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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
June 15-21, 2017
JUNE 15-21, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Proudly presents in Fort Wayne, Indiana ON SALETICKETS FRIDAY ON SALE JUNE NOW! 2 ! ONTICKETS SALE FRIDAYON SALE NOW! JUNE 2 ! ONTICKETS SALE FRIDAY ON SALE NOW! JUNE 2 ! ProudlyProudly presents inpresents Fort Wayne, in Indiana Fort Wayne, Indiana 7KH0RWRU&LW\0DGPDQ5HWXUQV7R)RUW:D\QH ONON SALE SALE NOW! NOW! ON SALEON NOW! SALE NOW!ON SALE NOW! ON SALEON SALE NOW! NOW! ON SALE NOW! WEDNESDAY SEPTEMBER 20, 2017 • 7:30 PM The Foellinger Outdoor Theatre GORDON LIGHTFOOT TUESDAY AUGUST 1, 2017 • 7:30 PM 7+856'$<0$<30 7+856'$<0$<30Fort Wayne, Indiana )5,'$<0$<30THURSDAY)5,'$<0$<30 AUGUST 24,78(6'$<0$<30 2017 • 7:30 PM 78(6'$<0$<30 The Foellinger Outdoor Theatre THE FOELLINGER OUTDOOR THEATRE The Foellinger Outdoor TheatreThe Foellinger TheThe Outdoor Foellinger Foellinger Theatre Outdoor OutdoorThe Foellinger Theatre Theatre Outdoor TheatreThe Foellinger Outdoor Theatre Fort Wayne, Indiana FORT WAYNE, INDIANA Fort Wayne, Indiana Fort Wayne, IndianaFortFort Wayne, Indiana IndianaFort Wayne, Indiana Fort Wayne, Indiana ON SALE ONON NOW!SALE SALE NOW! NOW! ON SALE ON NOW! SALE ON NOW! SALE ON SALE NOW!ON NOW! SALE NOW! ONON SALE SALEON NOW! SALE NOW! NOW!ON SALE NOW!ON SALE ON SALE NOW! NOW! 14 16 TOP 40 HITS Gold and OF GRAND FUNK MORE THAN 5 Platinum TOP 10 HITS Records 30 Million 2 Records #1 HITS RAILROAD! Free Movies Sold WORLDWIDE THURSDAY AUGUST 3, 2017 • 7:30 PM Tickets The Nut Job Wed June 15 9:00 pm MEGA HITS 7+856'$<$8*867307+856'$<$8*86730On-line By PhoneTUESDAY SEPTEMBERSurly, a curmudgeon, 5, 2017 independent • 7:30 squirrel PM is banished from his “ I’m Your Captain (Closer to Home)” “ We’re An American Band” :('1(6'$<$8*86730:('1(6'$<$8*86730 “The Loco-Motion”)5,'$<-8/<30)5,'$<-8/<30 “Some Kind of Wonderful” “Bad Time” www.foellingertheatre.org (260) 427-6000 park and forced to survive in the city. -
Unlock It (Feat. Kim Petras and Jay Park)
Unlock It (feat. Kim Petras and Jay Park) Charli XCX Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it (Beautiful)Rollercoaster ride in the fast lane Got the roof down Kiss me hard in the rain You got the candy colored eyes Pink and gold chain Million dollar babe Whip it out, like I'm propane You're on my mind I'm feeling kinda nervous, but I like it Take my t-shirt off and do it right You're on my mind The feeling, like an astronaut Watchin' the world all alone, just you and I (Beautiful)Rollercoaster ride in the fast lane Got the roof down Kiss me hard in the pourin' rain Yeah, I can see it in your eyes Know you feel the same Million dollar babe Trippin' on it, like propane (Beautiful) Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it Got the key can you unlock it? Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it Got the key can you unlock it?Caught in a liplock when we pitstop Cosmic kiss tastes like cherry maraschino Ride passenger seat, tropical heat Eyes so red, you could be my Valentino, yeah If you want my heart then don't you drop it (Want my heart then don't you drop it) I'm right here, right in your pocket (I'm right here, right in your pocket) Don't you drop it, never stop it (Never stop it) If you want my love (my love), try to unlock itRollercoaster ride in the fast lane Got the roof down Kiss me hard in the pourin' rain Yeah, I can see it in your eyes Know you feel the same Million dollar babe Trippin' on it, like -
Videogame Music: Chiptunes Byte Back?
Videogame Music: chiptunes byte back? Grethe Mitchell Andrew Clarke University of East London Unaffiliated Researcher and Institute of Education 78 West Kensington Court, University of East London, Docklands Campus Edith Villas, 4-6 University Way, London E16 2RD London W14 9AB [email protected] [email protected] ABSTRACT Musicians and sonic artists who use videogames as their This paper will explore the sonic subcultures of videogame medium or raw material have, however, received art and videogame-related fan art. It will look at the work of comparatively little interest. This mirrors the situation in art videogame musicians – not those producing the music for as a whole where sonic artists are similarly neglected and commercial games – but artists and hobbyists who produce the emphasis is likewise on the visual art/artists.1 music by hacking and reprogramming videogame hardware, or by sampling in-game sound effects and music for use in It was curious to us that most (if not all) of the writing their own compositions. It will discuss the motivations and about videogame art had ignored videogame music - methodologies behind some of this work. It will explore the especially given the overlap between the two communities tools that are used and the communities that have grown up of artists and the parallels between them. For example, two around these tools. It will also examine differences between of the major videogame artists – Tobias Bernstrup and Cory the videogame music community and those which exist Archangel – have both produced music in addition to their around other videogame-related practices such as modding gallery-oriented work, but this area of their activity has or machinima. -
Discourse and Identity: Representations of Women in Little Mix’S Songs
DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA 2020 DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN A Final Year Project submitted in fulfilment of the requirement for the degree of English for International Communications Kulliyyah of Languages and Management International Islamic University Malaysia JANUARY 2020 ABSTRACT Discrimination against women is a global issue and has been for years. Even in developing countries women experience biasness on the basis of their gender. The study aims to identify the different social roles and traits of women that can be found in song lyrics. Past studies explored various issues of what women face in their daily lives whether it be in education, social relationships and decision making in context of gender discrimination that are present in the media and songs. This is an exploratory study on representations of women in songs. The artist chosen for this study is the United Kingdom’s all female group, Little Mix. A qualitative research approach was used to fulfill the objectives of this research. A total of 29 Little Mix songs were chosen as the data and Membership Categorization Analysis was used as the framework of this research. Based on the analyses, a total of five social roles and three traits were found shared among women that were present in the songs. Women were represented both positively and negatively in Little Mix’s songs. The study may contribute to future studies that uses Membership Categorization Analysis as their framework of study. -
GV Smart Vol.022
GV Smart Song Pack Vol.022 GV Smart Song Pack Vol.022 SONG LIST Song Title No. Popularized By Composer/Lyricist Amy Allen, Harry Styles, Thomas ADORE YOU 17316 HARRY STYLES Hull, Tyler Johnson ANY WAY YOU WANT IT 17329 JOURNEY Neal Schon, Stephen Perry Antonio Romero Monge, Michael Ray AYY MACARENA 17298 TYGA Stevenson, Pliznaya, Rafael Ruiz Jahseh Onfroy, John Cunningham, XXXTENTACION FT. PNB Michael White, Rakim Allen, Robert BAD VIBES FOREVER 656 ROCK, TRIPPIE REDD Soukiasyan Jonathan Singleton, Luke Combs, BEER NEVER BROKE MY HEART 17332 LUKE COMBS Randy Montana Ben Kohn, Lewis Capaldi, Peter BEFORE YOU GO 17314 LEWIS CAPALDI Kelleher, Phil Plested, Tom Barnes Abel Tesfaye, Ahmad Balshe, Jason BLINDING LIGHTS 17321 THE WEEKND Quenneville, Max Martin, Oscar Holter Bleta Rexha, Daniel Griffith, Lauren BODY BACK 17304 GRYFFIN FT. MAIA WRIGHT Christy, Mitch Allan, Par Westerlund CAN WE KISS FOREVER? 17323 KINA FT. ADRIANA PROENZA Adriana Proenza, Kina CATRIONA 4466 MATTHAIOS Jun Matthew Brecio Kanye West, Angel Lopez, Brian Miller, Chango Farías Gómez, Federico Vindver, Gene Thornton, Rennard East, Terrence Thornton, Timothy CLOSED ON SUNDAY 17307 KANYE WEST Mosley, Victory Elyse Boyd Chris Martin, Guy Berryman, Jonny DADDY 17318 COLDPLAY Buckland, Will Champion DANCE MONKEY 17313 TONES AND I Toni Watson Alex Pall, Andrew Jackson, Andrew Taggart, Gradon Jay Lee, Jorgen Odegard, FAMILY 17320 THE CHAINSMOKERS, KYGO Kyrre Gørvell - Dahll, McClenney FINALLY // BEAUTIFUL STRANGER 657 HALSEY Greg Kurstin, Halsey GET YOU 17327 DANIEL CAESAR -
H-France Review Vol. 19 (May 2019), No. 65 Jacques Amblard And
H-France Review Volume 19 (2019) Page 1 H-France Review Vol. 19 (May 2019), No. 65 Jacques Amblard and Emmanuel Aymès, Micromusique et ludismes régressifs depuis 2000. Aix-en- Provence: Presses Universitaires de Provence, 2017. 124 pages. Illustrations, cartes. 7 € (broché). ISBN: 9791032001233. Review by Edward Campbell, University of Aberdeen. Micromusique et ludismes régressifs depuis 2000 by Jacques Amblard and Emmanuel Aymès is a slim volume at 124 pages, but nevertheless a fascinating exploration of a contemporary musical phenomenon. Setting out from the concept of “le redevenir-enfant,” a phrase with more than a hint of the Deleuzian about it (though the philosopher is not mentioned in the text), the book examines a tendency towards infantilisation which the authors trace to the 1830s but which has become much more evident in more recent times with the sociological identification of the “adulescent” in the 1970s and 1980s, certain developments in the plastic arts from the late 1980s, in certain strains of popular music that arose with the availability of personal computers in the late 1980s and 1990s, and finally in aspects of Western art music [“musique savante”] from the new millennium. What Amblard and Aymès term micromusic is also known as chiptune or 8-bits, the post-punk music of geeks and hackers with whom game technologies such as Game Boy are transformed into sources and instruments for music-making. While this, for the authors, is ostensibly regressive and nothing less than the “acme” of infantilisation, it signals at the same time, as the back cover notes, the “subtile inversion” of the player-musician into an anti-consumer within processes of alternative globalisation. -
Freely Improvised and Non-Academic Electroacoustic Music by Urban Folks
http://dx.doi.org/10.14236/ewic/RESOUND19.26 Freely improvised and non-academic electroacoustic music by urban folks Harold Schellinx Emmanuel Ferrand ana-R & IESA ana-R & Sorbonne Université Paris, France Paris, France [email protected] [email protected] We discuss history and characteristics of the evolving global networks of anarchic communities of independent experimental musical artists that over the past half century have continued to flourish outside of established cultural institutions and with but incidental, ad hoc, financial funding. As a case-study related to our own practice we give an in-depth look into the International Headphone Festival Le Placard (1998-2013), a series of ephemeral (headphones only) concert-sites and laboratories for (not only) sound art and electronic music, that was highly innovative and influential also in the worlds of academic and commercial music, though —being the result of collective creative efforts, transmitted in (contemporary equivalents of) the fundamentally aural tradition that is typical of artistic folk modes— this is an influence destined to remain anonymous, hence un- credited. Improvised electroacoustic music, folklore, DIY, circuit-bending, artist networks 1. INTRODUCTION: URBAN FOLKS ingeniously depicted the face of an oscilloscope tube, over which flowed an ever-changing dance Attempts at a rigorous and all-embracing definition of Lissajous figures. [...] A sudden chorus of of TKOMTIUH (an acronym that, with a hat tip to whoops and yibbles burst from a kind of juke box TAFKAP, makes a wink at mid-1990s pop music at the far end of the room. Everybody quit talking. history, standing as it does for 'The Kind Of Music [...] "What's happening?" Oedipa whispered. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
CARLIE CRAIG SAG-AFTRA Hair Blonde, Eyes Blue HT 5’1” WT 100 Vocal Range Mezzo Soprano AGENT | CHRIS SOLOMON ENCOMPASS | [email protected] 323.336.6731
CARLIE CRAIG SAG-AFTRA Hair Blonde, Eyes Blue HT 5’1” WT 100 Vocal Range Mezzo Soprano AGENT | CHRIS SOLOMON ENCOMPASS | [email protected] 323.336.6731 TELEVISION MADtv Series Regular THE CW | Dir. Bruce Leddy The Donors Series Regular LOL Network | Prod. Kevin Hart Todrick Series Regular MTV | Dir. Danny Salles The Commute Guest Star AwesomenessTV | Dir. Becca Gleason First Impressions with Dana Carvey Guest Star USA | Prod. Dana Carvey Will & Grace Co-Star NBC | Dir. James Burrows THEATRE Me! The Musical! One Woman Musical Comedy Rockwell Table & Stage, Los Angeles Have Several Seats One Woman Musical Comedy The Colony Theatre, Los Angeles Small But Fierce One Woman Concert Feinstein’s | 54 Below, New York City The Toddlerz Ball Principal Vocalist | Actor Todrick Hall World Tour Twerk Du Soleil Principal Vocalist | Actor Todrick Hall World Tour Chicago Roxie Hart Theatre Tallahassee Reefer Madness Mary Lane Augusta Conradi Studio Theatre [title of show] Susan Lindsey Recital Hall If You Give a Mouse a Cookie The Mouse Richard G. Fallon Theatre You’re a Good Man… Sally Brown Tallahassee Little Theatre Footloose Rusty Stoneman Douglas Theatre High School Musical Sharpay Evans Stoneman Douglas Theatre TRAINING | EDUCATION BA Theatre & Media Production Florida State University, Double Major Vocal Thomas R. Blaylock, Michael Orland, VP Boyle, Gisbert Heuer Acting Catlin Adams, Jay Goldenberg (NY Conservatory) Dance Diego Salterini, Jenna DelMonte, Dawn Baerlin Improvisation Wayne Brady Invited Workshop, Groundlings (Jeff Galante), UCB -
Student Dead for Days Before Discovery
newsrecord.org @NewsRecord_UC /TheNewsRecord @thenewsrecord pg. 4 | Adjuncts hold pg. 9 | UC volleyball team equality demonstration wins tournament at NKU Wednesday, September 18, 2019 What it’s like to volunteer abroad in Tanzania DAVID REES | FEATURES EDITOR Volunteer Excursions (GIVE) Volunteers — an While many college organization offering students consider volunteer opportunities studying abroad, few in Southeast Asia, Africa consider volunteering and Central America abroad. that focuses on global Fourth-year citizenship, sustainable animal biology and development and environmental studies immersing students in student, Tess Palluzzi, new cultures. Palluzzi traveled all the way to heard of other college Africa to volunteer in students who had Tanzania this past May. traveled with GIVE, such Palluzzi went to This Story Continued Tanzania through on Page 5 Growth International UNIVERSITY PARK APARTMENTS VIA GOOGLE Student dead for days before discovery KEELY BROWN | NEWS EDITOR “Apparently he skipped class that day and had dinner plans with a friend and he didn’t show up,” Miller said. “Then I began Jackson Durham, a 20-year-old second-year DAAP student to worry. I just had a really bad feeling.” studying Industrial Design at the University of Cincinnati, died After work, Miller went to Durham’s room at UPA. She in University Park Apartments (UPA)—a university-managed knocked on the door multiple times and, after no one housing property—and was discovered Aug. 30, according answered, she contacted UPA. to UC Police Department (UCPD) and Cincinnati Police “I called the RA that was on call in UPA and told them that I Department (CPD) reports. was worried about my friend and that they should go check on Two other students, Leah Miller and Jacob Wocks, were him,” Miller said. -
San Francisco Pride Announces Additional Entertainment and Special Guests for Official Pride 50 Online Celebration
Media Contacts: Julie Richter | [email protected] Peter Lawrence Kane | [email protected] SAN FRANCISCO PRIDE ANNOUNCES ADDITIONAL ENTERTAINMENT AND SPECIAL GUESTS FOR OFFICIAL PRIDE 50 ONLINE CELEBRATION JUNE 27–28, 2020 SAN FRANCISCO (June 18, 2020) — Today, the Board of Directors of San Francisco Pride announced additional entertainment and special Guests participatinG in the official Pride 50 online celebration takinG place Saturday, June 27 and Sunday, June 28, 2020. To celebrate the milestone anniversary, San Francisco leGendary draG icons Heklina, Honey Mahogany, Landa Lakes, Madd Dogg 20/20, Peaches Christ, and Sister Roma will come toGether for Decades of Drag, a conversation where they reflect on decades of activism, struGGles, and victories. JoininG the previously announced artists, the tribute to LGBTQ+ luminaries and Queer solidarity includes performances by Madame Gandhi, VINCINT, Elena Rose, Krystle Warren, La Doña, and LadyRyan, presented by SF Queer NiGhtlife. The weekend proGram also features a spotliGht on Openhouse and the livinG leGacy of Black Queer and transgender activism; National Center for Lesbian RiGhts Exeutive Director Imani Rupert-Gordon discussinG Black Lives Justice; and a deep dive into the history of the LGBTQ+ community in music with Kim Petras. Additional special appearances include Bay Area American Indian TwoSpirits, body positive warrior Harnaam Kaur, AlPhabet Rockers, Cheer SF (celebratinG forty years!), a conversation on the intersection of Black and Gay issues between Dear White People creator Justin Simien and cast member Griffin Matthews, and best-of performances from San Francisco’s oldest Queer bar The Stud. Previously announced entertainment includes hosts Honey Mahogany, Per Sia, Sister Roma, and Yves Saint Croissant, as well as New Orleans-born Queen of Bounce, Big Freedia as the Saturday headliner.