QUIT the AIR! in THIS ISSUE Week Ending May 29, 1937
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Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
Dallas, Texas,Texas, Metropolitan Area
" FEDEF( L BUREAU OF !New ESTRiATION mirownposommotmwoormisommot OATS DALLAS / 1,171/1704r4,r 12/6/63 .1/15/64 -—.1/15/64 ' rd - TYPIE0TYPCO aI 'FLY°1114/3c CASECASE SA MAN CLEpENTS LAC dr: CHARACTER OFIOFICASE CASE JACK L. RUBY, RUBY, aka;. aka;. LEE HARVEY OSWALD, aka LEE HARVEY OSWALD, aka - VICTIM CR f '9 IA; (Deceased) IA; 10'4 • • REFERENCES: Reports of ofSA MANNISA MANNI G C. G CLEMENTS C. CLEMENTS dated dated 11/30/63; 11/30/63; 12/6/63; 12/11/43 12/6/63; 12/11/43;; 12/14/63; 12/18/63; 12/18/63; 12/19/63; 12/19/63; 12/21/63; 12/31/6312/21/63; and 1/8/6412/31/63 at Dallas. and 1/8/64 at Dallas. A Report of ofSA SASTUART STUART J. CAMERON J. CAMERON dated dated 12/3/63 12/3/63 at Albuquerque.' at Albuquerque.' ve't • LEADS:. All leads leads are beingare beingset out byset telephone out by and telephone teletype and and teletype and not repeated repeated herein herein! ADMINISTRATIVE: 'r / • 'PO'Ps, dKpseminationdiOsemination willwill be be made made outside the the Bureau Bureau except except on on ureau instrucV?.ons.inatrucV?.ons. • ' g•Diferlapg Overlap in period with with periods periods of prior ofreports prior is occasion reports is occasion - by eflort4to'cbrrelateeflortijto'cbrrelate information information properly and completely.properly and completely. iAIA • tJ J r • IAfIAII. AGENT • AGENT • ON CHANOICCHAPIOIC 00 NOT WNnTtWNITe IN SPACES INIELOW • • .004.001010111101 NAOSINAOSt t •■ 111.••• I" • .•• • • P •' Bureau (44124616)(44A-241516) r 3 ..1.%:6- r.'A Dallas (44'ra6381. -
Seek Investigation of Questionable Tax
MAY 7- 19 4 8 G arden State’s 7 New Jersey’s 7 Most Popular - Most Popular Fathers ’ Mothers 1. Bob Zachary 1. Mrs. L. B. Marsh 2. L. B. Marsh 2. Mrs. Vander Els 3. A1 E. Driscoll 3. Mrs. R- Dohm 4. Bill Widnall 4. Mrs. H. Wenzel 5. Arthur L. Holly 5. Mrs. H. D. Albert 6. Jolrn Borg 6. Mrs. J. E. Daniels 7. Harry Harper 1. Mrs. I. Herman $2 YEARLY — 5c COPY VOL 8 No 19 ________ _________________________ W J\LiL) VV 1UV, 1». 0.1/^__________ __ ____________ _ _ — SEEK INVESTIGATION OF QUESTIONABLE TAX EXEMPTIONS WOMAN’S CLUB OF WALDWICK URGED TO BUY CLUBHOUSE , ,1 j t _ • \7T7i«r<^—-------------------------Ti^QrS’c Hailed as Suggestions are Made that Legion, VFW*R R fi Club Head’s Recommendation Hailed as Bureau be Created in Communities to _ Step in Right Direction as all officers Survey Report Pass on Applications to Prevent Fraud Submit Reports at Annual Meeting Expected Soon The Woman’s Club of Waldwick held its annual meeting Attorney-General Walter D. Van Riper has announced Monday night in the Council Chamber of the Waldwick Mun that five types of personal tax exemptions in New Jersey Waldwick Unit Joins icipal Building. The annual message of the President and one are unvalid under the new state constitution. They include Northwest Chambers of of the founders of the organization, Mrs. M. Martin Turpan active or volunteer firemen, exempt firemen, veterans, wid Commerce jian pointed out that the members should consider the ad ows, national guardsmen while in service and active duty F. -
Descargar Archivo El Cine Del Aislamiento. El Discapacitado En La
6. CAMINO HACIA LA APATÍA En octubre de 1947, cuando la Guerra Fría se estaba haciendo más glacial por momentos, un puñado de con- gresistas norteamericanos constituyeron el Comité de Acti- vidades Anti-Americanas, un grupo más conocido por su acrónimo peyorativo «HUAC» (House Committee on Un- American Activities), abrió formalmente una investigación en la industria de Hollywood. Liderado por el republicano de New Yersey J. Parnell Thomas, el Comité decidió identi- ficar a los trabajadores del cine que podían haber estado asociados en algún momento al Partido Comunista y, en su opinión, habían tratado de subvertir el cine. Para conse- guirlo, el Comité siguió básicamente una estrategia de do- ble filo: «coquetearon» con un número de «testigos amis- tosos» de Hollywood, bastante deseosos de dar nombres por cualquier razón (para expresar sus propias creencias conservadoras, para preservar su sentido de la industria del cine, para saldar viejas cuentas o simplemente para salvar sus propios pellejos), y discutieron con aquellos que habían sido llamados los «testigos no amistosos». Como el presidente Thomas les ordenaba silencio con el martillo de juez a estos últimos, siempre y cuando ellos comenza- ran respondiendo creativamente a la pregunta «¿Eres o has sido alguna vez miembro del Partido Comunista?», es- taba claro que su destino había sido determinado antes de que comenzaran las audiencias. Nació entonces la era de las listas negras de Hollywood, un período colmado de ac- ciones políticas que tendría serias repercusiones en el Cine del Aislamiento. Como se señaló en el capítulo anterior, los ejecutivos de producción se habían dado cuenta hacia el final de la gue- rra de que existía un mercado real para las películas que trataban con las víctimas de las enfermedades de la socie- dad, pero habían llevado a los tribunales a guionistas y di- rectores conocidos por sus puntos de vista liberales. -
November/December 2010 Mel Brooks King of the (Politically Dnc©Irirect
26 NOVEMBER/DECEMBER 2010 MEL BROOKS KING OF THE (POLITICALLY DNC©IRIRECT Mel Brooks, the unchallenGed king of Jewish satire, was born Melvin Kaminsky in WilliamsburG, Brooklyn. The 84-year-old funnyman, film director, sonGwriter and Broadway record- setter believes comedy has the power to transform ugly facts of life such as Jewish persecution into somethinG understandable—and even beautiful. Coming from the man who brouGht the world a musical number about the Spanish Inquisition, the handy miniature Guillotine for on- the-Go circumcisions and the absurdist sonG, Springtime for Hitter, this view is no surprise. Brooks opens up to Moment about his shock upon discovering that most Americans were not Jewish, his experiences as a soldier in World War II (he serenaded German soldiers over a meGaphone on the battlefield), and why he thinks Jewish humor is dead. INTERVIEW BY LYNDA GOROV ■O> E £ tn “In History of the World, Part I, I have a section devoted to the inquisition. It’s not in good taste, but it is a good reminder that Jews were tortured.” What were some formative experi Who were your childhood heroes? Were you aware growing up whether ences growing up that turned you Were they funny people? Were any someone was Jewish? into this funny guy? of them Jewish? For some reason we all knew it. We all I was the baby of the family, always ready Actually, my first childhood heroes knew that Jack Bennywasjewish.We all to entertain. They always expected this were not funny at all. My heroes knew that the Marx Brothers were Jew cute baby to do a little dance or some were adventurers: Robin Hood, ish. -
Hollywood Live Auction's Holiday Extravaganza Live Auction Event
Welcome to Hollywood Live Auction’s Holiday Extravaganza Live Auction event weekend. We have assembled an incredible collection of rare iconic movie props and costumes featuring items from film, television and music icons including John Wayne, Marilyn Monroe, Christopher Reeve, Michael Jackson, Don Johnson and Kirk Douglas. From John Wayne’s Pittsburgh costume, Michael Jackson’s deed and signed check to The Neverland Ranch, signed Billie Jean lyrics and signed, stage worn Fedora from the HIStory Tour, James Brown’s stage worn jumpsuit, Marilyn Monroe’s gold high heels, Christopher Reeve’s Superman costume, Steve McQueen’s Enemy of the People costume, Robert Redford’s The Natural costume, Kirk Douglas’ Top Secret Affair costume, Johnny Depp’s Blow costume, Don Johnson and Philip Michael Thomas’ Miami Vice costumes, and many more! Also from the new Immortals starring Mickey Rourke, bring home some of the most detailed costumes and props from the film! If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of staff members, please call us to register at (866) 761-7767. We hope you enjoy Hollywood Live Auctions’ Holiday Extravaganza event and we look forward to seeing you on March 24th – 25th for Hollywood Live Auctions’ Auction Extravaganza V. Special thanks to everyone at Premiere Props for their continued dedication in producing these great events. Have fun and enjoy the weekend! Sincerely, Dan Levin Executive VP Marketing Premiere Props 128 Sierra Street El Segundo, CA 90245 Terms & Conditions The following terms and conditions constitute the only terms and conditions under which Premiere Props will offer for sale and sell the property described in the Catalog. -
Indian Nuts! the American Indian Musical Genre, 1934-1950
1 Indian Nuts! The American Indian Musical Genre, 1934-1950 Kelsey Brannan B.A. Film and Media Studies UC Santa Barbara M.A. Candidate, Communication, Culture & Technology Georgetown University 2 Abstract This paper traces the popular development of the American Indian Musical Genre between 1934 -1950. The first part of this paper discusses the development of American Indian musical genre and is followed by a contextualized formal analysis of three American Indian musical numbers in two films: (i) Life Begins in College (Seiter 1937) and (ii) Annie Get Your Gun (Sidney 1950). Drawing from film theory, I argue that the presentational values of these American Indian musical numbers, such as the elaborate staging, Indian costume design, and musical qualities, underscore Hollywood’s promotion of an imagined national harmony between American Indians and the wider American population, despite the corrupt government policies and motion picture censorship. I also discuss how the influence of California slapstick, a style of comedy involving exaggerated movements and violence, externalizes and displaces the perpetual exoticism of the Indian. Lastly, drawing from John Howard Lawson’s book Hidden Heritage, I examine the way in which the replacement of American Indian performers with non-native Broadway stars, such as Betty Hutton, Joan Davis, and The Ritz Brothers, not only underscores the “white” man’s desire to be native, but also shows Hollywood’s dependency on packaging and selling “Indianness” for a profit. Keywords: ethnic representation, musical numbers, slapstick comedy, autochthony, identity politics, 3 “The sound of Indian was so familiar it was like sonic wallpaper, only dimly heard as anything other than completely natural” - John Troutman (Indian Blues, 2009, 156) While conducting archival research at the Margaret Herrick Library, I stumbled upon the staging notes for Rose-Marie (W.S. -
Why Are Comedy Films So Critically Underrated?
The University of Maine DigitalCommons@UMaine Honors College 5-2012 Why are Comedy Films so Critically Underrated? Michael Arell Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Dramatic Literature, Criticism and Theory Commons, and the Film and Media Studies Commons Recommended Citation Arell, Michael, "Why are Comedy Films so Critically Underrated?" (2012). Honors College. 93. https://digitalcommons.library.umaine.edu/honors/93 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WHY ARE COMEDY FILMS SO CRITICALLY UNDERRATED? by Michael Arell A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Bachelor of Music in Education) The Honors College University of Maine May 2012 Advisory Committee: Michael Grillo, Associate Professor of History of Art, Advisor Ludlow Hallman, Professor of Music Annette F. Nelligan, Ed.D., Lecturer, Counselor Education Tina Passman, Associate Professor of Classical Languages and Literature Stephen Wicks, Adjunct Faculty in English © 2012 Michael Arell All Rights Reserved Abstract This study explores the lack of critical and scholarly attention given to the film genre of comedy. Included as part of the study are both existing and original theories of the elements of film comedy. An extensive look into the development of film comedy traces the role of comedy in a socio-cultural and historical manner and identifies the major comic themes and conventions that continue to influence film comedy. -
The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM
Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM ISSN 1554-6985 VOLUME I · NUMBER 1 (/current) SPRING/SUMMER 2005 (/previous) Shakespeare in the American South (/about) EDITED BY (/archive) Christy Desmet and Sujata Iyengar CONTENTS S HAKESPEARE AND THE DUKE The Duke's Man: Ellington, Shakespeare, and Jazz Adaptation Terence (/781405/show) (pdf) (/781405/pdf) Hawkes Minstrelsy, Jazz, Rap: Shakespeare, African American Music, Douglas and Cultural Legitimation (/782016/show) (pdf) (/782016/pdf) Lanier Stephen Form and Character in Duke Ellington's and Billy Strayhorn's M. Such Sweet Thunder (/781406/show) (pdf) (/781406/pdf) Buhler Swingin' Shakespeare From Harlem to Broadway Fran (/781407/show) (pdf) (/781407/pdf) Teague Jazz, Shakespeare, and Hybridity: A Script Excerpt from Alan Swingin' the Dream Corrigan (/781411/show) (pdf) (/781411/pdf) http://borrowers.uga.edu/7148/toc Page 1 of 3 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM P ERFORMING RACE / GENDER IN THE OLD AND N EW SOUTH They Were Always Doing Shakespeare: Southern Actresses and Robin Shakespearean Appropriation (/781416/show) (pdf) Warren (/781416/pdf) The Old and New South: Shakespeare in Margaret Mitchell's Darlene Gone With the Wind (/781418/show) (pdf) (/781418/pdf) Ciraulo Confession; or, the Blind Heart: An Antebellum Othello Christy (/781419/show) (pdf) (/781419/pdf) Desmet C LASS AND COUNTRY IN THE CONTEMPORARY S OUTHEAST A Way of Life Worth Preserving? Identity, Place, and Sharon Commerce -
1 Senile Celluloicl': Lnclepenclent Exltiijitors, Tite Major Stuclios Ancl Tite Figltt Over Feature Films on Television, 1939-1956
Film History, Volume 1O, pp. 141-164, 1998. Text copyright ©David Pierce 1998. Design copyright ©John Libbey & Company ISSN: 0892-2160. Printed in Australia 1 David Pierce he Presiden! of RKO received many letters American representative, noted, 'television is pre from motion picture exhibitors. The corre ciselythe same visual medium as theatres offer-this spondence from the Allied Theatre Owners isn't night baseball or radio or sorne other entirely T of New Jersey complained about RKO 'fur different form of competition'. 2 nishing films for use over television'. Their concerns In 1939, RKO's participation in television was were simple: 'You can readily understand that if our tentative. The studio had supplied a trailer for patrons are able lo see a picture such as Gunga Din Gunga Din for sorne experimental television tests in on their television seis al home, they are not likely to come into the theater.' Pointing out that this was in their mutual interest, the letter concluded that '[we] urge that you discontinue this practice. The exhibitor has enough lo contend with lo keep his house open during these depressing times' .1 Depressing times? Yes, this letter was written in 1939, and exhibitors already recognised that television would threaten their very existence. They had survived the introduction of radio intoAmerican life, but as Morris Helprin, Sir Alexander Korda's Film History, Volume 10, pp . 141 - 164, 1998. Text copyright © David Pierce 1998. Design copyright © John libbey & Compony ISSN : 0892-2 160. Printed in Austra lia 1 Senile celluloicl': lnclepenclent exltiiJitors, tite major stuclios ancl tite figltt over feature films on television, 1939-1956 David Pierce he Presiden! of RKO received many letters American representative, noted, 'television is pre from motion picture exhibitors. -
1937-10-02 [P C-20]
Bette Davis’ Cruel Fate Hold That Line, Boys! Made Daft Place 7— w ~~ ■—■ ■ College "V i * Continues at Beginning Next Monday Earle Mad —Seat Sale Now— Ritz Freres Fir«t By Subscription Play, Theatre Guild and American Theatre Society. T*>» Theatre Gplld, Inc., Present! ! Warner’s Star Sufferer Excellent Gastoa Brothers Star in Baty’a Dramatization of Capitol’s Flaubert * Novel In Film of Mother Love. “Life Begins in College.” Band on “iHaftamrltouary” Gugat Stage. Big on Wiik CONSTANCE CUMMINGS Apple Stage. Play Adapted and Directed by BY JAY Benn CARMODY. ... W. I.ery BY HARRY MacARTHUR. Settings and Costumes by Lee 8imonson still is picking on Bette Davis. It is the accepted order of things , was never like this. At least the one we spent a of i'tht*—*:••>«: Bale., **.00, that her film fate shall be a cruel one, but in “That Certain Woman,” couple Jl .jO, *11.00; *nd Bale., 77c; Mata., months in the vicinity of was never like dear old the —Orch.. **.00; Bale., now at the Earle, it becomes downright scabrous. Lombardy, *..00.'V';!„ institution of the arts and which *1.50, *100; *nd Bale., 77e. LIFE The picture, concocted of all the established elements of the tear- higher learning through the Ritz Pius tax. COLLEGEbrothers run rampant in “Life in College." the new jerker formula, is Warner Bros.’ contribution to the current cycle of mother- Begins picture at Loews Capitol. If it had been we might have stuck around love films. It is something that no woman should miss if only to convince for three | months; it would have been fun. -
Charter Change Opens Door for Council Salaries
UPCOMING Winter wheat grazing may be profitable EVENTS AGRICULTURE Sheridan’s Sunshine Foundation’s 4th Annual Glow Run 5k is scheduled today at 7:45 p.m. at the Altus Reservoir. For more information, call The (580) 301-0906. Mountain Wine Fest hosted by the Armed Services YMCA is scheduled today at 6 AltusTimes p.m. at Quartz Moun- tain Lodge, 22469 Lodge Road, Lone Wolf. For tickets and more information, call (580) 481-6523 or visit www. facebook.com/ASYM- CAaltus. eekend A meeting of the To- W$ ALTUSTIMES.COM SATURDAY, SEPTEMBER 15, 2018 bacco, Alcohol & Substance 1.50 Committee is scheduled for Monday, Sept. 17 at noon at the Jackson County Health Depart- ment, 401 W. Tama- rack Road. For more Charter change opens information, call (580) 482-7308. A Statewide Stakeholder Meeting on Developmental Disabilities Services is door for council salaries scheduled for Tuesday, Sept. 18 with two ses- BY KATRINA GOFORTH outcry on social media and at Voters can choose which Proposition 1 Charter Changes sions: noon to 2 p.m. and [email protected] city council meetings, Propo- propositions to accept and 5:30 to 7 p.m. at South- sition 1 has slipped under the which to deny. A vote for one • Art. II, Sec. 6 - removes current council salary west Technology Center, In June, five propositions radar. proposition does not mean a language and opens the door for the city 711 W. Tamarack Road. to change the City Charter Proposition 1 concerns a vote for all propositions. council to pass an ordinance that would provide Attendees can provide were added by the Altus large amount of change to But when voting on Propo- salaries.