QUIT the AIR! in THIS ISSUE Week Ending May 29, 1937

Total Page:16

File Type:pdf, Size:1020Kb

QUIT the AIR! in THIS ISSUE Week Ending May 29, 1937 THE TRUE STORY OF TRAGEDY IN LUCY MONROES LIFE -WHY SHE QUIT THE AIR! IN THIS ISSUE Week Ending May 29, 1937 M. L. ANNENBERG Publisher CURTIS MITCHELL, Editorial Director OFFICIAL STAR OF STARS ELECTION BALLOT IMETIMTU1 ..-S My favorite Star of Stars is of the Songs You Love My Stories favorite Musical Program is _ How a muddy river became the My favorite Dramatic Program is _ "Beautiful Blue Danube"! My favlrite Actor is by WALTER KOONS 3 My favorite Actress is _. Tragedy in Lucy Monroe's Life 4 My favorite Chldren's Program is by JAMES H. STREET My favorite Dance Orchestra is Bob Trout Speaking - Thrills in an announcer's life! My favorite Male Singer of Popular Songs is by Boa TROUT 8 My favorite Female Singer of Popular Songs is Moron Madness My favorite Singer of Operatic or Classical Songs is by ARTHUR KENT 16 My favorite Comedian or Comedy Act is My favorite Announcer is _ Personalities I My favorite Sports Announcer is My favorite Commentator is Helen Broderick & Victor Moore My favorite promising new star is Twin Stars of Mirth 6 Housewives Are Happier My name is by HALLY POMEROY 11 My address is Burns and Allen's Housewarming 22 Sheet and Number City and State 5-29-37 Bobby Breen at the Circus 2R I News. and Comment I Plums and Prunes by EVANS PLUMMER 12 Inside Stuff by MARTIN LEWIS 13 The Radio Week The Latest Radio News 15 Music of the Masters by CARLETON SMITH 17 Short Waves by CHARLES A. MORRISON 20 I ,Pictorial- Features_ I Scoop! A Star Is Born! A RADIO GUIDE News -Beat 10 Dial Time Stars Mail your ballot to the Star of Stars Election Tellers, Radio Guide, 731 Ply- Your radio favorites! 14 mouth Court. Chicago, Illinois. Paste it on a penny postcard, if you wish. We Applaud- Seven history -making stars of the airways 21 You Asked For Them-And Here They Are! Stars of outstanding merit! 24 Behind the Murder Scene "Gang Busters"-in the making! 26 Your LAS, Chance! I Departments Stories of Near -by Stations 18 Voice of the Listener 18 THERE will be no bal- in! Will yours be among RADIO GUIDE'S X -Word Puzzle 19 lot for your Star of them? If it is, you can be Star of Stars Standings 46 Stars Election next is- sure that yours will be Contests on the Air 46 sue. This is positively the one of the deciding votes Your Program Locator 47 last one for this year's in this year's poll. contest. It's your last Now, if you have a fa- I Pro -rams chance to vote! May 31 is vorite star you'd like to the final deadline; ballots see win this election-and Sunday, May 23 29 postmarked later than no doubt you have-urge Monday, May 24 31 that will not be counted! all your friends to vote Tuesday, May 25 34 But remember, you still for him too! See to it that Wednesday, May 26 36 39 have a chance to take part he gets as many votes as Thursday, May 27 This possible! Give him all the Friday, May 28 41 in the 1937 voting! Saturday, May 29 44 ballot, sent in right away, support you can! There's will still reach the Elec- still time to change the Official Photographer: Delar, tion Tellers in time! But course of this election. All Radio City, New York must votes received during the of course you act at Nadine Conner: Fourth in Cover Portrait by Charles E. Rubino once. In these final days the Star of Stars Poll next week will be very in is edited and published of voting, there's still am- as a Promising New Star! important deciding the Radio Guide ple time for the standings 1937 winners. So do all at 731 Plymouth Court, Chicago, Ill. to change --and some of you can during the re- RADIO Orina (Trade Mark Registered U. S. Pat. (nice). them undoubtedly will. Whether the fa- maining few days. Get behind your favor- Volume VI. Number 32. Week Ending May 29. now in lead will hold ite star now while there's still time. And 19:17. Published by Regal Press, Inc. Issued Weekly. vorites who are the ItAUlo (urlu(., 731 Plymouth Court, Chicago. Illinois. their positions at the close of the poll is an remember, you must get your ballots in Entered asis second class matter at the Post ()Rice, Chti-ago, Illinois, 24, 1932. under Act of March 3. 1879. open question that can be settled only by the mail at once to be included in the Copyright. 1937, by Regal Press, hie. All rights reserved. Executive, Editorial, thculation and Business noire. 731 the ballots coming in during the remaining final tabulations. Any delay means you'll Plymouth Court, Chicago. Illinois. M. L. Annenberg. miss your chance entirely. Help decide ('hair man of the board; Herbert Erancer. Executive Vice - few days. And here's something import- President and General Manager; Curtis Mitchell, Vice - ant to remember: If the standings are to who the final winner will be! Get your President and Editoral Director; Ed 'Logy. Circulation iilnoage r. Eastern Editorial nuire, 551 Fifth Avenue, change, they will change only because of votes in-now! Ness York City. Advertising other's: 551 Fifth Avenue. New York City; Mills Building, San Francisco, California; the ballots from this issue which are sent (See Star of Stars Standings on Page 46) Western Pacific Building. Los Angeles, California. and 731 Plymouth Court, Chicago. Illinois. Unsolicited manu- scripts should be accompanied by stamped, self-addressed envelope for return. Ten cents per copy In the United States. Subscription rates in U. S. and possessions arid countries of the l'an -American Postal Union: six mondes, $2.50; one year, $4.00. Subscription rates in foreign countries: six months, $5.00; one year, $8.00. Remit by Postal money order, express money order or cheek drawn ta order of RAuio ()mg. Currency sent at subscriber's risk. A Week May 1937 Nb 2 Radio Guide Ending 29. Stories of the Sonqs Uou Loue BLUE DANUBE OUT OF A MUDDY YELLOW STREAM JO- HANN STRAUSS CREATED "BLUE DANUBE." THE MUSIC FLOWED FROM HIS HEART! ANY novice in the art of word - Weyl, a police official who was poet juggling can prove that black laureate of the club, supplied the is white-or that white is lyrics. Strauss was not entirely satis- black-but it required the wizardry of fied and changed several lines, which Johann Strauss II to change the color probably did not please the original of a river. author. He and other members of Through the magic of a waltz the chorus were far from enthusiastic rhythm he transformed a dirty -yellow, when the composition was finally de- livered for green -and -black stream into the rehearsal for the program Waltzes" were row which of Feb. 13, 1867. A movement The Beautiful Danube was bitter in its conse- "Beautiful Blue Danube," and in so even quences. doing lef: the world one of its most got under way to boycott the song. included in that important program. Naturally, the singers gave This captivating melody became the The elder Strauss' plans included no dearly beloved, most treasured melo- the work lasted to become professionals in dies. less than a half-hearted performance hit of the week. It his family other than of the year and continued to himself. His vanity was insatiable Search the Danube from its source -and it fell fiat. the hit and be the hit of a generation, several gen- he meant to keep it safe from rivalry high up in Germany's Black Forest to STRAUSS did not worry about it. He the erations, and it will probably live as a from his three'sons. Johann II was to Black Sea-and you will not find was not superstitious about dates, to come. become a banker, Josef an a single of hit for many generations architect, trace the Straussian azure and since this was his three hundred Mention of hit -songs recalls dance and Eduard-he was too young to along its entire 1,750 miles. But as and fourteenth opus, bands, which inevitably worry about when the father left home. hard as your eyes try to disillusion flops were nothing new reminds me that Jo- But one night he came home unex- you, your ears convincingly argue that him. pectedly. And the to He even forgot hann Strauss' father, there he discovered, to Danube is as blue as it is beautiful the work until later Johann I, with Josef his great distress, that young Johann -and to prove it, you recall the that year when he was Lanner, was co-founder was playing the violin in front of a hauntingly "Beautiful Blue Danube" invited to conduct in of the modern dance mirror. "Ingrate," he shouted. "Up- waltzing through time, richly endowed Paris. Parisian hospi- orchestra which first start! What is the meaning of this?" with romance, memories and senti- tality was so lavish popularized cafe danc- ments! that he had no time to ing in Vienna in 1825. JOHANN II tried to explain. He had Yet, just as the bubbling little compose the new waltz The following year, been giving the daughter of a springs that unite to form the head- that was inevitably UJolter during the Viennese neighborhood tailor piano lessons, waters of the river whisper no hint expected from a guest carnival, Strauss and thereby earning enough to study vio- of their important destiny, neither did conductor.
Recommended publications
  • Catalogo Giornate Del Cinema Muto 2016
    ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael
    [Show full text]
  • Dallas, Texas,Texas, Metropolitan Area
    " FEDEF( L BUREAU OF !New ESTRiATION mirownposommotmwoormisommot OATS DALLAS / 1,171/1704r4,r 12/6/63 .1/15/64 -—.1/15/64 ' rd - TYPIE0TYPCO aI 'FLY°1114/3c CASECASE SA MAN CLEpENTS LAC dr: CHARACTER OFIOFICASE CASE JACK L. RUBY, RUBY, aka;. aka;. LEE HARVEY OSWALD, aka LEE HARVEY OSWALD, aka - VICTIM CR f '9 IA; (Deceased) IA; 10'4 • • REFERENCES: Reports of ofSA MANNISA MANNI G C. G CLEMENTS C. CLEMENTS dated dated 11/30/63; 11/30/63; 12/6/63; 12/11/43 12/6/63; 12/11/43;; 12/14/63; 12/18/63; 12/18/63; 12/19/63; 12/19/63; 12/21/63; 12/31/6312/21/63; and 1/8/6412/31/63 at Dallas. and 1/8/64 at Dallas. A Report of ofSA SASTUART STUART J. CAMERON J. CAMERON dated dated 12/3/63 12/3/63 at Albuquerque.' at Albuquerque.' ve't • LEADS:. All leads leads are beingare beingset out byset telephone out by and telephone teletype and and teletype and not repeated repeated herein herein! ADMINISTRATIVE: 'r / • 'PO'Ps, dKpseminationdiOsemination willwill be be made made outside the the Bureau Bureau except except on on ureau instrucV?.ons.inatrucV?.ons. • ' g•Diferlapg Overlap in period with with periods periods of prior ofreports prior is occasion reports is occasion - by eflort4to'cbrrelateeflortijto'cbrrelate information information properly and completely.properly and completely. iAIA • tJ J r • IAfIAII. AGENT • AGENT • ON CHANOICCHAPIOIC 00 NOT WNnTtWNITe IN SPACES INIELOW • • .004.001010111101 NAOSINAOSt t •■ 111.••• I" • .•• • • P •' Bureau (44124616)(44A-241516) r 3 ..1.%:6- r.'A Dallas (44'ra6381.
    [Show full text]
  • Seek Investigation of Questionable Tax
    MAY 7- 19 4 8 G arden State’s 7 New Jersey’s 7 Most Popular - Most Popular Fathers ’ Mothers 1. Bob Zachary 1. Mrs. L. B. Marsh 2. L. B. Marsh 2. Mrs. Vander Els 3. A1 E. Driscoll 3. Mrs. R- Dohm 4. Bill Widnall 4. Mrs. H. Wenzel 5. Arthur L. Holly 5. Mrs. H. D. Albert 6. Jolrn Borg 6. Mrs. J. E. Daniels 7. Harry Harper 1. Mrs. I. Herman $2 YEARLY — 5c COPY VOL 8 No 19 ________ _________________________ W J\LiL) VV 1UV, 1». 0.1/^__________ __ ____________ _ _ — SEEK INVESTIGATION OF QUESTIONABLE TAX EXEMPTIONS WOMAN’S CLUB OF WALDWICK URGED TO BUY CLUBHOUSE , ,1 j t _ • \7T7i«r<^—-------------------------Ti^QrS’c Hailed as Suggestions are Made that Legion, VFW*R R fi Club Head’s Recommendation Hailed as Bureau be Created in Communities to _ Step in Right Direction as all officers Survey Report Pass on Applications to Prevent Fraud Submit Reports at Annual Meeting Expected Soon The Woman’s Club of Waldwick held its annual meeting Attorney-General Walter D. Van Riper has announced Monday night in the Council Chamber of the Waldwick Mun­ that five types of personal tax exemptions in New Jersey Waldwick Unit Joins icipal Building. The annual message of the President and one are unvalid under the new state constitution. They include Northwest Chambers of of the founders of the organization, Mrs. M. Martin Turpan­ active or volunteer firemen, exempt firemen, veterans, wid­ Commerce jian pointed out that the members should consider the ad­ ows, national guardsmen while in service and active duty F.
    [Show full text]
  • Descargar Archivo El Cine Del Aislamiento. El Discapacitado En La
    6. CAMINO HACIA LA APATÍA En octubre de 1947, cuando la Guerra Fría se estaba haciendo más glacial por momentos, un puñado de con- gresistas norteamericanos constituyeron el Comité de Acti- vidades Anti-Americanas, un grupo más conocido por su acrónimo peyorativo «HUAC» (House Committee on Un- American Activities), abrió formalmente una investigación en la industria de Hollywood. Liderado por el republicano de New Yersey J. Parnell Thomas, el Comité decidió identi- ficar a los trabajadores del cine que podían haber estado asociados en algún momento al Partido Comunista y, en su opinión, habían tratado de subvertir el cine. Para conse- guirlo, el Comité siguió básicamente una estrategia de do- ble filo: «coquetearon» con un número de «testigos amis- tosos» de Hollywood, bastante deseosos de dar nombres por cualquier razón (para expresar sus propias creencias conservadoras, para preservar su sentido de la industria del cine, para saldar viejas cuentas o simplemente para salvar sus propios pellejos), y discutieron con aquellos que habían sido llamados los «testigos no amistosos». Como el presidente Thomas les ordenaba silencio con el martillo de juez a estos últimos, siempre y cuando ellos comenza- ran respondiendo creativamente a la pregunta «¿Eres o has sido alguna vez miembro del Partido Comunista?», es- taba claro que su destino había sido determinado antes de que comenzaran las audiencias. Nació entonces la era de las listas negras de Hollywood, un período colmado de ac- ciones políticas que tendría serias repercusiones en el Cine del Aislamiento. Como se señaló en el capítulo anterior, los ejecutivos de producción se habían dado cuenta hacia el final de la gue- rra de que existía un mercado real para las películas que trataban con las víctimas de las enfermedades de la socie- dad, pero habían llevado a los tribunales a guionistas y di- rectores conocidos por sus puntos de vista liberales.
    [Show full text]
  • November/December 2010 Mel Brooks King of the (Politically Dnc©Irirect
    26 NOVEMBER/DECEMBER 2010 MEL BROOKS KING OF THE (POLITICALLY DNC©IRIRECT Mel Brooks, the unchallenGed king of Jewish satire, was born Melvin Kaminsky in WilliamsburG, Brooklyn. The 84-year-old funnyman, film director, sonGwriter and Broadway record- setter believes comedy has the power to transform ugly facts of life such as Jewish persecution into somethinG understandable—and even beautiful. Coming from the man who brouGht the world a musical number about the Spanish Inquisition, the handy miniature Guillotine for on- the-Go circumcisions and the absurdist sonG, Springtime for Hitter, this view is no surprise. Brooks opens up to Moment about his shock upon discovering that most Americans were not Jewish, his experiences as a soldier in World War II (he serenaded German soldiers over a meGaphone on the battlefield), and why he thinks Jewish humor is dead. INTERVIEW BY LYNDA GOROV ■O> E £ tn “In History of the World, Part I, I have a section devoted to the inquisition. It’s not in good taste, but it is a good reminder that Jews were tortured.” What were some formative experi­ Who were your childhood heroes? Were you aware growing up whether ences growing up that turned you Were they funny people? Were any someone was Jewish? into this funny guy? of them Jewish? For some reason we all knew it. We all I was the baby of the family, always ready Actually, my first childhood heroes knew that Jack Bennywasjewish.We all to entertain. They always expected this were not funny at all. My heroes knew that the Marx Brothers were Jew­ cute baby to do a little dance or some­ were adventurers: Robin Hood, ish.
    [Show full text]
  • Hollywood Live Auction's Holiday Extravaganza Live Auction Event
    Welcome to Hollywood Live Auction’s Holiday Extravaganza Live Auction event weekend. We have assembled an incredible collection of rare iconic movie props and costumes featuring items from film, television and music icons including John Wayne, Marilyn Monroe, Christopher Reeve, Michael Jackson, Don Johnson and Kirk Douglas. From John Wayne’s Pittsburgh costume, Michael Jackson’s deed and signed check to The Neverland Ranch, signed Billie Jean lyrics and signed, stage worn Fedora from the HIStory Tour, James Brown’s stage worn jumpsuit, Marilyn Monroe’s gold high heels, Christopher Reeve’s Superman costume, Steve McQueen’s Enemy of the People costume, Robert Redford’s The Natural costume, Kirk Douglas’ Top Secret Affair costume, Johnny Depp’s Blow costume, Don Johnson and Philip Michael Thomas’ Miami Vice costumes, and many more! Also from the new Immortals starring Mickey Rourke, bring home some of the most detailed costumes and props from the film! If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of staff members, please call us to register at (866) 761-7767. We hope you enjoy Hollywood Live Auctions’ Holiday Extravaganza event and we look forward to seeing you on March 24th – 25th for Hollywood Live Auctions’ Auction Extravaganza V. Special thanks to everyone at Premiere Props for their continued dedication in producing these great events. Have fun and enjoy the weekend! Sincerely, Dan Levin Executive VP Marketing Premiere Props 128 Sierra Street El Segundo, CA 90245 Terms & Conditions The following terms and conditions constitute the only terms and conditions under which Premiere Props will offer for sale and sell the property described in the Catalog.
    [Show full text]
  • Indian Nuts! the American Indian Musical Genre, 1934-1950
    1 Indian Nuts! The American Indian Musical Genre, 1934-1950 Kelsey Brannan B.A. Film and Media Studies UC Santa Barbara M.A. Candidate, Communication, Culture & Technology Georgetown University 2 Abstract This paper traces the popular development of the American Indian Musical Genre between 1934 -1950. The first part of this paper discusses the development of American Indian musical genre and is followed by a contextualized formal analysis of three American Indian musical numbers in two films: (i) Life Begins in College (Seiter 1937) and (ii) Annie Get Your Gun (Sidney 1950). Drawing from film theory, I argue that the presentational values of these American Indian musical numbers, such as the elaborate staging, Indian costume design, and musical qualities, underscore Hollywood’s promotion of an imagined national harmony between American Indians and the wider American population, despite the corrupt government policies and motion picture censorship. I also discuss how the influence of California slapstick, a style of comedy involving exaggerated movements and violence, externalizes and displaces the perpetual exoticism of the Indian. Lastly, drawing from John Howard Lawson’s book Hidden Heritage, I examine the way in which the replacement of American Indian performers with non-native Broadway stars, such as Betty Hutton, Joan Davis, and The Ritz Brothers, not only underscores the “white” man’s desire to be native, but also shows Hollywood’s dependency on packaging and selling “Indianness” for a profit. Keywords: ethnic representation, musical numbers, slapstick comedy, autochthony, identity politics, 3 “The sound of Indian was so familiar it was like sonic wallpaper, only dimly heard as anything other than completely natural” - John Troutman (Indian Blues, 2009, 156) While conducting archival research at the Margaret Herrick Library, I stumbled upon the staging notes for Rose-Marie (W.S.
    [Show full text]
  • Why Are Comedy Films So Critically Underrated?
    The University of Maine DigitalCommons@UMaine Honors College 5-2012 Why are Comedy Films so Critically Underrated? Michael Arell Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Dramatic Literature, Criticism and Theory Commons, and the Film and Media Studies Commons Recommended Citation Arell, Michael, "Why are Comedy Films so Critically Underrated?" (2012). Honors College. 93. https://digitalcommons.library.umaine.edu/honors/93 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WHY ARE COMEDY FILMS SO CRITICALLY UNDERRATED? by Michael Arell A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Bachelor of Music in Education) The Honors College University of Maine May 2012 Advisory Committee: Michael Grillo, Associate Professor of History of Art, Advisor Ludlow Hallman, Professor of Music Annette F. Nelligan, Ed.D., Lecturer, Counselor Education Tina Passman, Associate Professor of Classical Languages and Literature Stephen Wicks, Adjunct Faculty in English © 2012 Michael Arell All Rights Reserved Abstract This study explores the lack of critical and scholarly attention given to the film genre of comedy. Included as part of the study are both existing and original theories of the elements of film comedy. An extensive look into the development of film comedy traces the role of comedy in a socio-cultural and historical manner and identifies the major comic themes and conventions that continue to influence film comedy.
    [Show full text]
  • The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM
    Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM ISSN 1554-6985 VOLUME I · NUMBER 1 (/current) SPRING/SUMMER 2005 (/previous) Shakespeare in the American South (/about) EDITED BY (/archive) Christy Desmet and Sujata Iyengar CONTENTS S HAKESPEARE AND THE DUKE The Duke's Man: Ellington, Shakespeare, and Jazz Adaptation Terence (/781405/show) (pdf) (/781405/pdf) Hawkes Minstrelsy, Jazz, Rap: Shakespeare, African American Music, Douglas and Cultural Legitimation (/782016/show) (pdf) (/782016/pdf) Lanier Stephen Form and Character in Duke Ellington's and Billy Strayhorn's M. Such Sweet Thunder (/781406/show) (pdf) (/781406/pdf) Buhler Swingin' Shakespeare From Harlem to Broadway Fran (/781407/show) (pdf) (/781407/pdf) Teague Jazz, Shakespeare, and Hybridity: A Script Excerpt from Alan Swingin' the Dream Corrigan (/781411/show) (pdf) (/781411/pdf) http://borrowers.uga.edu/7148/toc Page 1 of 3 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM P ERFORMING RACE / GENDER IN THE OLD AND N EW SOUTH They Were Always Doing Shakespeare: Southern Actresses and Robin Shakespearean Appropriation (/781416/show) (pdf) Warren (/781416/pdf) The Old and New South: Shakespeare in Margaret Mitchell's Darlene Gone With the Wind (/781418/show) (pdf) (/781418/pdf) Ciraulo Confession; or, the Blind Heart: An Antebellum Othello Christy (/781419/show) (pdf) (/781419/pdf) Desmet C LASS AND COUNTRY IN THE CONTEMPORARY S OUTHEAST A Way of Life Worth Preserving? Identity, Place, and Sharon Commerce
    [Show full text]
  • 1 Senile Celluloicl': Lnclepenclent Exltiijitors, Tite Major Stuclios Ancl Tite Figltt Over Feature Films on Television, 1939-1956
    Film History, Volume 1O, pp. 141-164, 1998. Text copyright ©David Pierce 1998. Design copyright ©John Libbey & Company ISSN: 0892-2160. Printed in Australia 1 David Pierce he Presiden! of RKO received many letters American representative, noted, 'television is pre­ from motion picture exhibitors. The corre­ ciselythe same visual medium as theatres offer-this spondence from the Allied Theatre Owners isn't night baseball or radio or sorne other entirely T of New Jersey complained about RKO 'fur­ different form of competition'. 2 nishing films for use over television'. Their concerns In 1939, RKO's participation in television was were simple: 'You can readily understand that if our tentative. The studio had supplied a trailer for patrons are able lo see a picture such as Gunga Din Gunga Din for sorne experimental television tests in on their television seis al home, they are not likely to come into the theater.' Pointing out that this was in their mutual interest, the letter concluded that '[we] urge that you discontinue this practice. The exhibitor has enough lo contend with lo keep his house open during these depressing times' .1 Depressing times? Yes, this letter was written in 1939, and exhibitors already recognised that television would threaten their very existence. They had survived the introduction of radio intoAmerican life, but as Morris Helprin, Sir Alexander Korda's Film History, Volume 10, pp . 141 - 164, 1998. Text copyright © David Pierce 1998. Design copyright © John libbey & Compony ISSN : 0892-2 160. Printed in Austra lia 1 Senile celluloicl': lnclepenclent exltiiJitors, tite major stuclios ancl tite figltt over feature films on television, 1939-1956 David Pierce he Presiden! of RKO received many letters American representative, noted, 'television is pre­ from motion picture exhibitors.
    [Show full text]
  • 1937-10-02 [P C-20]
    Bette Davis’ Cruel Fate Hold That Line, Boys! Made Daft Place 7— w ~~ ■—■ ■ College "V i * Continues at Beginning Next Monday Earle Mad —Seat Sale Now— Ritz Freres Fir«t By Subscription Play, Theatre Guild and American Theatre Society. T*>» Theatre Gplld, Inc., Present! ! Warner’s Star Sufferer Excellent Gastoa Brothers Star in Baty’a Dramatization of Capitol’s Flaubert * Novel In Film of Mother Love. “Life Begins in College.” Band on “iHaftamrltouary” Gugat Stage. Big on Wiik CONSTANCE CUMMINGS Apple Stage. Play Adapted and Directed by BY JAY Benn CARMODY. ... W. I.ery BY HARRY MacARTHUR. Settings and Costumes by Lee 8imonson still is picking on Bette Davis. It is the accepted order of things , was never like this. At least the one we spent a of i'tht*—*:••>«: Bale., **.00, that her film fate shall be a cruel one, but in “That Certain Woman,” couple Jl .jO, *11.00; *nd Bale., 77c; Mata., months in the vicinity of was never like dear old the —Orch.. **.00; Bale., now at the Earle, it becomes downright scabrous. Lombardy, *..00.'V';!„ institution of the arts and which *1.50, *100; *nd Bale., 77e. LIFE The picture, concocted of all the established elements of the tear- higher learning through the Ritz Pius tax. COLLEGEbrothers run rampant in “Life in College." the new jerker formula, is Warner Bros.’ contribution to the current cycle of mother- Begins picture at Loews Capitol. If it had been we might have stuck around love films. It is something that no woman should miss if only to convince for three | months; it would have been fun.
    [Show full text]
  • Charter Change Opens Door for Council Salaries
    UPCOMING Winter wheat grazing may be profitable EVENTS AGRICULTURE Sheridan’s Sunshine Foundation’s 4th Annual Glow Run 5k is scheduled today at 7:45 p.m. at the Altus Reservoir. For more information, call The (580) 301-0906. Mountain Wine Fest hosted by the Armed Services YMCA is scheduled today at 6 AltusTimes p.m. at Quartz Moun- tain Lodge, 22469 Lodge Road, Lone Wolf. For tickets and more information, call (580) 481-6523 or visit www. facebook.com/ASYM- CAaltus. eekend A meeting of the To- W$ ALTUSTIMES.COM SATURDAY, SEPTEMBER 15, 2018 bacco, Alcohol & Substance 1.50 Committee is scheduled for Monday, Sept. 17 at noon at the Jackson County Health Depart- ment, 401 W. Tama- rack Road. For more Charter change opens information, call (580) 482-7308. A Statewide Stakeholder Meeting on Developmental Disabilities Services is door for council salaries scheduled for Tuesday, Sept. 18 with two ses- BY KATRINA GOFORTH outcry on social media and at Voters can choose which Proposition 1 Charter Changes sions: noon to 2 p.m. and [email protected] city council meetings, Propo- propositions to accept and 5:30 to 7 p.m. at South- sition 1 has slipped under the which to deny. A vote for one • Art. II, Sec. 6 - removes current council salary west Technology Center, In June, five propositions radar. proposition does not mean a language and opens the door for the city 711 W. Tamarack Road. to change the City Charter Proposition 1 concerns a vote for all propositions. council to pass an ordinance that would provide Attendees can provide were added by the Altus large amount of change to But when voting on Propo- salaries.
    [Show full text]