DOCSLIB.ORG

MS ATWOOD, Margaret Papers Coll

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MS ATWOOD, Margaret Papers Coll. 00127L Gift of Margaret Atwood, 2017 Extent: 36 boxes and items (11 metres) Includes extensive family and personal correspondence, 1940s to the present; The Handmaid’s Tale TV series media; Alias Grace TV series media; The Heart Goes Last dead matter; appearances; print; juvenilia including papier mache puppets made in high school; Maternal Aunt Joyce Barkhouse (author of Pit Pony and Anna’s Pet), fan mail; professional correspondence and other material Arrangement note: correspondence was organized in various packets and has been kept in original order, rather than alphabetical or chronological order Restriction note: Puppets are restricted due to their fragility (Boxes 26-29). Box 1 Family correspondence, 1970s-1980s: 95 folders Parents (Carl and Margaret Eleanor Atwood) Aunt Kae Cogswell Aunt Ada Folder 1 Mother to Peggy and Jim ALS and envelope January 2, 1969 [sic] 1970 Folder 2 Mother to Peggy and Jim ALS and envelope March 30, 1970 Folder 3 Mother to Peggy and Jim TLS and envelope April 21, 1970 Folder 4 Mother to Peggy and Jim TLS and ALS, envelope April 29, 1970 Folder 5 Mother to Peggy and Jim ALS August 20, 1970 Folder 6 Mother to Peggy and Jim ALS September 6, 1970 Folder 7 Mother to Peggy and Jim TLS, ANS and envelope September 17, 1970 1 MS ATWOOD, Margaret Papers Coll. 00127L Folder 8 Mother to Peggy ALS September 19, 1970 Folder 9 Dad to Peggy ALS September 26, 1970 Folder 10 Mother to Peggy and Jim TLS (stamps) and envelope October 14, 1970 Folder 11 Mother to Peggy and Jim ALS November 10, 1970 Folder 12 Mother to Peggy ALS November 15, 1970 Folder 13 Mother to Peggy and Jim ALS December 20, 1970 Folder 14 Mother to Peggy and Jim TLS and envelope December 27, 1970 Folder 15 Mother to Peggy and Jim TLS and envelope January 8, 1971 Folder 16 Mother to Peggy and Jim TLS and envelope January 15, 1971 Folder 17 Mother to Peggy and Jim TLS January 20, 1971 TLS and envelope January 27, 1971 Folder 18 Mother to Peggy ALS and envelope November 25, 1973 2 MS ATWOOD, Margaret Papers Coll. 00127L Folder 19 Mother to Peggy, Graeme and Jess ALS October 25, 1978 Folder 20 Mother to Peggy, Graeme and Jess ALS November 5, 1978 Folder 21 Dad to Peggy ALS and envelope November 22, 1978 Folder 22 Mother to Peggy, Graeme and Jess ALS November 25, 1978 Folder 23 Mother to Peggy, Graeme and Jess ALS December 10, 1978 Folder 24 Dad to Peggy Long ALS December 10, 1978 Folder 25 Dad to Peggy ALS December 13, 1978 Folder 26 Mother to Peggy, Graeme, Jess and Ruth ALS and envelope December 17, 1978 Folder 27 Mother to Peggy, Graeme and Jess ALS December 29, 1978 Folder 28 Mother to Peggy, Graeme and Jess ALS January 7, 1979 Folder 29 Mother to Peggy, Graeme and Jess ALS January 14, 1979 Folder 30 Aunt Joyce Barkhouse to Peggy ALS January 17, 1979 3 MS ATWOOD, Margaret Papers Coll. 00127L Folder 31 Mother to Peggy, Graeme and Jess ALS January 22, 1979 Folder 32 Mother to Peggy, Graeme and Jess ALS February 4, 1979 Folder 33 Mother and Dad to Peggy ALS February 16, 1979 Folder 34 Mother and Dad to Peggy, Graeme and Jess ALS February 23, 1979 Folder 35 Mother to Peggy, Graeme and Jess ALS March 4, 1979 Folder 36 Mother to Peggy, Graeme and Jess ALS March 15, 1979 Folder 37 Mother to Peggy, Graeme and Jess ALS March 24, 1979 Folder 38 Mother to Peggy, Graeme and Jess ALS April 7, 1979 Folder 39 Mother to Peggy, Graeme and Jess ALS April 18, 1979 Folder 40 Mother to Peggy, Graeme and Jess ALS April 30, 1979 Folder 41 Mother to Peggy, Graeme and Jess ALS May 9, 1979 4 MS ATWOOD, Margaret Papers Coll. 00127L Folder 42 Mother to Peggy, Graeme and Jess ALS May 23, 1979 Folder 43 Mother to Peggy, Graeme and Jess ALS June 2, 1979 Folder 44 Ruth to Peggy ALS August 30, 197? Folder 45 Mother to Peggy, Graeme and Jess ALS September 30, 1982 Folder 46 Mother and Grandmother to Peggy, Graeme and Jess ALS November 23, 1983 Folder 47 Peggy to Mum and Dad TL December 8, 1983 Folder 48 Dad to Peggy ALS December 11, 1983 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS December 11, 1983 Folder 49 Dad to Peggy ALS December 18, 1983 Mother to Peggy, Graeme and Jess ALS December 18, 1983 Folder 50 Mum, Margaret and Grandma to Peggy and Graeme ALS December 28, 1983 5 MS ATWOOD, Margaret Papers Coll. 00127L Folder 51 Mother, Dad and Ruth to Peggy, Graeme and Jess ALS October 2, 1983 Folder 52 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS September 29, 1983 Folder 53 Partial note from Dad and Mother, Carl and Margaret, G & G ANS 4/XII/1983 Folder 54 Dad to Peggy ALS October 8, 1983 Folder 55 Mother to Peggy, Graeme and Jess ALS November 20, 1983 Folder 56 Dad to Peggy ALS November 25, 1983 Mother and Grandmother to Peggy, Graeme and Jess ALS November 25, 1983 Folder 57 Peggy to Mum and Dad TLS December 16, 1983 Folder 58 Peggy to Mum and Dad TL January 5, 1984 Folder 59 Dad to Peggy ALS January 5, 1984 Mother, Margaret and Grandma ALS January 5, 1984 6 MS ATWOOD, Margaret Papers Coll. 00127L Folder 60 Peggy to Mum and Dad TL January 12, 1984 Folder 61 Dad to Peggy ALS January 17, 1984 Mother to Peggy, Graeme and Jess ALS January 17, 1984 Folder 62 Peggy to Mum and Dad TL January 26, 1984 Folder 63 M., M. and G. to Peggy, Graeme and Jess ALS January 30, 1984 Folder 64 Reg to Carl ALS February 12, 1984 Re: ‘Bluebeard’s Egg’ Folder 65 Mum, Margaret and Grandmother to Peggy, Graeme and Jess ALS February 12, 1984 Folder 66 Dad to Peggy ALS And Mother, Grandmother and Margaret ALS February 19, 1984 Folder 67 3 letters: January 21 and 22nd from Aunt Joyce, Mother, Margaret, Grandmother and Dad ALS 1984 Folder 68 Dad to Peggy Mother, Margaret and Grandmother to Peggy, Graeme and Jess 2 ALS February 6 & 7, 1984 7 MS ATWOOD, Margaret Papers Coll. 00127L Folder 69 Mum and Grandmother to Peggy, Graeme and Jess ALS February 25, 1984 Folder 70 Mum, Margaret and Grandmother to Peggy, Graeme and Jess ALS March 6, 1984 Folder 71 Dad, Mum, Margaret and Grandmother to Peggy, Graeme and Jess ALS March 10, 1984 Folder 72 M., D., and A. to Peggy, Graeme and Jess ALS March 20, 1984 Folder 73 Mother, Margaret and Grandmother to Peggy, Graeme, Jess and Ruth ALS April 4, 1984 Folder 74 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS April 9, 1984 Folder 75 Grandmother, Margaret and Mother to Peggy, Graeme and Jess ALS April 15, 1984 Folder 76 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS April 26, 1984 Folder 77 Mother, Margaret and Grandmother ALS May 6, 1984 Folder 78 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS May 16, 1984 8 MS ATWOOD, Margaret Papers Coll. 00127L Folder 79 Dad to Peggy ALS May 24, 1984 Folder 80 Peggy to Mum, Dad and Ruth TLS May 25, 1984 Folder 81 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS May 31, 1984 Folder 82 Mother, Margaret and Grandmother to Peggy, Graeme and Jess ALS June 14, 1984 Folder 83 Florence (Power) McMahon to Margaret ALS July 1986 re: ‘Bluebeard’s Egg’ Folder 84 Letter regarding Atwood parents, from G. Keith Fraser, PEI March 21, 1989 Folder 85 Aunt Kae Cogswell TLS September 8, 2003 Folder 86 ‘The Year 2004 According to Kay’ Folder 87 Kae Cogswell – blank card Folder 88 Elizabeth Cogswell to Peggy ALS December 4, 2003 Folder 89 ‘Margaret’ [mother?] to Kae ALS February 6, 1927 Folder 90 Kae to Peggy TLS February 26, 2003 9 MS ATWOOD, Margaret Papers Coll. 00127L Folder 91 Aunt Kay to Peggy, Graeme and Jess ALS December 23, 1990 Folder 92 Aunt Kay to Peggy (birthday) TLS and card November 14, 2001 Folder 93 Aunt Kae to Peggy (birthday) ANS 2003 Folder 94 Kae to Peggy TLS November 1, 2003 Folder 95 Aunt Ada Atwood-Brannen 2012 & 2005 Box 2 Personal correspondence (family) 72 folders 1960s parents Grandfather Ruthie Folder 1 “Peggy’s grandfather’s letters – Killam” Dr. H. E. Killam, 1940s – 1950s 8 ALS and envelopes Folder 2 Mother to Peggy ALS and envelope July 16, 1961 Folder 3 Mother to Peggy ALS and envelope May 27, 1962 Folder 4 Ruthie to Peg ANS June 27, 1963 Folder 5 Dad to Peggy ALS and envelope July 12, 1964 Folder 6 Dad to Professor Atwood II ALS and envelope 10 MS ATWOOD, Margaret Papers Coll. 00127L November 2, 1964 Folder 7 Mother to Peggy ALS December 20, 1964 Folder 8 Dad to Peggy ALS January 18, 1965 Folder 9 Dad to Peggy ALS and envelope March 9, 1965 Folder 10 Mother to Peggy ALS September 22, 1965 Folder 11 Dad to Peggy ALS, clipping, envelope October 12, 1965 Folder 12 Mother to Peggy ALS October 23, 1965 Folder 13 Mother to Peggy ALS, TL and envelope November 5, 1965 Folder 14 Mother to Peggy ALS November 23, 1965 Folder 15 Mother to Peggy ALS December 16, 1965 Folder 16 Mother to Peggy ALS 1966 Folder 17 Mother to Peggy ANS and typed newsletter, envelope January 7, 1966 11 MS ATWOOD, Margaret Papers Coll.
Recommended publications

  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information

    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
  • Nopf Leday Hing Up

    Nopf Leday Hing Up

    Fall 2009 THE KNOPF DOUBLEDAY PUBLISHING GROUP DOUBLEDAY The Knopf NAN A. TALESE Doubleday KNOPF Publishing PANTHEON SCHOCKEN Group EVERYMAN’S LIBRARY VINTAGE ANCHOR THE IMPRINTS OF THE KNOPF DOUBLEDAY GROUP AND THEIR COLOPHONS Catalog, Final files_cvr_MM AA.indd 1 3/5/09 6:48:32 PM Fa09_TOC_FINAL_r2.qxp 3/10/09 12:05 PM Page 1 The Knopf Doubleday Publishing Group Fall 2009 Doubleday and Nan A. Talese.............................................................3 Alfred A. Knopf................................................................................43 Pantheon and Schocken ..................................................................107 Everyman’s Library........................................................................133 Vintage and Anchor........................................................................141 Group Author Index .......................................................................265 Group Title Index ...........................................................................270 Foreign Rights Representatives ........................................................275 Ordering Information .....................................................................276 Fa09_TOC_FINAL.qxp:Fa09_TOC 3/6/09 2:13 PM Page 2 Doubleday DdAaYy Nan A. Talese Catalog, Final files_dvdrs_MM AA.indd 3 3/5/09 6:43:33 PM DD-Fa09_FINAL MM.qxp 3/6/09 3:53 PM Page 3 9 0 0 2 L L FA DD-Fa09_FINAL MM.qxp 3/6/09 3:53 PM Page 4 DD-Fa09_FINAL MM.qxp 3/6/09 3:53 PM Page 5 INDEXF O A UTHORS Ackroyd, Peter, THE CASEBOOK Lethem, Jonathan,
  • Popular Culture in Margaret Atwood's Lady Oracle

    Popular Culture in Margaret Atwood's Lady Oracle

    Kunapipi Volume 14 Issue 1 Article 15 1992 A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle John Thieme Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Thieme, John, A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle, Kunapipi, 14(1), 1992. Available at:https://ro.uow.edu.au/kunapipi/vol14/iss1/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle Abstract Popular discourses are ubiquitous in the writing of Margaret Atwood. Her novels, poetry and critical writing constantly foreground ways in which notions of gender identity, and of cultural identity more generally, have been shaped by media and other popular representations. References to Hollywood and television rub shoulders with allusions to magazines, fairy tale, popular song and a host of other forms responsible for women's socialization and female mythologies: these include the Persephone2 and Triple Goddess3 myths, popular religious discourse, advertising language and iconography and the stereotypical norms inculcated in girls by such institutions as Brownies and Home Economics classes.4 This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol14/iss1/15 AFemale Houdini: Popular Culture in Margaret Atwood's Lady Oracle 71 JOHN THIEME A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle There are whole magazines with not much in them but the word love, you can rub it all over your body and you can cook with it too.' 1 (Margaret Atwood, 'Variations on the Word Love' ) Popular discourses are ubiquitous in the writing of Margaret Atwood.
  • Creative Displacement and Corporeal Defiance

    Creative Displacement and Corporeal Defiance

    CREATIVE DISPLACEMENT AND CORPOREAL DEFIANCE: FEMTNIST CANADIAN MODERNISM iN MARGARET LAURENCE'S MANAWAKA NOVELS A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirernents for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon BY Debra Lym Dudek September 2000 O Copyright Debra Lynn Dudek, 200 1. Al1 rights reserved. National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue WeUingtm Onawa ON K1A ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thése sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in tbïs thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fknit Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PERMISSION TO USE In presenting this thesis in partial fùlfillment of the requirements for a Postgraduate degree 6om the University of Saskatchewan, 1 agree that the Libraries of this University may rnake it fieely available for inspection. 1 fùrther agree that permission for copying of this thesis in any rnanner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done.
  • Cahiers-Papers 53-1

    Cahiers-Papers 53-1

    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
  • Margaret Atwood: Twenty-Five Years of Gothic Tales

    Margaret Atwood: Twenty-Five Years of Gothic Tales

    http://www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 Margaret Atwood: Twenty-Five years of Gothic Tales Dr. Behzad Pourgharib Assistant Professor of English English Department Golestan University, Golestan, Iran Nothing is more difficult than to understand the dead, I’ve found: but nothing is more dangerous than to ignore them. (The Blind Assassin 508). It may seem paradoxical that with all Margaret Atwood’s sex experiments with different narrative genres and her emphasis on women’s fictive autobiographies (‘life writing’) that her novels have always contained prolonged negotiations with the dead. For her female protagonists, the personal quests have been haunted by ghostly voices and by efforts to unearth secrets repressed in their private lives or hidden in the collective social memory, while the novelist herself has returned again and again to traditional generic forms like Gothic romances, women’s popular romances, dystopias, historical novels (to name but a few), renovating old genres but always acknowledging those traditional frames of reference. Not ignoring the dead while writing about the living – indeed, looking into the past in order to understand the present – has been one of the most significant characteristics of Atwood’s novel writing career. Those imperatives would seem to be at the basis of the creative process for Atwood and for her heroines, and in this essay I shall focus on the ways that Atwood has resurrected and refashioned Gothic conventions over the past twenty-five years in four novels: Lady Oracle (1976) The Robber Bride (1993), Alias Grace (1996), and The Blind Assassin (2000).
  • CHAPTER III Atwood's Third Novel, Lady Oracle

    CHAPTER III Atwood's Third Novel, Lady Oracle

    CHAPTER III LADY ORACLE: POSTMODERNISM AND THE BODY Atwood’s third novel, Lady Oracle (1976), marks a return to the earlier, comic tone of The Edible Woman, but the theoretical and thematic explorations that occurred in Surfacing, the intervening novel, influence the direction and the resolution of the text. Just as Surfacing examined the irreconcilable conflict between the narrator’s essentialist belief in guilt and innocence, and her growing realisation of the mutability of such truths, so Lady Oracle exposes a tension between Joan the narrator’s love of resolved plot-lines – “I longed for happy endings”,1 she says – and a growing postmodernist mistrust of metanarratives. Altogether, Lady Oracle is a more postmodern text than the previous novel. In Surfacing, Atwood had anticipated the encroaching crisis of the essentialist idea of the self that contributed to the development of postmodernist theory. However, the narrator’s reluctance to accept the inescapable nature of cultural influence meant that the novel lacked real resolution, ending on a pause: “I tense forward, towards the demands and questions, though my feet do not move yet”,2 and a sense of anxiety permeated the novel. Surfacing acts as a transitional text in Atwood’s canon, preparing the way for Lady Oracle with its self-creating narrator, in which Atwood appears to shrug off earlier anxieties and embrace postmodernism. The postmodern aesthetic Postmodernism has proven notoriously difficult to define. In his seminal 1979 text, The Postmodern Condition, Jean-François Lyotard argued that “the status of knowledge is altered as societies enter what is known as the postindustrial age and cultures enter what is known as 1 Margaret Atwood, Lady Oracle (1976), London, 1982, 320.
  • MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson

    MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson

    MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson.
  • Commonwealth Essays and Studies, 43.2 | 2021 Negotiating Dataveillance in the Near Future: Margaret Atwood’S Dystopias 2

    Commonwealth Essays and Studies, 43.2 | 2021 Negotiating Dataveillance in the Near Future: Margaret Atwood’S Dystopias 2

    Commonwealth Essays and Studies 43.2 | 2021 In Other Worlds Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias Claire Wrobel Electronic version URL: https://journals.openedition.org/ces/7718 DOI: 10.4000/ces.7718 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Electronic reference Claire Wrobel, “Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias”, Commonwealth Essays and Studies [Online], 43.2 | 2021, Online since 23 July 2021, connection on 29 July 2021. URL: http://journals.openedition.org/ces/7718 ; DOI: https://doi.org/10.4000/ces.7718 This text was automatically generated on 29 July 2021. Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias 1 Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias Claire Wrobel 1 Imagining what comes next is the stuff that Margaret Atwood’s dystopian novels are made of.1 In retrospect, The Handmaid’s Tale (1985) may seem to have been prescient. While it may be read in the context of the backlash against feminism in the United States in the 1980s (Neuman 2006), it has gained new significance in the misogynous context of the Trump administration. The handmaid’s outfit, with its scarlet robe and white cornet, has become a visual rallying cry for women protesting against attempts on their reproductive rights in places as diverse as Texas, Northern Ireland or Argentina (Beaumont and Holpuch 2018). Atwood’s awareness of the threat that uncontrollable viruses constitute may also seem prescient in light of the ongoing pandemic.
  • Identity, Gender, and Belonging In

    Identity, Gender, and Belonging In

    UNIVERSITY OF DUBLIN, TRINITY COLLEGE Explorations of “an alien past”: Identity, Gender, and Belonging in the Short Fiction of Mavis Gallant, Alice Munro, and Margaret Atwood A Thesis submitted to the School of English at the University of Dublin, Trinity College, in fulfilment of the requirements for the Degree of Doctor of Philosophy Kate Smyth 2019 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. ______________________________ Kate Smyth i Table of Contents Summary .......................................................................................................................................... iii Acknowledgements ...................................................................................................................... iv List of Abbreviations ..................................................................................................................................... v Introduction ..................................................................................................................................... 1 Part I: Mavis Gallant Chapter 1: “At Home” and “Abroad”: Exile in Mavis Gallant’s Canadian and Paris Stories ................ 28 Chapter 2: “Subversive Possibilities”:
  • Abortion in Canadian Literature

    Abortion in Canadian Literature

    Citation for the following article: Jeff Koloze, “Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions,” Proceedings of the Nineteenth University Faculty for Life Conference at the University of St. Thomas School of Law, Minneapolis MN (2009), ed. Joseph W. Koterski, S.J. (Washington, D.C.: University Faculty for Life, 2013), pp. 207-225. Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions Jeff Koloze A BSTRACT: After reviewing the scholarship on abortion in twentieth- century Canadian fiction written in English, the essay discusses various abortion scenes in major Canadian works by comparing and contrasting them with major works from the United States. The essay then discusses post-abortion syndrome and illustrates passages in Canadian fiction on abortion where numerous characters display features of that syndrome. OCATING CANADIAN NOVELS concerned with abortion often approximates an archaeological dig since compilations of literary Lcriticism frequently obscure, minimize, or lack references to abortion. Margaret Atwood’s Survival: A Thematic Guide to Canadian Literature1 has much to say about babies being an inappropriate solution for a plot’s denouement, calling this technique the “Baby Ex Machina,”2 1 Margaret Atwood, Survival: A Thematic Guide to Canadian Literature (Toronto ON: McClelland & Stewart, 1972). 2 Atwood, Survival, p. 247. The “Baby Ex Machina” denouement is well- established in Canadian fiction. Frederick Philip Grove’s 1925 Settlers of the Marsh (Toronto ON: Penguin Canada,2006) ends with two instances of children bringing closure to an otherwise disastrous plot: Bobby, a young man befriended by Niels, the main character, and encouraged to do well, has five children; Ellen, the love of Niels’s life, realizes at novel’s end that she needs to be a mother (pp.
  • List of Works by Margaret Atwood

    List of Works by Margaret Atwood

    LIST OF WORKS BY MARGARET ATWOOD Note: This bibliography lists Atwood’s novels, short fiction, poetry, and nonfiction books. It is current as of 2019. Dates in parentheses re- fer to the initial date of publication; when there is variance across countries, the date refers to the Canadian publication. We have used standard abbreviations for Atwood’s works across the essays; how- ever, contributors have used a range of editions (Canadian, American, British, etc.), reflecting the wide circulation of Atwood’s writing. For details on the specific editions consulted by contributors, please see the bibliography immediately following each essay. For a complete bibliography of Atwood’s works, including small press editions, children’s books, scripts, and edited volumes, see http://mar- garetatwood.ca/full-bibliography-2/ Novels EW The Edible Woman (1969) Surf. Surfacing (1972) LO Lady Oracle (1976) LBM Life Before Man (1979) BH Bodily Harm (1981) HT The Handmaid’s Tale (1985) CE Cat’s Eye (1988) RB The Robber Bride (1993) AG Alias Grace (1996) BA The Blind Assassin (2000) O&C Oryx and Crake (2003) P The Penelopiad (2005) YF Year of the Flood (2009) MA MaddAddam (2013) HGL The Heart Goes Last (2015) HS Hag-Seed (2016) Test. The Testaments (2019) ix x THE BIBLE AND MARGARET ATWOOD Short Fiction DG Dancing Girls (1977) MD Murder in the Dark (1983) BE Bluebeard’s Egg (1983) WT Wilderness Tips (1991) GB Good Bones (1992) GBSM Good Bones and Simple Murders (1994) Tent The Tent (2006) MD Moral Disorder (2006) SM Stone Mattress (2014) Poetry CG The Circle