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Extraterrestrial Places in the Cthulhu Mythos
Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description. -
Pandemic: Reign of Cthulhu Rulebook
Beings of ancient and bizarre intelligence, known as Old Ones, are stirring within their vast cosmic prisons. If they awake into the world, it will unleash an age of madness, chaos, and destruction upon the very fabric of reality. Everything you know and love will be destroyed! You are cursed with knowledge that the “sleeping masses” cannot bear: that this Evil exists, and that it must be stopped at all costs. Shadows danced all around the gas street light above you as the pilot flame sputtered a weak yellow light. Even a small pool of light is better than total darkness, you think to yourself. You check your watch again for the third time in the last few minutes. Where was she? Had something happened? The sound of heels clicking on pavement draws your eyes across the street. Slowly, as if the darkness were a cloak around her, a woman comes into view. Her brown hair rests in a neat bun on her head and glasses frame a nervous face. Her hands hold a large manila folder with the words INNSMOUTH stamped on the outside in blocky type lettering. “You’re late,” you say with a note of worry in your voice, taking the folder she is handing you. “I… I tried to get here as soon as I could.” Her voice is tight with fear, high pitched and fast, her eyes moving nervously without pause. “You know how to fix this?” The question in her voice cuts you like a knife. “You can… make IT go away?!” You wince inwardly as her voice raises too loudly at that last bit, a nervous edge of hysteria creeping into her tone. -
Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities
--- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book. -
Mi-Go 1 Mi-Go
Mi-go 1 Mi-go An interpretation of the Mi-Go by Ruud Dirven Mi-go ("The Abominable Ones") is a Himalayan nickname for a race of extraterrestrials in the Cthulhu Mythos created by H. P. Lovecraft and others. The name was first applied to the creatures in Lovecraft's short story "The Whisperer in Darkness" (1931), elaborating on a reference to 'What fungi sprout in Yuggoth' in his sonnet cycle Fungi from Yuggoth (1929–30) which described the contrasting vegetation on alien dream-worlds. Summary The "Mi-go" are large, pinkish, fungoid, crustacean-like entities the size of a man; where a head would be, they have a "convoluted ellipsoid" composed of pyramided, fleshy rings and covered in antennae. According to two reports in the original short story, their bodies consist of a form of matter that does not occur naturally on Earth; for this reason, they do not register on ordinary photographic film. They are capable of going into suspended animation until softened and reheated by the sun or some other source of heat. They are about five feet (1.5 m) long, and their crustacean-like bodies bear numerous sets of paired appendages. They possess a pair of membranous bat-like wings which are used to fly through the "aether" of outer space (a scientific concept which is now discredited). The wings do not function well on Earth. Several other races in Lovecraft's Mythos also have wings like these. The Mi-go can transport humans from Earth to Pluto (and beyond) and back again by removing the subject's brain and placing it into a "brain cylinder", which can be attached to external devices to allow it to see, hear, and speak. -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
The Lovecraft Anthology: Volume 2 Pdf, Epub, Ebook
THE LOVECRAFT ANTHOLOGY: VOLUME 2 PDF, EPUB, EBOOK H. P. Lovecraft,Dan Lockwood | 128 pages | 01 Oct 2012 | Selfmadehero | 9781906838430 | English | London, United Kingdom The Lovecraft Anthology: Volume 2 PDF Book What the Moon Brings 12 copies. Hope Street High School. Reel Terror Contributor 38 copies. Fungi from Yuggoth and Other Poems copies, 4 reviews. I liked the vivid colors of the amulet and the blood in an otherwise sepia toned tapestry. The Call of Cthulhu and other stories 28 copies, 2 reviews. Skull-Face and Others 87 copies, 1 review. I agree to the Terms and Conditions. Jan 07, Adrian rated it really liked it Shelves: graphic-novels , horror , fantasy. The Challenge From Beyond Contributor 39 copies, 2 reviews. The Battle That Ended the Century 6 copies. The Dreams in the Witch House 10 copies. Lovecraft: Literary Criticism 49 copies. The imagination behind the scenarios is great, but the abrupt non-endings to many of these seem tossed off at best, lazy at worst. The Complete Fiction 1, copies, 11 reviews. Fungi from Yuggoth 50 copies. The Reanimator Fantasy and Horror Classics 5 copies. Beautiful graphics. The White Ship 32 copies, 3 reviews. Old Bugs 8 copies, 1 review. This one adapts some of the less-acclaimed of Lovecraft's works, but I think it pulls them off better on the whole than the first one did. Writings in the United Amateur, 15 copies. Narrativa completa, II 37 copies. American Gothic Tales Contributor copies, 5 reviews. The Night Ocean 48 copies, 1 review. Rowley, Ames Dorrance. Meanwhile, The Statement of Randolph Carter takes a similar approach to The Hound in that writer Dan Lockwood and artist Warwick Johnson Cadwell create an innocent, simplistic approach to their drawing it is quite similar to Dilbert in that one expression says a lot for each character which then allows the chill that comes with the final delivery in the story of something that is discovered in a tomb raiding escapade hits the reader with a big dramatic fist to the chest! The Very Old Folk 6 copies, 1 review. -
Alexander Rosetti, Composition Alex Rosetti
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-13-2013 Senior Recital: Alexander Rosetti, composition Alex Rosetti Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Rosetti, Alex, "Senior Recital: Alexander Rosetti, composition" (2013). All Concert & Recital Programs. 3201. https://digitalcommons.ithaca.edu/music_programs/3201 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Senior Recital: Alexander Rosetti, composition Hockett Family Recital Hall Saturday April 13th, 2013 9:00 pm Program Shadow of a Doubt (improvisation) Alexander Rosetti 2013 Jacqueline Burd, clarinet; Sophie Chang, cello; Luara Carp, voice; Renato Hanriot, bandoneon; Alexander Rosetti, piano; Ian Wiese, tuba Asymmetric Dances Alexander Rosetti I. Teeter 2012 II. Swords Erik Correll, piano Selections from Homestuck Alexander Rosetti Coursing Homestuck by Andrew Hussie Entrance of the Salamanders 2012 The Music of Erich Zann Alexander Rosetti Story by H.P. Lovecraft 2013 Ben Sharrin, cello; Recording by Mike Bennett Fungi From Yuggoth Alexander Rosetti I. The Gardens of Yin Text by H.P. Lovecraft II. A Memory 2013 III. Star-Winds IV. Nyarlathotep V. Night-Gaunts Alexandra Haines, soprano; Allison Kraus, flute; Rachel Schlesinger, english horn; Kelly Sadwin, violin; Ben Sharrin, cello, Mengfei Xu, piano Prayer to the Old Ones Alexander Rosetti I. Cthulhu Based on text by H.P. Lovecraft II. Shub-Niggurath 2013 III. Yog-Sothoth Arkham Chorus; Seth Waters, conductor This recital is in fulfillment of the degree Bachelor of Music in Composition. -
H. P. Lovecraft-A Bibliography.Pdf
X-'r Art Hi H. P. LOVECRAFT; A BIBLIOGRAPHY compiled by Joseph Payne/ Brennan Yale University Library BIBLIO PRESS 1104 Vermont Avenue, N. W. Washington 5, D. C. Revised edition, copyright 1952 Joseph Payne Brennan Original from Digitized by GOO UNIVERSITY OF CALIFORNIA L&11 vie 2. THE SHUNNED HOUSE. Athol, Mass., 1928. bds., labels, uncut. o. p. August Derleth: "Not a published book. Six or seven copies hand bound by R. H. Barlow in 1936 and sent to friends." Some stapled in paper covers. A certain number of uncut, unbound but folded sheets available. Following is an extract from the copyright notice pasted to the unbound sheets: "Though the sheets of this story were printed and marked for copyright in 1928, the story was neither bound nor cir- culated at that time. A few copies were bound, put under copyright, and circulated by R. H. Barlow in 1936, but the first wide publication of the story was in the magazine, WEIRD TALES, in the following year. The story was orig- inally set up and printed by the late W. Paul Cook, pub- lisher of THE RECLUSE." FURTHER CRITICISM OF POETRY. Press of Geo. G. Fetter Co., Louisville, 1952. 13 p. o. p. THE CATS OF ULTHAR. Dragonfly Press, Cassia, Florida, 1935. 10 p. o. p. Christmas, 1935. Forty copies printed. LOOKING BACKWARD. C. W. Smith, Haverhill, Mass., 1935. 36 p. o. p. THE SHADOW OVER INNSMOUTH. Visionary Press, Everett, Pa., 1936. 158 p. o. p. Illustrations by Frank Utpatel. The only work of the author's which was published in book form during his lifetime. -
S. Petersen's Field Guide to Lovecraftian
7th Edition Horror Roleplaying in the Worlds of H. P. Lovecraft Petersen’s Field Guide to Lovecraftian Horrors SampleBy Sandy Petersen file Revised by Mike Mason Chaosium Inc. 1 Concept and text : Sandy Petersen Original project development and editorial : Lynn Willis Revised edition editorial and development : Mike Mason Professor Westbury Illinois Carter Foreword: Mike Mason Licensing: Michael O’Brien, James Lowder, and Mike Mason With Special thanks to Nick Nacario and Christian Grussi Howard Phillips Lovecraft Illustrations : Loïc Muzy, Mariusz Gandzel & Claire Delépée 1890–1937 S Petersen Guide to Lovecraftian Horrors © copyright 2015, 2020 Chaosium Inc. All rights reserved. Call of Cthulhu © copyright 1981–2020 Chaosium Inc. All rights reserved. Chaosium Arcane Symbol (the Star Elder Sign) © copyright 1983 Chaosium Inc. All rights reserved. Call of Cthulhu, Chaosium Inc., and the Chaosium logo are registered trademarks of Chaosium Inc. Pulp Cthulhu is a trademark of Chaosium Inc. All rights reserved. Ithaqua © copyright 2020 the Estate of August Derleth. Used with permission. Nyogtha © copyright 2020 the Estate of Henry Kuttner. Used with permission. Some Henry Kuttner elements may be in the public domain. Chthonian and Yibb-Tstll © copyright 2020 Brian Lumley. Used with permission. Abhoth, Atlach-Nacha, and Tsathoggua © copyright 2020 the Estate of Clark Ashton Smith. Used with permission. Chaosium recognizes that credits and copyrights for the Cthulhu Mythos can be difficult to identify, and that some elements of the Mythos may be in the public domain. If you have corrections or additions to any credits given here, please contact us at [email protected]. This is a work of fiction. -
Necronomicon to Celebrate Horror Writer Lovecraft
In searching the publicly accessible web, we found a webpage of interest and provide a snapshot of it below. Please be advised that this page, and any images or links in it, may have changed since we created this snapshot. For your convenience, we provide a hyperlink to the current webpage as part of our service. Page 1 of 2 NecronomiCon to Celebrate Horror Writer Lovecraft NecronomiCon to celebrate work, influence of early 20th century horror writer HP Lovecraft By MICHELLE R. SMITH Associated Press The Associated Press PROVIDENCE, R.I. If you've enjoyed the works of Stephen King, seen the films "Alien" or "Prometheus," or heard about the fictional Arkham Asylum in Batman, thank H.P. Lovecraft, the early 20th century horror writer whose work has been an inspiration to others for nearly a century. The mythos Lovecraft created in stories such as "The Call of Cthulhu," ''The Case of Charles Dexter Ward" and "At the Mountains of Madness," has reached its tentacles deep into popular culture, so much that his creations and the works they inspired may be better known than the Providence writer himself. Lovecraft's fans want to give the writer his due, and this month are holding what they say is the largest celebration ever of his work and influence. It's billed the "NecronomiCon," named after a Lovecraft creation: a book that was so dark and terrible that a person could barely read a few pages before going insane. The Aug. 22-25 convention is being held in Providence, where he lived and died — poor and obscure — at age 46 in 1937. -
The Nyarlathotep Papers
by Larry DiTillio and Lynn Willis with Geoff Gillan, Kevin A. Ross, Thomas W. Phinney, Michael MacDonald, Sandy Petersen, Penelope Love Art by Lee Gibbons, Nick Smith, Tom Sullivan, Jason Eckhardt Design by Mark Schumann, Mike Blum, Thomas W. Phinney, Yurek Chodak, Shannon Appel Project and Editorial by Lynn Willis Interior Layout by Shannon Appel and Meghan McLean Cover Layout by Charlie Krank Copyreading by Janice Sellers, Alan Glover, Rob Heinsoo Chaosium is Lynn Willis, Charlie Krank, Dustin Wright, Fergie, William Jones, Meghan McLean, Nick Nacario, and Andy Dawson Chaosium Inc. 2010 The Clear Credit Box Larry DiTillio wrote the first draft of Chapters One through Six, except as noted below. The conception, plot, and essential Masks of Nyarlathotep Fourth Edition execution are entirely his, and remain a is published by Chaosium Inc. roleplaying classic. Lynn Willis rewrote the succeeding drafts, originating the his- torical background, introducing race as a Masks of Nyarlathotep Fourth Edition theme, inserting or adjusting certain char- is copyright © 1984, 1989, 1996, 2001, 2006, 2010 acters, writing the introductory chapter, by Chaosium Inc. and most of the advice, asides, incidental jokes, etc., and as an afterthought added All rights reserved. the appendix concerning what might be done with shipboard time. In the introduc- Call of Cthulhu® is the registered trademark of Chaosium Inc. tory chapter, Michael MacDonald wrote the original version of the sidebar concern- ing shipboard travel times and costs. Similarities between characters in Masks of Nyarlathotep Thomas W. Phinney set forth the back- Fourth Edition and persons living or dead are ground chronology of the campaign, and strictly coincidental. -
Lovecraft Country
LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 1 11/18/15 12:06 PM ALSO BY MATT RUFF The Mirage Bad Monkeys Set This House in Order: A Romance of Souls Sewer, Gas & Electric: The Public Works Trilogy Fool on the Hill LovecraftCountry_i-viii,1-376_3p_MB1118.indd 2 11/18/15 12:06 PM LOVECRAFT COUNTRY • A NOVEL • MATT RUFF HARPER An Imprint of HarperCollinsPublishers LovecraftCountry_i-viii,1-376_3p_MB1118.indd 3 11/18/15 12:06 PM Copyright lovecraft country. Copyright © 2016 by Matt Ruff. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Harper Collins Publishers, 195 Broadway, New York, NY 10007. Harper Collins books may be purchased for educational, business, or sales promotional use. For information, please e- mail the Special Markets Department at [email protected]. first edition Designed by Jaime Putorti Copyright for images: cajoer/Shutterstock, Inc. Library of Congress Cataloging- in- Publication Data has been applied for. ISBN: 978- 0-06- 229206- 3 16 17 18 19 20 ov/rrd 10 9 8 7 6 5 4 3 2 1 LovecraftCountry_i-viii,1-376_3p_MB1118.indd 4 11/18/15 12:06 PM Dedication FOR HAROLD AND RITA •• LovecraftCountry_i-viii,1-376_3p_MB1118.indd 5 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 6 11/18/15 12:06 PM LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 7 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 8 11/18/15 12:06 PM LOVECRAFT COUNTRY •• JIM CROW MILE— A unit of measurement, peculiar to colored motor- ists, comprising both physical distance and random helpings of fear, paranoia, frustration, and outrage.