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Chambersfirst published by F. Tennyson Neely in BleilerS. Joshi and T. Klein as a classic in the field of the supernatural. These stories are macabre in tone, centering, in keeping with the other tales, on characters who are often artists or decadentsinhabitants of the demi-monde. These stories are haunted by the theme: "Have you found the Yellow Sign? The weird and macabre character The King in Yellow and Other Horror fades away during the remaining stories, and The King in Yellow and Other Horror last three are written in the romantic fiction style common to Chambers' later work. They are all linked to the preceding stories by their Parisian setting and their artistic protagonists. The fictional play The King in Yellow, has at least two acts and at least three characters: Cassilda, Camilla and "The Stranger", who may or may not be the titular character. Chambers' story collection excerpts some sections from the play to introduce the book as a whole, or individual stories. For example, "Cassilda's Song" comes from Act 1, Scene 2 of the play:. Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies, But stranger still is Lost Carcosa. Song of my soul, my voice is dead, Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa. Camilla: "You, sir, should unmask. We have all laid aside disguise but you. No mask! It is also stated, in "The Repairer of Reputations", that the final moment of the first act involves the character Camilla's "agonized scream and All of the excerpts come from Act I. The stories describe Act I as quite ordinary, but reading Act II drives the reader mad with the "irresistible" revealed truths. Chambers usually gives only scattered hints of the contents of the full play, as in this extract from " The Repairer of Reputations ":. He mentioned the establishment of the Dynasty in Carcosa, the lakes which connected Hastur, Aldebaran and the mystery of the Hyades. Then by degrees he led Vance along the ramifications of the Imperial family, to Uoht and Thale, from Naotalba and Phantom of Truth, to Aldones, and then tossing aside his manuscript and notes, he began the wonderful story of the Last King. Night fell and the hours dragged on, but still we murmured to each other of the King and the Pallid Mask, and midnight sounded from the misty spires in the fog-wrapped city. We spoke of Hastur and of Cassilda, while outside the fog rolled against the blank window-panes as the cloud waves roll and break on the shores of Hali. There is no strong indication that Chambers was influenced beyond liking the names. I read a book by that title once. The first season of HBO's True Detective television series revolves around a string of crimes committed by the elusive "Yellow King" with Carcosa also being mentioned on numerous occasions. Black stars are also prominent in reference and imagery during the series. The Mask that the Stranger is instructed to remove but turns out not to exist at all in the excerpt from The King in Yellow play in Chambers' short story "The Mask" evokes the scene in Edgar Allan Poe's The Masque of the Red Death where Prince Prospero demands that the stranger dressed as the Red Death should remove his mask and robes, only to find nothing underneath. Given the recognition of that short story, this might be an inspiration or even a tribute from Chambers to Poe. Bradley mentioned Chambers as an influence in a interview. Lovecraft read The King in Yellow in early [13] and included passing references to various things and places from the book—such as the Lake of Hali and the Yellow Sign — in " The Whisperer in Darkness "[14] one of his main Cthulhu Mythos stories. Lovecraft borrowed Chambers' method of only vaguely referring to supernatural events, entities, and places, thereby allowing his readers to imagine the horror for themselves. The play The King in Yellow effectively became another piece of occult literature in the Cthulhu Mythos alongside the Necronomicon and others. In the story, Lovecraft linked the Yellow Sign to Hasturbut from his brief and only mention it is not clear what Lovecraft meant Hastur to be. The King in Yellow and Other Horror Derleth developed Hastur into a Great The King in Yellow and Other Horror One in his controversial reworking of Lovecraft's universe, elaborating on this connection in his own mythos stories. In the writings of Derleth and a few other latter-day Cthulhu Mythos authors, the King in Yellow is an Avatar of Hastur, so named because of his appearance as a thin, floating man covered in The King in Yellow and Other Horror yellow robes. In Lovecraft's cycle of horror sonnets, Fungi from Yuggothsonnet XXVII "The Elder Pharos" mentions the last Elder One who The King in Yellow and Other Horror alone talking to chaos via drums: "The Thing, they whisper, wears a silken mask of yellow, whose queer folds appear to hide a face not of this earth In the Call of Cthulhu roleplaying game published by Chaosiumthe King in Yellow is an avatar of Hastur who uses his eponymous play to spread insanity among humans. He is described as a hunched figure clad in tattered, yellow rags, who wears a smooth and featureless "Pallid Mask". Removing the mask is a sanity-shattering experience; the King's face is described as "inhuman eyes in a suppurating sea of stubby maggot-like mouths; liquescent flesh, tumorous and gelid, floating and reforming". Although none of the characters in Chambers' book describe the plot of the play, Kevin Ross fabricated a plot for the play within the Call of Cthulhu mythos. The Secret Worlda Lovecraft-inspired massively multiplayer online role-playing gamequotes Cassilda's Song and other elements from The King in Yellow during a quest. In Alan Moore's The King in Yellow and Other Horror series Providenceas well as in his previous story NeonomiconMoore re-imagines the Lovecraftian mythos while referencing and borrowing heavily from The King in Yellow. The book is referenced by name throughout Providenceas well as referencing a fictional variation Sous Le MondeFrench for "Under the World. Game designer Robin D. He subsequently wrote Yellow King Roleplaying Game that takes place in four Chambers-inspired "realities", including Belle-epoque Paris, Chambers' fictional European war, the United States after the fall of the Castagne regime, and an apparently The King in Yellow and Other Horror setting subject to subtle incursions from Carcosa. Dan Abnett 's novels The MagosThe King in Yellow and Other Horrorand several connected short stories feature an ominous character called "Grael Ochre, or the Yellow King," whose nature is expected to be revealed in the last two parts of the Bequin trilogy which began with Pariah. These works are set in the Warhammer 40, universe, which has many Lovecraftian elements. From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Cover of an edition [1]. Retrieved 21 March Penguin Classics. Penguin Books. First publication: Robert W. ChambersThe King in Yellow Chambers " in American Supernatural Tales. In Sullivan, Jack ed. The Penguin Encyclopedia of Horror and the Supernatural. Internet Speculative Fiction Database. Retrieved 28 April Chambers - Reviews, Discussion, Bookclubs, Lists". Retrieved August 6, Chambers, Robert W. The Yellow Sign and Other Stories. Call of Cthulhu Fiction. Joshi, S. Oakland, CA: Chaosium. Magill, ed. Survey The King in Yellow and Other Horror Modern Fantasy LiteratureVol 2. Lovecraft Encyclopedia. Westport, CT: Greenwood Press. The Lovecraft Lexicon 1st ed. Tempe, AZ: New Falcon. Fungi from Yuggoth and other poems. Ballantine Books. Retrieved 11 August The King in Yellow. Robert W. Cardigan America Carcosa Hastur Yellow Sign. Hidden categories: Articles needing additional references from November All articles needing additional references All articles with unsourced statements Articles with unsourced statements from November All Wikipedia articles needing words, phrases or quotes attributed Wikipedia articles needing words, phrases or quotes attributed from November Commons category link from Wikidata Articles with Project Gutenberg links Articles with LibriVox links. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Decadent literaturehorrorsupernatural. Wikimedia Commons has media related to The King in Yellow. Wikisource has original text The King in Yellow and Other Horror to this article: The King in Yellow. [Download PDF] The king in yellow, and other horror stories by Robert William Chambers Ebook

Sign in with Facebook Sign in options. Join Goodreads. Want to Read saving…. Want to Read Currently Reading Read. Error rating book. Refresh and try again. I pray God will curse the writer, as the writer has cursed the world with its beautiful stupendous creation, terrible in its simplicity, irresistible in its truth--a world which now trembles before the King In Yellow. Stranger: Indeed? We all have laid aside disguise but you. Stranger: I wear no mask. Camilla: Terrified, aside to Cassilda. No mask? No mask! Aldebaran, the Hyades, Alar, Hastur, glided through the cloud-rifts which fluttered and flapped as they passed like the scolloped tatters of the King in Yellow. Chambers, The King in Yellow. I raised my seared eyes to the fathomless glare; and I saw the black stars hanging in the heavens: and the wet winds from the Lake of Hali chilled my face. I never could understand why he kept the creature, nor what pleasure he found in shutting himself up in his room with this surly, vicious beast. I The King in Yellow and Other Horror once, glancing up from the manuscript I was studying by the light of some tallow dips, and seeing Mr. Wilde squatting motionless on his high chair, his eyes fairly blazing with excitement, while the cat, which had risen from her place before the stove, came creeping across the floor right at him. Before I could move she flattened her belly to the ground, crouched, trembled, and sprang into his face. Howling and foaming they rolled over and over on the floor, scratching and clawing, until the cat The King in Yellow and Other Horror and fled under the cabinet, and Mr. Wilde turned over on his back, his limbs contracting and curling up like the legs of a dying spider. He was eccentric. What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still The King in Yellow and Other Horror forest where sunlight filtered through spring foliage and Sylvia bent, half curiously, half tenderly, over a small green lizard, murmuring: "To think that this also is a little ward of God! Honore, as I ran down the church steps. On one corner stood a barrow full of yellow jonquils, pale violets from the Riviera, dark Russian violets, and white Roman hyacinths in a golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I swung my cane and laughed with the rest. Someone The King in Yellow and Other Horror and passed me. He never turned, but there was the same deadly malignity in his white profile that there had been in his eyes. I watched him as long as I could see him. His lithe back expressed the same menace; every step that carried him away from me seemed to bear him on some errand connected with my destruction. I was creeping along, my feet almost refusing to move. There began to dawn in me a sense of responsibility for something long forgotten. It began to seem as if I deserved that which he threatened: it reached a long way back - a long, long way back. It had lain dormant all these. I looked with sick eyes upon the sun, shining through the white foam of the fountain, pouring over the backs of the dusky bronze river-gods, on the far-away Arc, a structure of amethyst mist, on the countless vistas of grey stems and bare branches faintly green. Then I saw him again coming down one of the chestnut alleys of the Cours la Reine. Barnabe, and whether something not usually supposed to be at home in a Christian church, might have entered undetected, and taken possession of the west gallery. I had read of such things happening too, but not in works on architecture. I could paint her — not on canvas — The King in Yellow and Other Horror I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need The King in Yellow and Other Horror found. For her eyes, I must have azure from skies untroubled by a cloud — the skies of dreamland. He's not well bred, to put it generously; he is hideously deformed; his head is the head of a criminally insane person. The artificial ones, which now stood out at an angle from the fine wire, were his one weakness. They were made of wax and painted a shell pink, but the rest of his face was yellow. From twenty until death he tries to conceal it. And as I lay and tossed about, the voice in my ears seemed more distinct, and I began to understand the words he had muttered. They came to me slowly as if I had forgotten them, and at last I could make some sense out of the sounds. It was this: "Have you found the Yellow Sign? Picking up a book at random, I sat down in the studio to read. I had found The King in Yellow. Welcome back. Just a moment while we sign you in to your Goodreads account. The King in Yellow and Other Horror Stories by Robert W. Chambers

Hastur is briefly mentioned in H. Chambers had used the name in his own stories to represent both a person and a place associated with the names of several stars, including Aldebaran. Another story in the same collection "An Inhabitant of Carcosa" referred to the place " Carcosa " and a person "Hali", names which later authors were to associate with Hastur. Lovecraft read Chambers' book in early [7] and was so enchanted by it that he added elements of it to his own creations. It is unclear from this quote if Lovecraft's Hastur is a person, a place, an object such as the Yellow Signor a deity. This ambiguity is recurrent in Lovecraft's descriptions of mythic entities. Later in the same story, it is described that the Mi-Go have been attacked by followers of Hastur, and Hastur is an enemy of the Outer Ones who the Mi-Go serve:. Actually, they have never knowingly harmed men, but have often been The King in Yellow and Other Horror wronged and spied upon by our species. There is a whole secret cult of evil men a man of your mystical erudition will understand me when I link them with Hastur and the Yellow Sign devoted to the purpose of tracking them down The King in Yellow and Other Horror injuring them on behalf of monstrous powers from other dimensions. It is against these aggressors—not against normal humanity—that the drastic precautions of the Outer Ones are directed. So, judging from these two quotes, it is quite possible that H. Lovecraft not only recognized Hastur as one of the mythos gods, but even made him so recalling Chambers' book. In this incarnation, Hastur has several Avatars :. Hastur is amorphous, but he is said to appear as a vast, vaguely octopoid being, similar to his half-niece Cthylla. From Wikipedia, the free encyclopedia. For the fictional family, see Darkover. The topic of this article may not meet Wikipedia's general notability guideline. Please help to establish notability by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be established, the article is likely to be mergedredirectedor deleted. This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. September Learn how and when to remove this template message. Illustration by Robert M. John's Eve Good Omens. The Encyclopedia Cthulhiana 2nd ed. Oakland, CA: Chaosium. Schultz Lovecraft Encyclopedia. Westport, CT: Greenwood Press. The Lovecraft Lexicon 1st ed. Tempe, AZ: New Falcon. The Hastur Cycle 2nd ed. Lovecraft Encyclopediap. Robert M. Tabletop role-playing games and the experience of imagined worlds. Cham, Switzerland: Palgrave Macmillan. Cthulhu Mythos. Cthulhu Mythos deities. The Case of Charles Dexter Ward. Fungi from Yuggoth. Randolph Carter Herbert West. Lovecraft: A Life H. Robert W. Cardigan America Carcosa Hastur Yellow Sign. Categories : Cthulhu Mythos deities Fictional amorphous creatures Fictional monsters Literary characters introduced in The King in Yellow and Other Horror literary villains. Hidden categories: Articles with topics of unclear notability from September All articles with topics of unclear notability Fiction articles with topics of unclear notability Wikipedia articles with plot summary needing attention from September All Wikipedia articles with plot summary needing attention All articles with unsourced statements Articles with unsourced statements The King in Yellow and Other Horror September Articles with LibriVox links. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community The King in Yellow and Other Horror Recent changes Upload file. Download as PDF Printable version. Cthulhu Mythos character.