Pictures Afraid You Have Your Dalys Mixed Up
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Parking Who Was J 60P NAMES WARREN Gary Cooper
Metro, is still working on the same tator state that she was going to thing cute.” He takes me into the day,* had to dye her brown hair is his six- contract she signed when she was marry Lew Ayres when she gets her television room, and there yellow. Because, Director George wife. Seems to year-old daughter Jerilyn dining Mickey Rooney’s freedom from Ronald Reagan. She Seaton reasoned, "They wouldn't me she rates something new in alone, while at the same time she Hollywood: that’s because have a brunette daughter.” the way of remuneration. says quite interesting, watches a grueling boxing match on Back in Film is from Business, Draft May Take Nancy Guild, now recovered from she hasn’t yet had a date with Lew. the radio. Charles Grapewin retiring Hughes, making pictures when he finishes her session with Orson Welles in John Garfield is doing a Bing Gregory Peck gets Robyt Siod- Kay Thompson’s into two his present film, "Sand,” after 52 “Cagliostro,” goes pictures for his Franchot Tone. mak to direct him in "Great Sinner.” Minus Brilliance of Crosby pal, years in the business. And they Schary Williams Bros. —the Clifton Webb “Belvedere Goes That's a break for them both. He in a bit role in Fran- used to the movies were a By Jay Carmody to College,” and “Bastille” for Wal- appears Celeste Holm and Dan Dailey are say pre- carious ferocious whose last Hollywood Sheilah Graham ter Wanger. chot's picture, “Jigsaw.” both so their Coleen profession! Howard Hughes, the independent By blond, daughter North American Richard under (Released by sensation was production of the stupid, bad-taste "The Outlaw," has Burt Lancaster, thwarted in his Conte, suspension Nina Foch is the only star to beat Townsend, in "Chicken Every Sun- Newspaper Alliance.) at 20thtFox for refusing to work in come up with another that has the movie capital talking. -
"Hello, Dolly!" at Auditorium Theatre, Jan. 27
AUDITORIUM THEATRE ROCHESTER JANUARY 27 BROAD'lMAY TO FEBRUARY 1 THEATRE LEAGUE 1969 YVONNE DECARLO m HELLO, gOLL~I llng1na1ly D1rected and ChoreogrJphPd by GOWER CHDIPIOII Th1s Pr oductiOn D1rected by LUCIA VICTOR ~tenens FEATURING OUR SATURDAY NITE SPECIAL Prime Rib of Beef Au Jus Baked Potato with Sour Cream & Chives Vegetable - Salad - Coffee $3.95 . ALSO MANY OTHER DELICIOUS ITEMS Stop in for dinner before the show or after the show for a late evening anack SERVING 7 DAYS & NITES FROM 11 A.M. till 2 A.M. 1501 UNIVERSITY AVE . EXTENSION PLENTY OF FlEE PAIICING For Reservations Call: 271-9635 or 271-9494 PARTY AND BANQUET ACCOMMODATIONS Consult Us For Your Banquets And Part i es . • • we w i ll be glad to hove you . Wm. Fisher, Budd Filippo & Ken Gaston proudly present YVONNE DE CARLO in The New York Critics Circle & Tony Award Winn1ng Mus1cal "HELLO, DOLLVI 11 Book IJy Music & Lyrics by MICHAEL STEW ART JERRY HERMAN Based on the originc~l play by Thornton Wilder also starring DON DE LEO with Kathleen Devine George Cavey Rick Grimaldi Suzanne Simon David Gary Althea Rose Edie Pool Norman Fredericks Settings Designed by Lighting Consultant Costumes by Oliver Smith Gerald Richland freddy Wittop Dance & Incidental Music Orchestration by Arrangements by Musical Dirt!cliun by Phillip J. Lang Peter Howard Gil Bowers [)ances Staged for this Production hy Jack Craig Original Choreography & Direction by GOWER CHAMPION This Production Staged by Lucia Victor PHIL'S PANTRYS J A Y ' S "REAL DELICATESSENS" Fresh Sliced Cold Meats D I N E R Home Made Salads & Baked Beans lWO LOCAnONS 2612 W. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Aster of Suspense: Alfred Hitchcock
Visual arts example A IB DIPLOMA- VISUAL ARTS EXTENDED ESSAY aster of Suspense: Alfred Hitchcock How does Alfred Hitchcock visually guide viewers as he creates suspense in films such as ''The Pleasure Garden,''''The Lodger,'' ''Strangers on a Train'' and 'Psycho''? Candidate Number: Word Count: 3780 IMAGES: Please note that until copyright has been confirmed, all images have been removed. Apologies for the inconvenience. Extended essay 1 Visual arts example A IB VISUAL ARTS - EXTENDED ESSAY Contents INTRODUCTION ...................................................................................................................... 3 THE BEGINNING OF FILM .................................................................................................... 4 BACKGROUND OF ALFRED HITCHCOCK ......................................................................... 5 EARLY SILENT FILMS ............................................................................................................ 6 THE AMERICAN FILMS FROM THE 1950s ONWARDS ................................................... 11 Strangers on a Train (1951) .............................................................................................................. 11 Pyscho (1963) .................................................................................................................................... 13 INFLUENCE ON CONTEMPORARYFILMS ...................................................................... 17 CONCLUSION ....................................................................................................................... -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
517 Parachute Regimental Combat Team
517 th Parachute Regimental Combat Team MailCall No. 2036 January 30, 2011 517th Parachute Infantry Regiment 460th Parachute Field Artillery Battalion 596th Parachute Combat Engineer Company Website www.517prct.org Mail Call [email protected] Mail Call Archives www.517prct.org/archives Roster www.517prct.org/roster.pdf What, No Pictures? RE: Sunday [As in Claire’s weekly Sunday morning report – BB] Good morning, Bob - The delayed report from the Kissimmee reunion is that it was fabulous with a great time had by all. We are already booked for next year and we are looking forward to the rest of Reunion Season: Palm Springs in April and Atlanta in July. Lory Curtis and Mike Wells are hard at work getting ready for Atlanta, and Helen Beddow has done some on-the-ground reconnoitering there in her home state - we all remember the great Savannah reunion in 2005. Look at the dates - line up your travel plans. The rooms are going to be very reasonably priced and it will be one fabulous time in Atlanta. All the best to my favorite vets - Claire Giblin All the best to the FL reunion folks. Hope to meet all the 517th family at the Atlanta reunion. Dennis Sura son of Mike Sura , H Company MailCall # 2036 Send news to [email protected] Page 1 of 4 517 th Parachute Regimental Combat Team Name That Trooper This quiz is especially for our newer members, it is a recycled quiz from past 517th Mail Calls .... Give it a shot .... Refresher course from archived Mail Calls. There were two 517th PIR Troopers who each had a famous younger brother that went on to became famous actors on the silver screen as well as Broadway. -
Hitchcock in the Forties Marshall Deutelbaum, Coordinator and Presenter
WALLA Spring, 2015 Hitchcock in the Forties Marshall Deutelbaum, Coordinator and Presenter Rope (Transatlantic Pictures / Warner Bros., 1948) 81 min. James Stewart (Rupert Cadell); John Dall (Brandon Shaw); Farley Granger (Phillip Morgan); Dick Hogan (David Kentley); Sir Cedric Hardwicke (Mr. Henry Kentley); Constance Collier (Mrs. Anita Atwater); Douglas Dick (Kenneth Lawrence); Joan Chandler (Janet Walker). Hitchcock’s Rope, based on Patrick Hamilton’s play of 1929, “Rope’s End,” was the first production of the company formed by Hitchcock and Sidney Bernstein. Initially adapted by Hume Cronin, Arthur Laurents wrote the final script, Americanizing the English play which was thought to have been based most likely on the kidnapping and thrill murder in Chicago some five years earlier of 14 year old Bobby Franks by Nathan Leopold, Jr. and Richard Loeb. Rather than simply a thrill killing, Brandon Shaw and Phillip Morgan murder David Kentley at the beginning of the film as an intellectual exercise in Nietzschean philosophy as taught to them by Rupert Cadell. To satisfy the censorial demands of the Production Code, the homosexual relationship between Brandon and Phillip is never explicitly mentioned, though it remains a subtext in the drama. Rope is Hitchcock’s most experimental film. Restricted after the opening shot to a single set, it mostly consists of unedited long takes lasting as long as ten minutes. To create the illusion that the film is unedited, Hitchcock hid the few moments where one long take is edited to the next by moving the camera into a close-up of a man’s dark jacket or some other object in order to black out the screen momentarily during the change of shot. -
Printer Friendly
Printer Friendly ● CloseClose Window ● WindowClose Window ● Print this page ● Print this page From The TimesApril 17, 2008 The 50 Greatest Crime Writers, No 1: Patricia Highsmith Marcel Berlins Do you agree with our selection? Click here to see the full list and post your comments She broke most of the rules that govern the writing of crime fiction. She followed none of the usual formulae. There are no heroic cops, tough private eyes or amateur sleuths; often there is no mystery and therefore no solution; good does not necessarily triumph over evil. Graham Greene got it right when he wrote that “she created a world of her own, claustrophobic and irrational, which we enter each time with a sense of personal danger.” Her first novel, Strangers on a Train (1950), introduced the menacing atmosphere that would permeate almost all her novels. Two men meet on a train. One has good reasons to kill his wife, the other his father; they exchange the carrying out of the murders, so that neither would have a discoverable motive. In the voice of one of her characters, Highsmith posits a philosophical thread that runs through her entire oeuvre. “Any kind of person can murder. Purely circumstances and not a thing to do with temperament. People get so far - and it takes just the least little thing to push them over the brink. Anybody.” Also discernible in this novel are the sexual ambiguities that played a part in many of her later works. Do not confuse the novel with the film that Alfred Hitchcock made of it (for which Raymond Chandler wrote an early version of the screenplay). -
Theatrs Thears Theatrs
THE EVENING STAR, Washington, D. C. AMUSEMENTS. MONDAY,MAT 2«. 1952 AMUSEMENTS. A-14 Where and When Stage Dancer - The Passing Show Current Theater Attractions In Second Film As brutally outspoken as And Time of Showing HOLLYWOOD. the words Allyn Stage. McLerie, dancing Broad- way actress who I this betrayed iKerima Is Conrad's Girl, National—“ Call Me Madam”; makes her screen wt *jm 8:30 p.m. bow in Warner Bros.’ “Where’s Charley?” has been assigned b> husband hurls But Screen. to portray She's Also Herself Ambassador —“The San Fran- Jack L. Warner the sultry harem girl, Azuri. in “The mkm, his • By Jay Carmody 3:20, 5:25, Yf at wife... cisco Story”: 1:15, 7:30 Desert Song,” Technicolor mmf- and 9:40 p.m. musi- Growing up, a book-wormy kid back there in Illinois, the words cal. in Ahoy!”; Vs lU, the fury of .of Josepji Conrad seemed gospel true—although naturally quite dif- Capitol—“Skirts 11 a.m. Miss McLerie, contracted by the 1:45, 4:30, 7:15 and 10 p.m. Stage: ¦'uSP-'U’ VI f%- fferent. Burbank studio following her per- $lB discovery! There was his description of Aissa In “Outcast of the Islands,” 12:55, 3:40, 6:25 and 9:10 p.m. formance opposite Ray Bolger in RUtHT 51~i «or example: Columbia “Bingin’ in the both the stage and film versions “Even in repose it is impossible not to be aware of the sinuous Rain”; 11 a.m., 1:10, 3:20, 5:30, of “Where’s Charley?” has re- JERRY WALD l NORMAN XRASNA oi ner Doay, tne strange 7:40 and 9:50 p.m. -
Artifacts of Hollywood & Music
09/25/21 04:03:32 Artifacts of Hollywood & Music Auction Opens: Mon, Aug 9 12:00am PT Auction Closes: Sat, Sep 4 10:00am PT Lot Title Lot Title 1 Elvis Presley and Johnny Cash Signed $1 Bill 115 Marilyn Monroe 1959 A New Wrinkle Pin-Up 10 Jimi Hendrix Personally Owned Red Silk Scarf Calendar 100 Star Trek Memorabilia From Gene 116 Marilyn Monroe 1955 Golden Dreams Pin-Up Roddenberry's Estate Calendar 101 Adam Driver Autographed "Star Wars" Kylo 117 Debbie Reynolds Autographed Black and White Ren Helmet Photo 102 Adam Driver Autographed "Star Wars" Kylo 118 Priscilla Presley's Personally Owned Plush Ren Poster Sweater 103 "Back to the Future" Double Signed Photo 119 Elvis and Priscilla Presley Photo Signed by W/COA Priscilla 103A Back to the Future "OUTATIME" DeLorean 12 Jimi Hendrix Personally Owned Red Crystal License Plate Bottle 103B Harry Potter Prop Gringotts Wizarding Bank 120 Elvis Presley Honeymoon Home Exhibit White Slips Jumpsuit 104 "Harry Potter" Cast Signed 11"x14" Photograph 121 Elvis Presley Honeymoon Home Exhibit W/COA Framed Photos 105 Gene Wilder Signed Golden Ticket in Matted 122 Elvis Presley "Guitar Man" Promo Belt Buckle Display and LP 106 Johnny Depp Autographed "Willie Wonka" 123 Elvis Presley Beverly Hills Estate Leaf Pendant 11"x14" Photo 123A Elvis Presley Solid 14K Yellow Gold TCB 107 Bud Blake Signed Original "Tiger" Sketch Necklace W/COA 123B Khloe Kardashian's Custom Cognac Diamond 108 Al Pacino "The Godfather" Autographed Scala Bracelet Fedora 123C Khloe Kardashian's Custom Black Diamond 109 Al Pacino and -
Tab Hunter Confidential, LLC
Tab Hunter Confidential, LLC. “TAB HUNTER CONFIDENTIAL” FEBRUARY 25, 2015 TRANSCRIBED BY: WORD OF MOUTH (RL) [00:00:26] TAB HUNTER : I would go out occasionally to a cocktail party and I was fascinated by all of what I saw there. There were a few guys dancing with a few guys, a couple of gals dancing with a couple of gals. It was just a party and people were dancing and having a good time. Parties like this were illegal. [00:00:53] And then the next thing I know the cops came in. Doors burst open, there they were. They were arresting a bunch of, uh, queers. They took us down to the police station. You know, I thought oh my God, this is terrible. I thought what would my mother think of my being arrested? Will it affect this career that I’m trying to get started in motion pictures? [00:01:27] An attorney, Harry Weiss appeared. He was well known for taking care of situations like that with many, many Hollywood people. He said you gotta be a lot sharper than you are. You’re in Hollywood now, you want to be an actor, and really laid down the Tab Hunter Confidential - 2 law to me. And then I was released. I had no idea it was gonna jump up and be thrown out at me years later. [00:01:57] [FILM CLIP] DICK CLARK : Here’s the young fellow you’ve been waiting for. Ladies and gentleman, Tab Hunter. VOICEOVER : Six feet of rugged manhood to stir the heart of every woman. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.