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MS ATWOOD, Margaret Papers Coll
MS ATWOOD, Margaret Papers Coll. 00127L Gift of Margaret Atwood, 2017 Extent: 36 boxes and items (11 metres) Includes extensive family and personal correspondence, 1940s to the present; The Handmaid’s Tale TV series media; Alias Grace TV series media; The Heart Goes Last dead matter; appearances; print; juvenilia including papier mache puppets made in high school; Maternal Aunt Joyce Barkhouse (author of Pit Pony and Anna’s Pet), fan mail; professional correspondence and other material Arrangement note: correspondence was organized in various packets and has been kept in original order, rather than alphabetical or chronological order Restriction note: Puppets are restricted due to their fragility (Boxes 26-29). Box 1 Family correspondence, 1970s-1980s: 95 folders Parents (Carl and Margaret Eleanor Atwood) Aunt Kae Cogswell Aunt Ada Folder 1 Mother to Peggy and Jim ALS and envelope January 2, 1969 [sic] 1970 Folder 2 Mother to Peggy and Jim ALS and envelope March 30, 1970 Folder 3 Mother to Peggy and Jim TLS and envelope April 21, 1970 Folder 4 Mother to Peggy and Jim TLS and ALS, envelope April 29, 1970 Folder 5 Mother to Peggy and Jim ALS August 20, 1970 Folder 6 Mother to Peggy and Jim ALS September 6, 1970 Folder 7 Mother to Peggy and Jim TLS, ANS and envelope September 17, 1970 1 MS ATWOOD, Margaret Papers Coll. 00127L Folder 8 Mother to Peggy ALS September 19, 1970 Folder 9 Dad to Peggy ALS September 26, 1970 Folder 10 Mother to Peggy and Jim TLS (stamps) and envelope October 14, 1970 Folder 11 Mother to Peggy and Jim ALS November 10, 1970 Folder 12 Mother to Peggy ALS November 15, 1970 Folder 13 Mother to Peggy and Jim ALS December 20, 1970 Folder 14 Mother to Peggy and Jim TLS and envelope December 27, 1970 Folder 15 Mother to Peggy and Jim TLS and envelope January 8, 1971 Folder 16 Mother to Peggy and Jim TLS and envelope January 15, 1971 Folder 17 Mother to Peggy and Jim TLS January 20, 1971 TLS and envelope January 27, 1971 Folder 18 Mother to Peggy ALS and envelope November 25, 1973 2 MS ATWOOD, Margaret Papers Coll. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Download Itunes About Journalism to Propose Four Use—Will Be Very Different
Nieman Reports THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY VOL. 62 NO. 4 WINTER 2008 4 The Search for True North: New Directions in a New Territory Spiking the Newspaper to Follow the Digital Road 5 If Murder Is Metaphor | By Steven A. Smith 7 Where the Monitor Is Going, Others Will Follow | By Tom Regan 9 To Prepare for the Future, Skip the Present | By Edward Roussel 11 Journalism as a Conversation | By Katie King 13 Digital Natives: Following Their Lead on a Path to a New Journalism | By Ronald A. Yaros 16 Serendipity, Echo Chambers, and the Front Page | By Ethan Zuckerman Grabbing Readers’ Attention—Youthful Perspectives 18 Net Geners Relate to News in New Ways | By Don Tapscott 20 Passion Replaces the Dullness of an Overused Journalistic Formula | By Robert Niles 21 Accepting the Challenge: Using the Web to Help Newspapers Survive | By Luke Morris 23 Journalism and Citizenship: Making the Connection | By David T.Z. Mindich 26 Distracted: The New News World and the Fate of Attention | By Maggie Jackson 28 Tracking Behavior Changes on the Web | By David Nicholas 30 What Young People Don’t Like About the Web—And News On It | By Vivian Vahlberg 32 Adding Young Voices to the Mix of Newsroom Advisors | By Steven A. Smith 35 Using E-Readers to Explore Some New Media Myths | By Roger Fidler Blogs, Wikis, Social Media—And Journalism 37 Mapping the Blogosphere: Offering a Guide to Journalism’s Future | By John Kelly 40 The End of Journalism as Usual | By Mark Briggs 42 The Wikification of Knowledge | By Kenneth S. -
Popular Culture in Margaret Atwood's Lady Oracle
Kunapipi Volume 14 Issue 1 Article 15 1992 A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle John Thieme Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Thieme, John, A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle, Kunapipi, 14(1), 1992. Available at:https://ro.uow.edu.au/kunapipi/vol14/iss1/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle Abstract Popular discourses are ubiquitous in the writing of Margaret Atwood. Her novels, poetry and critical writing constantly foreground ways in which notions of gender identity, and of cultural identity more generally, have been shaped by media and other popular representations. References to Hollywood and television rub shoulders with allusions to magazines, fairy tale, popular song and a host of other forms responsible for women's socialization and female mythologies: these include the Persephone2 and Triple Goddess3 myths, popular religious discourse, advertising language and iconography and the stereotypical norms inculcated in girls by such institutions as Brownies and Home Economics classes.4 This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol14/iss1/15 AFemale Houdini: Popular Culture in Margaret Atwood's Lady Oracle 71 JOHN THIEME A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle There are whole magazines with not much in them but the word love, you can rub it all over your body and you can cook with it too.' 1 (Margaret Atwood, 'Variations on the Word Love' ) Popular discourses are ubiquitous in the writing of Margaret Atwood. -
2012 Fall Credit-Free Catalog.Indd
FALL 2012 Credit-Free Courses Continuing Education Classes Beginning September to December Continuing Education Table of Contents General Information & Catalog Requests .............................860-512-2800 Allied Health ................................................................3-5 Credit-Free Programs ...............................................................860-512-2800 Art & Crafts ...............................................................6-10 Director, Ann Bonney [email protected] Boating .........................................................................40 Prog. Assoc., Stephen Campiglio [email protected] Body, Mind & Spirit .................................................11-14 Sec. II, Jessie Bradley ...................................... [email protected] Computer Technology .............................................15-26 Ed. Asst., Mike Jordan-Reilly [email protected] Cuisine ....................................................................27-30 Credit-Free Phone-In Registration ................................ 860-512-3232 Culture & History ....................................................30-32 8:30 a.m. – 4:30 p.m., Monday – Friday . Mastercard, Visa or Discover Card Dance ......................................................................32-33 Offering courses for professional development and personal enrichment Drama ..........................................................................34 -
Ford Hall Forum Collection (MS113), 1908-2013: a Finding Aid
Ford Hall Forum Collection 1908-2013 (MS113) Finding Aid Moakley Archive and Institute www.suffolk.edu/moakley [email protected] Ford Hall Forum Collection (MS113), 1908-2013: A Finding Aid Descriptive Summary Repository: Moakley Archive and Institute, Suffolk University, Boston MA Collection Number: MS 113 Creator: Ford Hall Forum Title: Ford Hall Forum Collection Date(s): 1908-2013, 1930-2000 Quantity: 85 boxes, 41 cubic ft., 39 lin. ft. Preferred Citation: Ford Hall Forum Collection (MS 113), 1908-2013, Moakley Archive and Institute, Suffolk University, Boston, MA. Abstract: The Ford Hall Forum Collection documents the history of the nation’s longest running free public lecture series. The Forum has hosted some the most notable figures in the arts, science, politics, and the humanities since its founding in 1908. The collection, which spans from 1908 to 2013, includes of 85 boxes of materials related to the Forum's administration, lectures, fund raising, partnerships, and its radio program, the New American Gazette. Administrative Information Acquisition Information: Ownership transferred to Suffolk University in 2014. Use Restrictions: Use of materials may be restricted based on their condition, content or copyright status, or if they contain personal information. Consult Archive staff for more information. Related Collections: See also the Ford Hall Forum Oral History (SOH-041) and Arthur S. Meyers Collection (MS114) held by Suffolk University. Additional collection materials related to the organization --primarily audio and video -
The New Hampshire Tnhdigital.Com Monday, March 7, 2016 Vol
Serving the University of New Hampshire since 1911 The New Hampshire TNHdigital.com Monday, March 7, 2016 Vol. 105, No. 35 Opinion: This week’s “From UNH exited the Hockey East Playo s in the INSIDE the Right” explores diversity rst round at Merrimack College. in the GOP. THE NEWS Page 12 Page 16 Student orgs collaborate, bring DarkMa er to UNH By RAOUL BIRON STAFF WRITER Hoping to foster solidarity, inspiration and acceptance, author and activist Dan Savage told LGBTQ+ youth around the world that “it gets better.” Since releasing his initial video in 2011, Savage’s message has exploded into a kind of marketed rallying cry for LGBTQ+ causes rang- ing anywhere from marriage equality to teen suicide. What happens when a three-word sentence - even one spoken on camera by hundreds of thousands - stops being enough? For Brooklyn based spoken word duo, DarkMatter, it gets bitter. On April 1, the fi rst day of UNH Campus Pride Month, the trans South Asian art and activist collaboration will occupy the Strafford room in the MUB. Sponsored in part by MUSO, UNH Alliance, Trans UNH, and The Kidder Fund, the event is largely designed to ignite a community-wide dialogue about perspective, the nature of privilege, and the missed subtleties of political movements as wide-ranging and general as LGBTQ+ rights. “We try to bring programs, artists and speakers that have a social justice-centered message because as a group we really believe in inclu- sion and activism,” said a spokesperson for MUSO. “We rarely get speakers who encompass multiple marginalized COURTESY PHOTO DARKMATTER DarkMatter, the trans South Asian art and activist duo, will speak in the Stra ord Room on April 1. -
MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson. -
The Machineries of Uncivilization: Technology and the Gendered Body
The Machineries of Uncivilization: Technology and the Gendered Body in the Fiction of Margaret Atwood and William Gibson by Annette Lapointe A thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of DOCTOR OF PHILOSOPHY Department of English, Film, and Theatre University of Manitoba Winnipeg Copyright © 2010 by Annette Lapointe For Patricia Lapointe reader, teacher, literary guide my mom Table of Contents Acknowledgements iv Abstract v Introduction Factory Girl @ the Crossroads 1 Chapter 1 Cyborg Pathology: Infection, Pollution, and Material Femininity in Tesseracts 2 15 Chapter 2 Girls on Film: Photography, Pornography, and the Politics of Reproduction 56 Chapter 3 Meat Puppets: Cyber Sex Work, Artificial Intelligence, and Feminine Existence 96 Chapter 4 Manic Pixie Dream Girls: Viral Femininity, Virtual Clones, and the Process of Embodiment 138 Chapter 5 Woman Gave Names to All the Animals: Food, Fauna, and Anorexia 178 Chapter 6 The Machineries of Uncivilization: Gender, Disability, and Cyborg Identity 219 Conclusion New Maps for These Territories 257 Works Cited 265 iii Acknowledgements Many thanks to Dr. Mark Libin, my dissertation adviser, for all of his guidance in both my research and my writing. Dr Arlene Young guided me to a number of important nineteenth century texts on gender and technology. My foray into disability studies was assisted by Dr. Nancy Hansen and by Nadine Legier. melanie brannagan-frederiksen gave me insight into the writings of Walter Benjamin. Patricia Lapointe read every draft, provided a sounding board and offered a range of alternate perspectives. The Histories of the Body Research Group guided me through to literary and non-literary approaches to body studies. -
À Quelques Milles Du Reste Du Monde De Pat Conroy 1
Dossier de presse : À quelques milles du reste du monde de Pat Conroy 1 À quelques milles du reste du monde PAT CONROY 1969. Pat Conroy part enseigner sur une petite île isolée de Caroline du Sud. Ce dont il est témoin l’indigne. The Water is Wide est le livre qui lancera sa carrière d’écrivain. Parution : Le 11 septembre 2018 Présentation de l’auteur et synopsis p 2 Dates p..3 Présentation p 4 Presse américaine p 5 Extraits p 6 Contact p11 Editions Le Nouveau Pont Dossier de presse : À quelques milles du reste du monde de Pat Conroy 2 AUTEUR QUATRIEME DE COUVERTURE Crédit David G. Spielman Pat Conroy (1945-2016) est une grande figure de la littérature du Sud des Etats- Unis. Aîné d’une fratrie de sept enfants, fils d’un pilote de chasse de haut vol mais maltraitant envers les siens, Pat Conroy a toujours écrit autour de l’histoire familiale. Son écriture à la fois ciselée, lyrique et pleine d’humour a « Je devais écrire ce livre pour expliquer ce qui s’était passé et à conquis tant de lecteurs qu’il quel point cela m’avait affecté. » a vendu plus de vingt millions de livres à travers le monde 1969. Dans une Amérique agitée par le mouvement pour les et qu’il est traduit en 22 droits civiques, Pat Conroy accepte un poste d’enseignant sur langues. une petite île isolée. L’endroit est envoûtant, presque désert et Le Prince des Marées est séparé du reste de la Caroline du Sud par un bras de mer. -
Against Authority
AGAINST AUTHORITY Freedom and The Rise of the Surveillance States by John Twelve Hawks for Thomas Pynchon ©2014 by John Twelve Hawks. All Rights Reserved. A LITTLE BOY IN A ROOM OF MIRRORS Both dogs and humans know when we’ve been caged. We sense instinctually when some other person—or an institution—has the power to direct or control our lives. And our first awareness of this reality occurs at an early age. The older kids on the schoolyard are bigger and stronger. They have the power to knock us down and tell us what to do. When I was growing up in the 1950s, I was quite aware of my own powerlessness. I couldn’t tell anyone what to do—not even a first grader. Although my brain was crammed with a great many words, I had a terrible stutter and couldn’t get the words out. Everyone in my elementary school class laughed when I struggled to speak, and sometimes even my teacher had to conceal her smile. By the time I was eight years old, I started to believe that a demon with a perverse sense of humor was in charge of my lips and tongue. On some days, he was a lazy demon, and I could talk on the phone or answer questions in class. Then the demon would get annoyed with me and I would spit and sputter over every word. On Sundays my family attended a Scotch Presbyterian church headed by a conservative pastor who preached about infant damnation. I was confused about the power of baptism, but I definitely understood the concept of hell. -
List of Works by Margaret Atwood
LIST OF WORKS BY MARGARET ATWOOD Note: This bibliography lists Atwood’s novels, short fiction, poetry, and nonfiction books. It is current as of 2019. Dates in parentheses re- fer to the initial date of publication; when there is variance across countries, the date refers to the Canadian publication. We have used standard abbreviations for Atwood’s works across the essays; how- ever, contributors have used a range of editions (Canadian, American, British, etc.), reflecting the wide circulation of Atwood’s writing. For details on the specific editions consulted by contributors, please see the bibliography immediately following each essay. For a complete bibliography of Atwood’s works, including small press editions, children’s books, scripts, and edited volumes, see http://mar- garetatwood.ca/full-bibliography-2/ Novels EW The Edible Woman (1969) Surf. Surfacing (1972) LO Lady Oracle (1976) LBM Life Before Man (1979) BH Bodily Harm (1981) HT The Handmaid’s Tale (1985) CE Cat’s Eye (1988) RB The Robber Bride (1993) AG Alias Grace (1996) BA The Blind Assassin (2000) O&C Oryx and Crake (2003) P The Penelopiad (2005) YF Year of the Flood (2009) MA MaddAddam (2013) HGL The Heart Goes Last (2015) HS Hag-Seed (2016) Test. The Testaments (2019) ix x THE BIBLE AND MARGARET ATWOOD Short Fiction DG Dancing Girls (1977) MD Murder in the Dark (1983) BE Bluebeard’s Egg (1983) WT Wilderness Tips (1991) GB Good Bones (1992) GBSM Good Bones and Simple Murders (1994) Tent The Tent (2006) MD Moral Disorder (2006) SM Stone Mattress (2014) Poetry CG The Circle