Steven Tyler at PPAC,Interview with Matt
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Classes for Adults and Kids SPRING 2021 Newton Community Education
Classes for Adults and Kids SPRING 2021 newton community education newtoncommunityed.org In person summer kids page 42 notes Spring 2021 Adult Classes From the Executive Director: Art & Photography ..................................3 It’s no secret; 2020 was a tough year. Many of us are fatigued by our collective and individual Business & Career ..................................29 struggles; anxious about health, work, and the future. Computers & Technology .......................30 The time-honored tradition of turning the page from one year to reveal the opportunities Crafts.....................................................26 of the next was punctuated by the recent presidential inauguration. We viewers were Dance & Fitness .....................................17 riveted as a diminutive young poet seized our attention, gracefully—through her words English Language Learners (ELL) ...........31 and gestures — echoing the (presidential) themes of unity and hope. Amanda Gorman’s Food & Drink .........................................10 words were powerful indeed, but equally impressive to me was learning that community- based education helped hone her craft. While struggling to overcome a serious speech GED & HiSET® ........................................31 impediment, Gorman participated in writing workshops at a Los Angeles community-based Home & Garden .....................................27 education center. So there it is… Community Education opens doors, including ones leading Languages ..............................................7 -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
Sandbox MUSIC MARKETING FOR THE DIGITAL ERA Issue 98 | 4th December 2013 Nordic lights: digital marketing in the streaming age INSIDE… Campaign Focus Sweden and Norway are bucking PAGE 5 : the trend by dramatically Interactive video special >> growing their recorded music Campaigns incomes and by doing so PAGE 6 : through streaming. In countries The latest projects from the where downloading is now a digital marketing arena >> digital niche, this has enormous implications for how music Tools will be marketed. It is no longer PAGE 7: about focusing eff orts for a few RebelMouse >> weeks either side of a release but Behind the Campaign rather playing the long game and PAGES 8 - 10: seeing promotion as something Primal Scream >> that must remain constant rather Charts than lurch in peaks and troughs. The Nordics are showing not just PAGE 11: where digital marketing has had Digital charts >> to change but also why other countries need to be paying very close attention. Issue 98 | 4th December 2013 | Page 2 continued… In 2013, alongside ABBA, black metal and OK; they still get gold- and platinum-certiied CEO of Sweden’s X5 Music latpack furniture, Sweden is now also singles and albums based on streaming Group, explains. “The known internationally for music streaming. revenues [adjusted].” marketing is substantially It’s not just that Spotify is headquartered di erent as you get paid in Stockholm; streaming has also famously Streaming is changing entirely the when people listen, not when turned around the fortunes of the Swedish marketing narrative they buy. You get as much recorded music industry. -
Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture
Educting Artists.qxd 19/11/07 7:36 pm Page 1 Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture Mel Alexenberg Editor Educting Artists.qxd 19/11/07 7:36 pm Page 2 Educting Artists.qxd 19/11/07 7:36 pm Page 3 Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture Mel Alexenberg Editor ^ciZaaZXi 7g^hida! J@ 8]^XV\d! JH6 Educting Artists.qxd 19/11/07 7:36 pm Page 4 First Published in the UK in 2008 by Intellect Books, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2008 by Intellect Books, The University of Chicago Press, 1427 E. 60th Street, Chicago, IL 60637, USA Copyright © 2008 Intellect Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission. A catalogue record for this book is available from the British Library. Cover Design: ???? Copy Editor: Holly Spradling Typesetting: Mac Style, Nafferton, E. Yorkshire ISBN 978-1-84150-191-8 Printed and bound by Gutenberg Press, Malta. Educting Artists.qxd 19/11/07 7:36 pm Page 5 CONTENTS Introduction: Education for a Conceptual Age 9 Learning at the Intersections of Art, Science, Technology, and Culture 11 Mel Alexenberg Professor of Art and Founding Dean, School of Art and Multimedia Design, Netanya Academic College, Netanya, Israel, (author of The Future of Art in a Digital -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
Alt-Nation: Everything Is New
Alt-Nation: Everything is New D Generation – Nothing Is Anywhere (Bastard Basement Records) D Generation return after 17-year hiatus since their last album, Through The Darkness, with Nothing Is Anywhere to serve up another gritty platter of rock ‘n’ roll from the bowels of Avenue A. On Thru The Darkness, D Generation dealt with the Rudy Giuliani-led Disney gentrification of New York City while the band was becoming in disarray, trapped in music business purgatory. Flash forward to 2016 where the hedge fund brigade has taken over New York City and rage is something one buys at Hot Topic. Nothing Is Anywhere kicks off with a nostalgia stomp-back reflecting back to a ’90s circus of freaks hanging out on a Tuesday night in “Queens of A.” The autobiographical anthem “Apocalypse Kids” channels hardcore sing-a-long swooping choruses in the most Cheap Trick way possible with all the “perfect imperfections” intact. Nothing Is Anywhere is no nostalgia go-cart as “20th Century Blues” has the swagger of a T-Rex chopping on The Hellacopters begging for change on the Bowery. “Militant” launches into a hardcore rage while defiantly ending with “you can’t touch my soul.” The infectious “Rich Kids” would be enough to make me actually heart radio if their DJs actually played it. “Piece of the Action” is an observation of the stark reality of looking out over the wealthy migrants who have come to New York looking for something that isn’t theirs. The reason why D Generation with their dirty Lower East Side Faces meets Dead Boys riffs and singer Jesse Malin’s clever turn of the lyrics matters is because Nothing Is Anywhere is raw and the real deal. -
Download Free Scream Usher
Download free scream usher Scream. Artist: Usher. MB · Scream. Artist: Usher. MB · Scream. Artist: Usher. MB. Usher - Scream mp3 free download for mobile. Scream (Original Mix) | Preview · Download original Kbps, Mb, Album: Master - Single (). Watch the video, get the download or listen to Usher – Scream for free. Scream appears on the album Looking 4 Myself (Deluxe Version). "Scream" peaked at #1. DOWNLOAD MP3: LATEST MUSIC NEWS: mp3 download link Usher Scream lyrics and mp3 download link. Download: SUBSCRIBE FOR MORE. Usher Scream Free Mp3 Download in high quality bit. Scream. Usher • MB • 4K plays. Looking 4 Myself (deluxe Version). Scream. Usher - Looking 4 Myself (deluxe Version) • MB • K plays. Mp3 Tags: Download Usher - Usher – 3 Where to Get Usher – Scream Free Audio Download, Free Usher – 3 Song Download, Usher. Download mp3 free usher scream Jun 4, Download This Track. Usher – Scream Lyrics. Usher, baby. Yeah, we did it again. And this time. Lyrics of SCREAM by Usher: If you want it done right, Hope you're ready to go all night, Get you going like Ah-Ooh-Baby- Baby-Ooh-Baby-Baby. Big collection of usher - scream ringtones for phone and tablet. All high quality mobile ringtones are available for free download. Stream Scream by Usher Raymond Music from desktop or your mobile device. Stream Usher - Scream (R3hab Remix) by R3HAB from desktop or your mobile device. FREE SONGS at BITCH, DOWNLOAD USHER NEW TRACK. Buy Scream: Read 69 Digital Music Reviews - Start your day free trial of Unlimited to listen to this song plus tens of millions more songs. -
Primal Scream Lady Sovereign Devo the Bar-Kays
MUSIC SXSW 09 LIVE SHOTS CONTINUED FROM P.57 exhilarating UK rockers 25-plus years on. THE BAR-KAYS Their Cedar Street gig ranged from 1990’s Dirty Dog Bar, March 19 classic Screamadelica (“Loaded”) to a thun- dering version of new single “Can’t Go Back.” Gillespie looked and sounded a full decade younger than the shorn, scrawny blowhard that staggered through his last Austin incarna- tion in 2000. With demon-green laser beams shooting over the sardine-tinned audience’s sea of raised hands, the Scream’s skintight renditions of classic hyper-rockers “Swastika Eyes” and “Miss Lucifer” twice resulted in a stage-front scrum that brought security into the crush. Encoring the 50-minute set with an electrifying version of “Rocks,” Gillespie and company exited slapping front-row flesh, grin- ning, laughing, and looking altogether pleased with their own beautiful future. – Marc Savlov LADY SOVEREIGN Club de Ville, March 20 AUBREY EDWARDS Beginning 20 minutes late, Lady Call it the Beale Street Invasion. Memphis Music Foundation’s Thursday night show- Sovereign’s set initially reigned chaos. The case was a reminder that the resilient Tennessee town is forever a haven for American showcase MC tried to keep the crowd ener- music. After hip-hoppers Free Sol filled in for 8Ball & MJG, who missed their flight, and gized while Sov’s DJ Annalyze spun and rockers Lucero drenched the crowd in bourbon-inspired grit, the Bar-Kays headlined with scratched, and seven or eight entouragers a Delta soul/funk party they’ve pumped for the past 40 years. -
Classes for Adults and Kids WINTER 2021 Newton Community Education
classes for adults and kids WINTER 2021 newton community education newton community education page 29 notes winter 2021 adult classes from the executive director: Art & Photography ....................................3 Business & Career ....................................27 I hope this letter finds you and your loved ones safe Computers & Technology .........................27 and well. 2020 has been a year full of uncertainty and Crafts.......................................................22 surprises, and we aren’t done yet. We at NCE want to be a respite—a place to find community, to dive into Dance & Fitness .......................................14 6 your favorite subject or activity, to learn new skills. English Language Learners (ELL) .............28 Food & Drink .............................................9 Like most of you, NCE is learning to be nimble in Home & Garden .......................................24 ways we never imagined. Thanks to your dedication International Travel .................................24 we’ve been able to carry on. While enrollment is Languages ................................................6 down by approximately half since the pandemic be- gan and in-person classes limited, we are working to Lifetime Learning ....................................18 find creative solutions for meeting the needs of our Mind, Body, & Soul ..................................15 community. We’re counting on you to stick with us Money & Real Estate ...............................25 and to keep letting us know how we -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 9-30-1996 Columbia Chronicle (09/30/1996) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (09/30/1996)" (September 30, 1996). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/357 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE CHQ@!tJCLE 0 f COLUM5 C A C 0 September 30, 1996 New dorm director, new outlook New Residence Hall Director Daniel Betts wants to make more than mere cosmetic changes in his domain--he's calling for a whole new attitude By Leon Tripplett Senior Writer New Residence Hall Director Daniel Betts strode briskly into his new position with confidence, a rigorously trained staff of resident fioor Daniel Betts, leaders and a commitment to Col umbia 's ensure change, reshaping new Columbia's dorms from a build Residence ing of vi rtual strangers to a Hall Director, community of citizens. stands in front There is one undeniable fact, of a dor m though: Betts will be scruti mural painted nized, analyzed and challenged, by students much like most new ad ministra from tors. -
Phenotypic Plasticity As a Mechanism of Cave Colonization and Adaptation
RESEARCH ARTICLE Phenotypic plasticity as a mechanism of cave colonization and adaptation Helena Bilandzˇija1,2, Breanna Hollifield1, Mireille Steck3, Guanliang Meng4,5, Mandy Ng1, Andrew D Koch6, Romana Gracˇan7, Helena C´ etkovic´ 2, Megan L Porter3, Kenneth J Renner6, William Jeffery1* 1Department of Biology, University of Maryland, College Park, United States; 2Department of Molecular Biology, Ruđer Bosˇkovic´ Institute, Zagreb, Croatia; 3Department of Biology, University of Hawai’i at Manoa, Honolulu, United States; 4BGI-Shenzhen, Shenzhen, China; 5China National GeneBank, BGI-Shenzhen, Shenzhen, China; 6Department of Biology, University of South Dakota, Vermillion, United States; 7Department of Biology, Faculty of Science, University of Zagreb, Zagreb, Croatia Abstract A widely accepted model for the evolution of cave animals posits colonization by surface ancestors followed by the acquisition of adaptations over many generations. However, the speed of cave adaptation in some species suggests mechanisms operating over shorter timescales. To address these mechanisms, we used Astyanax mexicanus, a teleost with ancestral surface morphs (surface fish, SF) and derived cave morphs (cavefish, CF). We exposed SF to completely dark conditions and identified numerous altered traits at both the gene expression and phenotypic levels. Remarkably, most of these alterations mimicked CF phenotypes. Our results indicate that many cave-related traits can appear within a single generation by phenotypic plasticity. In the next generation, plasticity can be further refined. The initial plastic responses are random in adaptive outcome but may determine the subsequent course of evolution. Our study suggests that phenotypic plasticity contributes to the rapid evolution of cave-related traits in A. mexicanus. *For correspondence: [email protected] Competing interests: The Introduction authors declare that no A major problem in modern biology is understanding how organisms adapt to an environmental competing interests exist. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ CBGB 1976-05-19 P-1 --------- 1976-05-19 / CBGB CP000863 / 0879 Talking Heads, Television at CBGB's - New York, NY Notes: newspaper ad in Village Voice May 24, 1976 Venue: CBGB's Items: Original poster CBGB Edition 1 / CP000863 / 0879 Performers: 1976-05-19 1976-05-30: CBGB's Talking Heads / Television / Musica Orbis / Startoon / Milk 'n' Cookies / Yarbles / Billy Falcons / Sunshine Thunder Band / Sho Gun / Mong / Orchestra / Luna ------------------------------ CBGB 1977-04-07 P-1 --------- 1977-04-07 / CBGB CP000843 / 0859 Damned at CBGB's 313 Gallery [New York, NY] Notes: newspaper ad Event: See the Damned Venue: CBGB's 313 Gallery Items: Original poster CBGB Edition 1 / CP000843 / 0859 Performers: 1977-04-07 1977-04-10: CBGB's 313 Gallery Damned ------------------------------ CBGB 1977-07-01 P-1 --------- 1977-07-01 / CBGB CP000865 / 0881 Patti Smith, Talking Heads at CBGB's - New York, NY Notes: Village Voice - 7/4/77 Venue: CBGB's Items: Original poster CBGB Edition 1 / CP000865 / 0881 Performers: 1977-07-01 1977-07-10: CBGB's Patti Smith / Talking Heads / Blondie / Lido / Alex Chilton ------------------------------ CBGB-5.156 1977-08-18 P-1 --------- 1977-08-18 / CBGB 5.156 CP002968 / 2925 Dead Boys at CBGB's - New York, NY Notes: This item appears in the Art of Rock book, plate no.