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John Varvatos Unveils Badflower As the Face of the Brand’S John Varvatos Star Usa Campaign
JOHN VARVATOS UNVEILS BADFLOWER AS THE FACE OF THE BRAND’S JOHN VARVATOS STAR USA CAMPAIGN The first band signed to the renowned international menswear designer’s record label, Big Machine/John Varvatos Records, stars in the latest Fall 2019 John Varvatos Star USA campaign Link to download John Varvatos Star USA Campaign Images and Video featuring Badflower HERE September 23, 2019 New York, NY — John Varvatos is proud to announce Big Machine/John Varvatos Records’ chart-topping rock band, Badflower, as the face of the Fall/Winter 2019 John Varvatos Star USA campaign. A youth-infused extension of John Varvatos Collection, the John Varvatos Star USA line is, at its core, inspired by artistic expressions of Rock-and-Roll culture. Exploring the importance of creative dissonance, the Fall/Winter 2019 John Varvatos Star USA campaign finds an ideal casting in Badflower. Primal, passionate, and powerful, Badflower is today’s most buzzed-about rock band. California born and bred, Badflower’s music taps into a gritty, kinetic energy, with a grunge-y gutter spirit topped off by jarring theatrical delivery and unshakable riffing. Fronted by Josh Katz along with lead guitarist Joey Morrow, bassist Alex Espiritu and drummer Anthony Sonetti, the emerging LA-based band garners apt praise for delivering emotive, guitar-heavy rock with an innate sense of ease—blending brutal honesty with high intensity. The first band to sign with Varvatos’ eponymous record label, Big Machine/John Varvatos Records, the four-piece’s gritty, enigmatic spirit puts a resonate and relevant new spotlight on the effortless-cool ethos of John Varvatos Star USA. -
Iheartmedia Celebrates Musics Biggest Stars with Exclusive Labor Day Weekend Reveal of the 2020 “Iheartradio Music Awards” Winners
IHEARTMEDIA CELEBRATES MUSICS BIGGEST STARS WITH EXCLUSIVE LABOR DAY WEEKEND REVEAL OF THE 2020 “IHEARTRADIO MUSIC AWARDS” WINNERS The On-Air and Social Media Special Featured Acceptance Speeches from Winners Including Lizzo for Song of the Year, Billie Eilish for Female Artist of the Year, Jonas Brothers for Best Duo/Group of the Year, Taylor Swift for Album of the Year, Elton John for Tour of the Year and More NEW YORK, N.Y. – September 8, 2020 – iHeartMedia celebrated the winners of the 2020 iHeartRadio Music Awards with an on-air and social media special throughout Labor Day weekend on iHeartRadio stations nationwide, and the iHeartRadio App, the all-in-one digital music, podcast, on demand and live-streaming radio service. The exclusive weekend-long special concluded on Monday, September 7 and unveiled winners in each category including Lizzo for Song of the Year, Billie Eilish for Female Artist of the Year, Jonas Brothers for Best Duo/Group of the Year, Taylor Swift for Album of the Year and more. The 2020 iHeartRadio Music Awards also honored Elton John with the Tour of the Year Award. In addition, the on-air and social media reveal featured acceptance speeches from this year’s biggest artists on iHeartRadio stations nationwide and on iHeartMedia’s social platforms including Facebook, Twitter, Instagram, YouTube and Snapchat. The annual iHeartRadio Music Awards is a star-studded music event celebrating the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2019. Given the new limitations on events during the pandemic, this year’s “live event” portion of the iHeartRadio Music Awards, originally scheduled to air from the Shrine Auditorium in Los Angeles, Sunday, March 29 on FOX, was cancelled, but winners were officially announced on-air across the country and via social media over Labor Day weekend. -
THE CLIMAX Hampshire College December 11, 2009 Volume Xii Issue 6
THE CLiMAX hampshire college december 11, 2009 volume Xii issue 6 Citing “broken system,” QCA Winter graduates cancels Drag Ball By emily drummer Drag Ball is traditionally held us.” Staff Writer during spring semester as an act QCA’s statement alleges that of resistance to mainstream cul- certain groups are receiving pri- ampshire’s Queer Com- ture and gender binaries, but some ority funding over others. Among Hmunity Alliance (QCA) is- believe the nature of the dance it- the groups mentioned was the sued a statement via Facebook on self to be problematic. QCA sign- Cheese Club, who received nine December 2 announcing the can- er Cyree Johnson contends that times more funding than the QCA cellation of its annual Drag Ball in “Drag Ball, in its current form, re- from FiCom last year, although protest of what signer Mike Wolf ally does more to exclude queer this number does not include calls “a very broken system.” The people on this campus than it COCA-funded events—for which statement calls for more funding, does to include them.” Many feel the QCA was granted thousands. educational workshops, and safer that the dance has been reduced Johnson and Wolf said that a con- sex supplies. It also demands for to a night of hyper-sexualized flict with the Cheese Club was “Community Council (CC) to be partying, trivializing the nature not intentional, and that “it’s not held accountable for their favor- of drag and undermining its orig- like we hate the cheese club or we itism and embezzlement”—accu- inally subversive message. -
Vans Warped Tour Deck
IN PARTNERSHIP WITH WIFI HOTSPOT SPONSORSHIP OPPORTUNITY BRANDED WIFI LOUNGE “Verizon Zone” Pepsi Zone” etc. THE WARPED AUDIENCE///////////////////////////// The Warped fan is a highly sociable, tech savvy and influential young adult. Attendees are utilizing social networking to communicate their concert experiences to friends across the globe. The average attendee has been to Ages 15 ‐25 make up 91% Diversity Warped Tour 3 years and nearly of the VWT audience 90% of festival goers visit the sponsor and non-‐profit village 62% 22% ////////////////////////////////////////// 39% 52% 98% of fans take home everything // WHITE/ // LATINO they get from the tour CAUCASIAN // 15-17 // 18-25 ////////////////////////////////////////// 10% 6% Overall, 82.6% of fans are more Average Age: 17.9 years old likely to purchase or try a sponsor’s product due to their association // AFRICAN- with Warped Tour, indicating // ASIAN AMERICAN positive brand awareness. 47.9% 52.1% // MALE // FEMALE 2015 ROUTING///////////////////////////////////////// 6/19 // Pomona, CA 7/7 //Charlotte, NC 7/24 // Detroit, MI 6/20 // San Francisco, CA 7/8 // Virginia Beach, VA 7/25 // Chicago, IL 6/21 // Ventura, CA 7/9 // Pittsburgh, PA 7/26 // Shakopee, MN 6/23 // Mesa, AZ 7/10 // Camden, NJ 7/27 // Maryland Heights, MO 6/24 // Albuquerque, NM 7/11 // Wantagh, NY 7/28 // Milwaukee, WI 6/25 // Oklahoma City, OK 7/12 // Hartford, CT 7/29 // Noblesville, IN 6/26 // Houston, TX 7/14 // Mansfield, MA 7/30 // Bonners Spring, KS 6/27 // Dallas, TX 7/15 // Darien Center, NY 8/1 // Salt Lake City, UT 6/28 // San Antonio, TX 7/16 // Cincinnati, OH 8/2 // Denver, CO 7/1 // Nashville, TN 7/17 // Toronto, ON 8/5 // San Diego, CA 7/2 // Atlanta, GA 7/18 // Columbia, MD 8/7 // Portland, OR 7/3 // St. -
MEDIA ADVISORY: Thursday, August 11, 2011**
**MEDIA ADVISORY: Thursday, August 11, 2011** WWE SummerSlam Cranks Up the Heat at Participating Cineplex Entertainment Theatres Live, in High-Definition on Sunday, August 14, 2011 WHAT: Three championship titles are up for grabs, one will unify the prestigious WWE Championship this Sunday. Cineplex Entertainment, via our Front Row Centre Events, is pleased to announce WWE SummerSlam will be broadcast live at participating Cineplex theatres across Canada on Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT live from the Staples Center in Los Angeles, CA. Matches WWE Champion John Cena vs. WWE Champion CM Punk in an Undisputed WWE Championship Match World Heavyweight Champion Christian vs. Randy Orton in a No Holds Barred Match WWE Divas Champion Kelly Kelly vs. Beth Phoenix WHEN: Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT WHERE: Advance tickets are now available at participating theatre box offices, through the Cineplex Mobile Apps and online at www.cineplex.com/events or our mobile site m.cineplex.com. A special rate is available for larger groups of 20 or more. Please contact Cineplex corporate sales at 1-800-313-4461 or via email at [email protected]. The following 2011 WWE events will be shown live at select Cineplex Entertainment theatres: WWE Night of Champions September 18, 2011 WWE Hell in the Cell October 2, 2011 WWE Vengeance (formerly Bragging Rights) October 23, 2011 WWE Survivor Series November 20, 2011 WWE TLC: Tables, Ladders & Chairs December 18, 2011 -30- For more information, photos or interviews, please contact: Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment, 416-323- 6648, [email protected] Kyle Moffatt, Director, Communications, Cineplex Entertainment, 416-323-6728, [email protected] . -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Mar.-Apr.2020 Highlites
Prospect Senior Center 6 Center Street Prospect, CT 06712 (203)758-5300 (203)758-3837 Fax Lucy Smegielski Mar.-Apr.2020 Director - Editor Municipal Agent Highlites Town of Prospect STAFF Lorraine Lori Susan Lirene Melody Matt Maglaris Anderson DaSilva Lorensen Heitz Kalitta From the Director… Dear Members… I believe in being upfront and addressing things head-on. Therefore, I am using this plat- form to address some issues that have come to my attention. Since the cost for out-of-town memberships to our Senior Center went up in January 2020, there have been a few miscon- ceptions that have come to my attention. First and foremost, the one rumor that I would definitely like to address is the story going around that the Prospect Town Council raised the dues of our out-of-town members because they are trying to “get rid” of the non-residents that come here. The story goes that the Town Council is trying to keep our Senior Center strictly for Prospect residents only. Nothing could be further from the truth. I value the out-of-town members who come here. I feel they have contributed significantly to the growth of our Senior Center. Many of these members run programs here and volun- teer in a number of different capacities. They are my lifeline and help me in ways that I could never repay them for. I and the Town Council members would never want to “get rid” of them. I will tell you point blank why the Town Council decided to raise membership dues for out- of-town members. -
Discourse and Identity: Representations of Women in Little Mix’S Songs
DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA 2020 DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN A Final Year Project submitted in fulfilment of the requirement for the degree of English for International Communications Kulliyyah of Languages and Management International Islamic University Malaysia JANUARY 2020 ABSTRACT Discrimination against women is a global issue and has been for years. Even in developing countries women experience biasness on the basis of their gender. The study aims to identify the different social roles and traits of women that can be found in song lyrics. Past studies explored various issues of what women face in their daily lives whether it be in education, social relationships and decision making in context of gender discrimination that are present in the media and songs. This is an exploratory study on representations of women in songs. The artist chosen for this study is the United Kingdom’s all female group, Little Mix. A qualitative research approach was used to fulfill the objectives of this research. A total of 29 Little Mix songs were chosen as the data and Membership Categorization Analysis was used as the framework of this research. Based on the analyses, a total of five social roles and three traits were found shared among women that were present in the songs. Women were represented both positively and negatively in Little Mix’s songs. The study may contribute to future studies that uses Membership Categorization Analysis as their framework of study. -
Chief Richardville House to Be Considered for National Landmark
RETURN SERVICE REQUESTED RETURN SERVICE MIAMI, OK 74355 MIAMI NATION An Official Publication of the Sovereign Miami Nation BOX 1326 P.O. STIGLER, OK 74462 PERMIT NO 49 PERMIT PAID US POSTAGE PR SRT STD PR SRT Vol. 10, No. 2 myaamionki meeloohkamike 2011 Myaamiaki Gather To Preview New Story Book By Julie Olds Myaamia citizens and guests gathered at the Ethel Miller Tribal Traditions Committee and Cultural Resources Of- Moore Cultural Education Center (longhouse) on January fice with the wonderful assistance of our dear friend Laurie 28, 2011 to herald the publication of a new book of my- Shade and her Title VI crew. aamia winter stories and traditional narratives. Following dinner it was finally story time. George Iron- “myaamia neehi peewaalia aacimoona neehi aalhsooh- strack, Assistant Director of the Myaamia Project, hosted kaana: Myaamia and Peoria Narratives and Winter Stories” the evening of myaamia storytelling. Ironstrack, joined is a work 22 years in the making and therefore a labor of by his father George Strack, opened by giving the story love to all involved, especially the editor, and translator, of where the myaamia first came from. Ironstrack gave a Dr. David Costa. number of other stories to the audience and spoke passion- Daryl Baldwin, Director of the Myaamia Project, worked ately, and knowingly, of the characters, cultural heroes, closely with Dr. Costa throughout the translation process. and landscapes intertwined to the stories. The audience Baldwin phoned me (Cultural Resources Officer Julie listened in respectful awe. Olds) in late summer of 2010 to report that Dr. Costa had To honor the closing of the “Year of Miami Women”, two completed the editing process and that the collection was women were asked to read. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Chief Jean Baptiste Richardville
CHIEF JEAN BAPTISTE RICHARDVILLE By Craig Leonard «««««««««««««««»»»»»»»»»»»»»»» Chief Jean Baptiste Richardville was the civil chief of the Miami Indians from 1816 until his death in 1841. He was born at the Miami village of Kekionga (Fort Wayne) about 1761 and was known by his Miami name, Peshewa ("the lynx," "the wildcat"), and later by the Anglicized version of his name, John B. Richardville. Richardville's father was Joseph Druet de Richardville, a French-Canadian trader of noble ancestry whose family members, the Drouets, were among the most prominent nobility, officers, and traders in New France. Tacumwah (Maria Louisa Richardville), Richardville's mother, was the sister of Pacanne, the chief of the village at Kekionga. Joseph apparently remained at Kekionga from about 1750 to 1770; he then returned to Three Rivers, Canada, where his son later joined him for a few years to receive a formal education. Drouet and Tacumwah are known to have had three other children, but little is known of them or where they spent their lives. Tacumwah, who had the status of a female chieftain among the Miami, later married another French trader, Charles Beaubien. Several factors destined Richardville for prominence. The Miami tribe had at least five major divisions, of which the foremost were the Atchatchakangouen, or Crane People. The head chief of this group was deferred to by the heads of the other divisions as the entire tribe's civil chief. The Atchatchakangouen head chief was Pacanne, the leader at Kekionga. Among the Miami, war chiefs were chosen for their prowess in battle, but succession to civil chieftain was hereditary. -
Keith Carlock
APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96