MEDIA ADVISORY: Thursday, August 11, 2011**

**MEDIA ADVISORY: Thursday, August 11, 2011** WWE SummerSlam Cranks Up the Heat at Participating Cineplex Entertainment Theatres Live, in High-Definition on Sunday, August 14, 2011 WHAT: Three championship titles are up for grabs, one will unify the prestigious WWE Championship this Sunday. Cineplex Entertainment, via our Front Row Centre Events, is pleased to announce WWE SummerSlam will be broadcast live at participating Cineplex theatres across Canada on Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT live from the Staples Center in Los Angeles, CA. Matches WWE Champion John Cena vs. WWE Champion CM Punk in an Undisputed WWE Championship Match World Heavyweight Champion Christian vs. Randy Orton in a No Holds Barred Match WWE Divas Champion Kelly Kelly vs. Beth Phoenix WHEN: Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT WHERE: Advance tickets are now available at participating theatre box offices, through the Cineplex Mobile Apps and online at www.cineplex.com/events or our mobile site m.cineplex.com. A special rate is available for larger groups of 20 or more. Please contact Cineplex corporate sales at 1-800-313-4461 or via email at [email protected]. The following 2011 WWE events will be shown live at select Cineplex Entertainment theatres: WWE Night of Champions September 18, 2011 WWE Hell in the Cell October 2, 2011 WWE Vengeance (formerly Bragging Rights) October 23, 2011 WWE Survivor Series November 20, 2011 WWE TLC: Tables, Ladders & Chairs December 18, 2011 -30- For more information, photos or interviews, please contact: Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment, 416-323- 6648, [email protected] Kyle Moffatt, Director, Communications, Cineplex Entertainment, 416-323-6728, [email protected] .

Copy Link

Recommended publications

June 15-21, 2017
JUNE 15-21, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Proudly presents in Fort Wayne, Indiana ON SALETICKETS FRIDAY ON SALE JUNE NOW! 2 ! ONTICKETS SALE FRIDAYON SALE NOW! JUNE 2 ! ONTICKETS SALE FRIDAY ON SALE NOW! JUNE 2 ! ProudlyProudly presents inpresents Fort Wayne, in Indiana Fort Wayne, Indiana 7KH0RWRU&LW\0DGPDQ5HWXUQV7R)RUW:D\QH ONON SALE SALE NOW! NOW! ON SALEON NOW! SALE NOW!ON SALE NOW! ON SALEON SALE NOW! NOW! ON SALE NOW! WEDNESDAY SEPTEMBER 20, 2017 • 7:30 PM The Foellinger Outdoor Theatre GORDON LIGHTFOOT TUESDAY AUGUST 1, 2017 • 7:30 PM 7+856'$<0$<30 7+856'$<0$<30Fort Wayne, Indiana )5,'$<0$<30THURSDAY)5,'$<0$<30 AUGUST 24,78(6'$<0$<30 2017 • 7:30 PM 78(6'$<0$<30 The Foellinger Outdoor Theatre THE FOELLINGER OUTDOOR THEATRE The Foellinger Outdoor TheatreThe Foellinger TheThe Outdoor Foellinger Foellinger Theatre Outdoor OutdoorThe Foellinger Theatre Theatre Outdoor TheatreThe Foellinger Outdoor Theatre Fort Wayne, Indiana FORT WAYNE, INDIANA Fort Wayne, Indiana Fort Wayne, IndianaFortFort Wayne, Indiana IndianaFort Wayne, Indiana Fort Wayne, Indiana ON SALE ONON NOW!SALE SALE NOW! NOW! ON SALE ON NOW! SALE ON NOW! SALE ON SALE NOW!ON NOW! SALE NOW! ONON SALE SALEON NOW! SALE NOW! NOW!ON SALE NOW!ON SALE ON SALE NOW! NOW! 14 16 TOP 40 HITS Gold and OF GRAND FUNK MORE THAN 5 Platinum TOP 10 HITS Records 30 Million 2 Records #1 HITS RAILROAD! Free Movies Sold WORLDWIDE THURSDAY AUGUST 3, 2017 • 7:30 PM Tickets The Nut Job Wed June 15 9:00 pm MEGA HITS 7+856'$<$8*867307+856'$<$8*86730On-line By PhoneTUESDAY SEPTEMBERSurly, a curmudgeon, 5, 2017 independent • 7:30 squirrel PM is banished from his “ I’m Your Captain (Closer to Home)” “ We’re An American Band” :('1(6'$<$8*86730:('1(6'$<$8*86730 “The Loco-Motion”)5,'$<-8/<30)5,'$<-8/<30 “Some Kind of Wonderful” “Bad Time” www.foellingertheatre.org (260) 427-6000 park and forced to survive in the city.
[Show full text]
A Publication of Riverwalk Fort Lauderdale Vol
A PUBLICATION OF RIVERWALK FORT LAUDERDALE VOL. 9 NO. 6 JULY 2012 July_daouds.indd 2 6/22/12 1:16 PM IN THIS ISSUE Features On The Cover 15 A PUBLICATION OF THE RIVERWALK TRUST VOL. 9 NO. 6 JULY 2012 A Publication of Riverwalk Fort Lauderdale Photography by Jason Leidy Design by Ryan K. Hughes Las Olas Resurgence 18 Go Riverwalk is Fort Lauderdale’s City Kevin Lane Magazine covering arts, entertainment, business and lifestyles. Go Riverwalk is Three Perfect Days on Las Olas a Riverwalk Fort Lauderdale publication and publishes 12 times a year to inform, 22 Kathryn Dressler inspire and connect residents, readers and leaders with the people, places, Quarter Century Club Fire Department Turns 100 happenings and events that make Fort 30 Kevin Lane 36 Michelle Klymko Lauderdale one of the world’s best places to live, work and play. © Copyright 2012, Riverwalk Fort Lauderdale. All rights reserved. No part of Go Riverwalk may be reproduced in any form by any means without prior written Departments consent from Riverwalk Fort Lauderdale and publisher Riverwalk Ad Group, Inc. Riverwalk Fort Lauderdale and publisher 6 Chair Column 44 Dining Destinations Mark Budwig Alexandra Roland accept no liability for the accuracy of statements made by the editors or Riverwalk Roundup Event Connections 8 52 advertisers. The waves device and Go Genia Duncan Ellis Compiled by Alexandra Roland Riverwalk are trademarks of Riverwalk Downtown Lowdown Fort Lauderdale. © Copyright 2012. 10 58 Membership Chris Wren 14 Riverwalk Trust Exclusives 60 Snapped@ JULY 2012
[Show full text]
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product.
[Show full text]
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg.
[Show full text]
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders.
[Show full text]
2020 WWE Finest
BASE BASE CARDS 1 Angel Garza Raw® 2 Akam Raw® 3 Aleister Black Raw® 4 Andrade Raw® 5 Angelo Dawkins Raw® 6 Asuka Raw® 7 Austin Theory Raw® 8 Becky Lynch Raw® 9 Bianca Belair Raw® 10 Bobby Lashley Raw® 11 Murphy Raw® 12 Charlotte Flair Raw® 13 Drew McIntyre Raw® 14 Edge Raw® 15 Erik Raw® 16 Humberto Carrillo Raw® 17 Ivar Raw® 18 Kairi Sane Raw® 19 Kevin Owens Raw® 20 Lana Raw® 21 Liv Morgan Raw® 22 Montez Ford Raw® 23 Nia Jax Raw® 24 R-Truth Raw® 25 Randy Orton Raw® 26 Rezar Raw® 27 Ricochet Raw® 28 Riddick Moss Raw® 29 Ruby Riott Raw® 30 Samoa Joe Raw® 31 Seth Rollins Raw® 32 Shayna Baszler Raw® 33 Zelina Vega Raw® 34 AJ Styles SmackDown® 35 Alexa Bliss SmackDown® 36 Bayley SmackDown® 37 Big E SmackDown® 38 Braun Strowman SmackDown® 39 "The Fiend" Bray Wyatt SmackDown® 40 Carmella SmackDown® 41 Cesaro SmackDown® 42 Daniel Bryan SmackDown® 43 Dolph Ziggler SmackDown® 44 Elias SmackDown® 45 Jeff Hardy SmackDown® 46 Jey Uso SmackDown® 47 Jimmy Uso SmackDown® 48 John Morrison SmackDown® 49 King Corbin SmackDown® 50 Kofi Kingston SmackDown® 51 Lacey Evans SmackDown® 52 Mandy Rose SmackDown® 53 Matt Riddle SmackDown® 54 Mojo Rawley SmackDown® 55 Mustafa Ali Raw® 56 Naomi SmackDown® 57 Nikki Cross SmackDown® 58 Otis SmackDown® 59 Robert Roode Raw® 60 Roman Reigns SmackDown® 61 Sami Zayn SmackDown® 62 Sasha Banks SmackDown® 63 Sheamus SmackDown® 64 Shinsuke Nakamura SmackDown® 65 Shorty G SmackDown® 66 Sonya Deville SmackDown® 67 Tamina SmackDown® 68 The Miz SmackDown® 69 Tucker SmackDown® 70 Xavier Woods SmackDown® 71 Adam Cole NXT® 72 Bobby
[Show full text]
OAESV Survivor Series Empowerment, Hope & Healing
OAESV Survivor Series Empowerment, Hope & Healing UNDERSTANDING THE TRAUMA OF SEXUAL VIOLENCE Sexual Violence is a Form of Trauma As a survivor of sexual violence, you have endured a trauma, a significant event or series of events that fall outside the range of normal, everyday human experience. All forms of sexual violence are traumatic, including rape, attempted rape, sexual abuse, molestation, voyeurism, and many others. Other familiar types of traumatic events include combat conditions, natural disasters, vehicle accidents, and medical emergencies, or witnessing one or more of these events happening to someone else. What makes a particular experience traumatic is that the survivor’s ability to control what is happening to him or her is stripped away, often violently. The survivor feels that his or her health, safety and even life are directly threatened and he/she is rendered powerless to address that threat in the moment. Such an event overwhelms the brain’s capacity to effectively respond and cope the way you would be able to in other types of situations. The extent to which a particular event is experienced as being traumatic by the survivor depends on many factors, which are unique to each person and each situation. Although you may feel out of sorts, or even that you’re “going crazy,” your reactions are normal responses to an abnormal event. Sexual Violence is Unique While the “brain impact” of sexual violence is similar to that of other types of trauma, sexual violence is unique. Unlike other types of trauma, sexual violence is a deliberate violation of your most personal space by one or more individuals that you likely knew and may have even trusted or loved.
[Show full text]
September Issue.P65
TheTheThe MessengerMessengerMessenger New Richmond High School, 1131 Bethel-New Richmond Road, New Richmond, Ohio 45157 Volume LXVIII Issue 1 September 2012 SpiritSpirit WeekWeek 2012:2012: NRNR showsshows LionLion pridepride New principal focuses on enforcement Tardiness, absence strictly monitored By Josie Buckingham and Christin Gray With the new school year smoothly. “I am ready for this school,” he said. “We are creat- ter 3 tardies, people should be brings a new principal and as- year to be over with, I want it to ing the habit of being early or on getting ISI’s. Often times stu- sistant to the principal to take go by rather fast and still have a time and that habit will allow stu- dents honestly can’t help from over with high expectations and lot of fun.” dents to remain gainfully em- being late, and I think that often high hopes for the future. Princi- Attendance stated in the school ployed many times the pal Mark Bailey is a graduate of handbook is also very important. as hallways are New Richmond High School, and According to the handbook, adults. way too later was the band director here “The administration and faculty We crowded. I think for 12 years. After that, he was of New Richmond High School are “We are creating teachers should the principal at Monroe Elemen- strongly emphasize consistent build- the habit of being listen to tary for 12 years. “I love my ex- and punctual student attendance ing early or on time and student’s rea- periences here at NRHS and that at school.
[Show full text]
Anger, Relational Victimization, and Vengeance in the Context of Relational Aggression
The University of Southern Mississippi The Aquila Digital Community Master's Theses Summer 2020 Anger, Relational Victimization, and Vengeance in the Context of Relational Aggression Alison Poor Follow this and additional works at: https://aquila.usm.edu/masters_theses Part of the Counseling Psychology Commons Recommended Citation Poor, Alison, "Anger, Relational Victimization, and Vengeance in the Context of Relational Aggression" (2020). Master's Theses. 714. https://aquila.usm.edu/masters_theses/714 This Masters Thesis is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Master's Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. ANGER, RELATIONAL VICTIMIZATION, AND VENGEANCE IN THE CONTEXT OF RELATIONAL AGGRESSION by Alison Poor A Thesis Submitted to the Graduate School, the College of Education and Human Sciences and the School of Psychology at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by: Dr. Eric Dahlen, Committee Chair Dr. Melanie Leuty Dr. Bonnie Nicholson ____________________ ____________________ ____________________ Dr. Eric Dahlen Dr. Sara Jordan Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School August 2020 COPYRIGHT BY Alison Poor 2020 Published by the Graduate School ABSTRACT Relational aggression involves the aggressor harming the victim’s social status, reputation, and/or relationships. This form of aggression is a relatively new topic in the literature that would benefit from additional research with emerging adults. The present study examined two models involving relational aggression in a college student sample (N = 247).
[Show full text]
WWE RAW Ultimate Impact 2009 Gameplay [PC] - Duration: 9:34
WWE RAW: Ultimate Impact 2009 Mod WWE RAW: Ultimate Impact 2009 Mod 1 / 3 2 / 3 Skin Mods for WWE Raw Ultimate Impact (WWE UI). WWE RAW Ultimate Impact tfile ru torrent download, trackers, online stream ... WWE RAW Ultimate Impact 2009 Gameplay [PC] - Duration: 9:34. ... Peace WWE Raw Ultimate Impact 2012 Import Mod Wrestlemania 25 + WWE .... Jual WWE RAW - Ultimate Impact 2009 | Game PC dengan harga Rp50.000 dari toko online Meloo Store, Jakarta Selatan. Cari produk Produk Lainnya lainnya .... WWE RAW Ultimate Impact 2009 ... although there was many mods coming out, there was not yet a FULL conversion of the entire game, (WWE .... wwe raw ultimate impact 2009 part 1:-http://hotfile.com/dl/12393818/f0dccab/WWE.RAW.2009.Ultimate.Impact.PC.. WWE RAW Ultimate Impact (2009) (PC). Platform: PC Category: Action Publisher: THQ Release: 2009/01/07. Size: 332.3 MB With 2002???s .... SUMMERSLAM 2009 http://www.mediafire.com/?m0mywtmr50t Bragging Rights BACKLASH ... See more of Wwe Raw Ultimate Impact Mods on Facebook.. [WWE Raw MOD] Total Edition is out! NuckelflaschenDieb ... WWE Raw Total Edition 2009 oder auch WWE RAW ULTIMATE IMPACT 2009 · x C0D3BR34KER x .... but that void lasted for six years, although there was many mods coming out, there was not yet a FULL conversion of the entire game, (WWE Raw: .... It has been renamed WWE Raw Ultimate Impact starts from 2008. ... Version Had A Lot of Positive Ratings for its ability to allow Separate Mods.. mod wwe raw ultimate impact 2009. A year and a half ago, after being caught stealing a car, he been sent up to Hailey.
[Show full text]
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order.
[Show full text]
WWE® Reports 2010 Third Quarter Results
FOR IMMEDIATE RELEASE Contacts: Investors: Michael Weitz 203-352-8642 Media: Robert Zimmerman 203-359-5131 WWE® Reports 2010 Third Quarter Results STAMFORD, Conn., November 4, 2010 - World Wrestling Entertainment, Inc. (NYSE:WWE) today announced financial results for its third quarter ended September 30, 2010. Revenues totaled $109.6 million as compared to $111.3 million in the prior year quarter. Operating income was $20.3 million as compared to $14.5 million in the prior year quarter. Net income was $14.3 million, or $0.19 per share, as compared to $8.9 million, or $0.12 per share, in the prior year quarter. Impacting comparability to the prior year quarter are production tax credits recorded in both current and prior year quarters. Excluding the impact of these credits, Adjusted Operating income was $14.2 million as compared to $12.0 million in the prior year quarter. Adjusted Net income was $10.3 million, or $0.14 per share, as compared to $7.4 million, or $0.10 per share. “In the third quarter, our results reflected the Company’s continued focus on optimizing business results in a difficult environment,” stated Vince McMahon, Chairman and Chief Executive Officer. “We generated earnings growth despite a decline in revenue across many of our businesses. We believe our ongoing talent transition and the sluggish economy were important factors in these declines. Based on our history of developing talent and creating content with broad appeal, we are confident we can address these creative challenges. Further, by taking advantage of our strategic opportunities, we can achieve meaningful growth.” Comparability of Results Excluding the impact of production tax credits, Q3 2010 Adjusted Operating income increased 18% to $14.2 million and Adjusted EBITDA increased 12% to $17.4 million.
[Show full text]