DOCSLIB.ORG

Alt-Nation: Everything Is New

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alt-Nation: Everything Is New Alt-Nation: Everything is New D Generation – Nothing Is Anywhere (Bastard Basement Records) D Generation return after 17-year hiatus since their last album, Through The Darkness, with Nothing Is Anywhere to serve up another gritty platter of rock ‘n’ roll from the bowels of Avenue A. On Thru The Darkness, D Generation dealt with the Rudy Giuliani-led Disney gentrification of New York City while the band was becoming in disarray, trapped in music business purgatory. Flash forward to 2016 where the hedge fund brigade has taken over New York City and rage is something one buys at Hot Topic. Nothing Is Anywhere kicks off with a nostalgia stomp-back reflecting back to a ’90s circus of freaks hanging out on a Tuesday night in “Queens of A.” The autobiographical anthem “Apocalypse Kids” channels hardcore sing-a-long swooping choruses in the most Cheap Trick way possible with all the “perfect imperfections” intact. Nothing Is Anywhere is no nostalgia go-cart as “20th Century Blues” has the swagger of a T-Rex chopping on The Hellacopters begging for change on the Bowery. “Militant” launches into a hardcore rage while defiantly ending with “you can’t touch my soul.” The infectious “Rich Kids” would be enough to make me actually heart radio if their DJs actually played it. “Piece of the Action” is an observation of the stark reality of looking out over the wealthy migrants who have come to New York looking for something that isn’t theirs. The reason why D Generation with their dirty Lower East Side Faces meets Dead Boys riffs and singer Jesse Malin’s clever turn of the lyrics matters is because Nothing Is Anywhere is raw and the real deal. Downtown at Dawn – Screaming from the Rooftops Downtown at Dawn caught my eye because I like a Richard Hell tune by the same name as the band. I saw they were playing a CD release near me so I streamed the CD and went to the show because … why not? On their best-of jammers like “Desert Stone” and “Skinny Legs,” Downtown at Dawn bring it with this air of psychedelic punk blues. “Suck City” revives the best elements of K’s Choice. I started off mostly bored by “Hang Ups,” but when they go into the “you know some day this will all decay” bridge I’m buying. “O Aurora” is the big hit here waiting to happen if you are reading, Wendell. Michael Graham –So Happy and Lonely The former Ants in The Cellar front man returns with brand spankin’ new EP So Happy and Lonely that offers a new way to get down. I always get stoked when someone I caught at Stuart’s in the ’90s puts out a new biscuit. I had been grooving to one of the new nuggets, “Six Hard Drinks,” (about adventures at a Chinese restaurant with a shot of tequila) maybe a little too hard. I definitely had six hard drinks before writing this, but sometimes one has to own it. “So Happy” is a burst of exuberance that rains through like the sun on a Sunday morning. The third tune, “Moon Song,” is a tough sell but So Happy and Lonely is an EP with three versions of the two other songs. Graham is electrifying live. The Roots Rocks Extravaganza featuring performances by Consuelo’s Revenge, Muddy Ruckus, Michael Graham, and Von Donovan rock Dusk in Providence on September 23. The Z-Boys –Self-titled The long-awaited record from The Z-Boys is here! The record mixes touches of heavy-duty surf-guitar with two instrumental openers that had me wondering if these guys can play too good for their own good. “Josephina” weaves a guitar tapestry into an urban Dick Dale stomp. “Desert Samurai” and “Boogaloo” deliver what the latter promises, a dance party for the ages. Catch The Z-Boys’ release party and get out of your seat and dance! The Z-Boys celebrate the release of their album with a show with Cannibal Ramblers and Lovesick at The Columbus Theatre on September 23. The Concert Across America to End Gun Violence – featuring Kristin Hersh and more! This Concert Across America to End Gun Violence is designed to rally support of passing three sensible gun safety laws – no guns in K-12 schools, 10-round magazine limit, and no guns for misdemeanor domestic violent offenders, all of which seems sensible to me. The event will be part of the Concert Across America to End Gun Violence, which is going down in 150 different venues. I’m a huge fan of Throwing Muses so the chance to catch Kristin Hersh, outside of a one-off library performance on her book tour in her own state in God knows how long, is worth the price of admission. It goes without saying there is too much death out there and anything that can bring people together to end this I’m all for. The Concert Across America to End Gun Violence with performances by Kristin Hersh, Ian Fitzgerald, Muggs Fogarty, Penn Sultan, Hott Boyz, and special guests goes down at the Columbus Theatre on September 25. The performances will start at 7pm. David Hemingway Memorial Concert A year ago we lost a great member of our community with the passing of Dave Hemingway to testicular cancer. Though he passed, he never strayed from our thoughts or our hearts. Dave’s friends organized a memorial concert to raise funds to defeat cancer. Dave was too young to leave us, but his passing shouldn’t be in vain as we can join together to beat cancer. For those unable to attend but wish to make a donation, go to myjimmyfundpage.org/give/daviddrumshemingway David Hemingway Memorial Concert features performances by WOOZY, The David Tessier All-Star Band, Tall Teenagers, The Above, Eric and the Nothing, Kris Hansen, Heather Rose and Dan White goes down at the Columbus Theatre on October 1. Email music news and life tips to [email protected].
Load more

Recommended publications
  • “Punk Rock Is My Religion”
    “Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area.
    [Show full text]
  • Western Herald – SATURDAY: Jeremy Porter & the Tucos Bring
    Western Herald – SATURDAY: Jeremy Porter & the Tucos bring unique genre blend to Kalamazoo http://www.westernherald.com/arts-and-entertainment/saturday-jeremy-porter-the-tucos-bring-unique-genre-blend-to- kalamaz oo/ March 16, 2013 Craig Manning A&E Editor Growing up in Marquette, Mich., Jeremy Porter was probably one of those guys who spent as much time listening to the radio and spinning records on the turntable as he did hitting the books. At 16, he helped launch one of the Upper Peninsula’s first punk bands —called The Regulars—and instead of making curfew on Thursday nights, he spent them hanging out in ‘juice joints,’ cranking the amplifiers to capacity and, as his bio says, learning “what a rock bar smells like.” But while Porter’s educators probably frowned on that sort of behavior, clearly Porter is getting the last laugh. The singer/songwriter—who transplanted to the Detroit area back in the 80s—built a new trio called the Tucos in 2010, recruiting Jason Bowes (bass) and Gabriel Doman (drums) as his back-up. Almost three years later, the trio has supported nationally-recognized acts like Jesse Malin & the St. Mark’s Social and Whitey Morgan & The 78’s and brought their unique blend of 70s power pop, 80s punk rock and 90s alt-country to bars and clubs all over the midwest. On Saturday night, the Tucos will hit the stage at Louie’s Trophy House in Kalamazoo to support their excellent new full-length, Partner in Crime. Porter’s influences are rich and varied, all manifesting themselves at some point during Partner in Crime’s 46-minute runtime.
    [Show full text]
  • The History of Rock Music - the 2000S
    The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were.
    [Show full text]
  • DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
    DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).
    [Show full text]
  • W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2
    W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2 – 6pm Song Title Artist Album (The show begins with a solo song by A.C. Newman who is the leader of New Pornographers.) Miracle Drug A.C. Newman The Slow Wonder Sing Me Spanish Techno New Pornographers Twin Cinema Boom Like That Mark Knopfler Shangri-La Stand By Me John Lennon Rock ‘N’ Roll So It Goes Nick Lowe Pure Pop For Now People (How about a Belle and Sebastion song? By the way they’re going to be in NYC in March at the Nokia Theater and New Pornographers are opening for them. ) Step Into My Office, Baby Belle & Sebastion Dear Catastrophe Waitress Married With Children Oasis Definitely Maybe Christian St. Marah Kids In Philly Riding With The King BB King & Eric Clapton Riding With The King (The movie Elizabethtown’s soundtrack includes a deep cut from Elton John’s Tumbleweed Connection, My Father’s Gun, which is on deck.) My Father’s Gun Elton John Elizabethtown: Original Soundtrack Daniel Elton John To Be Continued… Whatever Gets You Through the John Lennon & Elton John Shaved Fish Night I Saw Her Standing There Elton John & John Lennon To Be Continued… (The story goes that John Lennon asked Elton John to guest on Whatever Gets You Through the Night. Elton agreed with the stipulation that if the song went to Number 1, John would have to appear on stage at one of Elton’s shows. Well, Whatever Gets You Through the Night reached the top of the charts on November 16, 1974 and John Lennon appeared with Elton John in concert at Madison Square Garden on Thanksgiving, November 28, 1974 and together sang the new #1 hit, Lucy in The Sky with Diamonds and I Saw Her Standing There (a number by his estranged fiancé, Paul).
    [Show full text]
  • Its Worst Christmas in Years 5 Holiday Sales Strategie
    JIMMY IVINE ON U2, YOUTUBE AND WHEN TO EXPECT DRE DAY >P.16 BRANDY'S BIG COMEBACK >P.37 DR PEPPER'S GUNS N' ROSES PROMOTION GOES FLAT >P.6 COMMON'S `MIND' GAMES >P.38 WHAT THE MUSIC BIZ CAN LEARN FROM OBAMA >P.8 EXPERIENCE THE BUZZ BLACKEST FR Why Physical Retail Expects Its Worst Christmas In Years DECEMBER 6, 2008 www.billboard.com PLUS. www.billboard.biz US $6.99 CAN $8.99 UK £5.50 Fore SCII 3 -DIGIT 907 The Season's Digital i EENCTCC 000/004 120193NBB /CB /9AMAR10 001 A04 Look Next Year's Hit II1I11II111I11I1II111_111_111_1111111111111111111111 A At 0012 MONTY GRBBNLY i A 3740 ELM AVE 000880 5 Holiday Sales Strategie LONG BEACH CA 90807 -3402 www.americanradiohistory.com LOEB& LOEB LLP PPESENTS B J music& money S Y M P O S I U M March 5, 2009 St. Regis, New York City CONNECT WITH THE DEALMAKERS DRIVING THE MUSIC BUSINESS Now in its 8th year, this one -day event brings TOPICS INCLUDE: together the best minds from the music, legal, Investing in Online Music Start -Ups financial and Wall Street communities for an in -depth Working with Consumer Brands examination of the financial realities with which the Trends in Venture Capital and Private Equity music industry is contending. Mobile Music Applications Music Publishing M &A Join Billboard and today's most important entertainment Behind the Scenes: Case Studies executives for compelling keynote interviews, informative panel sessions, networking receptions and more. CONFIRMED SPEAKERS: Roger Faxon, Chairman /CEO, EMI Music Publishing Scott Sperling, Co- President, Thomas H.
    [Show full text]
  • Adam Deitch Quartet - Egyptian Secrets
    Adam Deitch Quartet - Egyptian Secrets Adam Wakefield - Gods & Ghosts Adrian Quesada - Look at My Soul: The Latin Shade of Texas Soul Ages and Ages - Me You They We Alexa Rose - Medicine for Living Alfred Serge IV - Sleepless Journey Alice Wallace - Into the Blue Allah-Las - Lahs Allison deGroot & Tatiana Hargreaves - Allison deGroot & Tatiana Hargreaves Allison Moorer - Blood Altin Gun - Gece Amanda Anne Platt & The Honeycutters - Live at the Grey Eagle Amy LaVere - Painting Blue Amy McCarley - Meco Anders Osborne - Buddha and the Blues Andrew Bird - My Finest Work Yet Andrew Combs - Ideal Man Andy Bassford - The Harder They Strum Andy Statman - Monroe Bus Andy Thorn - Frontiers Like These Angelique Kidjo - Celia Angie McMahon - Salt Arlen Roth - TeleMasters Armchair Boogie - What Does Time Care? Austin Plaine - Stratford Aubrey Eisenman and The Clydes - Bowerbird Avery R. Young - Tubman Avett Brothers - Closer Than Together Aymee Nuviola - A Journey Through Cuban Music Bad Popes - Still Running Balsam Range - Aeonic Bayonics - Resilience BB King Blues Band - The Soul of the King Beatific - The Sunshine EP Bedouine - Bird Songs of a Killjoy Ben Dickey - A Glimmer On the Outskirts Beth Bombara - Evergreen Beth Wood - The Long Road Better Oblivion Community Center - Phoebe Bridgers & Conor Oberst Big Band of Brothers - A Jazz Celebration of the Allman Brothers Band Big Thief - Two Hands Bill Noonan - Catawba City Blues Billy Strings - Home Black Belt Eagle Scout - At the Party With My Brown Friends Black Joe Lewis & The Honeybears - The Difference Between Me & You Black Keys - Let's Rock Blue Highway - Somewhere Far Away Blue Moon Rising - After All This Time Bobby Rush - Sitting On Top of the Blues Bombadil - Beautiful Country Bon Iver - I, I Bonnie Bishop - The Walk Brittany Howard - Jaime Brother Oliver - Well, Hell Bruce Cockburn - Crowing Ignites Bruce Hornsby - Absolute Zero Buddy & Julie Miller - Breakdown on 20th Ave.
    [Show full text]
  • Is This Jazz?: an Interview with Leland Baker,Jazz Insights: David Wallis Reeves,Music in the Sky: Rooftop at Providence G Is Ho
    Rock ‘n’ Roll Villains: Ravi Shavi unleash Special Hazards On their third full-length release, Special Hazards, Ravi Shavi unleash a collection of 14 songs chock full of grooves, trashy surf and classic pop. Gems like “Going Going Gone” come off like a letter to an old flame with singer/guitarist Rafay Rashid asking, “How’s the city, how’s your mom, do you still have a car, have you taken your pills, have you smoken a joint?” The wistful chorus features backing vocals from Roz Raskin. One of the older songs in Ravi Shavi’s repertoire, “Is It True,” is a sunny burst of classic pop buttressed by backing vocals from Raskin as well as Kate Jones and Emily Shaw of The Sugar Honey Iced Tea. “High Hopes” has a Cramps-style guitar-from-the-gutter stomp with a guest appearance by Ian O’Neil of Deer Tick. O’Neil also appears on “Violence,” which has an early 2000s alternative rock flavor. “Absent Minded Fool” is a lament with the feel of a cool flamenco guitar gone wrong. The final track, “Casino,” is my favorite with its eerily seductive lyrics like, “Why don’t you take a gamble, I’ll be your casino,” floating like smoke through the air over a funky garage backbeat. Special Hazards is available now on Ravi Shavi’s Bandcamp page with physical copies on vinyl and CD coming later this year. I spoke with Rafay Rashid to discuss pandemic living, how he and guitarist Nick Politelli write, and the villainous undercurrent flowing through Special Hazards.
    [Show full text]
  • The History of American Punk Rock 1980 – 1986
    THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green.
    [Show full text]
  • Columbia Chronicle College Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 9-30-1996 Columbia Chronicle (09/30/1996) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (09/30/1996)" (September 30, 1996). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/357 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE CHQ@!tJCLE 0 f COLUM5 C A C 0 September 30, 1996 New dorm director, new outlook New Residence Hall Director Daniel Betts wants to make more than mere cosmetic changes in his domain--he's calling for a whole new attitude By Leon Tripplett Senior Writer New Residence Hall Director Daniel Betts strode briskly into his new position with confidence, a rigorously trained staff of resident fioor Daniel Betts, leaders and a commitment to Col umbia 's ensure change, reshaping new Columbia's dorms from a build­ Residence ing of vi rtual strangers to a Hall Director, community of citizens. stands in front There is one undeniable fact, of a dor m though: Betts will be scruti­ mural painted nized, analyzed and challenged, by students much like most new ad ministra­ from tors.
    [Show full text]
  • Phenotypic Plasticity As a Mechanism of Cave Colonization and Adaptation
    RESEARCH ARTICLE Phenotypic plasticity as a mechanism of cave colonization and adaptation Helena Bilandzˇija1,2, Breanna Hollifield1, Mireille Steck3, Guanliang Meng4,5, Mandy Ng1, Andrew D Koch6, Romana Gracˇan7, Helena C´ etkovic´ 2, Megan L Porter3, Kenneth J Renner6, William Jeffery1* 1Department of Biology, University of Maryland, College Park, United States; 2Department of Molecular Biology, Ruđer Bosˇkovic´ Institute, Zagreb, Croatia; 3Department of Biology, University of Hawai’i at Manoa, Honolulu, United States; 4BGI-Shenzhen, Shenzhen, China; 5China National GeneBank, BGI-Shenzhen, Shenzhen, China; 6Department of Biology, University of South Dakota, Vermillion, United States; 7Department of Biology, Faculty of Science, University of Zagreb, Zagreb, Croatia Abstract A widely accepted model for the evolution of cave animals posits colonization by surface ancestors followed by the acquisition of adaptations over many generations. However, the speed of cave adaptation in some species suggests mechanisms operating over shorter timescales. To address these mechanisms, we used Astyanax mexicanus, a teleost with ancestral surface morphs (surface fish, SF) and derived cave morphs (cavefish, CF). We exposed SF to completely dark conditions and identified numerous altered traits at both the gene expression and phenotypic levels. Remarkably, most of these alterations mimicked CF phenotypes. Our results indicate that many cave-related traits can appear within a single generation by phenotypic plasticity. In the next generation, plasticity can be further refined. The initial plastic responses are random in adaptive outcome but may determine the subsequent course of evolution. Our study suggests that phenotypic plasticity contributes to the rapid evolution of cave-related traits in A. mexicanus. *For correspondence: [email protected] Competing interests: The Introduction authors declare that no A major problem in modern biology is understanding how organisms adapt to an environmental competing interests exist.
    [Show full text]
  • And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
    POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ CBGB 1976-05-19 P-1 --------- 1976-05-19 / CBGB CP000863 / 0879 Talking Heads, Television at CBGB's - New York, NY Notes: newspaper ad in Village Voice May 24, 1976 Venue: CBGB's Items: Original poster CBGB Edition 1 / CP000863 / 0879 Performers: 1976-05-19 1976-05-30: CBGB's Talking Heads / Television / Musica Orbis / Startoon / Milk 'n' Cookies / Yarbles / Billy Falcons / Sunshine Thunder Band / Sho Gun / Mong / Orchestra / Luna ------------------------------ CBGB 1977-04-07 P-1 --------- 1977-04-07 / CBGB CP000843 / 0859 Damned at CBGB's 313 Gallery [New York, NY] Notes: newspaper ad Event: See the Damned Venue: CBGB's 313 Gallery Items: Original poster CBGB Edition 1 / CP000843 / 0859 Performers: 1977-04-07 1977-04-10: CBGB's 313 Gallery Damned ------------------------------ CBGB 1977-07-01 P-1 --------- 1977-07-01 / CBGB CP000865 / 0881 Patti Smith, Talking Heads at CBGB's - New York, NY Notes: Village Voice - 7/4/77 Venue: CBGB's Items: Original poster CBGB Edition 1 / CP000865 / 0881 Performers: 1977-07-01 1977-07-10: CBGB's Patti Smith / Talking Heads / Blondie / Lido / Alex Chilton ------------------------------ CBGB-5.156 1977-08-18 P-1 --------- 1977-08-18 / CBGB 5.156 CP002968 / 2925 Dead Boys at CBGB's - New York, NY Notes: This item appears in the Art of Rock book, plate no.
    [Show full text]