Bibliography of the Margaret Laurence Collection of Books in the Trent University Archives
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
MS ATWOOD, Margaret Papers Coll
MS ATWOOD, Margaret Papers Coll. 00127L Gift of Margaret Atwood, 2017 Extent: 36 boxes and items (11 metres) Includes extensive family and personal correspondence, 1940s to the present; The Handmaid’s Tale TV series media; Alias Grace TV series media; The Heart Goes Last dead matter; appearances; print; juvenilia including papier mache puppets made in high school; Maternal Aunt Joyce Barkhouse (author of Pit Pony and Anna’s Pet), fan mail; professional correspondence and other material Arrangement note: correspondence was organized in various packets and has been kept in original order, rather than alphabetical or chronological order Restriction note: Puppets are restricted due to their fragility (Boxes 26-29). Box 1 Family correspondence, 1970s-1980s: 95 folders Parents (Carl and Margaret Eleanor Atwood) Aunt Kae Cogswell Aunt Ada Folder 1 Mother to Peggy and Jim ALS and envelope January 2, 1969 [sic] 1970 Folder 2 Mother to Peggy and Jim ALS and envelope March 30, 1970 Folder 3 Mother to Peggy and Jim TLS and envelope April 21, 1970 Folder 4 Mother to Peggy and Jim TLS and ALS, envelope April 29, 1970 Folder 5 Mother to Peggy and Jim ALS August 20, 1970 Folder 6 Mother to Peggy and Jim ALS September 6, 1970 Folder 7 Mother to Peggy and Jim TLS, ANS and envelope September 17, 1970 1 MS ATWOOD, Margaret Papers Coll. 00127L Folder 8 Mother to Peggy ALS September 19, 1970 Folder 9 Dad to Peggy ALS September 26, 1970 Folder 10 Mother to Peggy and Jim TLS (stamps) and envelope October 14, 1970 Folder 11 Mother to Peggy and Jim ALS November 10, 1970 Folder 12 Mother to Peggy ALS November 15, 1970 Folder 13 Mother to Peggy and Jim ALS December 20, 1970 Folder 14 Mother to Peggy and Jim TLS and envelope December 27, 1970 Folder 15 Mother to Peggy and Jim TLS and envelope January 8, 1971 Folder 16 Mother to Peggy and Jim TLS and envelope January 15, 1971 Folder 17 Mother to Peggy and Jim TLS January 20, 1971 TLS and envelope January 27, 1971 Folder 18 Mother to Peggy ALS and envelope November 25, 1973 2 MS ATWOOD, Margaret Papers Coll. -
150 Books of Influence Editor: Laura Emery Editor: Cynthia Lelliott Production Assistant: Dana Thomas Graphic Designer: Gwen North
READING NOVA SCOTIA 150 Books of Influence Editor: Laura Emery Editor: Cynthia Lelliott Production Assistant: Dana Thomas Graphic Designer: Gwen North Cover photo and Halifax Central Library exterior: Len Wagg Below (left to right):Truro Library, formerly the Provincial Normal College for Training Teachers, 1878–1961: Norma Johnson-MacGregor Photos of Halifax Central Library interiors: Adam Mørk READING NOVA SCOTIA 150 Books of Influence A province-wide library project of the Nova Scotia Library Association and Nova Scotia’s nine Regional Public Library systems in honour of the 150th anniversary of Confederation. The 150 Books of Influence Project Committee recognizes the support of the Province of Nova Scotia. We are pleased to work in partnership with the Department of Communities, Culture and Heritage to develop and promote our cultural resources for all Nova Scotians. Final publication date November 2017. Books are our finest calling card to the world. The stories they share travel far and wide, and contribute greatly to our global presence. Books have the power to profoundly express the complex and rich cultural life that makes Nova Scotia a place people want to visit, live, work and play. This year, the 150th Anniversary of Confederation provided Public Libraries across the province with a unique opportunity to involve Nova Scotians in a celebration of our literary heritage. The value of public engagement in the 150 Books of Influence project is demonstrated by the astonishing breadth and quality of titles listed within. The booklist showcases the diversity and creativity of authors, both past and present, who have called Nova Scotia home. -
Creative Displacement and Corporeal Defiance
CREATIVE DISPLACEMENT AND CORPOREAL DEFIANCE: FEMTNIST CANADIAN MODERNISM iN MARGARET LAURENCE'S MANAWAKA NOVELS A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirernents for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon BY Debra Lym Dudek September 2000 O Copyright Debra Lynn Dudek, 200 1. Al1 rights reserved. National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue WeUingtm Onawa ON K1A ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thése sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in tbïs thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fknit Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PERMISSION TO USE In presenting this thesis in partial fùlfillment of the requirements for a Postgraduate degree 6om the University of Saskatchewan, 1 agree that the Libraries of this University may rnake it fieely available for inspection. 1 fùrther agree that permission for copying of this thesis in any rnanner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. -
Beaton-Mikmaw.Pdf
4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 2010-800.012.001 Medicine Man's brush. -- [ca. 1860]. -- 1 brush : dyed quills with brass, wire and coconut fibres ; 31 cm. Scope and Content Item is an original brush, believed to be of Mi'kmaw origin. 2011-001.001 Domed Top Quill Box. -- [ca. 1850]. -- 1 box : dyed quills with pine, birchbark, and spruce root binding ; 18 x 19 x 27 cm Scope and Content Item is an original quill box made by Nova Scotia Mi'kmaq. Notes This piece has an early Mi'kmaw winged design (prior to the tourist trade material). 2011-001.002 Round Quill Storage Box. -- [ca. 1870]. -- 1 box : dyed quills with pine, birchbark, and spruce root binding ; 12 x 20 cm Scope and Content Item is an original quill box collected in Cape Breton in the 1930s. 2011-001.003 Oval Box. -- [18--]. -- 1 box : dyed quills with pine, birchbark, and spruce root binding ; 8 x 9 x 14 cm Scope and Content Item is an original quill box featuring an intricate Mi'kmaw design (eagles and turtles). 2011-001.004 Oval Box. -- [between 1925 and 1935]. -- 1 box : dyed quills with pine, birchbark, spruce root, and sweetgrass ; 6 x 8 x 13 cm Scope and Content Item is an original Mi'kmaw quill box. 2011-001.005 Mi'kmaw Oval Panel. -- [ca. 1890s]. -- 1 panel : dyed quills mounted on birchbark ; 18 x 27 cm Scope and Content Item is an original Mi'kmaw quill panel featuring a turtle and eagle design. -
The Routledge Concise History of Canadian Literature", Richard J
Dagmara Drewniak "The Routledge Concise History of Canadian Literature", Richard J. Lane, London-New York 2011 : [recenzja] TransCanadiana 5, 218-220 2012 218 Dagmara Drewniak Dagmara Drewniak Adam Mickiewicz University Richard J. Lane (2011), The Routledge Concise History of Canadian Literature. London and New York: Routledge; 249 pages. ISBN 978-0-415-47046-9 Richard J. Lane, an established critic and scholar, has published on various topics within the field of literature and literary theory. One of his recent undertakings is The Routledge Concise History of Canadian Literature (2011), which is an interesting attempt at presenting the history of Canadian literature from its beginnings to the present day. It is a text which will be of great value to readers interested in Canadian literature, alongside W. H. New’s canonical History of Canadian Literature, The Cambridge Companion to Canadian Literature edited by Eva-Marie Kröller, and more recent texts such as Faye Hammill’s Canadian Literature.1 What Lane’s text offers, apart from its conciseness (only 249 pages), is an interesting and engaging combination of well-known and less popular texts by various Canadian authors, supplemented with a discussion of the historical context of these works and an invaluable insight into literary theory. The book comprises maps, glossaries of terms, and sections with suggestions for further reading, and at the end of each chapter there are concluding remarks summarizing, in point form, the most important issues raised in the chapters. Moreover, there are also some sections (marked in grey and distinguished from the main text) devoted entirely to explanations of key terms and ideas for the current discussion (e.g. -
Abortion in Canadian Literature
Citation for the following article: Jeff Koloze, “Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions,” Proceedings of the Nineteenth University Faculty for Life Conference at the University of St. Thomas School of Law, Minneapolis MN (2009), ed. Joseph W. Koterski, S.J. (Washington, D.C.: University Faculty for Life, 2013), pp. 207-225. Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions Jeff Koloze A BSTRACT: After reviewing the scholarship on abortion in twentieth- century Canadian fiction written in English, the essay discusses various abortion scenes in major Canadian works by comparing and contrasting them with major works from the United States. The essay then discusses post-abortion syndrome and illustrates passages in Canadian fiction on abortion where numerous characters display features of that syndrome. OCATING CANADIAN NOVELS concerned with abortion often approximates an archaeological dig since compilations of literary Lcriticism frequently obscure, minimize, or lack references to abortion. Margaret Atwood’s Survival: A Thematic Guide to Canadian Literature1 has much to say about babies being an inappropriate solution for a plot’s denouement, calling this technique the “Baby Ex Machina,”2 1 Margaret Atwood, Survival: A Thematic Guide to Canadian Literature (Toronto ON: McClelland & Stewart, 1972). 2 Atwood, Survival, p. 247. The “Baby Ex Machina” denouement is well- established in Canadian fiction. Frederick Philip Grove’s 1925 Settlers of the Marsh (Toronto ON: Penguin Canada,2006) ends with two instances of children bringing closure to an otherwise disastrous plot: Bobby, a young man befriended by Niels, the main character, and encouraged to do well, has five children; Ellen, the love of Niels’s life, realizes at novel’s end that she needs to be a mother (pp. -
Anti-Imperialism and Feminism in Margaret Laurence's African Writings
Wendy Roy Anti-imperialism and Feminism in Margaret Laurence's African Writings Ivl argaret Laurence's anti-imperialist and feminist impulses have common origins. As she indicates in her 1978 essay "Ivory Tower or Grassroots?: The Novelist as Socio-Political Being," both stem from her upbringing in the United Church of Canada and her involvement with the "old Left" of North Winnipeg during and just after her college years, when she worked for the communist newspaper The Westerner. Laurence links her "feelings of anti-imperialism, anti-colonialism, anti- authoritarianism" to her "growing awareness of the dilemma and power- lessness of women," concluding that the situation of "peoples with colonial mentalities, w,as not unlike that of women in our society"(24, 23). Her own feminism and her connection of anti-imperialism with women's issues began before the feminist movement of the 1960s and was rooted not only in her political and religious beliefs but also in the women's suffrage move- ment of the early twentieth century. In "Books that Mattered to Me," Laurence cites Nellie McClung as a direct influence (241); as Randi Warne points out, McClung's feminism and social activism, including her work on suffrage and temperance and her battle to have women recognized as "persons" under the law, were also intimately connected to the practice of her religion.1 Western Canadian feminism of the type advocated by McClung and the socialism of the Winnipeg old Left are at the roots of the feminism and anti- imperialism evident in Laurence's five books about Africa. Despite these common origins, however, Laurence's feminist principles are sometimes at odds in her African books with her anti-imperialist beliefs. -
Index to the Tamarack Review
The Tamarack Review ROBERT WEAVER, IVON M. OWEN, WILLIAM TOYE WILLIAM KILBOURNE, JOHN ROBERT COLOMBO, KILDARE DOBBS AND JANIS RAPOPORT Issue 1 Issue 21 Issue 41 Issue 62 Issue 2 Issue 22 Issue 42 Issue 63 Issue 3 Issue 23 Issue 43 Issue 64 Issue 4 Issue 24 Issue 44 Issue 65 Issue 5 Issue 25 Issue 45 Issue 66 Issue 6 Issue 26 Issue 46 Issue 67 Issue 7 Issue 27 Issue 47 Issue 68 Issue 8 Issue 28 Issue 48 Issue 69 Issue 9 Issue 29 Issue 49 Issue 70 Issue 10 Issue 30 Issue 50-1 Issue 71 Issue 11 Issue 31 Issue 52 Issue 72 Issue 12 Issue 32 Issue 53 Issue 73 Issue 13 Issue 33 Issue 54 Issue 74 Issue 14 Issue 34 Issue 55 Issue 75 Issue 15 Issue 35 Issue 56 Issue 76 Issue 16 Issue 36 Issue 57 Issue 77-8 Issue 17 Issue 37 Issue 58 Issue 79 Issue 18 Issue 38 Issue 59 Issue 80 Issue 19 Issue 39 Issue 60 Issue 81-2 Issue 20 Issue 40 Issue 61 Issue 83-4 ISBN 978-1-55246-804-3 The Tamarack Review Index Volume 81-84 “109 Poets.” Rosemary Aubert article 81- Bickerstaff 83-84:40 82:94-99 “Concerning a Certain Thing Called “A Deposition” J.D. Carpenter poem 81- Houths” Robert Priest poem 81- 82:8-9 82:68-69 “A Mansion in Winter” Daniel David “Control Data” Chris Dewdney, poem, Moses poem 81-82:30-31 81-82:21 “Above an Excavation” Al Moritz poem “Croquet” Al Moritz poem 83-84:98 83-84:99 “Daybook” Ken Cathers poem 81-82:10- “Again” Al Moritz poem 83-84:101 11 “Air Show” J.D. -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J. -
The Artssmarts Story Silver Donald Cameron the Artssmarts Story
The ArtsSmarts Story Silver Donald Cameron The ArtsSmarts Story hen Silver Donald Cameron, one of Canada’s most creative and engaging writers, agreed to document the ArtsSmarts WStory, we could not have been more pleased. The J.W. McConnell Family Foundation developed and is funding ArtsSmarts in order that artists might bring a new way of learning to children in schools and communities across Canada. It took very little time for Donald, through his warm way with children and his keen ability to observe the world and all of its nuances, to understand the magic of creative learning through art as well as the value and potential of “art-infused” education. He shares that magic here. The Canadian Conference of the Arts has been an essential contributor to the development of ArtsSmarts and acts as the National Secretariat for the program. For more information on the CCA, please visit www.ccarts.ca. — The J.W. McConnell Family Foundation Photographs courtesy of ArtsSmarts Partners across Canada. © Canadian Conference of the Arts, October 2001 ISBN 0-920007-44-9 Cover and this page: Mural project in mixed media (detail) by artist Joey Mallet and students at Maple Creek Middle School in Coquitlam, BC. The mural was part of an ArtStarts in Schools project. S ydney Vrana raises his baton. The classroom falls silent. Vrana brings the baton down, and the light, silvery chime of a plucked dulcimer floats on the air. The recorders pick up the melody. The percussion follows: drums, triangle, cymbals and shaken gourds, then xylophone, lute and tambourine. Measured and ethereal, the music evokes a stately dance of robed figures in mid-air: imperturbable, decorous and serene. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence