DOCSLIB.ORG

S Ic Il Ia Q U E E R 2 0 1 9 Int E R Na T Io Na L N E W V Is Ions Fil M F E St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
S Ic Il Ia Q U E E R 2 0 1 9 Int E R Na T Io Na L N E W V Is Ions Fil M F E St SICILIA QUEER 2019 INTERNATIONAL NEW VISIONS FILMFEST FILMFEST INTERNATIONAL NEW VISIONS NEW VISIONS INTERNATIONAL SICILIA QUEER 2019 IX 30 maggio — 5 giugno / 30 may — 5 june Palermo Cantieri Culturali alla Zisa, Cinema Rouge et Noir nona edizione / ninth edition prodotto da con il contributo di con il sostegno di sposor tecnici principali in collaborazione con sponsor tecnici media partner festival partner FILMFEST VISIONS NEW INTERNATIONAL 2019 QUEER SICILIA 30 maggio — 5 giugno / 30 may — 5 june Palermo Cantieri culturali alla Zisa, Cinema Rouge et Noir nona edizione / ninth edition www.siciliaqueerfilmfest.it [email protected] BAVF siciliaqueer CAST & CREDITS CATALOGO direttore artistico / artistic direction organizzazione generale proiezioni / screenings a cura di / curated by Andrea Inzerillo e accoglienza / general organization Danilo Flachi, Angelo Mattatresa, Andrea Inzerillo and welcoming Franco Rizzuto, Mimmo Trapani, direzione organizzativa Andrea Anastasi, Valeria Cicilese, Rino Cammarata redazione testi / texts / organizational direction Francesca Ernandes, Roberta Sardella, Fulvio Abbate, Eric Biagi, Giorgio Lisciandrello Gabriele Uzzo premi / awards Umberto Cantone, Serge Daney, Daniele Franzella, Housamedden Darwish, Donatella Della programmer ospitalità / accomodation Cittàcotte (Vincenzo Vizzari) Ratta, Donato Faruolo, Andrea Inzerillo, Etrio Fidora, Giorgio Lisciandrello, Chiara Bonanno, Giulia Bosruel, Marie Losier, Pietro Renda Roberto Nisi Raffaela Nucatola teatro bastardo Giovanni Lo Monaco, schede / film records programmer queer short arti visive Giovanna La Barbera Andrea Anastasi, Giorgio Drago, Emmanuelle Bouhours, Pietro Renda, Antonio Leone party nudo Etrio Fidora, Emilien Gür, Pietro Renda, Roberto Rippa, Alessio Librizzi Chiara Bonanno, Alessio Librizzi, Roberto Rippa sottotitoli / subtitles Pietro Pitarresi retrovie italiane Sudtitles Palermo (Simona Marino, traduzioni / translations Umberto Cantone Vittoria De Stefani) comunicazione generale Eugenio Bisanti, Francesco Caruso, / general communication Giorgio Drago, Etrio Fidora, ufficio stampa / press office traduzioni sottotitoli Associazione Culturale Sicilia Queer Alessandra Meoni, Pietro Renda, Giovannella Brancato, Ada Tullo e interpretariato Chiara Volpes / subtitle and interpreting stagisti / interns assistenza ufficio stampa translations Giorgio Drago, Giulia Bosruel revisioni / proofreadings / press office assistance Simona Marino, Vittoria De Stefani, Erica Grossi, Nicoletta Scapparone Eleonora Giammanco Ambra Cascio, Francesca Genduso, coordinamento volontari Flavia Guadagnino,Nicoletta Scapparone, / volunteers coodination impaginazione progetto grafico / graphic design Aurora La Martina, Giorgio Drago, Letizia Granata Donato Faruolo Donato Faruolo Gaia Cardilicchia, Simona Palminteri, Marilisa Dimino, Giulia Bosruel, Gabriele volontari / volunteers trailer webmaster Uzzo, Eugenio Bisanti, Valentina Sanna, Lorena Arena, Rossella Azzara, Yann Gonzalez, Alain José Garcia Vergara Roberto Speziale, Vertigo Laura Facciolo, Alessandra Meoni Maria Castronovo, Donatella Corselli, Federica Fiandaca, Leda Gagliano, social media manager segretaria di giuria / jury secretary Silvia Garitta, Irene Geraci, Costanza Arena Cecilia Chianese Chiara Ippolito, Iside La Porta, GIURIE Maria Vittoria Lanzetta, Laura Panzica, letterature queer web tv 2019 Alice Rubino, Antea Scaletta giuria internazionale Giuseppe Burgio, Mirko Lino Costanza Arena, Riccardo Borsellino, Eva Sangiorgi, Mykki Blanco, Aël Dallier Daniele Cannavò, Giuliana Crociata, bookshop Vega, Mònica Rovira, Sara Fattahi movimentazione copie Etrio Fidora, Manfredi Giannettino, Libreria Broadway Palermo / copy handling Andrea Vallero (Simona Onorato) giuria del coordinamento Simona Marino Palermo Pride motion graphic Daniela Tomasino, Ana Maria Vasile, organizzazione / organization Raffaele Bertuccio Luigi Carollo, Manuela Casamento, Maria Associazione Culturale Sicilia Queer, Angela Fratta, Massimo Milani, Ethan Associazione Culturale Sudtitles foto / photo Bonali, Giorgio Maone, Sonia Ghezzi, Gabriele Alongi, Antonino Clemente, Valentina Morici, Pietro Pitarresi Angelo De Stefani, Simona Mazzara, David Menghi, Cristina Tognetti giuria 100 autori Alberto Simone, Roberta Manfredi RINGRAZIAMENTI / ACKNOWLEDGMENTS Hermine Aigner Donatello Fumarola Alessandro Rais un ringraziamento speciale Giulia Alagna Alessandro Garigliano Pascale Ramonda per il generoso sostegno Cristina Alga Francesca Genduso Nick Reddick / with the special aknowledgment Andrea Anastasi Giusi Gennaro Andrea Richiusa for the generous support to Simone Arcagni Marco Genovese Louise Rinaldi Aurora Argiroffi Maurizio Giambalvo Giancarlo Riviezzi Francesco Buscemi Benoît Arnulf Chiara Giubilaro Raffaele Rizzi Francesco Giambrone Viviana Ballotta Yann Gonzalez Elena Rizzo Mirko Pace Manon Barat Valentina Greco Susan Sabatini Antonio Basile Erica Grossi Roberto Salvaggio Letizia Battaglia Richard Grusin Nicola Scalabrin Julien Beaunay Claudio Gulli Heidi Sciacchitano Eric Biagi Emilien Gür Sasha Marianna Salzmann Jon Binnie Francesco Guttuso Masha Sergio Dario Bisso Milena Inzerillo Marc Siegel Laura Bonanno Hervé Joubert Laurencin Silvana Silvestri Louise Brunswic Christian Klesse Alessandro Sinopoli Judith Butler Giuliano La Franca Marzia Soardi Jonathan Caouette Nicolas Le Gac Maurizio Spadaro Marialaura Cascio Piero Li Donni Ilaria Sposito Gaetano Caivano Kat Lindner (in memoriam) Monica Stambrini John Cameron Mitchell Giorgia Lodato Alberto Surrentino Roberto Cammarata Tatiana Lo Iacono Irene Tagliavia Gino Campanella Giovanni Lo Monaco Gilda Terranova Luigi Carollo Calogero Lo Piccolo Roberto Timperi Jonas Carpignano Judith Lou Lévy Ernesto Tomasini Chiara Carrera Veronica Lucchesi Daniela Tomasino Francesco Caruso Lumpen Adele Tulli Totò Cavaleri Giusy Mandalà Alberto Valtellina Alessia Cervini Dario Mangiaracina Pamela Villoresi Margherita Chiti Franco Maresco Vincenzo Vizzari Manfredi Clemente Roman Maruhn Rosalba Colla Giovanni Massa Simona Cossentino Raffaele Meale Nuria Cubas Sheila Melosu Salvo Cutaia Massimo Milani Carmela Dacchille Laurent Morisson Gabriella D’Agostino Valentina Nappi Mauro Danesi Alberto Nicolino Daniele Del Pozzo Francesca Noto Pietro De Tilla Davide Oberto Federica Di Biagio Marc Oliveras Maria Di Carlo Umberto Parlagreco Francesco Di Gesù Arnold Pasquier Matteo Di Gesù Rosario Perricone Vincent Dieutre Alessandro Pinto Giulia Esposito Filippo Pistoia Aurora Falcone Emanuele Pistola Sarah Farjot Giuseppe Provinzano João Ferreira Costanza Quatriglio 5 IX EDITORIALE / EDITORIAL Non ce lo nascondiamo: la nona edizione è la più difficile Let’s not hide it to ourselves: the ninth edition is the di tutte. Psicologicamente già proiettati verso il decennale, hardest. With our mind to the tenth, we have to reckon with bisogna fare i conti con un festival da organizzare, aspettative a festival to organize, expectations to satisfy, a short history cui rispondere, una piccola storia da onorare (con le to treat with respect. (The uncertainty of the institutional incertezze dei finanziamenti istituzionali che rendono sempre funding always makes everything more exciting: but that’s the rigorosamente più frizzante il tutto: è il prezzo di un’ostinata price you pay for being tenaciously independent). As early indipendenza). Già dallo scorso anno ci dicevamo che as last year, we were told that the present would have been sarebbe stata un’edizione di passaggio, l’ultimo ostacolo verso an edition of transition, one last obstacle towards the tenth la decima edizione del Sicilia Queer. Ma la costruzione di un edition of the Sicilia Queer. But to design a festival always festival è sempre un tentativo di dialogo con il presente, un constitutes an attempt to dialogue with the present time: ragionamento che attraverso la scelta dei film e l’invito degli choosing films to be shown and inviting people with whom to autori prova a misurarsi con ciò che ci circonda, e che non può discuss is a way to engage with what is around us, something certo essere prevedibile a tavolino. you can’t certainly plan in advance. Il 2019 è per Palermo un anno più importante del 2018, 2019 is a more important year for Palermo than 2018 perché è l’anno delle conferme. Superata l’ondata di attenzione because it is the year of confirmations. After the wave of mediatica che ha caratterizzato l’anno di Capitale della Cultura media attention that has characterized 2018 as the year of rimangono adesso le (poche) realtà che hanno riempito di Palermo as “Capital of Culture”, what remains is the (few) senso quel percorso e che devono continuare a farsi domande realities that have filled with meaning that experience and sul valore profondo che il lavoro culturale può avere nell’Italia must continue to ask questions on how highly valuable dei nostri tempi, anche in una prospettiva internazionale. working with culture can be in contemporary Italy, also Nei mesi scorsi sono nate o hanno attraversato in modo considering an international perspective. In the last months, significativo la nostra città realtà importanti come quella important realities have been born or have significantly dell’operazione Mediterranea, che interviene direttamente sul crossed path with our city, such as that of the operation called corso degli eventi resistendo al tentativo di criminalizzazione “Mediterranea”, which is directly involved in current affairs, delle ONG portato avanti dal governo nazionale. Il lavoro di resisting the attempt to criminalize NGOs, which
Load more

Recommended publications
  • Lab Data.Pages
    Day 1 The Smiths Alternative Rock 1 6:48 Death Day Dark Wave 1 4:56 The KVB Dark Wave 1 4:11 Suuns Dark Wave 6 35:00 Tropic of Cancer Dark Wave 2 8:09 DIIV Indie Rock 1 3:43 HTRK Indie Rock 9 40:35 TV On The Radio Indie Rock 1 3:26 Warpaint Indie Rock 19 110:47 Joy Division Post-Punk 1 3:54 Lebanon Hanover Post-Punk 1 4:53 My Bloody Valentine Post-Punk 1 6:59 The Soft Moon Post-Punk 1 3:14 Sonic Youth Post-Punk 1 4:08 18+ R&B 6 21:46 Massive Attack Trip Hop 2 11:41 Trip-Hop 11:41 Indie Rock 158:31 R&B 21:46 Post-Punk 22:15 Dark Wave 52:16 Alternative Rock 6:48 Day 2 Blonde Redhead Alternative Rock 1 5:19 Mazzy Star Alternative Rock 1 4:51 Pixies Alternative Rock 1 3:31 Radiohead Alternative Rock 1 3:54 The Smashing Alternative Rock 1 4:26 Pumpkins The Stone Roses Alternative Rock 1 4:53 Alabama Shakes Blues Rock 3 12:05 Suuns Dark Wave 2 9:37 Tropic of Cancer Dark Wave 1 3:48 Com Truise Electronic 2 7:29 Les Sins Electronic 1 5:18 A Tribe Called Quest Hip Hop 1 4:04 Best Coast Indie Pop 1 2:07 The Drums Indie Pop 2 6:48 Future Islands Indie Pop 1 3:46 The Go! Team Indie Pop 1 4:15 Mr Twin Sister Indie Pop 3 12:27 Toro y Moi Indie Pop 1 2:28 Twin Sister Indie Pop 2 7:21 Washed Out Indie Pop 1 3:15 The xx Indie Pop 1 2:57 Blood Orange Indie Rock 6 27:34 Cherry Glazerr Indie Rock 6 21:14 Deerhunter Indie Rock 2 11:42 Destroyer Indie Rock 1 6:18 DIIV Indie Rock 1 3:33 Kurt Vile Indie Rock 1 6:19 Real Estate Indie Rock 2 10:38 The Soft Pack Indie Rock 1 3:52 Warpaint Indie Rock 1 4:45 The Jesus and Mary Post-Punk 1 3:02 Chain Joy Division Post-Punk
    [Show full text]
  • Cinema in Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’
    Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’ Manuel Ramos Martínez Ph.D. Visual Cultures Goldsmiths College, University of London September 2013 1 I declare that all of the work presented in this thesis is my own. Manuel Ramos Martínez 2 Abstract Political names define the symbolic organisation of what is common and are therefore a potential site of contestation. It is with this field of possibility, and the role the moving image can play within it, that this dissertation is concerned. This thesis verifies that there is a transformative relation between the political name and the cinema. The cinema is an art with the capacity to intervene in the way we see and hear a name. On the other hand, a name operates politically from the moment it agitates a practice, in this case a certain cinema, into organising a better world. This research focuses on the audiovisual dynamism of the names ‘worker’, ‘factory’ and ‘people’ in contemporary cinemas. It is not the purpose of the argument to nostalgically maintain these old revolutionary names, rather to explore their efficacy as names-in-dispute, as names with which a present becomes something disputable. This thesis explores this dispute in the company of theorists and audiovisual artists committed to both emancipatory politics and experimentation. The philosophies of Jacques Rancière and Alain Badiou are of significance for this thesis since they break away from the semiotic model and its symptomatic readings in order to understand the name as a political gesture. Inspired by their affirmative politics, the analysis investigates cinematic practices troubled and stimulated by the names ‘worker’, ‘factory’, ‘people’: the work of Peter Watkins, Wang Bing, Harun Farocki, Danièle Huillet and Jean-Marie Straub.
    [Show full text]
  • Collective Community Chicago Who We Are
    Collective Community Chicago Who We Are .. Them Flavors connects curious and open mined creatures with new and progressive forms of art, music, and creation - Giving individuals an inviting environment to reflect, examine and grow one’s perspectives and personalities. … What we do them Flavors is a full-production event collective, both producing and promoting on the rise musicians and artists with club nights, underground parties, record releases, and community involvement. ’ve Been .. Where We As a Chicago-based collective, we pride ourselves on what motivates and moves our fellow beings in the midwest region, but are also mindful of the art and movements of other regions of the great planet we all share as one. Chicago Them flavors were early responders to the footwork movement - the offspring of the native genre, juke. we stay rooted in chicago house music and celebrate its legacy in almost every Event we promote. Detroit we pay homage to our sister, Detroit often with promoting techno music and underground parties. In May 2016, we collaborated with Detroit-local hip hop promoters 777 Renegade , and paired their programming with a bit of chicago footwork, Producing a cross-region and cross - genre function. Texas Marfa, Frontiers red bull Each guest was a result of a thoughtful and hand picked curation process led by t he team at Red Bull to identify those powerful agents of change who are emerging as the disruptors and innovators in their respective cities. Each day was a series of conversations with sciences, academics, and professionals in a variety of disciplines to push innovation and creative thinking, wth the goal of catalyzing new ideas and opportunities in nightlife.
    [Show full text]
  • Diasporic Proximities: Spaces of 'Home' in European Documentary
    Transnational Cinemas ISSN: 2040-3526 (Print) 2040-3534 (Online) Journal homepage: http://www.tandfonline.com/loi/rtrc20 Diasporic proximities: spaces of ‘home’ in European documentary Domitilla Olivieri To cite this article: Domitilla Olivieri (2016) Diasporic proximities: spaces of ‘home’ in European documentary, Transnational Cinemas, 7:2, 135-150, DOI: 10.1080/20403526.2016.1217626 To link to this article: http://dx.doi.org/10.1080/20403526.2016.1217626 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 09 Aug 2016. Submit your article to this journal Article views: 58 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rtrc20 Download by: [University Library Utrecht] Date: 14 February 2017, At: 05:05 TRANSNATIONAL CINEMAS, 2016 VOL. 7, NO. 2, 135–150 http://dx.doi.org/10.1080/20403526.2016.1217626 OPEN ACCESS Diasporic proximities: spaces of ‘home’ in European documentary Domitilla Olivieri Department of Media and Culture Studies, Utrecht University, Utrecht, The Netherlands ABSTRACT KEYWORDS This essay explores the relation between the genre of experimental Documentary film; everyday; observational documentary and transnational European spaces. It affective proximity; European engages with documentaries that focus on the everyday and the space; observational cinema uneventful, and that present alternative representations of liminal places and subjects. The three films analysed are: El Cielo Gira (The Sky Turns) by Mercedes Álvarez (2004, Spain), Lift by Marc Isaacs (2001, UK) and Sacro GRA by Gianfranco Rosi (2013, Italy). These documentaries are situated in the debate on observational cinema.
    [Show full text]
  • Film Culture in Transition
    FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book.
    [Show full text]
  • NEITHER QUEER NOR THERE; Categories, Assemblages, Transformations
    NEITHER QUEER NOR THERE; Categories, Assemblages, Transformations TEXT/MATT MORRIS Big false eyelashes being batted and white rose and Ryan Lewis' chart-topping gay rights hip- ics full of risqué same-sex desire and endlessly blossoms planted high in a naked man's but- hop anthem), these artists were the ones who fanciful permutations of gender expressions tocks. Vivid gender fiuidity and non-normative compelled my photographer friend Michael running through layered musical sensibilities sexual practices. Bearded ladies, anime, and Reece to say that this cultural moment is what that draw from LiF Kim's hard femme bitch- Billie Holiday. Confident passes through club he'd been waiting for his whole life. Friends and ery and richly textured cloud rap. But while scenes and across dance floors. Twerking, strip- colleagues across the country concurred. my approach to this music is a queer one, my ping, voguing. Haute couture and the superhe- Lelf, Mykki Blanco, House of LaDosha, Cakes research into these various artists and discus- roic erotic futurism of BCALLA fashions. Lelf's Da Killa, and Big Momma are among a bur- sions with them reveal certain tensions with otherworldly pronouncement: "This mattress geoning new wave of artists who have been queer identification. If these musical projects is Atlantis." Bougie, rächet, skag drag. House of contentiously identified with a turn toward are adamant about portraying their own sex- LaDosha's frankly forceful "It's not just bitches, "queer rap" over the past several years. The ualities and sexual fantasies, there is also the it's witches/The seventh layer of Bushwick/ phantasmagoria called into being by this refusal to be delimited only to the homosexu- They ride a wicked dick, they keep it light as group is built from a wild web of references alities that "queer" is commonly used to con- a feather and stiff as a board." Further neopa- that imagines new directions for rap and hip- note.
    [Show full text]
  • “Il Grande Dandy” Il Nuovo Libro Di Marcello Sorgi Un Personaggio Simbolico Di Un'epoca
    “Il grande dandy” il nuovo libro di Marcello Sorgi Un personaggio simbolico di un’epoca Relazione di Costanza Falvo D’Urso Mercoledì 15 febbraio 2012 Abbiamo ascoltato dalla voce accorata di Domenico Modugno “Vecchio Frac”, una musica accattivante, raffinata e quasi ipnotica, che sicuramente ci ha accompagnato durante gli anni della nostra giovinezza. Ma ci siamo mai chiesti a chi o a quale storia si fosse ispirato Domenico Modugno?. Ci siamo mai chiesti chi fosse quel tristissimo uomo in frac che trasognato e malinconico si aggirava per le strade notturne della città?. Dopo oltre mezzo secolo il nome dell’uomo in frac ci viene rivelato da Marcello Sorgi nel suo romanzo dal titolo “IL grande dandy”, un libro che mi è piaciuto tanto, sicché l’ho letto in poche ore, divorandolo e facendomi catturare dalla narrazione di una vita straordinaria e avventurosa che si è sviluppata tra mondanità e storia. Quell’uomo in frac è Raimondo Lanza di Trabia, ultimo e leggendario principe siciliano, discendente da Federico Barbarossa e da Federico II di Svevia. Una figura che, se la storia ufficiale ha emarginato non riuscendo ad inserirla negli schemi rituali, nei formalismi tradizionali della classe sociale d’appartenenza, resta comunque molto interessante anche sotto il profilo umano, e appartiene, secondo me, forse più all’Ottocento che non al Novecento, considerando la sua fine improvvisa come un rifiuto inconsapevole del nuovo secolo. Secolo che segnerà, con gli eventi bellici iniziati da quelli per l’Unità d’Italia e terminati con il periodo fascista, la fine dell’aristocrazia europea, di quella italiana e di quella siciliana che fino all’ultimo ha cercato di sopravvivere, pur contagiata da una spiccata propensione al gioco, alle scommesse e ai vizi e da commistioni impensabili con mafia e malavita.
    [Show full text]
  • Il Vostro Giornale - 1 / 2 - 27.09.2021 2
    1 L’estate culturale di Alassio si inaugura domani con Marcello Sorgi di Redazione 01 Luglio 2011 – 8:38 Alassio. Domani, ad Alassio, alle ore 21, nei Giardini del Palazzo del Comune, si svolgerà l’incontro con l’autore Marcello Sorgi, promosso dal Comune di Alassio. Sorgi, intervistato dal caporedattore de “La Stampa” Sandro Chiaromonti, presenterà il libro “Il grande dandy. Vita spericolata di Raimondo Lanza di Trabia, ultimo principe siciliano” (Rizzoli, 2011). “Inauguriamo l’estate culturale alassina – dice la Consigliera Delegata alla Cultura, Chicca Ienca – con un ospite di primo piano. Il giornalista e scrittore Marcello Sorgi, già direttore del Tg1, del Giornale Radio Rai e de La Stampa, ha accolto il nostro invito a presentare il suo ultimo libro ad Alassio. La serata letteraria anticipa di alcuni giorni la rassegna dedicata ai finalisti del Premio letterario ‘Alassio 100 libri – Un autore per l’Europa’, che accompagnerà la stagione balneare 2011 fino a settembre, quando premieremo i vincitori di questa edizione”. Tra biografia e romanzo “Il Grande Dandy”, è la storia della vita spericolata di Raimondo Lanza di Trabia, il leggendario principe siciliano che Domenico Modugno nel 1955, un anno dopo la sua scomparsa, ricorderà con commozione in una delle sue canzoni più famose, “Vecchio frac”: “Ha il cilindro per cappello, due diamanti per gemelli, un bastone di cristallo, la gardenia nell’occhiello, e sul candido gilet un papillon di seta blu”. Il Vostro Giornale - 1 / 2 - 27.09.2021 2 Misterioso tombeur de femmes personaggio fascinoso e brillante, doppiogiochista imprevedibile, il principe e la sua fulminea vicenda si perdono sfuggenti tra le pieghe reali e fantastiche della storia del Novecento italiano, e non solo.
    [Show full text]
  • Student Dead for Days Before Discovery
    newsrecord.org @NewsRecord_UC /TheNewsRecord @thenewsrecord pg. 4 | Adjuncts hold pg. 9 | UC volleyball team equality demonstration wins tournament at NKU Wednesday, September 18, 2019 What it’s like to volunteer abroad in Tanzania DAVID REES | FEATURES EDITOR Volunteer Excursions (GIVE) Volunteers — an While many college organization offering students consider volunteer opportunities studying abroad, few in Southeast Asia, Africa consider volunteering and Central America abroad. that focuses on global Fourth-year citizenship, sustainable animal biology and development and environmental studies immersing students in student, Tess Palluzzi, new cultures. Palluzzi traveled all the way to heard of other college Africa to volunteer in students who had Tanzania this past May. traveled with GIVE, such Palluzzi went to This Story Continued Tanzania through on Page 5 Growth International UNIVERSITY PARK APARTMENTS VIA GOOGLE Student dead for days before discovery KEELY BROWN | NEWS EDITOR “Apparently he skipped class that day and had dinner plans with a friend and he didn’t show up,” Miller said. “Then I began Jackson Durham, a 20-year-old second-year DAAP student to worry. I just had a really bad feeling.” studying Industrial Design at the University of Cincinnati, died After work, Miller went to Durham’s room at UPA. She in University Park Apartments (UPA)—a university-managed knocked on the door multiple times and, after no one housing property—and was discovered Aug. 30, according answered, she contacted UPA. to UC Police Department (UCPD) and Cincinnati Police “I called the RA that was on call in UPA and told them that I Department (CPD) reports. was worried about my friend and that they should go check on Two other students, Leah Miller and Jacob Wocks, were him,” Miller said.
    [Show full text]
  • Women Directors in 'Global' Art Cinema: Negotiating Feminism And
    Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation Despoina Mantziari PhD Thesis University of East Anglia School of Film, Television and Media Studies March 2014 “This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” Women Directors in Global Art Cinema: Negotiating Feminism and Aesthetics The thesis explores the cultural field of global art cinema as a potential space for the inscription of female authorship and feminist issues. Despite their active involvement in filmmaking, traditionally women directors have not been centralised in scholarship on art cinema. Filmmakers such as Germaine Dulac, Agnès Varda and Sally Potter, for instance, have produced significant cinematic oeuvres but due to the field's continuing phallocentricity, they have not enjoyed the critical acclaim of their male peers. Feminist scholarship has focused mainly on the study of Hollywood and although some scholars have foregrounded the work of female filmmakers in non-Hollywood contexts, the relationship between art cinema and women filmmakers has not been adequately explored. The thesis addresses this gap by focusing on art cinema. It argues that art cinema maintains a precarious balance between two contradictory positions; as a route into filmmaking for women directors allowing for political expressivity, with its emphasis on artistic freedom which creates a space for non-dominant and potentially subversive representations and themes, and as another hostile universe given its more elitist and auteurist orientation.
    [Show full text]
  • Front Matter Template
    Copyright by Paxton Christopher Haven 2020 The Thesis Committee for Paxton Christopher Haven Certifies that this is the approved version of the following Thesis: Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes APPROVED BY SUPERVISING COMMITTEE: Suzanne Scott, Supervisor Curran Nault Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes by Paxton Christopher Haven Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2020 Dedication To my parents, Chris and Fawn, whose unwavering support has instilled within me the confidence, kindness, and sense of humor to tackle anything my past, present, and future may hold. Acknowledgements Thank you to Suzanne Scott for providing an invaluable amount of time and guidance helping to make sense of my longwinded rants and prose. Our conversations throughout the brainstorming and writing process, in addition to your unwavering investment in my scholarship, made this project possible. Thank you to Curran Nault for illustrating to me the infinite potentials within merging the academic and the personal. Watching you lead the classroom with empathy and immense consideration for the lives, legacies, and imaginations of queer and trans artists/philosophers/activists has made me a better scholar and person. Thank you to Taylor for enduring countless circuitous ramblings during our walks home from weekend writing sessions and allowing me the space to further form my thoughts.
    [Show full text]
  • Trinity Tripod, 2019-09-03
    The -Established 1904- rinity ripod T T Volume CXV “Scribere Aude!” Tuesday, September 3, 2019 Number I New Student Steve’s Bagels Orientation Moves into Vernon GILLIAN REINHARD ’20 KAT NAMON ’22 and spearheaded the deci- EDITOR-IN-CHIEF sion to make the addition. NEWS EDITOR Trinity welcomed Nikia Bryant, Direc- A new addition has tor of SAIL, had a chance page 17 transfer students, 9 IDP been made to on-campus to meet with the owner students, and 582 dining options at Trin- of Steve’s Bagels, Steven members of the ity. Since the closing of DiGiorgio, a Universi- Class of 2023. Goldberg’s Bagels in the ty of Hartford Graduate. spring of 2018, the kitch- Bryant said, “[Steven] is 4 en space in Vernon So- excited to be a part of our NICK CAITO, TRINITY OFFICE OF COMMUNICATIONS cial has remained empty. community. He was very 'll'rinityTrinity welcomedwefoomed the ClassCbi.ss ofoJI:' 20232i()l23 thlsthis ]lllastpast weelk:end.weekend. However, this fall 2019 receptive to the idea of Read moremoll."e abouta1bout new student programming]lllll."Ogll."ammmg on page 4. Horoscopes: semester, the breakfast hiring students to work and lunch restaurant for him and showed great Freshman Year Steve’s Bagels will occu- interest in developing a py the space. The deci- service similar to Door- WILL TJELTVEIT ’20 sion to replace Goldberg’s dash, where food would STAFF ASTROLOGIST and provide students with be delivered to students’ another on-campus din- rooms. During the Ver- page Staff Astrologist ing option was made at non open house in July, Tjeltveit reads the a forum open to the com- he also brought copies stars for the Class munity regarding poten- of his menu so students of 2023.
    [Show full text]