DOCSLIB.ORG

Edited by Oxford

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edited by Oxford i ii 111 ii i ii ii linn inn IIIII IIIII mi mi A 2009/8786 CANADIAN SHORT STORIES EDITED BY OXFORD UNIVERSITY PRESS CONTENTS Canadian Short Stories, Fifty Years Later by William E. Toye ix INTRODUCTION by Robert Weaver xiii E. W. THOMSON (1849-1924) The Privilege of the Limits 1 From Old Man Savarin and Other Stories (1895) SIR CHARLES G. D. ROBERTS (1860-1943) Strayed 10 From Earth's Enigmas (1895), by permission of Messrs. McClelland and Stewart. DUNCAN CAMPBELL SCOTT (1862-1947) Paul Farlotte 15 From In the ViUage ofViger (1896), by permis- sion of the Ryerson Press. STEPHEN LEACOCK (1869-1944) The Marine Excursion of the Knights of Pythias 27 From Sunshine Sketches of a Little Town (1912), by permission of Messrs. McClelland and Stewart, The Bodley Head, and Messrs. Dodd and Mead. FREDERICK PHILIP GROVE (1871-1948) Snow 51 From Queen's Quarterly (1932), by permission of Mrs. Frederick Philip Grove. ETHEL WILSON (b. 1890) Mrs. Golightly and the First Convention 64 From Canadian Short Stories (ed. Robert Weaver and Helen James, 1952), by permission of the Oxford University Press, Canadian Branch (1980). CONTENTS RINGUET (b. 1895) The Heritage 82 From The Tamarack Review (1958), by permis- sion of the author, Dr. Philippe Panneton. The translation is by Morna Scott Stoddart. RAYMOND KNISTER (1900-32) Mist-Green Oats ill From The Midland (1923), by permission of Mrs. Christy Grace. THOMAS H. RADDALL (b. 1903) Blind MacNair 137 From Tambour and Other Stories (1945), by permission of Messrs. McClelland and Stewart. MORLEY CALLAGHAN (b. 1903) Last Spring They Came Over 155 From A Native Argosy (1929), by permission of the author. A Sick Call 166 From Now that April's Here and Other Stories (1936), by permission of the author. LEO KENNEDY (b. 1907) A Priest in the Family 176 From The Canadian Forum (1933), by permis- sion of the author. SINCLAIR ROSS (b. 1908) The Painted Door 188 From Queen's Quarterly (1939), by permission of the author. RALPH GUSTAFSON (b. 1909) The Pigeon 214 From Northern Review (1949), by permission of the author. CONTENTS MALCOLM LOWRY (1909-57) The Bravest Boat 227 From Partisan Review (1954), by permission of Mrs. Malcolm Lowry. IRVING LAYTON (b. 1912) Vacation in La Voiselle 246 From Northern Review (1946), by permission of the author. HUGH GARNER (b. 1913) One, Two, Three Little Indians 267 From The Yellow Sweater and Other Stories (1952), by permission of the author. JOYCE MARSHALL (b. 1913) The Old Woman 281 From Canadian Short Stories (ed. Robert Weaver and Helen James, 1952), by permission of the Oxford University Press, Canadian Branch. W. O. MITCHELL (b. 1914) The Owl and the Bens 297 From The Atlantic Monthly (1945), by permis- sion of the author and Willis Kingsley Wing. P. K. PAGE (b. 1916) The Green Bird 311 From Preview (1942), by permission of the author. ANNE HEBERT (b. 1916) The House on the Esplanade 317 From Queen's Quarterly (1953), by permission of the author. The translation is by Morna Scott Stoddart. CONTENTS ROGER LEMELIN (b. 1919) The Stations of the Cross 331 From Canadian Short Stories (ed. Robert Weaver and Helen James, 1952), by permission of the Oxford University Press, Canadian Branch. The translation is by Mary Finch. MAVIS GALLANT (b. 1922) The Legacy 348 From The Other Paris (1956), by permission of Messrs. Houghton Mifflin. JAMES REANEY (b. 1926) The Bully 368 From Canadian Short Stories (ed. Robert Weaver and Helen James, 1952), by permission of the Oxford University Press, Canadian Branch. DOUGLAS SPETTIGUE (b. 1930) The Haying 383 From the Canadian Broadcasting Corporation (1953), by permission of the author. ALICE MUNRO (b. 1931) The Time of Death 395 From The Canadian Forum (1956), by permis- sion of the author. MORDECAI RICHLER (b. 1931) Benny, the War in Europe, and Myerson's Daughter Bella 408 From The Montrealer (1957), by permission of the author and Joyce Weiner. The Life and Times of OWC 573: 418 An Historical Note from the Publisher.
Load more

Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • Alice Munro and the Anatomy of the Short Story
    Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master
    [Show full text]
  • Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
    University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner.
    [Show full text]
  • Filgate's First Person Singular
    = F I L M R E v I E w 5 • • the Candid Eye technique at the Nation­ hot); the young son of peace activist way read one of Callaghan's short Terence Maccartney stories, while the young writer sat op­ al Film Board in the '50s. Filgate dis­ Kate Nelligan disappears - "where's Gil­ posite him with the galleys of an early plays all his formidable background and ligan!" - (worries a lot of people includ­ Filgate's Hemingway novel. expertise in this fine example of a docu­ ing his mom) and is eventually found This encounter led Hemingway to get mentary that captures the flavour, merit alive (but really cold) in a secret bomb shelter morgue. Morley Callaghan some of Callaghan's short stories pub­ and yes, ego of a leading Canadian writ­ lished in American magazines in Paris, er, and a lot of details and tales of his There are many such diversionary, and to Morley and his bride arriving at early life. The weaving of the present­ time-killing subplots in which several First Person that fabulous city in the '20s, where day with the past, the setting of the relationships begin to take shape. But they met with Hemingway and other il­ period, all skilfully blend to capture and only in one instance do two characters Singular: lustrious literary leading lights -F. Scott enthrall the imagination, so that the engage in a straightforward dialogue Fitzerald, Ezra Pound, James Joyce. viewer is left wanting to know more about the greater implications of living in a bomb shelter in 1987.
    [Show full text]
  • MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
    MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson.
    [Show full text]
  • Four Poems by Malcolm Lowry
    383 FOUR POEMS BY MALCOLM LOWRY Quartermaster at the Wheel The Harkness light! Another hour spelled out, Struck by myself with unction but with doubt. A man is killed but does not hear the shot Which kills him; four bells kills me. Lucky to hear it jf I killed myself,- Whose age haunts calendars upon the screen; The heroine horn in nineteen eighteen, Who yesterday was born in nineteen eight. A pile of magazines assess dead love On shore, where one light burns no love will wait. -Past years are volcanoes beyond the wake, Tomorrow is the sea and then the sea, To both least faithless when we most forsake, The one unsealed, the other vomltless Of Jonah to his gourd or Nineveh .... It is a straw to tickle bloodshot eyes Of quartermasters soldered to darkness, The stiff wheel and the remembrance of the drowned, For sinking men to suck at or to claw, The thought that what we saw we often hear Too late or not at all, or cannot bear To know resounding eardrums register ... Our siren now! What ugliest ship has not Borne heart from heart with that deep plangency, Sadder than masthead's light, a soul In mourning whose voice is grief gone by. Roll on, you witless, dark brown ocean, roll, And light light years and grey ones let us live Within that gracious nexus of reprieve Between the fated sight and fatal sound - Now leave the world to Harkness and to me. 384 THE DALHOUSIE REVIEW [This Bitterest Coast] This is the end but since it is the end, You are happy at least in this one certainty, As you were in the eternity Of childhood's blue summer with seagull and yacht for friend, When God was good; love, true; sea, sea; land, land.
    [Show full text]
  • Short Stories in the Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL
    DOCUMENT RESUME ED 430 231 CS 216 694 AUTHOR Hamilton, Carole L., Ed.; Kratzke, Peter, Ed. TITLE Short Stories in the Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0399-5 PUB DATE 1999-00-00 NOTE 219p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03995-0015: $16.95 members, $22.95 nonmembers). PUB TYPE Books (010) Guides Classroom Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Class Activities; *English Instruction; Literature Appreciation; *Reader Text Relationship; Secondary Education; *Short Stories IDENTIFIERS *Response to Literature ABSTRACT Examining how teachers help students respond to short fiction, this book presents 25 essays that look closely at "teachable" short stories by a diverse group of classic and contemporary writers. The approaches shared by the contributors move from readers' first personal connections to a story, through a growing facility with the structure of stories and the perception of their varied cultural contexts, to a refined and discriminating sense of taste in short fiction. After a foreword ("What Is a Short Story and How Do We Teach It?"), essays in the book are: (1) "Shared Weight: Tim O'Brien's 'The Things They Carried'" (Susanne Rubenstein); (2) "Being People Together: Toni Cade Bambara's 'Raymond's Run'" (Janet Ellen Kaufman); (3) "Destruct to Instruct: 'Teaching' Graham Greene's 'The Destructors'" (Sara R. Joranko); (4) "Zora Neale Hurston's 'How It Feels to Be Colored Me': A Writing and Self-Discovery Process" (Judy L. Isaksen); (5) "Forcing Readers to Read Carefully: William Carlos Williams's 'The Use of Force'" (Charles E.
    [Show full text]
  • WEST of the GREAT DIVIDE a View of the Literature of British Columbia
    WEST OF THE GREAT DIVIDE A View of the Literature of British Columbia Allan Pritchard MASIASHION: S IN LITERARY CRITICISM change rapidly. The "sur- vival" thesis that has dominated the thematic criticism of Canadian literature in recent years may be about due to fall from favour. Yet it has proved highly stimulating, and its usefulness has still not been totally exhausted. Before it recedes from its present prominence at least one further value can be extracted from it, although of a paradoxical kind. It serves admirably as a means of defining the regional characteristics of the literature of British Columbia — if one merely reverses its central propositions. The survival thesis is now so familiar that little reminder is needed of its salient points. Like much of the best in our criticism, the view that conflict between man and nature is central in Canadian literature seems to have developed from some brief but perceptive remarks of Northrop Frye. It has been elaborated by many critics and given its fullest and most influential formulation by Margaret Atwood. According to Atwood, the essential literary symbol for Canada is survival in the face of hostile nature. In our literature, she suggests, man is seen predominantly as a victim and nature as a monster. The land is alien. Of the seasons only winter is real. The characteristic experience of the immigrant and settler is exile and defeat. Canadian books are populated by life-denying women and trapped, defeated characters. The central experience represented is death, and as a whole the literature is "undeniably sombre and negative."1 If one turns from these propositions about the nature of Canadian literature and looks at the work of such notable writers of British Columbia as Roderick Haig-Brown, Malcolm Lowry, Ethel Wilson, and Jack Hodgins, the sense of contrast is so strong as to suggest the scene in October Ferry to Gabriola where Lowry describes the journey of his central characters, the Llewelyns, westward from Ontario.
    [Show full text]
  • "Sexual Provinciality" and Characterization: a Study of Some Recent Canadian Fiction
    "SEXUAL PROVINCIALITY" AND CHARACTERIZATION: A STUDY OF SOME RECENT CANADIAN FICTION by NANCY JEAN CORBETT B.A. , University of British Columbia, 1969 A THESIS SUBMITTED IN .PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of ENGLISH We accept this thesis as conforming to the required standard TEE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Depa rtment The University of British Columbia Vancouver 8, Canada CONTENTS. Chapter Page INTRODUCTION ....... .. ...... .. ... T I. THE BIOLOGICAL THEORY," OF FEMALE PERSONALITYt BRIAN MOORE . ..... ^ .. ... TO II.. AS FOR NE AND MY HOUSE: THE. COMPLEX MRS. III. CHARACTER AS SYMBOL AND THE THEME OF SACRIFICE: THE LOVED AND THE LOST AND THE WATCH THAT ENDS THE NIGHT .... 42 IV.. CHARACTER AS SYMBOL AND THE THEME OF SACRIFICE: THE DOUBLE HOOK AND THE SACRIFICE" ............. 61' V. THE IMPORTANCE OF POINT OF VIEW: DISTANCE. AND IDENTIFICATION IN TWO NOVELS BY ETHEL WILSON .. .. .. „ . .... 78 Vr. WOMEN OF THE GARRISON:: THREE NOVELS BY MARGARET LAURENCE 99 CONCLUSION . 121 WORKS" CITED ................. 128 ABSTRACT From its earliest beginning in Frances Brooke"s The History of Emily Montague, set.
    [Show full text]
  • Index to the Tamarack Review
    The Tamarack Review ROBERT WEAVER, IVON M. OWEN, WILLIAM TOYE WILLIAM KILBOURNE, JOHN ROBERT COLOMBO, KILDARE DOBBS AND JANIS RAPOPORT Issue 1 Issue 21 Issue 41 Issue 62 Issue 2 Issue 22 Issue 42 Issue 63 Issue 3 Issue 23 Issue 43 Issue 64 Issue 4 Issue 24 Issue 44 Issue 65 Issue 5 Issue 25 Issue 45 Issue 66 Issue 6 Issue 26 Issue 46 Issue 67 Issue 7 Issue 27 Issue 47 Issue 68 Issue 8 Issue 28 Issue 48 Issue 69 Issue 9 Issue 29 Issue 49 Issue 70 Issue 10 Issue 30 Issue 50-1 Issue 71 Issue 11 Issue 31 Issue 52 Issue 72 Issue 12 Issue 32 Issue 53 Issue 73 Issue 13 Issue 33 Issue 54 Issue 74 Issue 14 Issue 34 Issue 55 Issue 75 Issue 15 Issue 35 Issue 56 Issue 76 Issue 16 Issue 36 Issue 57 Issue 77-8 Issue 17 Issue 37 Issue 58 Issue 79 Issue 18 Issue 38 Issue 59 Issue 80 Issue 19 Issue 39 Issue 60 Issue 81-2 Issue 20 Issue 40 Issue 61 Issue 83-4 ISBN 978-1-55246-804-3 The Tamarack Review Index Volume 81-84 “109 Poets.” Rosemary Aubert article 81- Bickerstaff 83-84:40 82:94-99 “Concerning a Certain Thing Called “A Deposition” J.D. Carpenter poem 81- Houths” Robert Priest poem 81- 82:8-9 82:68-69 “A Mansion in Winter” Daniel David “Control Data” Chris Dewdney, poem, Moses poem 81-82:30-31 81-82:21 “Above an Excavation” Al Moritz poem “Croquet” Al Moritz poem 83-84:98 83-84:99 “Daybook” Ken Cathers poem 81-82:10- “Again” Al Moritz poem 83-84:101 11 “Air Show” J.D.
    [Show full text]
  • Cahiers-Papers 50-1
    Notes Bibliographical Errata Regarding the Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général, 2011 Andrew David Irvine* Several years ago a friend recommended I read E. Bennett Metcalfe’s 1985 biography of Roderick Haig-Brown, A Man of Some Importance. Chancellor of the University of Victoria from 1970 to 1973, Haig- Brown (1908-76) was an early British Columbia environmentalist, a sometime logger, trapper and fisherman, and a long-serving magistrate of the juvenile court of Campbell River. According to his biographer, he also received the first Governor General’s Medal for Juvenile Literature for his 1948 book, Saltwater Summer.1 Even so, Haig-Brown’s name and book appear nowhere on the official list of award-winners maintained by the Canada Council for the Arts: the Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général.2 Explaining the omission is not straightforward. The most plausible explanation is that Haig-Brown was likely the first (and to date the only) author to receive a Governor General’s Citation for his work,3 rather than the then-traditional medal. In the minds of some, it * Andrew Irvine holds the position of Professor of Philosophy at the University of British Columbia, Vancouver. 1 E. Bennett Metcalfe, A Man of Some Importance: The Life of Roderick Langmere Haig-Brown (Vancouver: James W. Wood, 1985), 202. 2 Canada Council for the Arts, Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général, 2011, accessed 5 April 2012, http://987321654.canadacouncil.
    [Show full text]
  • Notes on Realism in Modern English-Canadian Fiction
    NOTES ON REALISM IN MODERN ENGLISH-CANADIAN FICTION Matt Cohen A REALISTIC NOVEL is USUALLY TAKEN to mean a novel in which narrative is the connecting thread, in which not only does thought or action lead to subsequent connected thought or action, but does so in groups of words organized into logical sentences, paragraphs, chapters, etc. But "realistic novels" are also novels written about "reality" — as opposed to novels perceived to be about something which is not "real." Thus, aside from realistic novels there are novels which are termed gothic, or science fiction, or fantasies, or dream journals, or simply "experimental" — a class of novel which conjures up the image of a fanatically mad scientist blindly pounding at a type- writer (or, latterly, a word processor). In Canada, the novelistic technique most practised by writers, and most accepted by readers, critics, and academics, has been from the beginning and still remains the conventional realistic narrative, though there have been some interesting innovations. One of the characteristics non-Canadians always notice about Canadian novels is that an amazingly large proportion of them are set in the country. Even of that fiction set not in the countryside but in the city, much portrays the city not as a cosmopolitan centre but as a small town. There is, I think, a political reason for this. Canada, like the rest of the "developed" countries, is a place in which the dominant way of life is an urban one. Just as American culture is dominated by Los Angeles and New York, as British culture is dominated by London, as French culture is dominated by Paris, so, too, is English-Canadian culture dominated by Toronto.
    [Show full text]