Anger, Relational Victimization, and Vengeance in the Context of Relational Aggression
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Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
MEDIA ADVISORY: Thursday, August 11, 2011**
**MEDIA ADVISORY: Thursday, August 11, 2011** WWE SummerSlam Cranks Up the Heat at Participating Cineplex Entertainment Theatres Live, in High-Definition on Sunday, August 14, 2011 WHAT: Three championship titles are up for grabs, one will unify the prestigious WWE Championship this Sunday. Cineplex Entertainment, via our Front Row Centre Events, is pleased to announce WWE SummerSlam will be broadcast live at participating Cineplex theatres across Canada on Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT live from the Staples Center in Los Angeles, CA. Matches WWE Champion John Cena vs. WWE Champion CM Punk in an Undisputed WWE Championship Match World Heavyweight Champion Christian vs. Randy Orton in a No Holds Barred Match WWE Divas Champion Kelly Kelly vs. Beth Phoenix WHEN: Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT WHERE: Advance tickets are now available at participating theatre box offices, through the Cineplex Mobile Apps and online at www.cineplex.com/events or our mobile site m.cineplex.com. A special rate is available for larger groups of 20 or more. Please contact Cineplex corporate sales at 1-800-313-4461 or via email at [email protected]. The following 2011 WWE events will be shown live at select Cineplex Entertainment theatres: WWE Night of Champions September 18, 2011 WWE Hell in the Cell October 2, 2011 WWE Vengeance (formerly Bragging Rights) October 23, 2011 WWE Survivor Series November 20, 2011 WWE TLC: Tables, Ladders & Chairs December 18, 2011 -30- For more information, photos or interviews, please contact: Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment, 416-323- 6648, [email protected] Kyle Moffatt, Director, Communications, Cineplex Entertainment, 416-323-6728, [email protected] . -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
“Smackdown”: a Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling Casey Brandon Hart University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Hart, Casey Brandon, "Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling" (2012). Dissertations. 550. https://aquila.usm.edu/dissertations/550 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart May 2012 The focus of this study is an in-depth intertextual examination of how the WWE in 2010 and by extension contemporary professional wrestling in general represents a microcosm of modern cultural ideology. The study examines three major areas in which this occurs. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
Holocaust Avengers: from "The Master Race" to Magneto I Kathrin Bower I
University of Richmond UR Scholarship Repository Languages, Literatures, and Cultures Faculty Languages, Literatures, and Cultures Publications 2004 Holocaust Avengers: From "The aM ster Race" to Magneto Kathrin M. Bower University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/mlc-faculty-publications Part of the European History Commons, Illustration Commons, and the Place and Environment Commons Recommended Citation Bower, Kathrin M. "Holocaust Avengers: From "The asM ter Race" to Magneto." International Journal of Comic Art 6, no. 2 (2004): 182-94. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at UR Scholarship Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 182 Holocaust Avengers: From "The Master Race" to Magneto I Kathrin Bower I In the classic genealogy of the superhero, trauma is often the explanation ' or motivation for the hero's pursuit of justice or revenge. Origin stories for superheroes and supervillains frequently appear in the plots of comic books long after the characters were created and with the shift in the stable of artists involved, different and sometimes competing events in the characters' biographies are revealed. This is particularly true of series that have enjoyed long periods of popularity or those that were phased out and then later revived. The stimulus for this m1icle was the origin story conceived for the X-Men supervillain Magneto under Chris Claremont's plotting, after the series was resurrected in 197 5 and by the foregrounding of Magneto's Holocaust past in the opening sequence to Bryan Singer's 2000 filmX-Men. -
Badal a Culture of Revenge the Impact of Collateral Damage on Taliban Insurgency
Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis and Dissertation Collection 2008-03 Badal a culture of revenge the impact of collateral damage on Taliban insurgency Hussain, Raja G. Monterey, California. Naval Postgraduate School http://hdl.handle.net/10945/4222 NAVAL POSTGRADUATE SCHOOL MONTEREY, CALIFORNIA THESIS BADAL: A CULTURE OF REVENGE THE IMPACT OF COLLATERAL DAMAGE ON TALIBAN INSURGENCY by Raja G. Hussain March 2008 Thesis Advisor: Thomas H. Johnson Thesis Co Advisor: Feroz H. Khan Approved for public release; distribution is unlimited THIS PAGE INTENTIONALLY LEFT BLANK REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED March 2008 Master’s Thesis 4. TITLE AND SUBTITLE BADAL: A Culture of Revenge 5. FUNDING NUMBERS The Impact of Collateral Damage on Taliban Insurgency 6. AUTHOR(S) Raja G. Hussain 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING ORGANIZATION Naval Postgraduate School REPORT NUMBER Monterey, CA 93943-5000 9. -
Donald Trump, Professional Wrestling, and the Electoral Geography of Vengeance and Redemption
Donald Trump, Professional Wrestling, and the Electoral Geography of Vengeance and Redemption WrestlePosium I 2020 John Heppen, University of Wisconsin, River Falls, David Beard, University of Minnesota Duluth Cartography by Matt Millett University of Wisconsin River Falls Overview • We will outline the connection between Trump and Professional Wrestling. • We will hypothesize that Trump's connection to wrestling culture shapes his political messaging. • We will outline three features of "wrestling rhetoric" and we will illustrate aspects of Trump's political messaging that share these features. • We will hypothesize that regions of the country in which wrestling is popular will be regions of the country in which Trump won the popular vote. • We will map attendance at WWE events; regions in which a higher proportion of the population attend wrestling events, we predict, will be regions where a higher proportion of the electorate voted for Trump. Donald Trump Wrestlemania IV Trump’s History with the WWE: Pre-Politics • Trump as commercial partner: • Trump Plaza hosted Wrestlemania IV (1988) & V (89) in Atlantic City. • Trump was interviewed during Wrestlemania VII in Los Angeles (1991) and XX New York (2004) • Trump as character in WWE narratives: • Trump was part of the Battle of the Billionaires for Wrestlemania 23 (2007) in Detroit. Proxies for Trump and Vince McMahon wrestled each other. • Trump buys Raw from owner Vince McMahon in 2009 in order to give fans their moneys’ worth. Plot line ended quickly. Donald Trump Wrestlemania 23 Donald Trump Buying Raw 2009 Trump’s History with the WWE: In Politics •Trump contributed to Linda McMahon’s US Senate campaigns. -
2020 WWE Transcendent
BASE ROSTER BASE CARD 1 Adam Cole NXT 2 Andre the Giant WWE Legend 3 Angelo Dawkins WWE 4 Bianca Belair NXT 5 Big Show WWE 6 Bruno Sammartino WWE Legend 7 Cain Velasquez WWE 8 Cameron Grimes WWE 9 Candice LeRae NXT 10 Chyna WWE Legend 11 Damian Priest NXT 12 Dusty Rhodes WWE Legend 13 Eddie Guerrero WWE Legend 14 Harley Race WWE Legend 15 Hulk Hogan WWE Legend 16 Io Shirai NXT 17 Jim "The Anvil" Neidhart WWE Legend 18 John Cena WWE 19 John Morrison WWE 20 Johnny Gargano WWE 21 Keith Lee NXT 22 Kevin Nash WWE Legend 23 Lana WWE 24 Lio Rush WWE 25 "Macho Man" Randy Savage WWE Legend 26 Mandy Rose WWE 27 "Mr. Perfect" Curt Hennig WWE Legend 28 Montez Ford WWE 29 Mustafa Ali WWE 30 Naomi WWE 31 Natalya WWE 32 Nikki Cross WWE 33 Paul Heyman WWE 34 "Ravishing" Rick Rude WWE Legend 35 Renee Young WWE 36 Rhea Ripley NXT 37 Robert Roode WWE 38 Roderick Strong NXT 39 "Rowdy" Roddy Piper WWE Legend 40 Rusev WWE 41 Scott Hall WWE Legend 42 Shorty G WWE 43 Sting WWE Legend 44 Sonya Deville WWE 45 The British Bulldog WWE Legend 46 The Rock WWE Legend 47 Ultimate Warrior WWE Legend 48 Undertaker WWE 49 Vader WWE Legend 50 Yokozuna WWE Legend AUTOGRAPH ROSTER AUTOGRAPHS A-AA Andrade WWE A-AB Aleister Black WWE A-AJ AJ Styles WWE A-AK Asuka WWE A-AX Alexa Bliss WWE A-BC King Corbin WWE A-BD Diesel WWE Legend A-BH Bret "Hit Man" Hart WWE Legend A-BI Brock Lesnar WWE A-BL Becky Lynch WWE A-BR Braun Strowman WWE A-BT Booker T WWE Legend A-BW "The Fiend" Bray Wyatt WWE A-BY Bayley WWE A-CF Charlotte Flair WWE A-CW Sheamus WWE A-DB Daniel Bryan WWE A-DR Drew -
Revenge and the Rule of Law in Nineteenth-Century American Literature
UNIVERSITY OF CALIFORNIA, SAN DIEGO Exceptional Vengeance: Revenge and the Rule of Law in Nineteenth-Century American Literature A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Lisa M. Thomas Committee in charge: Professor Nicole Tonkovich, Chair Professor John Blanco Professor Michael Davidson Professor Rachel Klein Professor Shelley Streeby 2012 Copyright Lisa M. Thomas, 2012 All rights reserved. The Dissertation of Lisa M. Thomas is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION To my family, friends, and committee for their endless encouragement, support, and patience. Whatever happens next, thanks for coming along (and putting up) with me. iv TABLE OF CONTENTS Signature Page…………………………………………………………………........ iii Dedication…………………………………………………………………………. iv Table of Contents………………………………………………………………….. v Acknowledgments ………………………………………………………………… vi Vita ………………………………………………………………………………… vii Abstract ……………………………………………………………………………. viii Introduction: Revenge, Justice, and Exceptionalist Rhetoric in the Nineteenth-Century United States………………………………………….. 1 Chapter 1: Reluctant Warriors: Community and Conflict in William Gilmore Simms’s The Yemassee ……………………………………………………… 51 Chapter 2: Unlikely Killers: Justifying Violence against Native Americans through Hannah Duston’s Captivity and Nick of the Woods ……………….. 125 Chapter 3: Revenge and Regret on the Texas -
ABSTRACT DOCUMENT RESUME Proceedings of the Annual Meeting
DOCUMENT RESUME ED 433 554 CS 510 135 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, Louisiana, August 3-8, 1999). Media and Disabilities. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1999-08-00 NOTE 184p.; For other sections of this proceedings, see CS 510 132-153. PUB TYPE Collected Works Proceedings (021) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Advertising; Content Analysis; *Disabilities; Euthanasia; Higher Education; Journalism Education; *MassMedia Effects; Political Candidates; Presidential Campaigns(United States) IDENTIFIERS Dole (Robert); Editorial Cartoons; Prime TimeTelevision ABSTRACT The Media and Disabilities section of the Proceedings contains the following 5 papers: "Wrestling with Stereotypes: Images of the Mentally Ill in the WWF" (Marie Hardin and Brent Hardin); "Investigating Media Influence on Attitudes Toward People with Disabilities and Euthanasia" (Kimberly A. Lauffer and Sarah Bembry); "Print Advertising Images of the Disabled: Exploring the Impact on Nondisabled Consumer Attitudes" (Zenaida Sarabia Panol and Michael McBride); "Creating a Virtual Television Culture: Using Actors and Models to Reflect Desired Perceptions in Primetime Television Advertising" (Dennis J. Ganahl); and "Disability Visibility: Cartoon Depictions of Bob Dole" (Gene Burd).(RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that