1 Mystery Cults and Visual Language in Graeco-Roman Antiquity: an Introduction
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Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011
Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011 Demeter and Dionysos are two gods among the Greek pantheon who are not often paired up by modern scholars; however, evidence from a number of sources alluding to myth, cult and iconography shows that there are similarities and connections observable from our present point of view, that were commented upon by contemporary authors. This paper attempts to examine the similarities and connections between Demeter and Dionysos up through the Classical period. These two deities were not always entwined in myth. Early evidence of gods in the Linear B tablets mention Dionysos as the name of a deity, but Demeter’s name does not appear in the records until later. Over the centuries (up to approximately the 6th century as mentioned in this paper), Demeter and Dionysos seem to have been depicted together in cult and in literature more and more often. In particular, the figure of Iacchos in the Eleusinian cult seems to form a bridging element between the two which grew from being a personification of the procession for Demeter, into being a Dionysos figure who participated in her cult. Literature: Demeter and Dionysos have some interesting parallels in literature. To begin with, they are both rarely mentioned in the Homeric poems, compared to other gods like Hera or Athena. In the Iliad, neither Demeter nor Dionysos plays a role as a main character. Instead they are mentioned in passing, as an example or as an element of an epic simile.1 These two divine figures are present even less often in the Odyssey, though this is perhaps a reflection of the fewer appearances of the gods overall, they are 1 Demeter: 2.696. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
21, El. Venizelou Ave., 102 50 ATHENS SECTION Tel.: 2103202049, Fax: 2103226371
LIST OF BANK BRANCHES (BY HEBIC) 30/06/2015 BANK OF GREECE HEBIC BRANCH NAME AREA ADDRESS TELEPHONE NUMBER / FAX 0100001 HEAD OFFICE SECRETARIAT ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS SECTION tel.: 2103202049, fax: 2103226371 0100002 HEAD OFFICE TENDER AND ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS PROCUREMENT SECTION tel.: 2103203473, fax: 2103231691 0100003 HEAD OFFICE HUMAN ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS RESOURCES SECTION tel.: 2103202090, fax: 2103203961 0100004 HEAD OFFICE DOCUMENT ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS MANAGEMENT SECTION tel.: 2103202198, fax: 2103236954 0100005 HEAD OFFICE PAYROLL ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS MANAGEMENT SECTION tel.: 2103202096, fax: 2103236930 0100007 HEAD OFFICE SECURITY ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS SECTION tel.: 2103202101, fax: 210 3204059 0100008 HEAD OFFICE SYSTEMIC CREDIT ATHENS CENTRE 3, Amerikis, 102 50 ATHENS INSTITUTIONS SUPERVISION SECTION A tel.: 2103205154, fax: …… 0100009 HEAD OFFICE BOOK ENTRY ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS SECURITIES MANAGEMENT SECTION tel.: 2103202620, fax: 2103235747 0100010 HEAD OFFICE ARCHIVES ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS SECTION tel.: 2103202206, fax: 2103203950 0100012 HEAD OFFICE RESERVES ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS MANAGEMENT BACK UP SECTION tel.: 2103203766, fax: 2103220140 0100013 HEAD OFFICE FOREIGN ATHENS CENTRE 21, El. Venizelou Ave., 102 50 ATHENS EXCHANGE TRANSACTIONS SECTION tel.: 2103202895, fax: 2103236746 0100014 HEAD OFFICE SYSTEMIC CREDIT ATHENS CENTRE 3, Amerikis, 102 50 ATHENS INSTITUTIONS SUPERVISION SECTION B tel.: 2103205041, fax: …… 0100015 HEAD OFFICE PAYMENT ATHENS CENTRE 3, Amerikis, 102 50 ATHENS SYSTEMS OVERSIGHT SECTION tel.: 2103205073, fax: …… 0100016 HEAD OFFICE ESCB PROJECTS CHALANDRI 341, Mesogeion Ave., 152 31 CHALANDRI AUDIT SECTION tel.: 2106799743, fax: 2106799713 0100017 HEAD OFFICE DOCUMENTARY ATHENS CENTRE 21, El. -
(Eponymous) Heroes
is is a version of an electronic document, part of the series, Dēmos: Clas- sical Athenian Democracy, a publicationpublication ofof e Stoa: a consortium for electronic publication in the humanities [www.stoa.org]. e electronic version of this article off ers contextual information intended to make the study of Athenian democracy more accessible to a wide audience. Please visit the site at http:// www.stoa.org/projects/demos/home. Athenian Political Art from the fi h and fourth centuries: Images of Tribal (Eponymous) Heroes S e Cleisthenic reforms of /, which fi rmly established democracy at Ath- ens, imposed a new division of Attica into ten tribes, each of which consti- tuted a new political and military unit, but included citizens from each of the three geographical regions of Attica – the city, the coast, and the inland. En- rollment in a tribe (according to heredity) was a manda- tory prerequisite for citizenship. As usual in ancient Athenian aff airs, politics and reli- gion came hand in hand and, a er due consultation with Apollo’s oracle at Delphi, each new tribe was assigned to a particular hero a er whom the tribe was named; the ten Amy C. Smith, “Athenian Political Art from the Fi h and Fourth Centuries : Images of Tribal (Eponymous) Heroes,” in C. Blackwell, ed., Dēmos: Classical Athenian Democracy (A.(A. MahoneyMahoney andand R.R. Scaife,Scaife, edd.,edd., e Stoa: a consortium for electronic publication in the humanities [www.stoa.org], . © , A.C. Smith. tribal heroes are thus known as the eponymous (or name giving) heroes. T : Aristotle indicates that each hero already received worship by the time of the Cleisthenic reforms, although little evi- dence as to the nature of the worship of each hero is now known (Aristot. -
The Parthenon Frieze: Viewed As the Panathenaic Festival Preceding the Battle of Marathon
The Parthenon Frieze: Viewed as the Panathenaic Festival Preceding the Battle of Marathon By Brian A. Sprague Senior Seminar: HST 499 Professor Bau-Hwa Hsieh Western Oregon University Thursday, June 07, 2007 Readers Professor Benedict Lowe Professor Narasingha Sil Copyright © Brian A. Sprague 2007 The Parthenon frieze has been the subject of many debates and the interpretation of it leads to a number of problems: what was the subject of the frieze? What would the frieze have meant to the Athenian audience? The Parthenon scenes have been identified in many different ways: a representation of the Panathenaic festival, a mythical or historical event, or an assertion of Athenian ideology. This paper will examine the Parthenon Frieze in relation to the metopes, pediments, and statues in order to prove the validity of the suggestion that it depicts the Panathenaic festival just preceding the battle of Marathon in 490 BC. The main problems with this topic are that there are no primary sources that document what the Frieze was supposed to mean. The scenes are not specific to any one type of procession. The argument against a Panathenaic festival is that there are soldiers and chariots represented. Possibly that biggest problem with interpreting the Frieze is that part of it is missing and it could be that the piece that is missing ties everything together. The Parthenon may have been the only ancient Greek temple with an exterior sculpture that depicts any kind of religious ritual or service. Because the theme of the frieze is unique we can not turn towards other relief sculpture to help us understand it. -
ATHENS the Resumption in Development Will Help Athens’ Letting Market
GREECE ATHENS The resumption in development will help Athens’ letting market TAKE-UP 90 OFFICE € RENT RATE % 80 255 11.0 thousands 70 PRIME RENT +5% of sqm 60 & VACANCY 250 9.0 IMPROVED BUSINESS ACTIVITY IS The improvement in the Greek econo- 50 +14% 40 RATE 245 7.0 CREATING DEMAND FOR MODERN SPACE my (GDP 2.0%) in 2019, political stabil- 30 -300 bp 20 240 5.0 The demand for quality office space ity and ongoing employment gains will 10 (grade A) in the major business districts support the demand side of commercial 0 of the city remained intense over 2019 real estate market. With the low vacan- 2016 2017 2018 2019 2016 2017 2018 2019 and led to take-up of 80,000 sqm over cy rate, rental prices are increasing and % BOND YIELD PRIME YIELD % the year. Demand came from relocation of now stand at €252/sqm/year. 550 OFFICE OFFICE existing tenants and new business activ- 10 8.0 INVESTMENT PRIME 7 7.50 ities from start-ups. Relocation is taking THE ATHENS INVESTMENT MARKET IS -100 bp € million +400% YIELD advantage of the new buildings that exist IMPROVING CREATING A REDUCTION 4 7.0 & BOND in Athens. The office sector lacks modern IN YIELDS 110 48 56 YIELD 1 6.50 units and undersupply means that the Stability also helped improve the in- vacancy rate is low at 5.7% in 2019. vestment market in Athens that posted 2016 2017 2018 2019 2016 2017 2018 2019 Development is improving gradually. a total investment volume of €550m Prodea REIC commenced construction in 2019. -
MYSTICA VANNUS IACCHI. in the First Georgic, at an Early Stage of His
MYSTICA VANNUS IACCHI. • 'l'is thou, alone, who with thy Mistick Fun, Work'st more than Wisdom, Art, or Nature eau To J aise the snered mndness.' Hnnurcx. VIIlalL in the first Georgic, at an early stage of his enquiry into the service of Ceres, enumerates first various heavy agricultural implements, the • ponderous strength of the plough-share: the 'slow-rol1ing waggons of the Eleusinian Mother: '1I\Il"CUes' and 'harrows: and the 'grievous weight of the mattock' Next he passes on to tell of the husbandmnn's lighter gear . Virge« practerea Celei vilisque supellex, • Arbuteae crates, et mystica vannus Iacchi.' The object of the following paper is to discuss three questions that nriso out of Virgil's statement. I. The exact nature of the' fan,' its shape and use.? 2. The precise sense ill which the' fan' is called I mystic.' 3. Classed as it is among the instruments of Cores, how and why did tile • fall' pass into the service of Iacchus? Virgil takes the fan, its mysticism and its connection' with Iacchus as known ; but, happily, by the time when Servius wrote his commentary (fourth century A.D.), the fan, and still more its mysticism, had become matter .. --------------_ ..... - ---- 1 Virgo GCOi·Y. i. 165. Serv. ad loc.: Id est capacitatem congerere rustici primitias frugum cribrum arcale. J,[ystica autern Iaccki ideo ait soleaut et Libero et Liberae sacruru facci c. quod Liberi patris sacra ad purgationcm animae I nde mystica. pertinebau t : et sic homines ejus Mysteriis 2 The ' fan' has hcen discussed by Bliunuor, l'lll"gaba~ltur, sicut vannis frumenta purgantur. -
HESPERIDES and HEROES: a NOTE on the THREE-FIGURE RELIEFS 77 Knife, That This Is a Moment of Dark Foreboding
HESPERIDESAND HEROES: A NOTE ON THE THREE-FIGURERELIEFS (PLATES 11-14) flflHOUGH not a scrap of the original reliefs has been found, Thompson's attri- bution to the Altar of the Twelve Gods of the four famous three-figure reliefs known to us from Roman copies is one of the more important results of the Agora excavations for the history of Athenian sculpture in the late 5th century.1 The dating and interpretation of these reliefs is also vitally related to the history of other monu- ments of the Agora. I should like, therefore, to suggest a modification of Thompson's views on these points. Before Thompson's discovery that the dimensions of the reliefs admirably filled the spaces flanking the east and west entrances in the parapet surrounding the altar (P1. 12, b), the originals had generally been attributed to a choregic monument. This was because two of the reliefs, the Orpheus and Peliad reliefs (P1. 12, d, e), are notably tragic in their impact, including the elements of irony and reversal of fortune which we commonly associate with Attic tragedy. The two others, Herakles, Theseus and Peirithoos in the underworld (P1. 12, a, c) and Herakles in the Garden of the Hesperides (P1. 11, a-d), could also well be drawn from the subjects of tragedies performed in Athens.2 In order to interpret the last two in the same spirit as the first two, however, it was necessary to resort to the subtle language of literary interpretation rather than to the simpler language of art. No one could doubt, on looking at the Peliad with the " ' The Altar of Pity in the Athenian Agora," Hesperia, XXI, 1952, pp. -
Networking UNDERGROUND Archaeological and Cultural Sites: the CASE of the Athens Metro
ing”. Indeed, since that time, the archaeological NETWORKING UNDERGROUND treasures found in other underground spaces are very often displayed in situ and in continu- ARCHAEOLOGICAL AND ity with the cultural and archaeological spaces of the surface (e.g. in the building of the Central CULTURAL SITES: THE CASE Bank of Greece). In this context, the present paper presents OF THE ATHENS METRO the case of the Athens Metro and the way that this common use of the underground space can have an alternative, more sophisticated use, Marilena Papageorgiou which can also serve to enhance the city’s iden- tity. Furthermore, the case aims to discuss the challenges for Greek urban planners regarding the way that the underground space of Greece, so rich in archaeological artifacts, can become part of an integrated and holistic spatial plan- INTRODUCTION: THE USE OF UNDERGROUND SPACE IN GREECE ning process. Greece is a country that doesn’t have a very long tradition either in building high ATHENS IN LAYERS or in using its underground space for city development – and/or other – purposes. In fact, in Greece, every construction activity that requires digging, boring or tun- Key issues for the Athens neling (public works, private building construction etc) is likely to encounter an- Metropolitan Area tiquities even at a shallow depth. Usually, when that occurs, the archaeological 1 · Central Athens 5 · Piraeus authorities of the Ministry of Culture – in accordance with the Greek Archaeologi- Since 1833, Athens has been the capital city of 2 · South Athens 6 · Islands 3 · North Athens 7 · East Attica 54 cal Law 3028 - immediately stop the work and start to survey the area of interest. -
Supplementary Materials
Supplementary Materials Figure S1. Temperature‐mortality association by sector, using the E‐OBS data. Municipality ES (95% CI) CENTER Athens 2.95 (2.36, 3.54) Subtotal (I-squared = .%, p = .) 2.95 (2.36, 3.54) . EAST Dafni-Ymittos 0.56 (-1.74, 2.91) Ilioupoli 1.42 (-0.23, 3.09) Kessariani 2.91 (0.39, 5.50) Vyronas 1.22 (-0.58, 3.05) Zografos 2.07 (0.24, 3.94) Subtotal (I-squared = 0.0%, p = 0.689) 1.57 (0.69, 2.45) . NORTH Aghia Paraskevi 0.63 (-1.55, 2.87) Chalandri 0.87 (-0.89, 2.67) Galatsi 1.71 (-0.57, 4.05) Gerakas 0.22 (-4.07, 4.70) Iraklio 0.32 (-2.15, 2.86) Kifissia 1.13 (-0.78, 3.08) Lykovrisi-Pefki 0.11 (-3.24, 3.59) Marousi 1.73 (-0.30, 3.81) Metamorfosi -0.07 (-2.97, 2.91) Nea Ionia 2.58 (0.66, 4.54) Papagos-Cholargos 1.72 (-0.36, 3.85) Penteli 1.04 (-1.96, 4.12) Philothei-Psychiko 1.59 (-0.98, 4.22) Vrilissia 0.60 (-2.42, 3.71) Subtotal (I-squared = 0.0%, p = 0.975) 1.20 (0.57, 1.84) . PIRAEUS Aghia Varvara 0.85 (-2.15, 3.94) Keratsini-Drapetsona 3.30 (1.66, 4.97) Korydallos 2.07 (-0.01, 4.20) Moschato-Tavros 1.47 (-1.14, 4.14) Nikea-Aghios Ioannis Rentis 1.88 (0.39, 3.39) Perama 0.48 (-2.43, 3.47) Piraeus 2.60 (1.50, 3.71) Subtotal (I-squared = 0.0%, p = 0.580) 2.25 (1.58, 2.92) . -
Country Sheet on Youth Policy in Greece - 2 - 1
CCCOOOUUUNNNTTTRRRYYY SSSHHHEEEEEETTT OOONNN YYYOOOUUUTTTHHH PPPOOOLLLIIICCCYYY IIINNN GGGRRREEEEEECCCEEE Last updated: 30/4/2012 By: Angeliki MOSCHOU TABLE OF CONTENTS 1. Context and principles of national youth policy ......................................................................... - 3 - 1.1 Context of national youth policy ........................................................................................ - 3 - 2. Statistics on young people ........................................................................................................ - 3 - 3. Actors and Structures ............................................................................................................... - 3 - 3.1 Public authorities ............................................................................................................... - 3 - 3.2 Youth welfare services (comprising public and/or non public actors) ............................... - 9 - 3.3 Non-public actors/structures & youth services with competencies in the youth field ........ - 9 - 3.4 National network(s) for knowledge on youth linking all actors in the field (policy makers, researchers, young people and their organisations, NGOs)? ............................................... - 12 - 4. Legislation ............................................................................................................................... - 15 - 5. National Policy Programmes on youth .................................................................................... - 16 - 6. -
Generation 2.0 for Rights, Equality & Diversity
Generation 2.0 for Rights, Equality & Diversity Intercultural Mediation, Interpreting and Consultation Services in Decentralised Administration Immigration Office Athens A (IO A) January 2014 - now On 1st January 2014, the One Stop Shop was launched and all the services issuing and renewing residence permits for immigrants in Greece were moved from the municipalities to Decentralised Administrations. Namely, the 66 Attica municipalities were shared between 4 Immigration Offices of the Attic Decentralised Administration. a) Immigration Office for Athens A with territorial jurisdiction over residents of the Municipality of Athens, Address: Salaminias 2 & Petrou Ralli, Athens 118 55 b) Immigration Office for Central Athens and West Attica, with territorial jurisdiction over residents of the following Municipalities; i) Central Athens: Filadelfeia-Chalkidona, Galatsi, Zografou, Kaisariani, Vyronas, Ilioupoli, Dafni-Ymittos, ii) West Athens: Aigaleo Peristeri, Petroupoli, Chaidari, Agia Varvara, Ilion, Agioi Anargyroi- Kamatero, and iii) West Attica: Aspropyrgos, Eleusis (Eleusis-Magoula) Mandra- Eidyllia (Mandra - Vilia - Oinoi - Erythres), Megara (Megara-Nea Peramos), Fyli (Ano Liosia - Fyli - Zefyri). Address: Salaminias 2 & Petrou Ralli, Athens 118 55 c) Immigration Office for North Athens and East Attica with territorial jurisdiction over residents of the following Municipalities; i) North Athens: Penteli, Kifisia-Nea Erythraia, Metamorfosi, Lykovrysi-Pefki, Amarousio, Fiothei-Psychiko, Papagou- Cholargos, Irakleio, Nea Ionia, Vrilissia,