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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Universal Music Group's Profit Margins Grew in 2020, Despite
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 3, 2021 Page 1 of 31 Leader; Travis Denning Makes History INSIDE Universal Music Group’s Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No.Profit 1 on Billboard’s lion audienceMargins impressions, up 16%).Grew Top• Country TuneCore Albums Unveils chart dated April 18. In its first week (ending April 9), it earnedRewards 46,000 Program equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingas Indie to Nielsen Distributors Music/MRC Data. in 2020, Despiteand total Country Airplay No.Pandemic 1 as “Catch” (Big Machine Label Group) ascends SouthsideFend Off marks Major Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartLabels: and fourth Exclusive top 10. It follows freshman LP BY ED CHRISTMAN Young’s first of six chart entries, “Sleep With- Montevallo, which arrived at the summit in No - out You,” reached No. 2 in December 2016. He • David Crosby Sells vember 2014 and reigned for nineEven weeks. in Toa nearly date, year-long economic downturn, the hit 1.487 billionfollowed euros with ($1.68 the multiweek billion), orNo. a 1s20% “In Casemargin. -
Front Matter Template
Copyright by Paxton Christopher Haven 2020 The Thesis Committee for Paxton Christopher Haven Certifies that this is the approved version of the following Thesis: Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes APPROVED BY SUPERVISING COMMITTEE: Suzanne Scott, Supervisor Curran Nault Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes by Paxton Christopher Haven Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2020 Dedication To my parents, Chris and Fawn, whose unwavering support has instilled within me the confidence, kindness, and sense of humor to tackle anything my past, present, and future may hold. Acknowledgements Thank you to Suzanne Scott for providing an invaluable amount of time and guidance helping to make sense of my longwinded rants and prose. Our conversations throughout the brainstorming and writing process, in addition to your unwavering investment in my scholarship, made this project possible. Thank you to Curran Nault for illustrating to me the infinite potentials within merging the academic and the personal. Watching you lead the classroom with empathy and immense consideration for the lives, legacies, and imaginations of queer and trans artists/philosophers/activists has made me a better scholar and person. Thank you to Taylor for enduring countless circuitous ramblings during our walks home from weekend writing sessions and allowing me the space to further form my thoughts. -
Trinity Tripod, 2019-09-03
The -Established 1904- rinity ripod T T Volume CXV “Scribere Aude!” Tuesday, September 3, 2019 Number I New Student Steve’s Bagels Orientation Moves into Vernon GILLIAN REINHARD ’20 KAT NAMON ’22 and spearheaded the deci- EDITOR-IN-CHIEF sion to make the addition. NEWS EDITOR Trinity welcomed Nikia Bryant, Direc- A new addition has tor of SAIL, had a chance page 17 transfer students, 9 IDP been made to on-campus to meet with the owner students, and 582 dining options at Trin- of Steve’s Bagels, Steven members of the ity. Since the closing of DiGiorgio, a Universi- Class of 2023. Goldberg’s Bagels in the ty of Hartford Graduate. spring of 2018, the kitch- Bryant said, “[Steven] is 4 en space in Vernon So- excited to be a part of our NICK CAITO, TRINITY OFFICE OF COMMUNICATIONS cial has remained empty. community. He was very 'll'rinityTrinity welcomedwefoomed the ClassCbi.ss ofoJI:' 20232i()l23 thlsthis ]lllastpast weelk:end.weekend. However, this fall 2019 receptive to the idea of Read moremoll."e abouta1bout new student programming]lllll."Ogll."ammmg on page 4. Horoscopes: semester, the breakfast hiring students to work and lunch restaurant for him and showed great Freshman Year Steve’s Bagels will occu- interest in developing a py the space. The deci- service similar to Door- WILL TJELTVEIT ’20 sion to replace Goldberg’s dash, where food would STAFF ASTROLOGIST and provide students with be delivered to students’ another on-campus din- rooms. During the Ver- page Staff Astrologist ing option was made at non open house in July, Tjeltveit reads the a forum open to the com- he also brought copies stars for the Class munity regarding poten- of his menu so students of 2023. -
Sarah Hudson
SARAH HUDSON 5 AUS Katy Perry “Dark Horse” (ft. Juicy J) Prism Capitol Co-Writer 3 CAN 11 US 7 CAN UK 8 AUS 2 US UK CAN Katy Perry “Swish Swish” (ft. Nicki Minaj) Witness Capitol Co-Writer ●AUS US CAN AUS ●UK Dua Lipa Levitating (feat. Madonna and Single Warner Records Co-Writer Missy Elliott) [The Blessed Madonna Remix] ●UK Dua Lipa “Physical” Future Nostalgia Warner Records Co-Writer ●CAN “Levitating” US Iggy Azalea “Black Widow” (ft. Rita Ora) The New Classic Def Jam Co-Writer ●CAN 4 US 2 CAN UK AUS ●AUS Illenium “Good Things Fall Apart ft. Jon ASCEND Astralwerks Co-Writer Bellion” ●US 4 US Justin Bieber “The Feeling” (ft. Halsey) Purpose Def Jam Co-Writer 4 UK ●US 4 CAN 3 AUS 2 CAN Camila Cabello "Something's Gotta Give" Camila Epic Co-Writer, Co- US Producer ●UK ●AUS 2 CAN Dua Lipa “Genesis” Dua Lipa Warner Records Co-Writer UK US ●AUS RAYE “South East London” Blue Story, Music Roc Nation Co-Writer Inspired By The Original Motion Picture Years & Years “Karma” Palo Santo Polydor Records Co-Writer “Palo Santo” SARAH HUDSON 2 US Nicki Minaj “Get On Your Knees” (ft. Ariana The Pinkprint Republic Co-Writer ●UK Grande) Santigold “Banshee” 99 Cents Atlantic Co-Writer Superfruit “Fantasy” Future Friends RCA Co-Writer CAN Katy Perry “Hey Hey Hey” Witness Capitol Co-Writer ●AUS “Tsunami” “Pendulum” “Mind Maze” “Miss You More” “Bigger Than Me” “Dance With The Devil” “Act My Age” Kim Petras “o m e n” Turn Off The Light, BunHead Co-Writer “Close Your Eyes” Vol 1 “TRANSylvania” “Turn Off The Light” “Tell Me It’s A Nightmare” “i don’t wanna die…” “In The Next Life” “Boo! Bitch!” Sasha Sloan “Version of Me” Loser EP RCA Co-Writer Alma “Cowboy” Single PME Records Co-Writer ●UK Little Mix “The National Manthem” LM5 Syco Music/Sony Music Co-Writer The “Blue” Hard To Imagine Columbia Co-Writer Neighbourhood “Dust” The Neighbourhood “Heaven” Ever Changing Brooke Candy “Oomph” Single Self-released Co-Writer Brooke Candy “Nuts” ft. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
Södertörns Högskola | Institutionen För Kultur Och Lärande Masteruppsats 30 Hp | Genusvetenskap | Vårterminen 2013 Masterprogrammet För Genusvetenskap
Södertörns högskola | Institutionen för Kultur och Lärande Masteruppsats 30 hp | Genusvetenskap | Vårterminen 2013 Masterprogrammet för Genusvetenskap Werkin‘ girls - a critical viewing of femininity constructions in contemporary rap Av: Moa Johansson Handledare: Ulrika Dahl Abstract This paper sets out to examine the making of femininity in hip-hop, with a special focus on the performances of three artists - Mykki Blanco, Angel Haze, and Brooke Candy - and their representations made through music videos and lyrics. The thesis is structured around critical femininity studies, Abstract This thesis sets out to examine the making of femininity in hip-hop, with a special focus on the performances of three artists - Mykki Blanco, Angel Haze, and Brooke Candy - and their representations made through music videos and lyrics. The thesis is structured around critical femininity studies, and created through a somatechnics perspective. I am investigating how femininity and the feminine body is made through and in relation to technology and different expressions of race, class, and sexuality. By questioning how structures of femininity is made and re-made through a somatechnical perspective, this thesis offers alternatives to interpret feminine representations in hip-hop, and bases its conversation in both culture studies and critical femininity studies. In the paper‘s conclusion, questions regarding active feminist resistance in hip-hop are raised, with hope to widen the discussions about female identified artists and their performances in this specific discourse. Key words: Hip-hop studies, critical femininity studies, hip-hop, somatechnics, representations, female impersonations, feminist resistance, bodies and politics, feminism, music videos, close viewing, Mykki Blanco, Brooke Candy, Angel Haze. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Tossups 1
Pop 2 a second packet for popheads written by Kevin Kodama Tossups 1. Palmistry discussed this project with the artist on the radio show The Candy Shop. A song from this project that goes “blue summers sitting high in the window” repeats the same word 96 times. Another song from this project kicks off with the words “I’m so bored” and describes the artist’s lazy routine. A <1> single from this album features synthesizers that sound like crashing waves alongside lyrics like “I know in the future / We won’t see each other”. This album’s lead single is a glitch-pop ballad called <2> “forever”, and its cover art shows the artist lying on a bed holding a camera. For ten points, name this quarantine concept album that was created in six weeks by Charli XCX. ANSWER: how i’m feeling now 2. This song’s (A-A-F) (A-A-E) (A-A-D) [read separately] bass line is briefly played by a sawtooth wave synthesizer right before its second chorus. The music video for this song is based on a Venn diagram in which four concepts intersect to form an orgasm, and it shows the singer ripping out an animated heart <1> . A Persian flute sample opens this track, and its singer references “the simulation we’re dreaming in”. This track repeatedly shouts “Come on!” and asks “who needs to go to sleep when I’ve got you next to <2> me?”. For ten points, name this second single from Dua Lipa’s sophomore album Future Nostalgia. -
TAnisha SCott
ANISHA COTT T S CREATIVE & STAGE DIRECTOR/CHOREOGRAPHER *Winner of 2020 MTV Video Music Awards - Best Rock Video - Coldplay “Orphans” *Winner of 2020 Grammy Awards - Best Music Video - Lil Nas X feat. Billy Ray Cyrus “Old Town Road” *Winner of 2019 MTV Video Music Awards - Best Hip Hop Video - Cardi B “Money” *Nominated for 2019 MTV Video Music Awards - Best Pop Video - Cardi B feat. Bruno Mars “Please Me” *Nominated for 2019 MTV Video Music Awards - Best Hip Hop Video - Lil Nas X feat. Billy Ray Cyrus “Old Town Road” *Nominated for 2019 MTV Video Music Awards - Video of the Year - Lil Nas X feat. Billy Ray Cyrus “Old Town Road” *Winner of 2019 Billboard Music Awards – Top Streaming Song (Video) – Drake “In My Feelings” *Winner of 2012 MTVVideo Music Awards - Video of the Year - Rihanna “We Found Love” ***2016 MTV Vanguard Performance - Rihanna **Excellence in Choreography Nominee** Film/Television Title Role Network/Director Head of Choreography Dir: Rik Reinholdtsen/ Legendary Creative Producer HBO MAX Utopia Falls Choreographer Dir: RT/Hulu Grand Army Choreographer Netflix Rough Night Choreographer Dir. Lucia Aniello/Sony Pictures Kin Choreographer Dir. Jonathan & Josh Baker Money Monster Choreographer Dir: Jodi Foster Unbreakable Kimmy Schmidt Choreographer Netflix Love Beats Rhymes Choreographer Dir: Rza Sisters Choreographer Dir: Jason Moore Bring It On: All or Nothing Choreographer NBC/Universal Notorious Choreographer Dir: George Tillman Jr. The Blacklist: Redemption Choreographer NBC Sex and Drugs and Rock N Roll Choreographer FX America’s Top Model - Cycle 23 Choreographer/Guest Star VH1 Bring It!: The Girls’ Big NYC Trip Choreographer Lifetime Awakening - Pilot Choreographer CW LIT On-Air Host MTV We Can Dance – Pilot On-Air Host/Personality Vice/Live Nation The Next Step Guest Star Family Channel So You Think You Can Dance Canada Guest Choreographer CTV Bride Wars Assistant Choreographer Dir: Gary Winick Television – Performances Show Artist(s) Network The Kelly Clarkson Show Tiana Major9 NBC “Let’s Go Crazy”: The GRAMMY Salute To Prince H.E.R. -
S Ic Il Ia Q U E E R 2 0 1 9 Int E R Na T Io Na L N E W V Is Ions Fil M F E St
SICILIA QUEER 2019 INTERNATIONAL NEW VISIONS FILMFEST FILMFEST INTERNATIONAL NEW VISIONS NEW VISIONS INTERNATIONAL SICILIA QUEER 2019 IX 30 maggio — 5 giugno / 30 may — 5 june Palermo Cantieri Culturali alla Zisa, Cinema Rouge et Noir nona edizione / ninth edition prodotto da con il contributo di con il sostegno di sposor tecnici principali in collaborazione con sponsor tecnici media partner festival partner FILMFEST VISIONS NEW INTERNATIONAL 2019 QUEER SICILIA 30 maggio — 5 giugno / 30 may — 5 june Palermo Cantieri culturali alla Zisa, Cinema Rouge et Noir nona edizione / ninth edition www.siciliaqueerfilmfest.it [email protected] BAVF siciliaqueer CAST & CREDITS CATALOGO direttore artistico / artistic direction organizzazione generale proiezioni / screenings a cura di / curated by Andrea Inzerillo e accoglienza / general organization Danilo Flachi, Angelo Mattatresa, Andrea Inzerillo and welcoming Franco Rizzuto, Mimmo Trapani, direzione organizzativa Andrea Anastasi, Valeria Cicilese, Rino Cammarata redazione testi / texts / organizational direction Francesca Ernandes, Roberta Sardella, Fulvio Abbate, Eric Biagi, Giorgio Lisciandrello Gabriele Uzzo premi / awards Umberto Cantone, Serge Daney, Daniele Franzella, Housamedden Darwish, Donatella Della programmer ospitalità / accomodation Cittàcotte (Vincenzo Vizzari) Ratta, Donato Faruolo, Andrea Inzerillo, Etrio Fidora, Giorgio Lisciandrello, Chiara Bonanno, Giulia Bosruel, Marie Losier, Pietro Renda Roberto Nisi Raffaela Nucatola teatro bastardo Giovanni Lo Monaco, schede -
Interview: Tokimonsta Is Here to Change the Game
CROSSFADER (//CROSSFADER.FM/) ARCHIVE (HTTP://WWW.DJZ.COM/ARCHIVE/) APPS (HTTP://WWW.DJZ.COM/APPS/) DJZ (http://www.djz.com/) CROSSFADER (//CROSSFADER.FM/) ARCHIVE (HTTP://WWW.DJZ.COM/ARCHIVE/) APPS (HTTP://WWW.DJZ.COM/APPS/) EXCLUSIVE INTERVIEW INTERVIEW: TOKIMONSTA IS HERE TO CHANGE THE GAME Kim Reyes • NOV 13, 2013 Tweet 6 Female DJs continue to be a minority in the electronic music world, but with the rise of artists like Krewella (http://www.djz.com/tag/krewella) and NERVO (http://www.djz.com/tag/nervo), it appears that girl power is on the upswing. Enter Jennifer Lee, a producer who finds comfort in the shrouded beats scene of Los Angeles. More formally known as TOKiMONSTA (http://www.djz.com/tag/tokimonsta), Lee has managed to wedge herself into the upper echelon of experimental electronic music, as evident by her recent Nov 2 performance at the Red Bull Music Academy Discotheque Stage (www.redbullmusicacademy.com/events/hard-day-of-the-dead-2013) at Hard Day of the Dead (http://www.harddayofthedead.com/). Dubbed the "first lady" of Brainfeeder (http://www.brainfeedersite.com/) by the record label's founder Flying Lotus (http://www.djz.com/tag/flying-lotus), Lee is no stranger to hanging tough in what appears to be an all-boys club. "People will say things like I'm not really producing my own music," she says. "They think I'm just the face and someone else is making the beats behind the scenes." What started as hobby has since evolved to become everything for the producer, who began making beats after following a friend's suggestion. -
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