DOCSLIB.ORG

NUMISMATICA PASCALI Del Rag

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NUMISMATICA PASCALI Del Rag RIVISTA ITALIANA DI NVMISMATICA E SCIENZE AFFINI FONDATA DA SOLONE AMBROSOLI NEL 1888 EDITA DALLA SOCIETÀ NUMISMATICA ITALIANA IN MILANO VOL. LXXIX 1977 RIVISTA ITALIANA DI NVMISMATICA E SCIENZE AFFINI FONDATA DA SOLONE AMBROSOLI NEL 1888 EDITA DALLA SOCIETÀ NUMISMATICA ITALIANA IN MILANO VOL. LXXIX 1977 SOCIETÀ NUMISMATICA ITALIANA Fondata nel 1892 Via ORTI, 3 - MILANO CONSIGLIO DIRETTIVO FONTANA ing. CARLO Presidente MORETTI dotto ATHOS Vice-Presidente JOHNSON dotto CESARE Segretario BOSISIO rag. ETTORE Bibliotecario COTTIGNOLI dotto TURNO Consigliere PELLEGRINO dotto ENZO » SINDACI MAGGI rag. CIRILLO effettivo MAZZA ing. ANTONINO » LURANI CERNUSCHI dotto ALESSANDRO supplente La sede della Società è aperta il sabato dalle ore 15 alle 18. RIVISTA ITALIANA DI NUMISMATICA E SCIENZE AFFINI Fondata nel 1888 EDITA DALLA SOCIEI À NUMISMATICA II ALIANA Via Orti, 3 - MILANO COMITATO DI REDAZIONE PANVINI prof dotto FRANCO Direttore D'INCERTI dotto ing. VICO MUNTONI prof. dotto FRANCESCO PAUTASSO dotto ANDREA PICOZZI dotto VITTORIO SACHERO dotto LUIGI Sono riservati alla Rivista i diritti di proprietà di tutto il materiale pubblicato e ne è vietata la riproduzione anche parziale da parte .di terzi. SOMMARIO ARTICOLI FERDINANDO GIMENO RUA, Alcune riflessioni sulle origini e sulla natura della moneta iberica . pago 7 EMANUELA COCCHI ERCOLANI, Le premesse al ritratto di Cesare sullà mone­ ta romana del I sec. a.c. » 45 LODOVICO BRUNETTI, Il binomio « peso specifico-titolo» nelle leghe mone- tarie AgCu . » 55 SAIFUR RAHMAN DAR, The Question 01 Roman influence in Gandhara art: Numismatic evidence . » 61 VITTORIO PICOZZI, L'iscrizione di Alrodisia e il valore delle monete dio­ clezianee » 91 ADELINA ARNALDI, Aeternitas e Perpetuitas nella monetazione di età tetrar­ chica . » 109 LUIGI SABETTA, Contributo al VI volume ·del « Roman Imperial Coinage» (Tipologia dei lolles di epoca costantiniana) » 135 GIULIO BERNARDI, Il denaro di Latisana. » 157 GIULIO SUPERTI FURGA, L'origine della zecca e la più antica monetazione di Mantova fino al 1433 . » 167 GABRIELE FABBRIcI, Documenti inBditi sulla zecca di Novellara » 199 NOTE E DISCUSSIONI LUIGI TONDO, Qualche nota sulle monete incuse . » 209 LUIGI TONDO, Note numismatiche alla « Moneta» di FervJ.inan,do Galiani » 215 VARIE In ricordo di Leonida Longhini (CARLO FONTANA) pago 221 Commission Internationale de Numismatique o » 225 CONGRESSI o » 227 RECENSIONI » 233 ASTE PUBBLICHE DI MONETE E MEDAGLIE » 253 ATTI E ATTIVITÀ DELLA SOCIETÀ NUMISMATICA ITALIANA » 265 PUBBLICAZIONI RICEVUTE » 275 PERIODICI RICEVUTI o » 277 MEMBRI DELLA SOCIETÀ NUMISMATICA ITALIANA o » 279 RIASSUNTI DEGLI ARTICOLI o » 289 ABBREVIAZIONI » 297 FERDINANDO GIMENO RDA ALCUNE RIFLESSIONI SULLE ORIGINI E SULLA NATURA DELLA MONETA IBERICA 1. Considerazioni preliminari L'importanza numismatica della Penisola Iberica nell'antichità è un dato di fatto noto e da porre in relazione alla rilevante parteci­ pazione dei suoi colonizzatori al divenire storico. Ma questo non è un postulato che si de,bba accettare per forza in senso unidirezionale. A seconda dell'orientamento che si assuma nella valutazione degli avvenimenti, possono senza dubbio variare sia la qualificazione della testimonianza monetale sia le deduzioni che deri­ vano da questa testimonianza: su questa base vengono impostate le considerazioni del lavoro presente. Non ritengo necessario aggiungere che mi rendo perfettamen~e conto dei problemi che sorgono da un atteggiamento come questo. Pertanto vorrei che risultassero del tutto evidenti il carattere e la portata del compito da me affrontato in queste pagine. Innanzi tutto il cambiamento che qui viene proposto in maniera del tutto chiara comporta un totale capovolgimento della prospettiva storica per quanto concerne la situazione nella quale si svolge il capi. tolo più importante della numismatica antica spagnola. Di conseguen· za è indispensabile un ampio ed esauriente lavoro, nel quale converga­ no in modo coerente e articolato i risultati relativi a tutte le incognite poste dalle monete. È evidente che si tratta di un lavoro che non può essere portato a termine da una sola persona. Pertanto mi limiterò qui a trattare delle componenti fondamentali che risultano dal fattore 7 artlstlco, una delle fonti più eloquenti per affrontare le discordanti contraddizioni storiche. D'altra parte, l'attenzione, che giustamente va man mano guada­ gnando la partecipazione punica (con questo termine intendo riferir­ mi sia ai Fenici che ai Cartaginesi) nella dinamica storica del Mediter­ raneo, viene a coincidere favorevolmente con la nec~s'saria e precisa revisione della problematica della numismatica antica, nella quale, inoltre, non si deve in nessun momento perdere di vista il noto as­ sioma, secondo il quale la moneta, nella sua qualità di valore econo­ mico circolante, è un fattore inseparabile di una più ampia realtà sociale con la quale non può essere in contraddizione. Le intuizioni e le ipotesi emesse intorno a questo problema devono essere sosti­ tuite da una impostazione chiara e articolata, basata su un'adeguata ricerca, senza timore per gli eventuali rischi che essa comporta. Riassumendo: il mio proposito si limita a esporre alcuni punti iniziali o di partenza, che, ciò nonostante e per prudenti ragioni di spazio, non son sviluppati nella misura fornitami dal metodo applicato. Per questa ragione voglio che fin dall'inizio l'enunciato venga chiarito e precisato come segue: A) Per Antichità intenderemo il periodo anteriore ad Augusto. B) Parlando di colonizzatori della Penisola, trascuro le aree cultu­ rali che loro corrispondono e che li differenziano. C) In queste aree culturali sono fondamentali i fattori che le differenziano, ma in egual misura quelli per cui si assomigliano. D) Riferendomi soprattutto alle manifestazioni culturali esterne, ritengo indispensabile prendere in considerazione i fattori differen­ ziali effettivi derivanti dalla reazione collettiva di fronte agli stimoli ambientali. E) L'intervento dei gruppi locali nel processo storico dev'essere considerato partendo da una prospettiva globale dei fatti che lo de­ terminano e lo condizionano (specialmente di quelli di carattere economico, direttamente collegati con quelli politici). Queste premesse sono contenute implicitamente alla base dei que­ siti, la cui impostazione esporrò qui parzialmente e per sommi capi, indicandone le soluzioni con gli stessi criteri. È naturale che di conseguenza sorgano nuovi e numerosi problemi, nei quali la moneta è il principale punto di controversia (per quanto 8 concerne il suo carattere di documento storico), la soluzione dei quali, però, non è facile é ciò è dovuto a tre cause fondamentali: 1) L'ampiezza degli avvenimenti storici concorrenti. 2) L'unilateralità (o parzialità) delle fonti disponibili. 3) Il volume e la diversità degli stessi materiali numismatici. Ciò nonostante si è giunti a fissare una teoria d'insieme per spie­ gare in modo soddisfacente l'entità monetaria del mondo iberico, nella quale gli autori, nonostante alcune divergenze accidentali, sono d'ac­ cordo sui punti fondamentali C). Orbene, non è difficile notare il persistere di numerose questioni, che non sembrano risolte in modo convincente o che, a dire il vero, non sono state veramente risolte. Inoltre, alcune di esse sono essen­ ziali e, di conseguenza, bisognerebbe liberarle da ogni incertezza e dubbio. Mezzo adeguato sarebbe quello di partire da un esame che si fondi su altri presupposti o la revisione di quelli esistenti. In ogni caso, si dovrebbero cercare nuove chiavi interpretative di dati dispo­ nibili e, prima di tutto, considerare il significato delle monete in se stesse e nella loro proiezione sul piano storico. È superfluo affermare che non sono il primo a rendermi conto di queste dIfficoltà e a preoccuparmi seriamente di esse. Dal momento in cui si cominciò a studiare la moneta ispanica in una forma veramen­ te seria (mi astengo qui dal valutarne i risultati) esplicitamente o implicitamente si è avuta coscienza degli ostacoli che si oppongono alla creazione di uno schema generale e a qualsiasi tentativo sempli­ cistico di inquadrarvi i fatti numismatici. Di qui l'incongruenza, anche in un medesimo autore, tra le ipotesi generali e alcune loro appli­ cazioni particolari. Certamente l'inconveniente maggiore per il superamento di queste difficoltà è stata la comprensibile aspirazione di conseguire una impo- (1) Uno degli autori principali della nostra epoca, che potremmo denominare la fase dei classici della bibliografia numismatica ispanica, è .T acobo ZOBEL DE ZANGRONIZ rBibl. 87). Nel suo lavoro troviamo un'impostazione d'insieme di notevole orizzonte e basata su alcuni principi i interamente razionali. Questo lavoro cosÌ pregiato, ciò nono­ stante cade in difetti capitali che impediscono qualsiasi tentativo di attualizzazione, anche se in lavori contemporanei è frequente il ricorso alla sua autorità. Un altro lavoro più significativo per la data della sua opera e per l'importanza indubbia della stessa, è quella che ci presenta George F. HILL (Bibl. 57). Naturalmente la lista non finisce qui. 9 stazione globale e, per quanto possibile, definitiva per l'inquadramento numismatico, con la conseguenza inevitabile che non ci si è soffermati abbastanza a soppesare previamente gli inconvenienti che ostacolava­ no la spiegazione ragionevole dei conseguenti problemi concreti. At­ tualmente pare che, senza ripudiare del tutto le premesse accettate, si presti maggior attenzione all' apporto di nuovi dati, specialmente archeologici, e alla maggior
Load more

Recommended publications
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/197438 Please be advised that this information was generated on 2019-09-09 and may be subject to change. Studies ANCIENT HISTORY “THE USURPING PRINCEPS”: MAXENTIUS’ IMAGE AND ITS CONSTANTINIAN LEGACY Abstract: This article deals with self-representation of Maxentius, who ruled over Italy and North Africa between 306 and 312. It focuses on the imagery and language that was distributed through coins and portraits during Maxentius’ reign, as well as their reception under Constantine immediately after the Battle of the Milvian Bridge (312). It argues that Maxentius revitalized the tradition of a princeps at Rome in order to play upon sentiments of neglect felt at Rome and the time. In coinage, this was most explicitly done through the unprecedented use of the princeps title on the obverse, which initially may Sven Betjes have caused a misunderstanding in the more distant parts of the Maxentian Institute for Historical, Literary and Cultural Studies, realm. The idea of the princeps was captivated in portraiture through visual Radboud University similarities with revered emperors, especially with Trajan, and through [email protected] insertion of Maxentius’ portraits in traditional togate capite velato. When Constantine defeated Maxentius in 312, he took over some of the imagery Sam Heijnen and language that had been employed by his deceased adversary. Constantine, Institute for Historical, Literary and Cultural Studies, too, presented himself as a princeps.
    [Show full text]
  • Calendar of Roman Events
    Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th.
    [Show full text]
  • Accommodating Political Change Under the Tetrarchy (293–306)
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/213252 Please be advised that this information was generated on 2021-10-05 and may be subject to change. Klio 2019; 101(2): 610–639 Olivier Hekster – Sven Betjes – Sam Heijnen – Ketty Iannantuono – Dennis Jussen – Erika Manders – Daniel Syrbe* Accommodating Political Change under the Tetrarchy (293–306) https://doi.org/10.1515/klio-2019-0042 Summary: This article seeks to address the question how the Tetrarchic system of four rulers could be presented as legitimate in a society that had never seen this political constellation before. What were the different modes of presenting Tetrar- chic rule and how did they help in making the new system acceptable? The article argues that new power structures needed to be formulated in familiar terms, not only for the rulers to legitimate their position, but also for the ruled to understand such new systems. As a result, imperial messages during the Tetrarchic period were strongly influenced by traditional modes of representation from earlier pe- riods. Traditions which were inherent in specific media and locations were deter- mining factors for the way in which a new political system could be presented. The result was a much less coherent ideological Tetrarchic message than is often assumed. The image of group identity was regularly lost in a more complex and messy mode of formulating power. The new and innovative aspects of a collegiate rule by four emperors was less important than linking the power of those rulers to what was traditionally expected of the portrayal of Roman emperorship.
    [Show full text]
  • SPOLIA. DAMNATIO and RENOVATIO MEMORIAE Dale
    "SPOLIA. DAMNATIO" AND "RENOVATIO MEMORIAE" Author(s): Dale Kinney Source: Memoirs of the American Academy in Rome, Vol. 42 (1997), pp. 117-148 Published by: University of Michigan Press for the American Academy in Rome Stable URL: http://www.jstor.org/stable/4238749 Accessed: 26/07/2010 09:43 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=aarome. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Academy in Rome and University of Michigan Press are collaborating with JSTOR to digitize, preserve and extend access to Memoirs of the American Academy in Rome. http://www.jstor.org SPOLIA.DAMNATIO AND RENOVATIOMEMORIAE Dale Kinney L ike most aspects of Roman artistic practice, the introductionof spolia occurred in si- lence.
    [Show full text]
  • A New Tetrarchic Relief from Nicomedia: Embracing Emperors Tuna Şare Ağtürk Open Access on AJA Online
    article A New Tetrarchic Relief from Nicomedia: Embracing Emperors tuna Şare ağtürk Open Access on AJA Online Ancient Nicomedia, the most important capital of the eastern Roman empire during the Tetrarchy, now lies below the modern industrial city of İzmit. The first systematic archaeological research on Diocletian’s capital, supported with a grant from The Scientific and Technological Research Council of Turkey (TÜBİTAK), examines a series of monu- mental reliefs and statues from a terraced imperial cult complex, found in the Çukurbağ district at the heart of modern İzmit. Excavations have brought to light more than 30 re- lief panels (average ht. 1.0 m x wdth. 1.5 m), the only surviving examples of Late Roman state reliefs that have extensive paint preserved on them. The panels illuminate multiple aspects of the art of the period, including the brightly colored costumes and the new and distinctive self-representation of the tetrarchic emperors and their administration. In this article, one of these relief panels, with a representation of two emperors embracing, is discussed as the precursor to the well-known porphyry Tetrarchs from Venice and the Vatican. It is argued that the relief panel is part of a larger adventus scene that shows the meeting of the two diarchs, Diocletian and Maximian, and thus dates from slightly before the onset of Tetrarchy in 293 C.E.1 introduction Scenes of nearly identical coemperors and their Caesars embracing—perhaps the most emblematic motif in tetrarchic art—are well known from the por- phyry examples in Venice and the Vatican (figs. 1, 2).2 This motif is often seen as an early example of the rejection of the classical tradition in favor of the increasingly abstracted, symbolic, and rigid representations that would 1 This article stems from the Çukurbağ Archaeological Project, a large ongoing proj- ect conducted with the permission of the Kocaeli Museum and the Turkish Ministry of Culture and supported by The Scientific and Technological Research Council of Turkey (TÜBİTAK) (Project 115K242).
    [Show full text]
  • Roman Imperial Triumphal Arches
    Roman Imperial Triumphal Arches SARAH MIDFORD which you could have seen were the cattle of the Volcinians, the flocks of the Sabines, the wagons of the Gauls, the broken arms of the Samnites’ riumphal arches were permanent monuments (Florus, 1.13.26). After the victory over Pyrrhus, constructed to commemorate an ephemeral triumphal processions are said to have contained TRoman triumphal procession. Arches were ‘Molossians, Thessalonians, Macedonians, erected in Rome during the republican period, Bruttians, Apulians and Lucanians… statues of although because they were predominately gold and charming Tarentine painted panels’ made from wood, none have survived. During (Florus, 1.13.27). As time went on and Rome the imperial period arches were constructed conquered more lands, spoils of war including from more durable materials including concrete arms, money, precious metals and jewels, and marble. The Roman triumphal arches still statuary and paintings, trees, people, and kings standing today were constructed between the were brought to Rome. Triumphal processions first and fourth centuries CE. Each one conveys were expressions of Roman military prowess an imperialistic sentiment, although, the reason and glory, and the more glorious the spoils the for their construction was not consistently more powerful and glorious Rome appeared military victory, as one might presume. to be. This projection of power and glory was extended to the triumphing general (the The location, sculptural program and triumphator) architectural execution of each
    [Show full text]
  • Masons, Materials, and Machinery: Logistical Challenges in Roman
    Masons, Materials, and Machinery: Logistical Challenges in Roman Building Brian Sahotsky The Augustan-era poet Tibullus records an episode in the life of a Republican merchant, “His fancy turns to foreign marbles, and through the trembling city his column is carried by one thousand sturdy pairs of oxen.”1 By sheathing Rome in marble during the early 1st c. A.D. Augustus essentially prefigured three centuries of colossal stone construction in the capital.2 Subsequent emperors favored massive monolithic columns, metaphorically equating their size and distinctiveness with the might and reach of the empire. These exotic marbles, pried from quarries in peripheral locales like Egypt and Anatolia, demonstrated that Rome could bring wealth from any of its territories to showcase in the capital. Although these marble monoliths were a symbol for the supremacy of Rome, the real power was displayed in their erection.3 Key imperial construction projects developed into major spectacles, and the convoy of marble columns and cartloads of building materials to the building site shook the ground and commanded attention. One such case study from the Tetrarchic period is the building of the great Basilica of Maxentius at the southern end of the Roman Forum.4 In addition to its vast quantity of brick and concrete, the plans for the basilica specified eight Proconnesian marble columns that weighed in excess of 90 tons. These columns contained the perfect means to put on a dramatic show of Roman engineering and organizational expertise. The resulting parade of stone and brick to the Forum glorified the ambitious building program of the Emperor, and gave the people of Rome a spectacle that had been absent in the capital for nearly a hundred years.5 1 Tibullus, Elegiae, 2.3.43-44.
    [Show full text]
  • Space, Ritual, Event: Constantine's Jubilee of 326 and Its Implications on Urban Space
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2013 Space, Ritual, Event: Constantine's Jubilee of 326 and its Implications On Urban Space Brian Christopher Doherty [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Architectural History and Criticism Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Doherty, Brian Christopher, "Space, Ritual, Event: Constantine's Jubilee of 326 and its Implications On Urban Space. " Master's Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/2409 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Brian Christopher Doherty entitled "Space, Ritual, Event: Constantine's Jubilee of 326 and its Implications On Urban Space." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Architecture, with a major in Architecture. Gregor A. Kalas, Major Professor We have read this thesis and recommend its acceptance: Avigail Sachs, Thomas K. Davis Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Space, Ritual, Event: Constantine's Jubilee of 326 and its Implications On Urban Space A Thesis presented for the the Master of Architecture Degree The University of Tennessee, Knoxville Brian Christopher Doherty August 2013 ABSTRACT Architecture has been characterized as the study of space.
    [Show full text]
  • The Cult of Vesta in the Roman World Thesis
    Open Research Online The Open University’s repository of research publications and other research outputs The cult of Vesta in the Roman world Thesis How to cite: Cobb, Jennifer Mary (1984). The cult of Vesta in the Roman world. MPhil thesis The Open University. For guidance on citations see FAQs. c 1983 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000f956 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk UNRESTS !CTED MISS JENNIFER MARY COBB B.A.(LONDON) THE CULT OF VESTA IN THE ROMAN WORLD SUBMITTED FOR THE DEGREE OF M.PHIL FACULTY OF ARTS : CLASSICAL STUDIES DATE OF SUBMISSION : 27 D4AY 19 83 i ) a - C L crf^ ; / 4 - M<3>cA/ J P ro Q u e st N um ber: 27777207 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. in the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27777207 Published by ProQuest LLC (2020). Copyright of the Dissertation is held by the Author. Ail Rights Reserved.
    [Show full text]
  • TOWARDS a NEW HONORIFIC COLUMN: the COLUMN of CONSTANTINE in EARLY BYZANTINE URBAN LANDSCAPE (1) Pelin YONCACI ARSLAN*
    TOWARDSMETU JFA 2016/1A NEW HONORIFIC COLUMN DOI:METU 10.4305/METU.JFA.2016.1.5 JFA 2016/1 121 (33:1) 121-145 TOWARDS A NEW HONORIFIC COLUMN: THE COLUMN OF CONSTANTINE IN EARLY BYZANTINE URBAN LANDSCAPE (1) Pelin YONCACI ARSLAN* Received: 19.10.2015; Final Text: 09.03.2016 INTRODUCTION Keywords: Column of Constantine; Early Byzantine Constantinople; Byzantine urban In the summer of 324, Constantine besieged the city of Roman Byzantion to history; the urban skyline; imageability; capture Licinius after the Battle of Adrianople 2( ). During the two-month visibility long siege, the emperor stayed in a military camp built on the second 1. This paper is partially based on the hill of the promontory, outside the main land gate built by Septimus PhD dissertation titled “Christianizing the Skyline: Appropriation of the Pagan Severus in the second century AD. At the time when the city was falling, Honorary Column in Early Constantinople” Licinius escaped to the opposite shores of the Bosporus to Chrysopolis submitted in 2015 to UCLA, Architecture and Urban Design. (Üsküdar). In the battle of Chrysopolis on September 18, 324, Licinius was defeated and lost his imperial titles as well as the East of the Empire 2. Zos., Hist. nov., II.22.3-7. (3). Hence, with the elimination of his rival, Constantine became the 3. Zos., Hist. nov., II. 33-36. sole ruler of the Roman Empire. To perpetuate the memory of his naval 4. B. Ward-Perkins 2012, 53. In the early victory, or what Krautheimer (1983, 42) suggested, to commemorate the years of its foundation, Constantinople was designated altera Roma (the other Rome) unification of the Roman Empire under one ruler, Constantine refounded by the Latin poet Porphyrius in one of his the city of Byzantion as his own capital.
    [Show full text]
  • Maternal Megalomania Langford, Julie
    Maternal Megalomania Langford, Julie Published by Johns Hopkins University Press Langford, Julie. Maternal Megalomania: Julia Domna and the Imperial Politics of Motherhood. Johns Hopkins University Press, 2013. Project MUSE. doi:10.1353/book.22479. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/22479 [ Access provided at 26 Sep 2021 19:07 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. MATERNAL MEGALOMANIA This page intentionally left blank MATERNAL MEGALOMANIA Julia Domna and the Imperial Politics of Motherhood JULIE LANGFORD The Johns Hopkins University Press Baltimore © 2013 The Johns Hopkins University Press All rights reserved. Published 2013 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging–in–Publication Data Langford, Julie, 1967– Maternal megalomania : Julia Domna and the imperial politics of motherhood / Julie Langford. pages cm. Includes bibliographical references and index. isbn 978-1-4214-0847-7 (hardcover : acid-free paper) — isbn 1-4214-0847-3 (hardcover : acid-free paper) – isbn 978-1-4214-0848-4 (electronic) — isbn 1-4214-0848-1 (electronic) 1. Julia Domna, Empress, consort of Severus, Lucius Septimius, Emperor of Rome, d. 217. 2. Julia Domna, Empress, consort of Severus, Lucius Septimius, Emperor of Rome, d. 217—Public opinion. 3. Rome—History—Severans, 193–235. 4. Rome—Politics and government—30 b.c.–284 a.d. 5. Motherhood—Political aspects—Rome.
    [Show full text]
  • Renovatio Urbis
    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Lincoln Institutional Repository renovatio urbis Architecture, Urbanism and Ceremony in the Rome of Julius II Nicholas Temple 1 Agli amici di Antognano, Roma (Accademia Britannica) e Lincoln 2 Contents Illustration Credits Acknowledgements Introduction Chapter 1 - SIGN-POSTING PETER AND PAUL The Tiber’s Sacred Banks Peripheral Centres “inter duas metas” Papal Rivalries Chigi Chapel Chapter 2 - VIA GIULIA & PAPAL CORPORATISM The Politics of Order The Julian ‘Lapide’ Via Giulia The Legacy of Sixtus IV Quartière dei Banchi Via del Pellegrino, via Papale and via Recta Solenne Possesso and via Triumphalis Papal Corporatism Pons Neronianus and Porta Triumphalis Early Christian Precedents 3 Meta-Romuli and Serlio’s Scena Tragica Crossing Thresholds: Peter and Caesar The Papal ‘Hieroglyph’ and the Festa di Agone Chapter 3 - PALAZZO DEI TRIBUNALI and the Meaning of Justice sedes Iustitiae The Four Tribunals The Capitol and Communal/Cardinal’s Palace St Blaise and Justice Iustitia Cosmica Caesar and Iustitia pax Romana Chapter 4 – CORTILE DEL BELVEDERE, VIA DELLA LUNGARA and vita contemplativa “The Beautiful View” via suburbana/via sanctus Passage and Salvation Chapter 5 - ST. PETER’S BASILICA Orientation and Succession Transformations from Old to New Territorium Triumphale Sixtus IV and the Cappella del Coro Julius II and Caesar’s Ashes Janus and Peter 4 Janus Quadrifrons The Tegurium Chapter 6 - THE STANZA DELLA SEGNATURA A Testimony to a Golden Age Topographical and Geographical Connections in facultatibus Triune Symbolism Conversio St Bonaventure and the Itinerarium Mentis in Deum Justice and Poetry Mapping the Golden Age Conclusion - pons/facio: POPES AND BRIDGES The Julian ‘Project’ Pontifex Maximus Corpus Mysticum Raphael’s Portrait Notes Bibliography Index 5 Illustration Credits The author and publishers gratefully acknowledge the following for permission to reproduce images in the book.
    [Show full text]