gen. James B. Allison. retir on the screen in "Manhatt Hying fiddles, hot Melodrama," which co-sta Sorgt. W. A. Shoemaker, sec- Ing chief of the Signal Cor[ Ameche; retary of the Society of the 3rd j said on receiving the prized rec" U-umpets and honey crooners; Clark Gable, William Powell a Marine Division, who recently I ords at his office: dancing feet like rain on the Myrnn Loy and opens tonlg roof; and the Insanest antics at the Torrance theatre. -
George Carlin 1 George Carlin
George Carlin 1 George Carlin George Carlin Carlin in Trenton, New Jersey on April 4, 2008 Birth name George Denis Patrick Carlin Born May 12, 1937Manhattan, New York, U.S. Died June 22, 2008 (aged 71)Santa Monica, California, U.S. Medium Stand-up, television, film, books, radio Nationality American Years active 1956–2008 Genres Character comedy, observational comedy, Insult comedy, wit/word play, satire/political satire, black comedy, surreal humor, sarcasm, blue comedy Subject(s) American culture, American English, everyday life, atheism, recreational drug use, death, philosophy, human behavior, American politics, parenting, children, religion, profanity, psychology, Anarchism, race relations, old age, pop culture, self-deprecation, childhood, family [1] [2] [2] [3] [4] [5] [2] [5] [2] [5] Influences Danny Kaye, Jonathan Winters, Lenny Bruce, Richard Pryor, Jerry Lewis, Marx Brothers, Mort [4] [5] [5] [2] [5] Sahl, Spike Jones, Ernie Kovacs, Ritz Brothers Monty Python [6] [7] [8] [9] [10] Influenced Chris Rock, Jerry Seinfeld, Bill Hicks, Jim Norton, Sam Kinison, Louis C.K., Bill Cosby, Lewis Black, Jon [11] [12] [13] [14] [15] [16] Stewart, Stephen Colbert, Bill Maher, Denis Leary, Patrice O'Neal, Adam Carolla, Colin Quinn, Steven [17] [18] [19] [19] [20] Wright, Russell Peters, Jay Leno, Ben Stiller, Kevin Smith Spouse Brenda Hosbrook (August 5, 1961 — May 11, 1997) (her death) 1 child [21] Sally Wade (June 24, 1998 — June 22, 2008) (his death) Notable works Class Clown and roles "Seven Words You Can Never Say on Television" Mr. Conductor -
Dallas, Texas,Texas, Metropolitan Area
" FEDEF( L BUREAU OF !New ESTRiATION mirownposommotmwoormisommot OATS DALLAS / 1,171/1704r4,r 12/6/63 .1/15/64 -—.1/15/64 ' rd - TYPIE0TYPCO aI 'FLY°1114/3c CASECASE SA MAN CLEpENTS LAC dr: CHARACTER OFIOFICASE CASE JACK L. RUBY, RUBY, aka;. aka;. LEE HARVEY OSWALD, aka LEE HARVEY OSWALD, aka - VICTIM CR f '9 IA; (Deceased) IA; 10'4 • • REFERENCES: Reports of ofSA MANNISA MANNI G C. G CLEMENTS C. CLEMENTS dated dated 11/30/63; 11/30/63; 12/6/63; 12/11/43 12/6/63; 12/11/43;; 12/14/63; 12/18/63; 12/18/63; 12/19/63; 12/19/63; 12/21/63; 12/31/6312/21/63; and 1/8/6412/31/63 at Dallas. and 1/8/64 at Dallas. A Report of ofSA SASTUART STUART J. CAMERON J. CAMERON dated dated 12/3/63 12/3/63 at Albuquerque.' at Albuquerque.' ve't • LEADS:. All leads leads are beingare beingset out byset telephone out by and telephone teletype and and teletype and not repeated repeated herein herein! ADMINISTRATIVE: 'r / • 'PO'Ps, dKpseminationdiOsemination willwill be be made made outside the the Bureau Bureau except except on on ureau instrucV?.ons.inatrucV?.ons. • ' g•Diferlapg Overlap in period with with periods periods of prior ofreports prior is occasion reports is occasion - by eflort4to'cbrrelateeflortijto'cbrrelate information information properly and completely.properly and completely. iAIA • tJ J r • IAfIAII. AGENT • AGENT • ON CHANOICCHAPIOIC 00 NOT WNnTtWNITe IN SPACES INIELOW • • .004.001010111101 NAOSINAOSt t •■ 111.••• I" • .•• • • P •' Bureau (44124616)(44A-241516) r 3 ..1.%:6- r.'A Dallas (44'ra6381. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Michael & Kirk Douglas
michael & kirk douglas - donald & keiffer sutherland - david & ain gordon - douglas fairbanks jr & sr - charlie & martin sheen - emilio estevez & martin sheen - peter & henry fonda - jerry & ben stiller - alan & adam arkin - sam gordon & sons richard & barry & david & grandson ain - jackson & spike lee - rob & carl reiner - walter & john huston - melvin & mario van peebles - jeff, beau & lloyd bridges - gordon brothers/david & barry - richard & david - barry & richard - smothers brothers/tom & dick brothers grimm/jakob & wilhelm - smith brothers/william & andrew - coen brothers/joel & ethan wright brothers/orville & wilbur - barrymore brothers/john & lionel - nicholas brothers/harold & fayard SHOWBIZ - SIDEKICK - BROTHER - PARTNER - FAUX OR REAL? tommy & jimmy dorsey - bob & bing crosby - joseph & ralph fiennes - katzenjammer kids/hans & fritz don quijote & sancho panza - 2 pierrots - mutt & jeff - 2 sailors - tom sawyer & huckleberry finn batman & robin - penrod & sam - bernie sanders & spike lee - dan aykroyd & john belushi - corsican brothers - brothers karamazov - lum & abner - john barrymore & fredric march & spencer tracy - each actor getsta be his own partner 1933/the masquerader -é - ronald colman as twin brothers getsta act with himself - 1937/prisoner of zenda - as look alike cousins - 1 is a king - he getsta do it again - royally brothers in comedy - bob (elliott) & ray (goulding) X4 brothers in comedy - mel brooks & carl reiner X6 brothers in comedy - huge laurie & steven fry X6 - brothers in comedy - bob hope & bing crosby -
Seek Investigation of Questionable Tax
MAY 7- 19 4 8 G arden State’s 7 New Jersey’s 7 Most Popular - Most Popular Fathers ’ Mothers 1. Bob Zachary 1. Mrs. L. B. Marsh 2. L. B. Marsh 2. Mrs. Vander Els 3. A1 E. Driscoll 3. Mrs. R- Dohm 4. Bill Widnall 4. Mrs. H. Wenzel 5. Arthur L. Holly 5. Mrs. H. D. Albert 6. Jolrn Borg 6. Mrs. J. E. Daniels 7. Harry Harper 1. Mrs. I. Herman $2 YEARLY — 5c COPY VOL 8 No 19 ________ _________________________ W J\LiL) VV 1UV, 1». 0.1/^__________ __ ____________ _ _ — SEEK INVESTIGATION OF QUESTIONABLE TAX EXEMPTIONS WOMAN’S CLUB OF WALDWICK URGED TO BUY CLUBHOUSE , ,1 j t _ • \7T7i«r<^—-------------------------Ti^QrS’c Hailed as Suggestions are Made that Legion, VFW*R R fi Club Head’s Recommendation Hailed as Bureau be Created in Communities to _ Step in Right Direction as all officers Survey Report Pass on Applications to Prevent Fraud Submit Reports at Annual Meeting Expected Soon The Woman’s Club of Waldwick held its annual meeting Attorney-General Walter D. Van Riper has announced Monday night in the Council Chamber of the Waldwick Mun that five types of personal tax exemptions in New Jersey Waldwick Unit Joins icipal Building. The annual message of the President and one are unvalid under the new state constitution. They include Northwest Chambers of of the founders of the organization, Mrs. M. Martin Turpan active or volunteer firemen, exempt firemen, veterans, wid Commerce jian pointed out that the members should consider the ad ows, national guardsmen while in service and active duty F. -
Descargar Archivo El Cine Del Aislamiento. El Discapacitado En La
6. CAMINO HACIA LA APATÍA En octubre de 1947, cuando la Guerra Fría se estaba haciendo más glacial por momentos, un puñado de con- gresistas norteamericanos constituyeron el Comité de Acti- vidades Anti-Americanas, un grupo más conocido por su acrónimo peyorativo «HUAC» (House Committee on Un- American Activities), abrió formalmente una investigación en la industria de Hollywood. Liderado por el republicano de New Yersey J. Parnell Thomas, el Comité decidió identi- ficar a los trabajadores del cine que podían haber estado asociados en algún momento al Partido Comunista y, en su opinión, habían tratado de subvertir el cine. Para conse- guirlo, el Comité siguió básicamente una estrategia de do- ble filo: «coquetearon» con un número de «testigos amis- tosos» de Hollywood, bastante deseosos de dar nombres por cualquier razón (para expresar sus propias creencias conservadoras, para preservar su sentido de la industria del cine, para saldar viejas cuentas o simplemente para salvar sus propios pellejos), y discutieron con aquellos que habían sido llamados los «testigos no amistosos». Como el presidente Thomas les ordenaba silencio con el martillo de juez a estos últimos, siempre y cuando ellos comenza- ran respondiendo creativamente a la pregunta «¿Eres o has sido alguna vez miembro del Partido Comunista?», es- taba claro que su destino había sido determinado antes de que comenzaran las audiencias. Nació entonces la era de las listas negras de Hollywood, un período colmado de ac- ciones políticas que tendría serias repercusiones en el Cine del Aislamiento. Como se señaló en el capítulo anterior, los ejecutivos de producción se habían dado cuenta hacia el final de la gue- rra de que existía un mercado real para las películas que trataban con las víctimas de las enfermedades de la socie- dad, pero habían llevado a los tribunales a guionistas y di- rectores conocidos por sus puntos de vista liberales. -
November/December 2010 Mel Brooks King of the (Politically Dnc©Irirect
26 NOVEMBER/DECEMBER 2010 MEL BROOKS KING OF THE (POLITICALLY DNC©IRIRECT Mel Brooks, the unchallenGed king of Jewish satire, was born Melvin Kaminsky in WilliamsburG, Brooklyn. The 84-year-old funnyman, film director, sonGwriter and Broadway record- setter believes comedy has the power to transform ugly facts of life such as Jewish persecution into somethinG understandable—and even beautiful. Coming from the man who brouGht the world a musical number about the Spanish Inquisition, the handy miniature Guillotine for on- the-Go circumcisions and the absurdist sonG, Springtime for Hitter, this view is no surprise. Brooks opens up to Moment about his shock upon discovering that most Americans were not Jewish, his experiences as a soldier in World War II (he serenaded German soldiers over a meGaphone on the battlefield), and why he thinks Jewish humor is dead. INTERVIEW BY LYNDA GOROV ■O> E £ tn “In History of the World, Part I, I have a section devoted to the inquisition. It’s not in good taste, but it is a good reminder that Jews were tortured.” What were some formative experi Who were your childhood heroes? Were you aware growing up whether ences growing up that turned you Were they funny people? Were any someone was Jewish? into this funny guy? of them Jewish? For some reason we all knew it. We all I was the baby of the family, always ready Actually, my first childhood heroes knew that Jack Bennywasjewish.We all to entertain. They always expected this were not funny at all. My heroes knew that the Marx Brothers were Jew cute baby to do a little dance or some were adventurers: Robin Hood, ish.