Polis, Tribes and Demes As Interdependent Memory Communities
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Investor Update May 2009 Investment Considerations Ticking All the Boxes
Disclaimer This presentation includes certain forward-looking statements that have been based on current expectations about future acts, events and circumstances. These forward-looking statements are, however, subject to risks, uncertainties and assumptions that could cause those acts, events and circumstances to differ materially from the expectations described in such forward-looking statements. These factors include, among other things, commercial and other risks associated with estimation of potential hydrocarbon resources, the meeting of objectives and other investment considerations, as well as other matters not yet known to the Company or not currently considered material by the Company. MEO Australia accepts no responsibility to update any person regarding any error or omission or change in the information in this presentation or any other information made available to a person or any obligation to furnish the person with further information. Investor Update May 2009 Investment considerations Ticking all the boxes Element Response Present Niche Finding & monetising gas for export markets ; Portfolio High equity permits in the 2 established LNG provinces ; Clear commercial path for any discovered resources ; Board of directors Newly appointed last 12 months, experience &diversity ; Management Newly appointed CEO/MD, Exploration Manager & ; depth Commercial Manager in last 12 months Resource potential Targeting material gas resources ‐Bonaparte Basin 2 gas discoveries – planning 2010 appraisal wells ; ‐Carnarvon Basin Possible extension -
1 Mystery Cults and Visual Language in Graeco-Roman Antiquity: an Introduction
1 Mystery Cults and Visual Language in Graeco-Roman Antiquity: An Introduction Nicole Belayche and Francesco Massa Like the attendants at the rites, who stand outside at the doors […] but never pass within. Dio Chrysostomus … Behold, I have related things about which you must remain in igno- rance, though you have heard them. Apuleius1 ∵ These two passages from two authors, one writing in Greek, the other in Latin, set the stage of this book on Mystery cults in Visual Representation in Graeco-Roman Antiquity. In this introductory chapter we begin with a broad and problematiz- ing overview of mystery cults, stressing the original features of “mysteries” in the Graeco-Roman world – as is to be expected in this collection, and as is necessary when dealing with this complex phenomenon. Thereafter we will address our specific question: the visual language surrounding the mysteries. It is a complex and daunting challenge to search for ancient mysteries,2 whether represented textually or visually, whether we are interested in their 1 Dio Chrysostomus, Discourses, 36, 33: ὅμοιον εἶναι τοῖς ἔξω περὶ θύρας ὑπηρέταις τῶν τελετῶν […] οὐδέ ποτ’ ἔνδον παριοῦσιν (transl. LCL slightly modified); Apuleius, Metamorphoses, 11, 23: Ecce tibi rettuli, quae, quamvis audita, ignores tamen necesse est (transl. J. Gwyn Griffiths, Apuleius of Madauros, The Isis-Book (Metamorphoses, book XI) (Leiden, Brill: 1975), 99). 2 Thus the program (2014–2018) developed at the research center AnHiMA (UMR 8210, Paris) on “Mystery Cults and their Specific Ritual Agents”, in collaboration with the programs “Ambizione” and “Eccellenza”, funded by the Swiss National Science Foundation (SNSF) and hosted by the University of Geneva (2015–2018) and University of Fribourg (2019–2023). -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
(Eponymous) Heroes
is is a version of an electronic document, part of the series, Dēmos: Clas- sical Athenian Democracy, a publicationpublication ofof e Stoa: a consortium for electronic publication in the humanities [www.stoa.org]. e electronic version of this article off ers contextual information intended to make the study of Athenian democracy more accessible to a wide audience. Please visit the site at http:// www.stoa.org/projects/demos/home. Athenian Political Art from the fi h and fourth centuries: Images of Tribal (Eponymous) Heroes S e Cleisthenic reforms of /, which fi rmly established democracy at Ath- ens, imposed a new division of Attica into ten tribes, each of which consti- tuted a new political and military unit, but included citizens from each of the three geographical regions of Attica – the city, the coast, and the inland. En- rollment in a tribe (according to heredity) was a manda- tory prerequisite for citizenship. As usual in ancient Athenian aff airs, politics and reli- gion came hand in hand and, a er due consultation with Apollo’s oracle at Delphi, each new tribe was assigned to a particular hero a er whom the tribe was named; the ten Amy C. Smith, “Athenian Political Art from the Fi h and Fourth Centuries : Images of Tribal (Eponymous) Heroes,” in C. Blackwell, ed., Dēmos: Classical Athenian Democracy (A.(A. MahoneyMahoney andand R.R. Scaife,Scaife, edd.,edd., e Stoa: a consortium for electronic publication in the humanities [www.stoa.org], . © , A.C. Smith. tribal heroes are thus known as the eponymous (or name giving) heroes. T : Aristotle indicates that each hero already received worship by the time of the Cleisthenic reforms, although little evi- dence as to the nature of the worship of each hero is now known (Aristot. -
The Parthenon Frieze: Viewed As the Panathenaic Festival Preceding the Battle of Marathon
The Parthenon Frieze: Viewed as the Panathenaic Festival Preceding the Battle of Marathon By Brian A. Sprague Senior Seminar: HST 499 Professor Bau-Hwa Hsieh Western Oregon University Thursday, June 07, 2007 Readers Professor Benedict Lowe Professor Narasingha Sil Copyright © Brian A. Sprague 2007 The Parthenon frieze has been the subject of many debates and the interpretation of it leads to a number of problems: what was the subject of the frieze? What would the frieze have meant to the Athenian audience? The Parthenon scenes have been identified in many different ways: a representation of the Panathenaic festival, a mythical or historical event, or an assertion of Athenian ideology. This paper will examine the Parthenon Frieze in relation to the metopes, pediments, and statues in order to prove the validity of the suggestion that it depicts the Panathenaic festival just preceding the battle of Marathon in 490 BC. The main problems with this topic are that there are no primary sources that document what the Frieze was supposed to mean. The scenes are not specific to any one type of procession. The argument against a Panathenaic festival is that there are soldiers and chariots represented. Possibly that biggest problem with interpreting the Frieze is that part of it is missing and it could be that the piece that is missing ties everything together. The Parthenon may have been the only ancient Greek temple with an exterior sculpture that depicts any kind of religious ritual or service. Because the theme of the frieze is unique we can not turn towards other relief sculpture to help us understand it. -
HESPERIDES and HEROES: a NOTE on the THREE-FIGURE RELIEFS 77 Knife, That This Is a Moment of Dark Foreboding
HESPERIDESAND HEROES: A NOTE ON THE THREE-FIGURERELIEFS (PLATES 11-14) flflHOUGH not a scrap of the original reliefs has been found, Thompson's attri- bution to the Altar of the Twelve Gods of the four famous three-figure reliefs known to us from Roman copies is one of the more important results of the Agora excavations for the history of Athenian sculpture in the late 5th century.1 The dating and interpretation of these reliefs is also vitally related to the history of other monu- ments of the Agora. I should like, therefore, to suggest a modification of Thompson's views on these points. Before Thompson's discovery that the dimensions of the reliefs admirably filled the spaces flanking the east and west entrances in the parapet surrounding the altar (P1. 12, b), the originals had generally been attributed to a choregic monument. This was because two of the reliefs, the Orpheus and Peliad reliefs (P1. 12, d, e), are notably tragic in their impact, including the elements of irony and reversal of fortune which we commonly associate with Attic tragedy. The two others, Herakles, Theseus and Peirithoos in the underworld (P1. 12, a, c) and Herakles in the Garden of the Hesperides (P1. 11, a-d), could also well be drawn from the subjects of tragedies performed in Athens.2 In order to interpret the last two in the same spirit as the first two, however, it was necessary to resort to the subtle language of literary interpretation rather than to the simpler language of art. No one could doubt, on looking at the Peliad with the " ' The Altar of Pity in the Athenian Agora," Hesperia, XXI, 1952, pp. -
Greek Inscriptions Honoring Prytaneis 317
GREEK INSCRIPTIONSHONORING PRYTANEIS (PLATES 63-64) A MONG the numerous inscriptions brought to light during the 1970 excavations of the Athenian Agora by the American School are six prytany documents which are published in this preliminary report.1 9 (Plate 63). Upper left corner of a pedimental stele of Hymettian marble, with toothed left side, rough-picked back, and top, including moulded crown and pediment but not acroteria, preserved. Found on June 3, 1970, in a Byzantine wall north of the Athens-Peiraeus railway and just west of the Panathenaic Way (J 5). Height, 0.30 m.; Width, 0.315 m. (stele only), 0.34 m. (with pediment); Thick- ness, 0.102 m. (stele only), 0.140 m. (with pediment). Height of letters, ca. 0.006 m. Inv. No. I 7188. AIGEIS OR OINEIS a. 184/3 a. NON-ITOIX. ca. 50 EITLHXEw-raivov a'pxovTos [ET A7L y eLooE crpoqg 7rpvTavEL] as5L ?t)XoeE-Vtr 4ILXoe[Evi8oV 'PalbwovorLo E7ypac.LpLarEvEV] 'EKaTo,,3au0vog8EKaTE [ iV5aEpat, LatKEKOOTELKat TVjS TpvTra] vEMas EKKX'1qa`a 4i HE [Lpa i-rChOv rrpoE'8pwv El?)4)L~Ev 'Apt] 5 o-ro4uaXog `Apa-rpX0ov 1 [XvE6v Kai 0-v1.1TposE8poL eEoEV tcot JFLCO&] [E]EVoKpaTrjq SEVOKpa6-[ov 'EXEVuvLhos EV-rEv VIEp c$v a&rayyE'XXov] [o-ijv [oi] 7,TpvravELs T?S [oa7 ELq.oE Ow VV5Ep TCi&VOvOLCOv clv e'Ovov ra 7rpo] [TWcV EK] KX7oU'0V Tc't) r [E `ArTOXAatwrck llpo-irar-qpkco KaU TEL ApTE] [/u8& -EL] BovXa'ac KaC T [os 4'XXoVsOEos oh 1rarptov 'wr e'Ovcxav] "x ca. -
Zeus in the Greek Mysteries) and Was Thought of As the Personification of Cyclic Law, the Causal Power of Expansion, and the Angel of Miracles
Ζεύς The Angel of Cycles and Solutions will help us get back on track. In the old schools this angel was known as Jupiter (Zeus in the Greek Mysteries) and was thought of as the personification of cyclic law, the Causal Power of expansion, and the angel of miracles. Price, John Randolph (2010-11-24). Angels Within Us: A Spiritual Guide to the Twenty-Two Angels That Govern Our Everyday Lives (p. 151). Random House Publishing Group. Kindle Edition. Zeus 1 Zeus For other uses, see Zeus (disambiguation). Zeus God of the sky, lightning, thunder, law, order, justice [1] The Jupiter de Smyrne, discovered in Smyrna in 1680 Abode Mount Olympus Symbol Thunderbolt, eagle, bull, and oak Consort Hera and various others Parents Cronus and Rhea Siblings Hestia, Hades, Hera, Poseidon, Demeter Children Aeacus, Ares, Athena, Apollo, Artemis, Aphrodite, Dardanus, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces [2] Roman equivalent Jupiter Zeus (Ancient Greek: Ζεύς, Zeús; Modern Greek: Δίας, Días; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. -
Myth, Ritual, and Religion, Vol. 1 by Andrew Lang</H1>
Myth, Ritual, and Religion, Vol. 1 by Andrew Lang Myth, Ritual, and Religion, Vol. 1 by Andrew Lang This etext was prepared by Donald Lainson, [email protected]. MYTH, RITUAL, AND RELIGION by Andrew Lang Volume One CONTENTS PREFACE TO NEW IMPRESSION. PREFACE TO NEW EDITION. CHAPTER I. -- SYSTEMS OF MYTHOLOGY. page 1 / 422 Definitions of religion--Contradictory evidence--"Belief in spiritual beings"--Objection to Mr. Tylor's definition--Definition as regards this argument--Problem: the contradiction between religion and myth--Two human moods--Examples--Case of Greece-- Ancient mythologists--Criticism by Eusebius--Modern mythological systems--Mr. Max Muller--Mannhardt. CHAPTER II. -- NEW SYSTEM PROPOSED. Chapter I. recapitulated--Proposal of a new method: Science of comparative or historical study of man--Anticipated in part by Eusebius, Fontenelle, De Brosses, Spencer (of C. C. C., Cambridge), and Mannhardt--Science of Tylor--Object of inquiry: to find condition of human intellect in which marvels of myth are parts of practical everyday belief--This is the savage state--Savages described--The wild element of myth a survival from the savage state--Advantages of this method--Partly accounts for wide DIFFUSION as well as ORIGIN of myths--Connected with general theory of evolution--Puzzling example of myth of the water- swallower--Professor Tiele's criticism of the method-- Objections to method, and answer to these--See Appendix B. CHAPTER III. -- THE MENTAL CONDITION OF SAVAGES--CONFUSION WITH NATURE--TOTEMISM. The mental condition of savages the basis of the irrational element page 2 / 422 in myth--Characteristics of that condition: (1) Confusion of all things in an equality of presumed animation and intelligence; (2) Belief in sorcery; (3) Spiritualism; (4) Curiosity; (5) Easy credulity and mental indolence--The curiosity is satisfied, thanks to the credulity, by myths in answer to all inquiries--Evidence for this--Mr. -
Religion and Reconciliation in Greek Cities (2010)
Religion and Reconciliation in Greek Cities AMERICAN PHILOLOGICAL ASSOCIATION american classical studies volume 54 Series Editor Kathryn J. Gutzwiller Studies in Classical History and Society Meyer Reinhold Sextus Empiricus The Transmission and Recovery of Pyrrhonism Luciano Floridi The Augustan Succession An Historical Commentary on Cassius Dio’s Roman History Books 55 56 (9 B.C. A.D. 14) Peter Michael Swan Greek Mythography in the Roman World Alan Cameron Virgil Recomposed The Mythological and Secular Centos in Antiquity Scott McGill Representing Agrippina Constructions of Female Power in the Early Roman Empire Judith Ginsburg Figuring Genre in Roman Satire Catherine Keane Homer’s Cosmic Fabrication Choice and Design in the Iliad Bruce Heiden Hyperides Funeral Oration Judson Herrman Religion and Reconciliation in Greek Cities The Sacred Laws of Selinus and Cyrene Noel Robertson Religion and Reconciliation in Greek Cities The Sacred Laws of Selinus and Cyrene NOEL ROBERTSON 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright q 2010 by the American Philological Association Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. -
The Temple Classics
THE TEMPLE CLASSICS Edited by W. H. D. ROUSE M.A. First iss_t *f titis Edition, J898 ; R#printtd t908 , 191o PRINTZD IN OJUgAT BH|TAIN In compliance with eurre,lt copyright law, the Univer- sity of Minnesota Bindery produced this facsimile on permanent-durable paper to replace the irreparably deteriorated original volume owned by the University Library. 1988 TO THE MOST HIGH AND MIGHTV PRINCESS ELIZABETH By the Grace of God, of F.mghmd, France, It_ Ireland Queen, Defender of the Fltith, etc. U_DER hope of your Highness' gracious and accus- To the . tomed favour, I have presumed to present here wiaeamd _unto your Majesty, Plutarch's Lives translated, as virtuo,,- • a book fit to be protected by your Highness, and Queea -meet to be set forth in English--for who is , fitter to give countenance to so many great states, - than such an high and mighty Princess ._ who is fitter to revive the dead memory of their _', fame, than she that beareth the lively image of ...their vertues ? who is fitter to authorise a work _of so great learning and wisedom, than she whom all do honour as the Muse of the world ? Therefore I humbly beseech your Majesty, to -_suffer the simpleness of my translation, to be covered under the ampleness of your Highness' pro- _gtecfion. For, most gracious Sovereign, though _-this book be no book for your Majesty's self, =who are meeter to be the chief stone, than a '_student therein, and can better understand it in Greek, than any man can make in English: ' U;k_. -
Our Young Folks' Plutarch
Conditions and Terms of Use PREFACE Copyright © Heritage History 2009 The lives which we here present in a condensed, simple Some rights reserved form are prepared from those of Plutarch, of whom it will perhaps be interesting to young readers to have a short account. Plutarch This text was produced and distributed by Heritage History, an organization was born in Chæronea, a town of Bœotia, about the middle of the dedicated to the preservation of classical juvenile history books, and to the promotion first century. He belonged to a good family, and was brought up of the works of traditional history authors. with every encouragement to study, literary pursuits, and virtuous The books which Heritage History republishes are in the public domain and actions. When very young he visited Rome, as did all the are no longer protected by the original copyright. They may therefore be reproduced intelligent Greeks of his day, and it is supposed that while there he within the United States without paying a royalty to the author. gave public lectures in philosophy and eloquence. He was a great admirer of Plato, and, like that philosopher, believed in the The text and pictures used to produce this version of the work, however, are the property of Heritage History and are licensed to individual users with some immortality of the soul. This doctrine he preached to his hearers, restrictions. These restrictions are imposed for the purpose of protecting the integrity and taught them many valuable truths about justice and morality, of the work itself, for preventing plagiarism, and for helping to assure that of which they had previously been ignorant.