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Frederick H. Maltz Fall 2003 (Usps 420-910) Issn 0746-7834 Ieee Oceanic Engineering Society
VOLUME XXXVIII NUMBER 4 EDITOR: FREDERICK H. MALTZ FALL 2003 (USPS 420-910) ISSN 0746-7834 IEEE OCEANIC ENGINEERING SOCIETY President Vice President Vice President Vice President, Treasurer THOMAS F. WIENER Technical Activities International Activities Professional Activities JAMES T. BARBERA 2403 Lisbon Lane STANLEY G. CHAMBERLAIN JOSEPH R. VADUS NORMAN D. MILLER, P.E. 13513 Crispin Way Global Ocean Inc. Alexandria, VA 22306-2516 2644 NW Esplanade Drive Rockville, MD 20853 Raytheon Electronic Systems 8500 Timber Hill +1 703 768 9522 MS T3TN46, 50 Apple Hill Dr. Potomac, Maryland 20854 Seattle, WA 98117-2527 +1 301 360-4347 [email protected] Tewksbury, MA 01876 +1 301 299 5477 +1 206 784 7154 +1 301 871 3907 (FAX) (508) 858-5012 +1 301 983 4825 (FAX) +1 206 784 0478 (FAX) [email protected] Newsletter Editor (508) 585-1955 (FAX) [email protected] [email protected] FREDERICK H. MALTZ [email protected] Web Coordinator 821 Runningwood Circle Journal of Oceanic Secretary & Publicity Mountain View, CA 94040 Engineering Editor STEPHEN M. HOLT Archie Todd Morrison III IEEE Newsletters +1 650 967 5092 JAMES F. LYNCH 11950 Grey Squirrel Lane Nobska Development PAUL DOTO +1 650 969 9390 (FAX) Oceans Physics and Reston, VA 20194 Corporation 445 Hoes Lane [email protected] Engineering +1 703 610 2000 Falmouth, MA 02540 USA Piscataway, NJ 08855-1331 203 Bigelow Building +1 703 610 1767 (FAX) +1 508 360 2393 +1 732 562 3945 Woods Hole Oceanographic [email protected] +1 508 539 0808 (FAX) +1 732 981 1855 (FAX) Institution [email protected] [email protected] Woods Hole, MA 02543 +1 508 457 2000 x2230 [email protected] EX-OFFICIO Jr. -
Broadway Bound with Garrett Stack
Playlist* Originating on WMNR Fine Arts Radio [email protected] Program is archived 24-48 hours after broadcast, heard free of charge *Playlist in order of play. Broadway Bound with Garrett Stack at Public Radio Exchange, > exchange.prx.org > Broadway Bound Show #: 300 Broadcast Date: February 9, 2019 Time: 16:00 – 18:00 # of Selections: 23 HOrderoli… Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 6:10 Cyndi Lauper Raise You Up/Just Be Billy Porter & Full Company Kinky Boots - Original Broadway Cast Masterworks Broadway 2013 Opened 4/4/13. Closed 4/7/19. Exactly 7 years on Broadway. CDS Kinky Boot 0:14 15 2013 6/8/13 6/22/13 9/28/13 2/9/19 Six 2013 Tony Awards including Best Musical; Best score - Cyndi Lauper; Best Actor 02 5:55 R Lopez & J Marks What Do You Do With A B.A. In John Tartaglia/Company Avenue Q Original Broadway Cast RCA/iTunes 2003 7/31/2003 - 9/13/09*. 2534 perf. Three 2004 Tony Awards: Best Musical; Best Book CDS Ave 0:11 02 2005 2/11/06 6/3/06 8/4/07 11/24/073/13/10 7/7/12 2/23/13 6/7/14 3/4/17 2/9/19 - Jeff Whitty; Best Original Score - m/l by Robert Lopez and Jeff Marks. 03 3:22 (m)R Rodgers (l)O Hammerstein OEnhg, lWishh/aIt aS uBcekasu Ttiofu Bl eM oMrenin' Hugh Jackman OKLAHOMA - 1998 Royal National Theatre First Night import 1998 This Cameron MacIntosh production came to Boradway for a year. -
Shakespeare's Heroines in American Musical Theater
Jelena Zlatarov-Marcetic Jelena Zlatarov-Marcetic Jelena Shakespeare's Heroines in American Musical Theater Migration and Happiness Master’s thesis in English Supervisor: Eli Løfaldli Master’s thesis Master’s May 2019 Shakespeare's Heroines in American Musical Theater Musical in American Heroines Shakespeare's NTNU Faculty of Humanities Faculty Department of Language and Literature Norwegian University of Science and Technology of Science University Norwegian Jelena Zlatarov-Marcetic Shakespeare's Heroines in American Musical Theater Migration and Happiness Master’s thesis in English Supervisor: Eli Løfaldli May 2019 Norwegian University of Science and Technology Faculty of Humanities Department of Language and Literature Acknowledgements Firstly, I would like to thank my family for their unwavering support and patience, and especially my husband for his invaluable inputs. Secondly, I would like to express my gratitude to my supervisor Eli Løfaldli, who has taught me a lot and has shown great patience and understanding during this whole year. Thirdly, I would like to thank Kirsten Slørstad for being the kindest librarian ever, without whose help I would have had great difficulty getting hold of the necessary literature. Finally, I big thank you goes to all my friends who have shown interest in my work, let me use their libraries, and proofread my writing. Also, to Rasmus, who always knew when I needed a break. Jelena Zlatarov-Marcetic, Tynset 15 May 2019 Table of Contents Introduction ……………………………………………………………………………….…1 Adapting the Canon -
„Tanz Der Vampire“ & Die Vereinigten Bühnen Wien
„Tanz der Vampire“ & die Vereinigten Bühnen Wien Die Vereinigten Bühnen Wien Intendant: Rudi Klausnitzer Allgemeine Informationen zu den Vereinigten Bühnen Wien Die Vereinigten Bühnen Wien bestehen in ihrer jetzigen Form seit 1966 und haben in diesen 65 Jahren 33 Produktionen in 3 Theatern auf die Bühne gebracht: im Theater an der Wien, dem Raimundtheater sowie dem Etablissement Ronacher. Dabei wurden Erfolgsproduktionen vom Broadway und aus dem Londoner Westend wie „Evita“, „Cats“, „Les Misérables“, „The Phantom of the Opera“, „Kuss der Spinnenfrau“, „Beauty and the Beast“ (und andere) erstmals auf dem Kontinent herausgebracht Derzeit beschäftigen die VBW (Vereinigte Bühnen Wien) 580 Mitarbeiter/Innen, ein drittel davon im künstlerischen Bereich. Das Rudi Klausnitzer -Ensemble umfaßt Charakterschauspieler und Opernsänger, Popstars und Jazzer, Tänzer mit klassischer Ballett-, Step- und Modern Dance-Ausbildung. Sie alle haben nicht nur Bühnenerfahrung, sondern treten regelmäßig bei Bühnen- und TV-Galas, im Studio und im Film auf. Seit „Cats“ wird das ganze Theater auf die speziellen Bedingungen einer Produktion mit langer Laufzeit eingerichtet. Alle drei Häuser werden an spielfreien Tagen für Galas, Konzerte, Gastspiele und Kongresse vermietet. Die VBW haben Partner auf der ganzen Welt, u.a: Aandrew Lloyd Webber und die Really Usefull Comp., London, Walt Disney Theatrical Enterprises, N.Y. oder Cameron Mackintosh, London. Die Eigenproduktionen der Vereinigten Bühnen Wien „Freudiana“ : Musical von Eric Woolfson, Welturaufführung am 19.12.1990 im Theater an der Wien, bis 18.04.1992 320.000 Besucher sahen 380 Vorstellungen „Elisabeth“: Musical von Michael Kunze & Sylvester Levay, Welt-Uraufführung 03.09.1992 im Theater an der Wien bis 25.04.1998 In 1279 Vorstellungen waren1,27 Millionen Besucher. -
Craft Focus Magazine
www.craftfocus.com April/May 2010 April/May CRAFTFOCUS Issue 18 www.craftfocus.com MAGAZINE Happy Birthday Craft Focus! REVIEWS • Craft Hobby + Stitch International • CHA Winter Show TRIED AND TESTED KNITTING YARN How card making is evolving Does e-commerce work for your business? PLUS WIN! Latest products £500 worth of Numberjacks craft Industry profiles kits from Creativity International News & views Position Yourself for the Economic Recovery! Just turn the page to discover how leading UK retailers and manufacturers plan to grow their business in 2010! Give Your Business a Competitive Join us on a Special Reader Trip to the 27-29 Stephens Con Rosemont, Illinois - j “It’s the ideal platform for UK manufacturers and retailers to learn more about the US craft business and the way it operates. Many UK companies that have ventured into the important US market have used the Show as a starting point before committing full-scale.” - Sara Davies, Sales Director at Crafter’s Companion Discover Trends Before Your Competitors X Superb access to craft industry design, manufacturing and retail trends from across the globe X Engage with hundreds of exhibitors and thousands of attendees representing a vast selection of product categories across: B Scrapbooking and Papercrafts B Fabric, Quilting and Needlecrafts B Art Materials and Framing B General Crafts Edge and Find Inspiration in Chicago CHA 2010 Summer Convention & Trade Show July 2010 nvention Center just outside of Chicago Build Your Business with World Class Education X Business building seminars that provide attendees with ideas and strategies they can immediately apply to their own businesses. -
Forthcoming Concerts
Family Christmas Concert – 21st December 2013 From the Chair... Ladies and Gentlemen, boys and girls: Nice to see you, to see you nice! I hope that all of you ‘Strictly’ fans have set your TV recorder for the Final! Strictly Come Dancing is fast becoming one of the current associations with Christmas and hopefully we can stir some memories of the Season through our festive music this evening. Going to the ballet has long been a popular Christmas treat. Ballets like many fairy tales, often have a sinister side to their plot, Coppelia is no exception. A young man (betrothed to another) becomes infatuated with a life-sized doll and is lured by the doll’s maker to sacrifice his spirit to enable the doll to come to life. Fortunately, he is shown his folly by his true love who dresses up as the doll and tricks the inventor. However, all eventually turns out well and ends happily ever after. Many of you will be familiar with the Nutcracker ballet. Tonight we will be playing part of The Nutcracker Suite. Tchaikovsky himself made a selection of eight of the numbers from the ballet, which he intended for concert performance. The complete Suite was featured in Walt Disney’s Fantasia. There are many other more modern traditions associated with Christmas, none more so than the Snowman by Howard Blake who incidentally celebrated his 75th birthday in October. We are delighted to welcome Stephen, Mike, Linda and Jennifer as the soloists for our performance this evening. For some, there is little else that epitomises Christmas more than the 1954 musical White Christmas with music by Irving Berlin. -
Fall/Winter 2001
N SteadmanSPORTS MEDICINE FOUNDATION VOLUME Hawkins 7 FALL/WINTER 2001 An International Center for Research and Education — Keeping People Active Patients in the News: SPORTS AND WELLNESS: Bill Schneiderman: Health-Care Savvy and on Tips from NFL’s Broncos Can Keep You Healthy the Mend on the Slopes. Editor’s Note: The following profile is based on an interview by By Jeff Carlson Dick Needham. Mr. Needham is editor of the skier newsletter “Inside Tracks” and senior contributing editor of Ski Magazine. Editor’s Note: Mr. Carlson is a physical therapist for the Howard Head Sports Medicine Center in Vail, Colo. To say “It takes one to know one” is an overused cliché. But in Bill Schneiderman’s Recently I had the opportunity to work case, the expression is apt. Schneiderman, with the Denver Broncos during their today a real estate executive with Marriott training camp in Greeley, Colo. For International, had for 20 years enjoyed a players and personnel alike, training career in health care, where his work camp was not exactly perceived as a focused on the development of health- “good time.” For people on the train- care-delivery systems. He served as chief ing room staff, equipment room staff, executive of the Metropolitan Boston video productions, media, coaching, Emergency Medical Services Council, a etc., it consisted of 12-to-15 hour days consultant to the National Heart, Lung, and seven days a week. For the players, it Blood Institute of the National Institutes of was two grueling practices a day and Health, a member of the Harvard Injury three to five hours of meetings lasting Control Center, and a lecturer at the Harvard as late as 11 p.m. -
In Cosmetic Science
Naturals in Cosmetic Science DNA Gensee, France Presents: “Metabarcoding: DNA Traceability from Plants to Cosmetic Products” Dr Nicole Giraud Register Now 16.45: 2 July, 2015 Royal College of Physicians 11 St Andrews Place, London NW1 4LE Register now at www.naturalsconference.com Early Booking Discount deadline: 15 June 2015 Naturals in Cosmetics Science Conference Programme WEDNESDAY 1 JULY 2015 THURSDAY 2 JULY 2015 10.00 Welcome, Registration & Coffee 08:30 Registration Conference Sponsor 10.30 SESSION 1 Opening remarks SESSION 3 09.00 Opening remarks Dr Emma Meredith, SCS Immediate Past President Creating Natural New technology for Steve Barton, SCS President Cosmetic Products 10.35 Keynote Address natural cosmetic 09.15 Biotechnology: a source of innovation for bio-based cosmetic Margo Marrone, The Organic Pharmacy ingredient ingredients 11.10 The EU Cosmetics Regulation update for natural production Emmanuel Petiot, Deinove cosmetics companies 09.50 Green, blue & white biotechnology for a more sustainable future Dr Emma Meredith, CTPA Will Cannon, Croda 11.45 African plants & essential oils for Spa & wellness 10.25 The use of micro-algae to produce novel skin care ingredients Denzil Phillips, Denzil Phillips International George Rosson, Natura-tec, France 12.20 An overview of naturally occurring anti-microbial molecules – what are the options for cosmetic preservation? 11:00 Table Top Exhibition & Coffee Break Dr Wilfried Petersen, Dr Straetmans SESSION 4 11.30 Utilising natural cosmetic actives to support the epidermis 12.55 Table Top Exhibition & Lunch Break Skin, Anti-aging and improve the skin’s appearance & Effi cacy John Lofthouse, CLR SESSION 2 14.00 Performance is everything. -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores. -
Preface to the First Edition 1
NOTES Preface to the First Edition 1. The Rodgers and Hammerstein Song Book (New York: Simon & Schuster and Williamson Music, 1956); Six Plays by Rodgers and Hammerstein (New York: Modern Library Association, 1959). 2. Like other Broadway-loving families, especially those residing on the west side of the coun- try, it took the release of the West Side Story movie with Natalie Wood for us to become fully cognizant of this show. 3. “The World of Stephen Sondheim,” interview, “Previn and the Pittsburgh,” channel 26 tele- vision broadcast, March 13, 1977. 4. A chronological survey of Broadway texts from the 1950s to the 1980s might include the fol- lowing: Cecil Smith, Musical Comedy in America; Lehman Engel, The American Musical Theater; David Ewen, New Complete Book of the American Musical Theatre; Ethan Mordden, Better Foot Forward; Abe Laufe, Broadway’s Greatest Musicals (New York: Funk & Wagnalls, 1977); Martin Gottfried, Broadway Musicals; Stanley Green, The World of Musical Comedy; Richard Kislan, The Musical (Englewood Cliffs, N.J.: Prentice-Hall, 1980); Gerald Bordman, American Musical Comedy, American Musical Theatre, American Musical Revue, and American Operetta; Alan Jay Lerner, The Musical Theatre: A Celebration; and Gerald Mast, Can’t Help Singin.’ 5. See Gerald Bordman, American Musical Comedy, American Musical Revue, and American Oper- etta, and Lehman Engel, The American Musical Theater. 6. Miles Kreuger, “Show Boat”: The Story of a Classic American Musical; Hollis Alpert, The Life and Times of “Porgy and Bess.” The literature on Porgy and Bess contains a particularly impres- sive collection of worthwhile analytical and historical essays by Richard Crawford, Charles Hamm, Wayne Shirley, and Lawrence Starr (see the Selected Bibliography). -
The Music Never Stopped Based Upon “The Last Hippie” by Oliver Sacks, M.D
The Music Never Stopped Based upon “The Last Hippie” by Oliver Sacks, M.D. Official website: http://themusicneverstopped-movie.com Publicity Materials: www.roadsideattractionspublicity.com Production Notes Directed by Jim Kohlberg Screenplay by Gwyn Lurie & Gary Marks Produced by Julie W. Noll, Jim Kohlberg, Peter Newman, Greg Johnson Starring: J.K. Simmons Lou Taylor Pucci Cara Seymour Julia Ormond Running Time: 105 minutes Press Contacts: New York Marian Koltai-Levine – [email protected] – 212.373.6130 Nina Baron – [email protected] – 212.373.6150 George Nicholis – [email protected] – 212.373.6113 Lee Meltzer – [email protected] – 212-373-6142 Los Angeles Rachel Aberly – [email protected] - 310.795-0143 Denisse Montfort – [email protected] – 310.854.7242 "THE MUSIC NEVER STOPPED" Essential Pictures presents THE MUSIC NEVER STOPPED Based on a true story Directed by JIM KOHLBERG Screenplay by GWYN LURIE & GARY MARKS Based upon the essay 'The Last Hippie' by OLIVER SACKS Produced by JULIE W. NOLL JIM KOHLBERG PETER NEWMAN GREG JOHNSON Co-Producer GEORGE PAASWELL Executive Producer NEAL MORITZ Executive Producer BRAD LUFF Music Producer SUSAN JACOBS Director of Photography STEPHEN KAZMIERSKI Editor KEITH REAMER Production Designer JENNIFER DEHGHAN Costume Designer JACKI ROACH Original Music by PAUL CANTELON Casting by ANTONIA DAUPHIN, CSA J.K. SIMMONS LOU TAYLOR PUCCI CARA SEYMOUR with JULIA ORMOND TAMMY BLANCHARD MIA MAESTRO SCOTT ADSIT JAMES URBANIAK PEGGY GORMLEY MAX ANTISELL An Essential Pictures Production in association with Peter Newman/InterAL Productions A film by Jim Kohlberg SYNOPSIS “The Music Never Stopped,” based on the case study “The Last Hippie” by Dr. -
Playbill: 42Nd Street at the Umbrella
42 ND STREET INAUGURAL SEASON This production made possible by the generosity of Cast and Crew Members from The Umbrella Stage’s Seasons 1-11 This 2019-2020 season is made possible by the generosity of Kate and Mark Reid in memory of Kate’s mother, Micheline Sakharoff 40 STOW STREET, CONCORD, MA | TheUmbrellaStage.org Proud sponsor of THE UMBRELLA Community Arts Center Best wishes for a successful 2019-2020 Performing Arts Season! ADAGE CAPITAL MANAGEMENT, LP 200 CLARENDON STREET 52nd FLOOR BOSTON, MASSACHUSETTS 02116 PHONE: 617.867.2800 adagecapital.com THE UMBRELLA STAGE COMPANY PRESENTS Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the Novel by BRADFORD ROPES Original Direction and Dances by GOWER CHAMPION Originally Produced on Broadway by DAVID MERRICK Directed by Brian Boruta Music Direction by James Murphy Musical Restaging and New Choreography by Lara Finn Banister Scenic Design by Lighting Design by Sound Design by Benjamin D. Rush SeifAllah Sallotto-Cristobal Elizabeth Havenor Costume Design by Properties Design by Stage Managed by Brian Simons Sarajane Morse Mullins Michael T. Lacey 42ND STREET is presented by arrangement with Funded in part by the Tams-Witmark, A Concord Theatricals Company www.tamswitmark.com The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights Dear Friends, Welcome to The Umbrella, where there’s so much that’s exciting and new to share with you! Of course, we are beyond thrilled to introduce you to our two newly constructed theaters – part of a massive, multiyear renovation and expansion campaign that saw the transformation of every aspect of our Arts center.