Romain Rolland After a Drawing by G ( ROMAIN HOLLAND

Total Page:16

File Type:pdf, Size:1020Kb

Romain Rolland After a Drawing by G ( ROMAIN HOLLAND rame 1909) Romain Rolland after a drawing by G ( ROMAIN HOLLAND TH E MA N A N D H I S W O R K BY STEFAN ZWEIG TRANSLATED FROM THE ORIGIN AL MA NUSCRIPT BY EDEN and CEDAR PAUL TD LONDON : GEORGE ALLEN UNWIN L . H E W . C . 1 RUSKIN OUSE, 40 MUSEUM STR ET, 5 5 S Z ‘W B Co ri ht 1921 py g , , by T MA H O S SELTZER , IN C . A ll rig ht: res erved 8 05 46 3 PRI N TED I N U . B. A. E t htt afimt N ot merely do I describe the w ork of a great e A ove all do a t i ute to a ers on Europ an . b I p y r b p alit that of one who for me and for man others y, y has loomed as the most impres sive m oral phenom o de ed u on his o n bio ra en on of o u r age . M ll p w g hies o f ass i al u es endeavourin to o tr a p cl c fig r , g p r y the greatnes s of an arti st while never los ing s ight of the man o r f orgetting his i nfluence u pon the w o d of mo a endeavou on eived in this s irit rl r l r, c c p , my b ook is likewise inspired with a sense of per so na atitu de in t at amid these da s fo o n it l gr , h , y rl r , has been vouchs afed to me to know the miracle of i so rad ant an exis tence . IN CO M MORATION o f this uni uenes s dedi ate the oo to t o se q , I c b k h few who in the hou o f e t ia mained faith , r fi ry r l, re ful to ROMA IN nou m) AND TO O UR BELOVED H OME O F EUROPE F TA BLE O CONTENTS . PAGE DEDICATIO N PART O N E: BIOGRAPHICAL INTRODUCTORY EARLY C H ILD H O O D SCH O O L DAYS THE NOR MA L SCH O O L A MESSAGE FR OM AFAR S T LOUIS 18 94 AIN , THE CONSECRATION YEARS O F APPRENTICESHIP YEARS O F STRUGGLE A DECADE O F SECLUSION A PORTRAIT RENOWN ROLLAND AS THE EMBODIMENT EUROPEAN SPIRIT PART TWO : EA RLY WORK AS A DRAMATIST THE WORK AND THE EPOCH THE WIL L TO GREATNESS THE CREATIVE CYCLES THE UNK NOWN DRAMATIC CYCLE TRA C EDIES F FA ITH SA T LO I A R 18 95—1 98 O . U S E T 8 THE IN , , T LO 18 94 SAIN UIS . viii TABLE OF CONTENTS A ERT, 18 98 ATTEMPT TO REGENERATE TH E FRENCH A N APPEAL To THE PEOPLE THE PROGRAM D M O T R VO T O THE RA A F HE E LU I N, FO URTEEN TH O J 1902 THE F ULY , D TO 1900 AN N, XV. I M H O R ASO 1899 THE TR U P F E N , THE CALL LOST IN THE VOID D L L OM 1 2 VIII. A AY WI C 90 X E , PART THREE : THE HEROIC BIOGRAPHIES DE PRO PUND IS THE HEROES O P SUFFERING BEETHOVEN MICHELANGELO TOLSTOI THE UNWRITTEN BIOGRAPHIES PART FOUR : JEAN CHRISTOPHE SANCTUS CHRISTOPHORUS RESURRECTION THE ORIGIN O P THE WORK TH E WORK WITHOUT A FORMULA TABLE OF CONTENTS ix KEY TO THE CHARACTER S A HEROIC SYMPHONY THE ENIGMA OF CREATIVE WORK JEAN CHRISTOPHE OLIVIER GRAZIA JEAN CHRISTOPHE AND HIS FELLOW MEN JEAN CHRISTOPHE AND THE NATIONS THE PICTURE OF FRANCE THE PICTURE OF GERMANY THE PICTURE OF ITALY THE JEWS THE GENERATIONS XVIII . DEPARTURE PART FIVE : INTERMEZZO SCHERZO ( COLAS BREUGNON) K U I. TA EN NAWARES 241 II . THE BURGUNDIAN BROTHER III. GAULOISERIES I V. A FRUSTRATE MESSAGE PART SIX: THE CONSCIENCE OF EUROPE THE WARDEN OF TH E INHERITANCE FO REA RMED THE PLACE OF REFUGE THE SERVICE OF MA N THE TRIBUNAL O R THE SPIRIT THE CONTROVERSY WITH GER HARDT HAUPTMANN x TABLE OF CONTENTS THE CORRESPONDENCE WITH VER H AEREN E VIII . THE E UROPEAN CONSCI NCE M IX. THE ANIFESTOES ABOV TH TT X. E E BA LE M I ST H T D XI. THE CA PA GN AGAIN A RE XII. OPPONENTS FRIENDS XIV. THE LETTERS XV . THE COUNSELOR O TA XVI . THE S LI RY THE DIARY XVIII. THE FORERUNNERS AND EMPEDOCLES LILULI CLERAMBAULT THE LAST APPEAL DECLARATION OF THE INDEPENDENCE OF XXIII . EN VOY BIBLIOGRAPHY INDEX LIST OF ILLUSTRATIONS Romain Rolland after a drawing by Grame ( 1909 ) Frantispiece I A C I N G PA G E Romain Rolland at the Normal School 12 ’ Le o To ls toi s Letter ’ ’ Rolland s Transcript of Franc esc o Provenzale s A r ia from L a Schiavo di s ua Moglie ’ ’ Ro and s ans ri t of a e o d Pau D u in L O ncle ll Tr c p M l y by l p , Go ttfried Romain Rolland at the Time o f Writing Beetho ven Romain Roll an d at the Time o f Writing Jean Christophe 16 2 Romain Rolland at the Time o f Writing A bove the Battle 294 ’ Rolland s M other Original M anu s cript o f The D eclaration of the Ind ep end e nce of the Mind BIOGRA PHICAL ’ The surge of the H eart s energies w ou ld not ea in a mist O f fo am br k , n or b e s u tili ed into i it did not b z Sp r , the o O f ate fr om the e inn in r ck F , b g g f da s tand e e i ent in o s the a . y , s v r l w y H O LDERLIN . R O MAIN R O LLAND CHAPTER I INTRODUCTORY HE first fifty years Of Romain Rolland’s life were passed in inconspicuous and almost soli n tary labors . The ceforward , his name was to f E become a storm center o uropean discussion . Until of Shortly before the apocalyptic year, hardly an artist or re our days worked in such complete retirement, i ce ved so little recognition . of Since that year, no artist has been the subject so much controversy . His fundamental ideas were not destined to make themselves generally known until there was a world in arms bent upon destroying them . E s the i nvious fate work ever thus, interweaving l ves of t the great wi h tragical threads . She tries her powers to the uttermost upon the strong, sending events to run counter to their plans , permeating their lives with strange n — allegories, imposi g obstacles in their path that they may be guided more unmistakably in the right course . u Fate plays with them, plays a game with a s blime issue, I 2 ROMAIN ROLLAND of for all experience is precious . Think the greatest t among our contemporaries ; hink Of Wagner, Nietzsche, n O f o f Dostoevsky, Tolstoi , Stri dberg ; in the case each i of them, dest ny has Superadded to the creations the ’ n of . artist s mi d , the drama personal experience Notably do these considerations apply to the life O f l ’ Romain Ro land . The Significance Of his life s work n becomes plain only when it is co templated as a whole . It was slowly produced , for it had to encounter great consum dangers ; it was a gradual revelation , tardily u d O f d mated . The fo n ations this splen id structure were the d of deeply dug in firm groun knowledge, and were laid upon the hidden masonry of years spent in isola o f tion . Thus tempered by the ordeal a furnace seven n o f hu times heated , his work has the essential impri t fo n a manity. Precisely owing to the strength of its u d ’ d of tions, to the soli ity its moral energy, was Rolland s thought able to stand unshaken throughout the war storms E that have been ravaging urope . While other monu d ments to which we had looke up with veneration , crack in and w g crumbling, have been leveled ith the quaking “ n n earth , the mo ume t he had builded stands firm above ” the battle, above the medley Of Opinions , a pillar Of strength towards which all free spirits can turn for con ul of solation amid the tum t the world . 4 ROMAIN ROLLAND endowed by both parents with tendencies to fervent faith , but tendencies to faith in contradictory ideals . In France this cleavage between love for religion and pas n sio for freedom , between faith and revolution , dates Its to from centuries back . seeds were destined blos som in the artist . His first years o f childhood were passed in the shadow A nto inette o f O f 18 70 . the defeat In , Rolland sketches the tranquil life o f just such a provincial town as Gla o n mecy. His home was an old house the bank Of a n ca al . Not from this narrow world were to Spring the d O f bo who first elights the y , despite his physical frailty, was s o passionately sensitive to enjoyment .
Recommended publications
  • ענליוו – Wilna – – Wilno – Vilnius
    – Wilna – ווילנע – Wilno – Vilnius צו אבזערווירן און צו טראכטן… מו״לים ומתרגמים יידיים של ספרות הוגי דעות גרמניים Yiddish Publishers and TranslaTors of German auThors ThrouGh The lens of Their books ביום 23 ספטמבר 1943 חוסל גטו וילנה, כשנתיים לאחר שהוקם על ידי הגרמנים. היהודים שעוד היו בגטו גורשו או נרצחו בפונאר הסמוך. באלימות ובחוסר אנושיות הגיעה לקיצה היסטוריה בת מאות שנים של "ירושלים של הצפון" או "ירושלים דליטא", כפי שכונתה וילנה היהודית. אוצרות תרבותיים שמקורם ב"ייִדיִש לאַ נד" ובמיוחד בווילנע, שמה היידי של בירת ליטא וילנה היום, אינם משתקפים בנוף הספרותי והתאטרלי העכשווי במקום. תעשיית הוצאות הספרים של אז מציגה את העניין הרב שגילה קהל הקוראים בספרות היידית, כמו גם בתרגומים ליידיש של מחברים אירופאיים, ובמיוחד גרמנים. תרבות הקריאה תרמה, במיוחד בתוך חומות הגטו, להישרדות רוחנית. On September 23, 1943 the Vilna Ghetto, established two years earlier by occupying German forces, was liq- uidated, and the remaining Jews were either deported or murdered in the nearby Ponar Woods. With this act of brutality and inhumanity, the centuries old history of the so-called “Jerusalem of the North” or “Jerusalem of Lithuania” ended. The cultural treasures generated into a “Yidishland”, particularly in Vilna – the Yiddish name of the Lithuanian capital Vilnius – are reflected not only in the theatrical and literary worlds. The publishing indus- try of the time attested to a lively interest among reader- ship in Yiddish literature, but also on Yiddish translations of European, especially German authors. Reading helped facilitate intellectual survival, especially in the Ghetto. דער ווילנער ֿפאַ רלאַ ג ֿפון בּ. קלעצקין. בּ אָ ר י ס אָ ר ק אַ ד י י ו ו י ץ ק ל ע צ ק י ן )1875-1937( נולד הוצאות לאור, בתי דפוס בהרודיץ׳, וייסד בית הוצאה לאור משלו׃ דער Publishing Houses, Printers ווילנער ֿפאַ רלאַ ג ֿפון בּ.
    [Show full text]
  • The Conspiracy of Law and the State in Anatole France's "Crainquebille"; Or Law and Literature Comes of Age, 24 Loy
    Loyola University Chicago Law Journal Volume 24 Article 3 Issue 2 Volume 24, Issue 2-3 Winter 1993 1993 The onsC piracy of Law and the State in Anatole France's "Crainquebille"; or Law and Literature Comes of Age James D. Redwood Assoc. Prof. of Law, Albany Law School of Union University Follow this and additional works at: http://lawecommons.luc.edu/luclj Part of the Law Commons Recommended Citation James D. Redwood, The Conspiracy of Law and the State in Anatole France's "Crainquebille"; or Law and Literature Comes of Age, 24 Loy. U. Chi. L. J. 179 (1993). Available at: http://lawecommons.luc.edu/luclj/vol24/iss2/3 This Article is brought to you for free and open access by LAW eCommons. It has been accepted for inclusion in Loyola University Chicago Law Journal by an authorized administrator of LAW eCommons. For more information, please contact [email protected]. The Conspiracy of Law and the State in Anatole France's "Crainquebille"; or Law and Literature Comes of Age James D. Redwood* A quoi servirait de changer les institutions si 'on ne change pas les moeurs? I1faudrait que [le juge] changeit de coeur. Que sont les juges aujourd'hui pour la plupart? Des machines i con- damner, des moulins i moudre des sentences. I1 faudrait qu'ils prissent un coeur humain. I1 faudrait qu' . un juge ffit un homme. Mais c'est beaucoup demander.' I. INTRODUCTION The law and literature movement appears at last to have come of age. Generally considered born in 1973 after a labor and delivery that can only be described as daunting,2 the movement, if such it can be called, passed a rather quiet and uneventful childhood before bursting into adolescence with all the frenetic energy char- * Associate Professor of Law, Albany Law School of Union University; B.A., 1971, Oberlin College; J.D., Loyola Law School, Los Angeles, 1983.
    [Show full text]
  • Time Present the Newsletter of the T.S
    Time Present The Newsletter of the T.S. Eliot Society number 73 spring 2011 contents ESSAYS Un Présent Parfait: T.S. “Un Présent Parfait”: T. S. Eliot in Paris, 1910-1911 Eliot in Paris 1 s Eliot acknowledged in his essay in French “What France Means to You,” he had Alain-Fournier and the Athe “exceptional good fortune” to live in Paris during the academic year 1910-1911. Tutoring of Tom Eliot 2 While he went there with the goals of finding his poetic voice, attending the courses of Henri Bergson at the Collège de France, improving his skills in French and his knowledge of contemporary French literature, and becoming a cosmopolitan young man of the world, Public Sightings 3 he found himself in the French capital during an amazing period of intellectual and artistic developments. Book Reviews 4 It was literally seething with a diversity of ideas that were innovative, exciting, and often conflicting from a host of literary and intellectual figures such as Claudel, Gide, Eliot News 7 Perse, Bergson, Maurras, Durkheim, and Curie. Its cultural riches were never more tan- talizing with extraordinary happenings occurring at an amazing pace: the first exhibition Paris Conference 8 of the Cubists (whose techniques and themes influenced “The Love Song” andThe Waste Land); the daring ballets of the Ballets Russes (whose character Petrouchka was a model for Prufrock); the presentation of Wagner’s Der Ring des Nibelungen for the first time ever Abstracts from the Modern at the Paris Opéra (whose refrain of the Rhine-Daughters is echoed in The Waste Land) , Language Association 10 and the scandalous multimedia extravaganza Le Martyre de Saint Sébastien (which was one inspiration for “The Love Song of Saint Sebastian”).
    [Show full text]
  • The Critical Orientation of T. S. Eliot
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1962 The Critical Orientation of T. S. Eliot Honora Remes Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Remes, Honora, "The Critical Orientation of T. S. Eliot" (1962). Master's Theses. 1781. https://ecommons.luc.edu/luc_theses/1781 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1962 Honora Remes THE CRITICAL ORIENTATION OF T. S. ELIOT Sister Honora Re ••• , D. C. A Thesie Submitted to the Facult1 of the Graduate School of Lo101a Uaivers1t, in Partial lUlflllment of the Requirement. for the Degree of Master of Art. LIn Siat.r Honora R•••• was bora in New Prague, Minnesota, March 23. 19Y1. She was graduated froll ••v Pra",e Public Hich School, June, 1954, and entered tbe Coll8N.Ditl of the Dauahter. of Charit.l ot St. Vincent de Paul, Sept.e.ber, 1956, atter one lear at. the CoUe,e ot St. Teresa. Winona, Minne­ sota. She cont.inued bel' educat.ion at Marillac College, Nol'llWldy 2l. Mi.souri, and was graduated August, 1960, vith a degree of Bach.lor ot Art.s. She began her ,radllate studi.s at Lol01a Uniyera1tl in Sept.ab.r, 1960.
    [Show full text]
  • The Theory of the Modern Stage
    The Theory of the Modern Stage AN INTRODUCTION TO MODERN THEATRE AND DRAMA EDITED BY ERIC BENTLEY PENGUIN BOOKS Contents Preface by Eric Bentley 9 Acknowledgements 17 PART ONE TEN MAKERS OF MODERN THEATRE ADOLPHE APPIA The Ideas of Adolphe Appia Lee Simonson 27 ANTONIN ARTAUD The Theatre of Cruelty, First and Second Manifestos Antonin Artaud, translated by Mary Caroline Richards 55 Obsessed by Theatre Paul Goodman 76 BERTOLT BRECHT The Street Scene Bertolt Brecht, translated by John Willett 85 On Experimental Theatre Bertolt Brecht, translated by John Willett 97 Helene Weigel: On a Great German Actress and Weigel's Descent into Fame Bertolt Brecht, translated by John Berger and Anna Bostock 105 E. GORDON CRAIG The Art of the Theatre, The First Dialogue E. Gordon Craig 113 A New Art of the Stage Arthur Symans 138 LUIGI PIRANDELLO Spoken Action Luigi Pirandello, translated by Fabrizio Melano 153 Eleanora Duse Luigi Pirandello 158 BERNARD SHAW A Dramatic Realist to His Critics Bernard Shaw 175 Appendix to The Quintessence of Ibsenism Bernard Shaw 197 KONSTANTIN STANISLAVSKY Stanislavsky David Magarshack 219 Emotional Memory Eric Bentley 275 CONTENTS RICHARD WAGNER The Ideas of Richard Wagner Arthur Symons 283 W. B. YEATS A People's Theatre W. B. Yeats 327 A Theory of the Stage Arthur Symons 339 EMILE ZOLA From Naturalism in the Theatre, Emile Zola, translated by Albert Bermel 351 To Begin Otto Brahm, translated by Lee Baxandall 373 PART TWO TOWARDS A HISTORICAL OVER-VIEW GEORG BRANDES Inaugural Lecture, 1871 Georg Brandts, translated by Evert Sprinchorn 383 ARNOLD HAUSER The Origins of Domestic Drama Arnold Hauser, translated in collaboration with the author by Stanley Godman 403 GEORGE LUKACS The Sociology of Modern Drama George Lukdcs, translated by Lee Baxandall 435 ROMAIN ROLLAND From TTie People's Theatre, Romain Rolland, translated by Barrett H.
    [Show full text]
  • ^Journal of the Rutgers University Library
    ^JOURNAL OF THE RUTGERS UNIVERSITY LIBRARY VOLUME XIII JUNE 1950 NUMBER 2 GIDE'S LETTERS TO GOSSE MARGUERITE L. RICHARDS DR. MARGUERITE L. RICHARDS, an Associate Professor of French Literature at the New Jersey College for Women> has sfecialrzed in twentieth century French literature. HE J. A. SYMINGTON Collection of the Rutgers Library contains thirty-eight letters in French which André Gide Twrote to Edmund Gosse1 between July 14, 1909 and January 16, 1927. Four by other persons were enclosed in Gide's letters: one from Jacques Copeau2 to Gosse concerning the war in 1914; a formal announcement by the Mercure de France of a subscription for a por- trait of Emile Verhaeren3 by Théo van Rysselberghe4 to be offered to the Musée du Luxembourg in Paris; a letter to Gide from Dr. Bonniot;5 and one from his wife, Madame Bonniot née Geneviève Mallarmé, concerning Swinburne's6 letters to Mallarmé.7 Most of Gide's letters were written at his wife's home in Cuverville,8 some in Paris,9 a few in London, two in Rome, five in Cambridge, England, one in Carnarvon, Wales, one in Bangui, French Equatorial Africa, one in the Alpes Maritimes, and one postal card, in Spain. This 1 André Gide, 1869- . Sir Edmund William Gosse, 1849-1928. 2 1879- • French actor and director of the Théâtre du Vieux Colombier. 3 1855-1916. Belgian poet, killed in a train accident. 4 1862-1926. Belgian painter. 5 Husband of Madame Geneviève Bonniot, who was the daughter of Stéphane Mal- larmé. 6 Algernon Charles Swinburne, 1837-1909.
    [Show full text]
  • Introduction 1. the Dreyfus Affair and the Birth of the 'Intellectuals'
    Notes Introduction 1.]. Guehenno, Journal des annees noires (1940-1944), Gallimard, 1947, p. 205. Quote brought to my attention by Jennifer Lefevre. 2. K. Reader, 'The Intellectuals: Notes towards a Comparative Study of Their Position in the Social Formations of France and Britain', Media, Culture and Society, 1982 (4), pp. 263-73, p. 266. 3. M. Leymarie, Les Intellectuels et Ia politique, Presses Universitaires de France (Collection Que sais-je?), 2001, p. 11. 4. J.-P. Sartre, 'Plaidoyer pour les intellectuels', in J.-P. Sartre, Situations VIII, Gallimard, 1972, p. 377. 5. For a recent study on female intellectuals, see N. Racine and M. Trebitsch, Intellectuelles. Du genre en histoire des intellectuels, Editions Complexe, 2004. 1. The Dreyfus Affair and the Birth of the 'Intellectuals' 1. E. Weber, France, Fin de Siecle, The Belknap Press of Harvard University Press, 1986, p. 66. 2. Ibid., p. 46. 3. At the end of 1871 Parisians opposed to the government of Adolphe Thiers elected a revolutionary council in Paris. Thiers fled to Versailles and subsequently organised a siege of the city in order to wrest control from the Communards. In May the Versailles troops entered Paris and at the end of the month the Commune was defeated. ln the bloody reprisals that followed some 18,000 Parisians died and almost 7,000 were deported. Communes were also crushed in other French cities and the repression cast a long shadow over relations between radicals and conservatives for years to come. 4. In 1815, after the fall of Napoleon, the monarchy was restored (Louis XVIII, 1815-25; Charles X, 1825-30).
    [Show full text]
  • Joan of Arc in History and in Shaw Department of Enclish
    Joan of Arc in history and in Shaw Item Type text; Thesis-Reproduction (electronic) Authors Covey, Jewyl Monica, 1925- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 14:04:43 Link to Item http://hdl.handle.net/10150/551296 JOAN OF ARC IN HISTORY AND IN SHAW by Jewyl Covey A Thesis Submitted to the Faculty of the DEPARTMENT OF ENCLISH In Partial Fulfillment of the Requirements For the Degree of . ^ MASTER OF ARTS In the Graduate College UNIVERSITY OF ARIZONA 1957 3 flu to -too S'? 3fi 5 od &Ovd n s i 1 3 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from ttiis thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quota­ tion from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar­ ship. In all other instances, however, permission must be obtained from the author.
    [Show full text]
  • Vedanta and Cosmopolitanism in Contemporary Indian Poetry Subhasis Chattopadhyay
    Vedanta and Cosmopolitanism in Contemporary Indian Poetry Subhasis Chattopadhyay illiam blake (1757–1827) burnt I have felt abandoned … into W B Yeats (1865–1939). A E I discovered pettiness in a gloating vaunting WHousman (1859–1936) absorbed both Of the past that had been predatory4 Blake and Yeats: The line ‘When I walked down meandering On the idle hill of summer, roads’ echoes Robert Louis Stevenson’s (1850– Sleepy with the flow of streams, 94) The Vagabond. Further glossing or annotation Far I hear the steady drummer of Fraser’s poems are not needed here and will Drumming like a noise in dreams … Far the calling bugles hollo, be done in a complete annotated edition of her High the screaming fife replies, poems by this author. The glossing or annotation Gay the files of scarlet follow: proves her absorption of literary influences, which Woman bore me, I will rise.1 she may herself not be aware of. A poet who does The dream-nature of all reality is important not suffer theanxiety of influence of great poets to note. This is Vedanta. True poetry reaffirms before her or him is not worth annotating. the truths of Vedanta from which arises cos- In ‘From Salisbury Crags’,5 she weaves myths mopolitanism. Neither the Cynics nor Martha as did Blake and Yeats before her.6 Housman too Nussbaum invented cosmopolitanism. This de- wove myths into his poetry. scription of hills and vales abound in Yeats’s2 and Mastery of imagery is essential for any poet. Housman’s poetry. Pride in being resilient is seen Poets may have agendas to grind.
    [Show full text]
  • L'influence De La Musique Sur La Vie Et Sur L'oeuvre De Romain Rolland," Written by Florence Anne
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1939 L'Influence De La Musique Sur La Vie Et Sur 'OeuvrL e De Romain Rolland Florence Anne Duignan Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the French and Francophone Language and Literature Commons Recommended Citation Duignan, Florence Anne, "L'Influence De La Musique Sur La Vie Et Sur 'OeuvrL e De Romain Rolland" (1939). Master's Theses. 158. https://ecommons.luc.edu/luc_theses/158 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1939 Florence Anne Duignan -I'! so L 1 INFLUENCE DE LA MUSIQUE SUR LA VIE ET SUR L 1 0EUVRE DE ROMAIN ROLLAND BY FLORENCE ANNE DUIGNAN A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF LOYOLA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE.OF MASTER OF ARTS Loyola University Chicago 1939 VITA Florence Anne Duignan was born in Chicago; attended Chicago grammar and high schools; was graduated from Chicago Normal College; re­ ceived Bachelor of Music degree from Sherwood Music School in 1931; received Bachelor of Philosophy degree from Loyola University in 1935; is now a teacher in Chicago public schools. -ii- .. TABLE DES MATIERES .. LA PREMIERE PARTIE L 1 INFLUENCE DE LA MUSIQUE SUR LA VIE DE ROMAIN ROLLAND • • • 2 .
    [Show full text]
  • Premio Nobel Per La Letteratura
    Premio Nobel per la letteratura Bibliografia A cura della Biblioteca Cantonale di Bellinzona Novembre 2017 Il 5 ottobre 2017 Kazuo Ishiguro ha vinto il Premio Nobel per la letteratura. E’ stata l’occasione per scoprire o ri-scoprire questo importante scrittore inglese di origine giapponese. Ma quali sono gli scrittori premiati in questi anni? Dal 1901 ogni anno un autore viene onorato con questo significativo premio. Proponiamo con questa bibliografia le opere di scrittori vincitori del Premio Nobel, presenti nel fondo della Biblioteca cantonale di Bellinzona, e nel caso in cui la biblioteca non possedesse alcun titolo di un autore, le opere presenti nel catalogo del Sistema bibliotecario ticinese. Gli autori sono elencati cronologicamente decrescente a partire dall’anno in cui hanno vinto il premio. Per ogni autore è indicato il link che rinvia al catalogo del Sistema bibliotecario ticinese. 2017 Kazuo Ishiguro 2016 Bob Dylan 2015 Svjatlana Aleksievič 2014 Patrick Modiano 2013 Alice Munro 2012 Mo Yan 2011 Tomas Tranströmer 2010 Mario Vargas Llosa 2009 Herta Müller 2008 Jean-Marie Gustave Le Clézio 2007 Doris Lessing 2006 Orhan Pamuk 2005 Harold Pinter 2004 Elfriede Jelinek 2003 John Maxwell Coetzee 2002 Imre Kertész 2001 Vidiadhar Surajprasad Naipaul 2000 Gao Xingjian 1999 Günter Grass 1998 José Saramago 1997 Dario Fo 1996 Wisława Szymborska 1995 Séamus Heaney 1994 Kenzaburō Ōe 1993 Toni Morrison 1992 Derek Walcott 1991 Nadine Gordimer 1990 Octavio Paz 1989 Camilo José Cela 1988 Naguib Mahfouz 1987 Iosif Aleksandrovič Brodskij 1986 Wole
    [Show full text]
  • LOVE in the TIME of CHOLERA
    Grabriel García Márquez LOVE in the TIME of CHOLERA TRANSLATED FROM THE SPANISH BY EDITH GROSSMAN Alfred A. Knopf New York 1988 THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF, INC. Copyright © 1988 by Gabriel García Márquez All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Distributed by Random House, Inc., New York. Originally published in Colombia as El amor en los tiempos del cólera by Editorial Oveja Negra Ltda., Bogotá. Copyright © 1985 by Gabriel García Márquez. Library of Congress Cataloging-in -Publication Data García Márquez, Gabriel, [date] Love in the time of cholera. Translation of: El amor en los tiempos del colera. I. Title. PQ8180.17.A73A813 1988 863 87-40484 ISBN 0-394-56161-9 ISBN 0-394-57108-8 (lim. ed.) Manufactured in the United States of America BOMC offers recordings and compact discs, cassettes and records. For information and catalog write to BOMR, Camp Hill, PA 17012. Contents CHAPTER ONE................................................................................................................. 9 CHAPTER TWO .............................................................................................................. 25 CHAPTER THREE .......................................................................................................... 42 CHAPTER FOUR............................................................................................................
    [Show full text]