Books, Maps & Manuscripts (1551) Lot

Total Page:16

File Type:pdf, Size:1020Kb

Books, Maps & Manuscripts (1551) Lot Books, Maps & Manuscripts (1551) September 30, 2016 EDT, Main Floor Gallery Lot 298 Estimate: $1000 - $1500 (plus Buyer's Premium) Lot - Autograph material and c. - Collection of 14 autograph books assembled by the Broadway and Off-Broadway set designer Andrew Greenhut between 1949 - 1953. Lot also includes set design photos. 14 autograph books, each 4 ¾ x 6 inches; 120 x 150 mm, original leatherette: 1) January – November 1949, signatures include: Hildegrade; Eddy Duchin; Alive Tyrrell; Abe Burrows; Bill Robinson; Bruce Bennett; Alan Hale; Linda Darnell; Sophie Tucker; Kathryn Grayson; Mario Lanza; Lena Horne; Beatrice Lillie; Rhonda Fleming; John Agar; Rory Calhoun; Louis Jordan; et al. (including band leaders, radio performers), - all presumed in person signatures; lot also includes post card signed in pencil by Cid Caesar. 2) October 1949 – January 1950, signatures include: Ted Mack; Louis Jordan; Rhonda Fleming; Billy De Wolfe; Ted Lewis; Sonja Henie; Bert Wheeler; Xavier Cugat; Abbe Lane; Shelley Winters; Lauritz Melchior; Tallulah Bankhead; et al. (including singers and radio performers), - all presumed in person signatures; lot also includes card signed and inscribed by Jackie Robinson. 3) January - May 1950, signatures include: Wendell Corey; Harry Richmond; Chester Morris; Jerry Colonna; Oscar Levant; Vivian Blaine; Rudy Vallée; Peggy Lee; Bob Hope; Marilyn Maxwell; Gigi Durston; Sophie Tucker; Gordon Jenkins; et al., - all presumed in person signatures. 4) May - October 1950, signatures include: Helen Jepson; Ritz Brothers - Jimmy, Harry, Al; Maureen O'Hara; Jack Benny; Danny Thomas; Gloria Swanson; James Mitchell; Oscar Hammerstein; Ann Blyth; José Ferrer; Henny Youngman; Evelyn Knight; Richard Eastman; Janet Blair; Gene Autry; Xavier Cugat, with drawing; Percy Faith; et al., - all presumed in person signatures. 5) October 1950 - January 1951, signatures include: Phil Silvers; Jerry Lewis; Shirley Booth; John Payne; Joyce Holden; Katherine Hepburn; Harpo Marx; Andrew Sisters [Patty signing, ""Sincerely Andrew Sisters""); Margot Fonteyn; Red Skeleton; et al., - all presumed in person signatures. 6) January - May 1951, signatures include: Harry Carey Jr.; Edgar Buchannan; Ward Bond; Frederick March; Lane Wyatt; Florence Eldridge; Sarah Churchill; Robert Sterling; Eddie Cantor; Eddie Fisher; Mercedes McCambridge; Yuma Sumac; Nat King Cole; Ester Williams; et al., - all presumed in person signatures. 7) May 1951 - October 1951, signatures include: Emmett Kelly; Sid Caesar; Jean Wallace; Bert Lahr; John Derek; Jane Russell; John Ericson; Edmond O'Brien; Robert Cummings; et al., - all presumed in person signatures. 8) October - December 1951, signatures include: George Abbott; Martha Scott; Dane Clark; Phil Silvers; Coleen Gray; Charles Laughton; Charles Boyer; Cedric Hardwicke; Julie Harris; Gregory Ratoff; Gloria Swanson; et al., - all presumed in person signatures. 9) December 1951 - March 1952, signatures include: Rosalind Russell; Dennis Price; Dorothy Sands; Judith Evelyn; Leueen MacGrath; Richard Kiley; Basil Rathbone; Edward G. Robinson; Rosemary Clooney; Tony Martin; Sammy Kaye; Constance Bennett; Judy Holiday; et al., - all presumed in person signatures. 10) March 1952 - June 1952, signatures include: Melvin Douglas; Miriam Hopkins; John Ireland; Joanne Drew; Dorothy Dandridge, et al., - all presumed in person signatures. This album also holds original signed cards whose signatures were to be reproduced by the Ward Wheelock Company for Whitman's Candy and Campbell Soup advertisements: Betty Hutton; Jimmy Stewart; Kirk Douglas; Alan Ladd; Danny Kaye; Bing Crosby; Bob Crosby; Jeanne Crain; Walter O' Keefe; Robert Young. 11) September - December 1952, signatures include: Mindy Carson; Sylvia Field; Jack Fina; Frank Sinatra; June Lockhart; John Dall; et al., - all presumed in person signatures. 12) January - February 1953, signatures include: Dick More; Pat O'Brien; Richard Egan; Kay Francis; George Tobias; Larry Parks; Julia Adams; Kim Stanley; Ralph Meeker; Eileen Heckart; Sally Forrest; Leslie Nelson; Patty Page; et al., - all presumed in person signatures. 13) February - April 1953, signatures include: Jack Carson; Richard Rodgers; Wayne King; Allan Jones; Margaret O'Brien; Harry Belafonte; Jerry Ross; Joan Blondell; Gwen Verdon; et al., - all presumed in person signatures. 14) May - June 1953, signatures include: Jack Cassidy; Paul Valentine; et al., - all presumed in person signatures. Lot includes orig photos of stage sets presumably designed by Andrew Greenhut. 5 silver prints, 7 x 13 1/2 inches; 175 x 340 mm and smaller, University of Miami Photo Center, ca. 1970's..
Recommended publications
  • October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks to Seniors
    f._ SPECIAL FEATURES COMING EVENTS War Firsthand, Page 2 Pan-Hellenic Announces Rushing Senior-Soph Prom Next Saturday Rules, Page 3 Y. W. C. A. Tea Thursday L lib Established 1922 Harrisonburg, Va., Friday, October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks To Seniors Attend A.C.P. Thanksgiving holidays will be- gin Wednesday, November 22, In Class Day Observance Convention when classes end, according to an announcement made this week Traditional Class Day Barrett, Thomas Delegates by President Samuel P. Duke. Governor, Budget Director, Classes will resume on Monday, Ceremonies Observed and Budget Committee From schoolma'am; Taylor, on Successive Days Overton From Breeze November 27th, at 8:00 a. m. Inspect College With Governor James H. Price of "I am deeply interested in the ed- Anna Gordon Barrett and Betty McConneil Dies Virginia as speaker in the chapel ucational problems of Virginia," de- Thomas, editor and business man- service following the traditional ager of The Schoolma'am, the college clared Gov. James H. Price, in ad- gowning ceremony in Senior Hall, the dressing the student body and fac- yearbook, and Frances Taylor and Wednesday annual observance of Senior Class ulty members Wednesday night on Brooks Overton, who occupy the Madison Biology Professor Day began Wednesday night. the occasion of the annual Senior same respective positions on the col- Dies of Heart Failure Led by Almeda Greyard, class Day assembly. "One of my greatest lege newspaper, The Breeze, will rep- president, the seniors received their ambitions is to make adequate pro- rsent Madison College at the annual Wednesday Night caps and gowns from Dr.
    [Show full text]
  • Pictures Afraid You Have Your Dalys Mixed Up
    What's New SUSAN HAYWARD from Coast to Coast exciting (Continued from page 10) really sisters. Their ages are: Christine, 25, Dorothy, 23, and Phyllis, 22.... Miss A. Y., Milwaukee, Wisconsin: Johnny Des- mond is on a two -month leave of absence new from the Breakfast Club program, so he can make personal appearances. He is due back on the show October 23.... Miss J. F., San Antonio, Texas: Yes, John Daly is married, and has been for many years. I'm pictures afraid you have your Dalys mixed up. In- JEFF HUNTER cidentally, John recently signed a long- term contract with the American Broad- casting Company as a vice -president in of charge of news. He will continue to be Off-Guard Candids Your the emcee on What's My Line? however. To all of the readers who wrote about Frank Dane, who played Knap Drewer on Favorite Movie Stars the Hawkins Falls show: Frank is no longer on the program because the part of Drewer is no longer in the script. Knap chartered All the selective skill of our ace a private plane to fly from London to the * Isle of Man, in the story, and was killed cameramen went into the making when the plane crashed into the Irish of these startling, 4 x 5, quality DORIS DAY Sea. glossy prints. What ever Happened To . ? John Beal, the movie actor, who used to appear on the Freedom Rings TV show? Since leaving this show, John hasn't been * New poses and names are con- on any regular program, but has been stantly added.
    [Show full text]
  • Now That She's Gone
    The Carl Cherry Center for the Arts presents... Layne Littlepage in BROADWAY LEADING LADIES: Viva the Divas! With Rick Yramtegui at the piano July 27th – August 19th, 2012 Fridays and Saturdays at 7:30 pm, Sundays at 3 pm Layne Littlepage returns to the Carl Cherry Center with a new and delightful show about the leg- endary female stars of Broadway’s greatest musicals: Julie Andrews, Ethel Merman, Mary Mar- tin, Barbra Streisand, Fanny Brice, Beatrice Lillie, Carol Channing, Elaine Stritch and more! Un- forgettable songs and stories. What makes a legend a legend? And what happens when legends collide, or fight for the same role? Find out! Tickets: $25 Information and Reservations: (831)238-0092, or ticketguys.com Now That She’s Gone Written & Performed by Ellen Snortland Friday, August 24th at 7:30 pm Saturday, August 25th at 7:30 pm Sunday, August 26th at 2:00 pm & 7:30 pm “Now That She’s Gone” is a play that explores Ellen Snortland’s often hilarious, irreverent and sometimes torturous relationship with her Norwegian-American mother. “Now That She’s Gone” has been described as a Lily Tomlin / Garrison Keillor hybrid… passionate, poignant and funny in turns. A memoir piece with Eleanor Roosevelt, sex, drugs and lutefisk, the play and performance has received rave reviews and standing ovations in California, Minnesota, New York, and Washington, D.C., as well as France, Holland, Scotland… and Norway. Tickets are $20, and will be available at the door (if space is available), or can be purchased online at carlcherrycenter.org For more info, email [email protected] or call 626-798-8421, or visit Ellen’s website at http://www.snortland.com “An Evening with William Blake” with Norma and Richard Mayer, and Bill Minor Friday, August 31st, at 7:30pm Soprano Norma Mayer and flutist Richard Mayer will perform poems of William Blake set to music by Ralph Vaughan Williams and other composers.
    [Show full text]
  • 2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
    seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public.
    [Show full text]
  • The Ithacan, 1938-11-11
    Ithaca College Digital Commons @ IC The thI acan, 1938-39 The thI acan: Spring 1931 to 1939-40 11-11-1938 The thI acan, 1938-11-11 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1938-39 Recommended Citation Ithaca College, "The thI acan, 1938-11-11" (1938). The Ithacan, 1938-39. 4. http://digitalcommons.ithaca.edu/ithacan_1938-39/4 This Newspaper is brought to you for free and open access by the The thI acan: Spring 1931 to 1939-40 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1938-39 by an authorized administrator of Digital Commons @ IC. - Football-Home Orche-tra Concert Brooklyn Little Theatre Today atan Sunday Z-472 Vol. X, No. 4 The Ithacan: Friday, November 11, 1938 Page 1 I I Student Recital Movement To Adopt The Concert Band Liliom In Rehearsal Ithaca College New Alma Mater Under Mr. Beeler For Production Held In -!- Early In December Soccer Team Students At Work Reaches New -High Composing Lyrics -!- -1- Little Theatre And Music Molnar Play Under Breaks Even -!­ -1- On Sunday, October 30, Profes- . Direction of -!- Music Students Present sor Walter Beeler. conducted the Games With Panzer First Recital of The movement to obtain a new Concert Band to a new high in Prof. Dean Current Series Alma Mater and other new school And West Chester presenting and establishing the -I- -I- songs is already in progress. Much State Teachers band as a musical organization. -!- Program and notes: dissatisfaction has been expressed Professor Beeler's objective is ideal, Liliom, written 29 years ago by Valcik ..........................................
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • LISTENING to DRAG: MUSIC, PERFORMANCE and the CONSTRUCTION of OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillmen
    LISTENING TO DRAG: MUSIC, PERFORMANCE AND THE CONSTRUCTION OF OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Elizabeth Kaminski, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Vincent Roscigno, Advisor Professor Verta Taylor _________________________ Advisor Professor Nella Van Dyke Sociology Graduate Program ABSTRACT This study examines how music is utilized in drag performances to create an oppositional culture that challenges dominant structures of gender and sexuality. I situate this analysis in literature on the role of music and other cultural resources in the mobilization of social movement protest. Drawing from multiple sources of data, I demonstrate that drag queen performers make use of popular songs to build solidarity, evoke a sense of injustice, and enhance feelings of agency among audience members – three dimensions of cognition that constitute a collective action framework, conducive to social protest. The analysis is based on observations of drag performances; content analysis of the lyrics of drag songs; intensive interviews with drag queens at the 801 Cabaret in Key West, Florida; focus groups with audience members who attended the shows at the 801 Cabaret; and interviews with drag queen informants in Columbus, Ohio. I demonstrate how drag performers use music to construct new alliances and understandings of gender and sexuality among gay and heterosexual members of the audience. The data illustrate that drag performers strategically select songs to evoke an array of emotions among audience members. First are songs that utilize sympathy, sorrow, and humor to build solidarity.
    [Show full text]
  • Tab Hunter Confidential, LLC
    Tab Hunter Confidential, LLC. “TAB HUNTER CONFIDENTIAL” FEBRUARY 25, 2015 TRANSCRIBED BY: WORD OF MOUTH (RL) [00:00:26] TAB HUNTER : I would go out occasionally to a cocktail party and I was fascinated by all of what I saw there. There were a few guys dancing with a few guys, a couple of gals dancing with a couple of gals. It was just a party and people were dancing and having a good time. Parties like this were illegal. [00:00:53] And then the next thing I know the cops came in. Doors burst open, there they were. They were arresting a bunch of, uh, queers. They took us down to the police station. You know, I thought oh my God, this is terrible. I thought what would my mother think of my being arrested? Will it affect this career that I’m trying to get started in motion pictures? [00:01:27] An attorney, Harry Weiss appeared. He was well known for taking care of situations like that with many, many Hollywood people. He said you gotta be a lot sharper than you are. You’re in Hollywood now, you want to be an actor, and really laid down the Tab Hunter Confidential - 2 law to me. And then I was released. I had no idea it was gonna jump up and be thrown out at me years later. [00:01:57] [FILM CLIP] DICK CLARK : Here’s the young fellow you’ve been waiting for. Ladies and gentleman, Tab Hunter. VOICEOVER : Six feet of rugged manhood to stir the heart of every woman.
    [Show full text]
  • The Inventory of the Beatrice Lillie Collection #1566
    The Inventory of the Beatrice Lillie Collection #1566 Howard Gotlieb Archival Research Center 1 Lillie, Beatrice #1566 Box 1 I. Manuscripts. Folders 1-2 A. Plays. 1. “Magdalena,” author unknown, draft of Acts I and II, TS with holo. corrections, approx. 110 p., n.d. Folder 3 2. “You’ll Get Used to It,” by M. Andersen-Kenrick, final draft, TS, 143 p., 1935. Folder 4 3. “Time Remembered,” by Jean Anouilh, final draft, TS, 83 p., 1956; includes TLS to BL from Ethel Adler (Secretary to Roger L. Stevens) re: "Time Remembered." Folder 5 4. “God Bless Our Bank,” by Max N. Benoff, final draft, TS, 145 p., n.d. Folder 6 5. “Cassandra Kelly,” by Ralph Berton and Eugene Berton, final draft, TS, 114 p., n.d. Folder 7 6. “Little Boxes,” by John Bowen, final draft, TS, n.d., includes “Trevor,” 82 p., and “The Coffee Lace,” 74 p. Folder 8 7. "Fumed Oak," by Noel Coward. a. Draft, TS with holograph corrections, 31 p., n.d. 2 Box 1 cont’d. b. Bound copy, final version, TS, 31 p., 1936. Folder 9 8. "Set to Music," by Noel Coward, final version, TS, 64 p., n.d. Folder 10 9. "Hands Across the Sea,” by Noel Coward. a. Final version, approx. 28 p., n.d. b. Final version, subtitled “A Light Comedy in One Act,” TS with holograph notes, 30 p., n.d. Folder 11 10. “A Christmas Carol,” by Charles Dickens, draft, TS with holograph notes, 24 p., n.d. Folder 12 11. “Wait the Phoenix: A Rhythmical-Comedy in Three Acts of Variant Verse,” by Clement ffuller [sic], TS, 132 p., 1963.
    [Show full text]
  • Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
    University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • A Performer's Guide to the American Theater Songs of Kurt Weill
    A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]