DOCSLIB.ORG

2012 Fall Credit-Free Catalog.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2012 Fall Credit-Free Catalog.Indd FALL 2012 Credit-Free Courses Continuing Education Classes Beginning September to December Continuing Education Table of Contents General Information & Catalog Requests .............................860-512-2800 Allied Health ................................................................3-5 Credit-Free Programs ...............................................................860-512-2800 Art & Crafts ...............................................................6-10 Director, Ann Bonney [email protected] Boating .........................................................................40 Prog. Assoc., Stephen Campiglio [email protected] Body, Mind & Spirit .................................................11-14 Sec. II, Jessie Bradley ...................................... [email protected] Computer Technology .............................................15-26 Ed. Asst., Mike Jordan-Reilly [email protected] Cuisine ....................................................................27-30 Credit-Free Phone-In Registration ................................ 860-512-3232 Culture & History ....................................................30-32 8:30 a.m. – 4:30 p.m., Monday – Friday . Mastercard, Visa or Discover Card Dance ......................................................................32-33 Offering courses for professional development and personal enrichment Drama ..........................................................................34 Business & Industry Services ....................................... 860-512-2812 Education ................................................................34-35 Director, Janet Alampi .................................... [email protected] English as a Second Language ......................................35 Providing employers and employees with workplace programs and training Family, Finance & Consumer Issues .........................36-38 Computer Technology .................................................... 860-512-2808 Fitness & Recreation ................................................38-40 Coordinator, Bruce Manning [email protected] Gardening ....................................................................41 Providing state-of-the-art computer training Green Technology & Sustainability ...............................42 Allied Health Programs .................................................. 860-512-2826 Languages ...............................................................43-44 Coordinator, Diane Mitchell [email protected] Music ......................................................................44-47 Preparing students for the State certification exams Noon Institute .........................................................47-49 Excursions in Learning .................................................. 860-512-2804 Nutrition.......................................................................49 Coordinator, Carleigh Cappetta [email protected] Organization of Active Adults .......................................71 Offering courses for high-achieving, academically motivated children Online Academy ......................................................62-70 Credit Extension Courses ............................................. 860-512-2803 Photography ............................................................50-51 Dean, Melanie Haber ........................................ [email protected] Winter/Summer credit extension courses Professional Development ........................................52-58 Real Estate ....................................................................53 Admin. Asst., Gloria Moeller [email protected] Registration Information & Form .............................72-74 Web Registration Information .......................................73 COVER ART: WHITE LINE WOODBLOCK PRINT OF MCC by Stephen Sottile Writing, Publishing & Literature ...............................59-61 (see course listing on page 6) Computer Certification Courses ............................... 15 NEW Fall Excursions in Learning .................................... 75 NEW Satellite Location MCC ON MAIN 903 Main Street, Manchester • www.mcc.commnet.edu/mcc-on-main Directions to “MCC on Main” From Hartford: 1. Route I-84, Exit #59/Providence 2. Onto I-384 East for 4.2 miles 3. Exit #3/Downtown Manchester/ Glastonbury onto South Main St toward Downtown Manchester 4. MCC on Main (903 Main Street) is on the right (across the street from the St. James Church) Directions to MCC available at: www.mcc.commnet.edu/about/directions.php www.mcc.commnet.edu 2 Credit-Free Phone-In Registration 860-512-3232 Allied Health Certified Nurse Aide (CNA) Training Program Pharmacy Technician The Certified Nurse Aide program is designed to prepare students Certification Training with the entry-level skills needed to work as a CNA. The course The pharmacy technician provides classroom and practical skill instruction at MCC, and clinical prepares medications under the experience at Manchester Manor Health Care Center, 345 West direction of a pharmacist and may Center St., Manchester. The CNA provides basic patient care under measure, mix, count, label, and the direction of nursing staff and is expected to perform the following record amounts and dosages of tasks: turn and reposition bedridden patients to prevent bedsores; medications. Students will learn answer patients’ call signals; feed patients who are unable to feed medical terminology specific to themselves; observe patients’ conditions; measure and record food the pharmacy, how to read and interpret prescriptions, define drugs by and liquid intake and output and vital signs and report changes to generic and brand names, calculate dosage and I.V. flow rates, drug professional staff; provide patient care by supplying and emptying bed compounding and dose conversion. Procedures regarding prescriptions, pans; apply dressings; help patients walk, exercise, and move in and inventory control, billing, and insurance reimbursement will also be out of bed; bathe, groom, shave, dress, and/or drape patients to prepare discussed. A pharmacy technician receives written prescription or them for surgery, treatment or examination. Students must attend at least refill requests and verifies that information is complete and accurate; 100 hours and achieve a passing grade of 70 or above to sit for the state maintains proper storage and security for drugs; answers telephones exam. Upon completion of the course, approximately $125 will be due and responds to customer questions and requests; fills bottles with when you apply to take the Connecticut State Certification Exam (not prescribed medications; types and affixes labels; assists customers; included in course fee). The instructor will inform students of test dates prices and files prescriptions that have been filled; cleans and helps to and procedures. Required textbook: Basic Skills for Nursing Assistants maintain equipment and work areas; and sterilizes glassware according in Long-term Care (ISBN 9780323022040) textbook/workbook package to prescribed methods. This comprehensive 60-hour course prepares ($58) available at MCC Bookstore. students for an entry-level position in a community hospital, long-term CRN #31151 28 sessions: 10 Tuesdays & 10 Thursdays, 9/11-11/15, care setting, or pharmacy and is an excellent review for the Pharmacy 6-9 p.m. MCC Bldg. LRC B125 & 8 Saturdays, 9/29-11/17, Technician Certification Board (PTCB) national certification exam. The 7 a.m.-3 p.m. Manchester Manor Health Care Center Students must course fee includes the textbook, but does not include the PTCB exam wear a white uniform or scrubs to clinical. (Make-up dates 11/20 & fee, nor will the exam be given at MCC; please check the PTCB website 12/8) Fee: $899 for more exam information (www.ptcb.org). Students should bring a Instructor: Andrea Dillon, RN, M.Ed., has been a nurse since 1974 and calculator to class. an instructor for many years; Assistant Clinical: JoAnn Thulin, RN, CRN #31149 20 sessions: 10 Mondays & 10 Wednesdays, 9/10-11/26 APN, has many years of experience as an Advanced Practice Nurse. (does not meet 10/8, 10/31 & 11/21), 6-9 p.m. (Make-up date 11/28) MCC Bldg. LRC B144 Fee: $775 Instructors: Members of the Connecticut Pharmacists Association Registration Information Medical Information for the Following Programs: for the Following Programs: • Certified Nurse Aide • Pharmacy Technician* • Certified Nurse Aide • EMT • Phlebotomy Technician • Phlebotomy Technician • Students who have successfully completed a prior college-level • At least one week prior to the start of the clinical experience, course may proceed directly to the Registrar’s Office. Please bring students must provide the College with documentation of the your college transcript with you. following: a physical exam and negative PPD (Mantoux skin test • Students who have not successfully completed a prior college- for tuberculosis), both within the last 12 months; and immunizations level course must first take a reading comprehension test* at no for Rubella (German Measles); Rubeola (Regular Measles–2 doses cost. It will last approximately one hour. The test will be given separated by at least 30 days); Varicella Zoster (chicken pox) or a every Monday and Wednesday from 1-3 p.m. (except holidays), clear history;
Load more

Recommended publications
  • Nopf Leday Hing Up
    Fall 2009 THE KNOPF DOUBLEDAY PUBLISHING GROUP DOUBLEDAY The Knopf NAN A. TALESE Doubleday KNOPF Publishing PANTHEON SCHOCKEN Group EVERYMAN’S LIBRARY VINTAGE ANCHOR THE IMPRINTS OF THE KNOPF DOUBLEDAY GROUP AND THEIR COLOPHONS Catalog, Final files_cvr_MM AA.indd 1 3/5/09 6:48:32 PM Fa09_TOC_FINAL_r2.qxp 3/10/09 12:05 PM Page 1 The Knopf Doubleday Publishing Group Fall 2009 Doubleday and Nan A. Talese.............................................................3 Alfred A. Knopf................................................................................43 Pantheon and Schocken ..................................................................107 Everyman’s Library........................................................................133 Vintage and Anchor........................................................................141 Group Author Index .......................................................................265 Group Title Index ...........................................................................270 Foreign Rights Representatives ........................................................275 Ordering Information .....................................................................276 Fa09_TOC_FINAL.qxp:Fa09_TOC 3/6/09 2:13 PM Page 2 Doubleday DdAaYy Nan A. Talese Catalog, Final files_dvdrs_MM AA.indd 3 3/5/09 6:43:33 PM DD-Fa09_FINAL MM.qxp 3/6/09 3:53 PM Page 3 9 0 0 2 L L FA DD-Fa09_FINAL MM.qxp 3/6/09 3:53 PM Page 4 DD-Fa09_FINAL MM.qxp 3/6/09 3:53 PM Page 5 INDEXF O A UTHORS Ackroyd, Peter, THE CASEBOOK Lethem, Jonathan,
    [Show full text]
  • Dear Andrea and Sidney, 12/16/76 We Are Sure Your Account Of
    Dear Andrea and Sidney, 12/16/76 We are sure your account of Aethy's wedding is neither the wishful thinking of a proud mother nor the exaggeratioi of the one who made it ell possible. If she is anything the wonderful little girl I rememer she deserved no less. Hope she will always be as hapoy re4 everyone war that da'. The news about Sidney is a shock. I think that as we grow older we tend to thinks of those we have known and loved for years in terms of as they were when we first knew them. Thus I have always thought of Sidney as quietly durable - ongoing forever. I do hope he can adjust to a new life without undue impatience. it is possible, imposeible as it may asem to the active. And I hope he can again become as active as I have, although. I'd rather have him satisfied with less. Florida and the warm sun should be the beet medicine for both of you. With our hopes to add just a little sore warmth. And maybe a little envy to make it more precious. With patience and a little more ears than I exercised Sidney will get his strength back. First I went too far, was too careful, too self-indulgent from it. They I went too far the other way, partly because the doctors prepraed me for nothing. Since then I have worked it out for myself. I do what I feel like doing. Now I can put in the hours you may recall - and do.
    [Show full text]
  • Alfred A. Knopf
    Alfred A. Knopf Publisher of Borzoi Books Fall 2009 22112_K-Fa09_f_MM.qxp:K-Fa09_1p_r1 3/6/09 3:21 PM Page 43 Alfred A.Knopf Index of Titles Page Page The American Civil War, John Keegan 85 Lincoln, Life-Size, Philip B. Kunhardt III, American Icon, Teri Thompson, Peter W. Kunhardt, and Peter W. Nathaniel Vinton, Michael O’Keeffe, and Kunhardt, Jr. 89 Christian Red 46 The Museum of Innocence, Orhan Pamuk 83 Angel Time, Anne Rice 79 The National Parks, Dayton Duncan and The Art Student’s War, Brad Leithauser 94 Ken Burns 55 The Bauhaus Group, Nicholas Fox Weber 78 News of the World, Philip Levine 74 Blood’s A Rover, James Ellroy 63 Noah’s Compass, Anne Tyler 61 The Case for God, Karen Armstrong 57 Nocturnes, Kazuo Ishiguro 53 The Children’s Book, A. S. Byatt 69 Nothing Was the Same, Kay Redfield Civil War Wives, Carol Berkin 64 Jamison 65 The Complete Lyrics of Johnny Mercer, On Thin Ice, Richard Ellis* 92 Johnny Mercer 80 The Original of Laura, Vladimir Nabokov 97 Conquering Fear, Harold S. Kushner 81 Painting Below Zero, James Rosenquist 86 Conversations with Woody Allen, Eric Lax 52 A Phone Call to the Future, Mary Jo Crossers, Philip Caputo 76 Salter 54 Crude World, Peter Maass 58 The Pleasures of Cooking for One, The Death of Ivan Ilyich and Other Judith Jones 62 Stories, Leo Tolstoy 98 The Queen Mother, William Shawcross 93 Defend the Realm, Christopher Andrew 77 Redeeming Features, Nicholas Haslam 96 Easy, Marie Ponsot 84 Robert Altman, Mitchell Zuckoff 73 Eating, Jason Epstein 82 Robert Redford, Michael Feeney Callan 95 The Education of a British-Protected Child, Chinua Achebe* 72 Selected Poems, Frank O’Hara 54 Endpoint and Other Poems, John Updike 45 The Sibley Guide to Bird Life and Behavior, David Allen Sibley 48 A Gate at the Stairs, Lorrie Moore 59 The Slippery Year, Melanie Gideon 51 The Godfather of Kathmandu, John Burdett 75 Sweet Thunder, Wil Haygood* 68 Half the Sky, Nicholas D.
    [Show full text]
  • October 11–14, 2018 2018 SCHEDULE at a GLANCE THURSDAY, OCTOBER 11 Brooks Memorial Library 7:00 – 8:00 Pm Jarrett J
    October 11–14, 2018 2018 SCHEDULE AT A GLANCE THURSDAY, OCTOBER 11 Brooks Memorial Library 7:00 – 8:00 pm Jarrett J. Krosoczka, Hey, Kiddo 118 Elliot 7:30 – 9:30 pm True as Steel, a dramatic reading on Royall Tyler with Richard Epstein & Jenny Holan FRIDAY, OCTOBER 12 118 Elliot 7:00 – 8:30 pm A Little Box of Yes (a Storymatic event) with Stefan Merrill Block, Matthew Dicks, Kate Greathead, Noy Holland & Michael Preston SATURDAY, OCTOBER 13 Centre Congregational 118 Elliot Brooks House Atrium Latchis 4 Brooks Memorial Library Church 10:00 – 11:15 am 10:00 – 11:15 am 10:30 – 11:30 am 10:00 – 11:15 am Stefan Merrill Block & Bianca Stone & Jenny Xie David Elliot & Matthew Trueman Madeleine Kunin & John Leland Teddy Wayne 11:30 am – 12:30 pm 11:30 am – 12:45 pm 11:30 am – 12:45 pm 11:30 am – 12:30 pm 11:30 am – 12:45 pm Ryan Walsh Write Action Spotlight: Nichael Wyn Cooper & Dorothea Lasky Ann Braden Andrea Barnet & Laura Shapiro Cramer, Arlene Iris Distler, Thomas Griffin, Terry Hauptman, Toni Ortner, Matti Salminen 12:45 – 2:00 pm 1:30 – 2:30 pm 1:00 – 2:15 pm Kate Greathead & Joan Silber Sandra Neil Wallace & Rich Colin Calloway Wallace 2:30 – 3:45 pm 2:15 – 3:00 pm Alia Malek & Tom Sleigh with Denise Duhamel & D. Nurkse Cara Blue Adams 3:45 – 5:00 pm Vievee Francis & Lynn Melnick 4:00 – 5:00 pm Beowulf Sheehan 5:15 – 6:30 pm Happy hour and Short Story Showcase with Noy Holland, Ben Marcus, Sigrid Nunez, Joan Silber & Dariel Suarez 7:00 – 8:30 pm Write Action Open Reading SUNDAY, OCTOBER 14 118 Elliot Brooks Memorial Library New England
    [Show full text]
  • 12 Celebrating Black Voices 27 Remembering RBG 33 Revising
    FALl–WINTER 2020 12 Celebrating Black Voices 27 Remembering RBG 33 Revising Section 512 Articles THE AUTHORS GUILD President BULLETIN Douglas Preston 9 Vice President Two Lawsuits Chief Executive Officer Monique Truong Mary Rasenberger 12 The Case for Revising Section 512 Treasurer General Counsel Peter Petre 15 In Memoriam: Ruth Bader Ginsburg Cheryl L. Davis Secretary 1933–2020 Editor Rachel Vail Martha Fay Members of the Council 17 Celebrating Black Voices Copy Editor Rich Benjamin Heather Rodino Amy Bloom 20 Q&A: Judy Allen Dodson and Kelly Starling Design Mary Bly Studio Elana Schlenker Alexander Chee Lyons Pat Cummings Cover Art + Illustration Sylvia Day 28 Busier Than Ever: In the Time of COVID-19 Lindsey Bailey W. Ralph Eubanks lindseyswop.com Peter Gethers 44 Authors Guild Foundation Benefit, 2020 All non-staff contributors Lauren Groff to the Bulletin retain Tayari Jones 52 Regional Chapters Update copyright to the articles Min Jin Lee that appear in these pages. Nicholas Lemann Guild members seeking Steven Levy information on contributors’ John R. MacArthur other publications are D. T. Max Departments invited to contact the Daniel Okrent Guild office. Published by Michelle Richmond Julia Sanches 2 The Authors Guild, Inc. Short Takes James Shapiro Hampton Sides The Authors Guild, 4 From the President T.J. Stiles the oldest and largest Jonathan Taplin association of published 6 From the Home Office Danielle Trussoni authors in the United Nicholas Weinstock 32 Legal Watch States, works to protect and promote the Ex-Officio & 35 Advocacy News professional interests Honorary Members of its members. The Guild’s of the Council 38 Books by Members forerunner, The Authors Roger Angell League of America, was Roy Blount Jr.
    [Show full text]
  • 11/21/95 Boar Kathy, It Is Wonderful News! Uongmtulations! but Given That You Were Quite a Story Teller at Eight, Illuminated at That, It Is Only Logical
    11/21/95 Boar Kathy, It is wonderful news! Uongmtulations! But given that you were quite a story teller at eight, illuminated at that, it is only logical. It should aunr well for the future, for the next. Good luck with it. I'm clad they are ending you. around to promote the book. It can be int er- esting if it is uith a4 novel an it wan with nonfiction when I was able to do that. Not as likely to include coufrthnt:,tions and deucifiations, though. I enjoyed some of them. Especially the wise guys. Reminds mu of what may amuse you. h week. or ten days ago soi_;ot in called the Coalition on Volitical Assassina- tions held its annual meeting in .a:_-,hington. I've had nothing to do with them. But they honoml me with an a,urd for lifotimes achievement, otc.Not travelling I was not there. Norman hailer had agreed to enpear and to speak. lie did not. One of the reason he gave is he thogghtI'd be there. I'm sure it is over his big bomb, mistitled Oswald's Tale. lie in not as tough as he pretends. Doak ,lathy who was telling stories on paper before she was a Brownie, it is wonderful nous and we arc happy for you over it. T'1 Mks for your good wishes. lie aro about as well as we can hg expect to be. Pleas() remember uc to your mother, who we hone is fine %nd happy. Best to you all, Katharine Weber 108 BEACON ROAD, BETHANY, CONNECTICUT U6524 /■301,0;11ev0704, 1-"Lva-: 11.10-Nom..
    [Show full text]
  • Dear, Denr Kathy, 2/2/95 of Course 1 Know You Are Not Being Anything
    Dear, denr Kathy, 2/2/95 Of course 1 know you are not being anything but supportive and helpful and do AP appreciate it. .After all, didn't EisAnhower insist that crises of the more potential be fe;;uced to a single page for him to r:ad7 (Did I ever tell you that ike was a fan of Lira cooking and got and read her recipes after the was the Vational Chicqkn Cooking a champion, that he raised on his farm some of our canard de Y §3L Rouen into which I bred a slZrt of a colorful bend pompom? And that he had no such interest in my recipe when I waa the Rational lAarbecue Ling?) I misundertood your card. I thouglf you had your agent in mind. I've had to lay this 42-page draft article aaide for other work. What controlawhat,do is my intent to get as much as I can in paper to perfect to the degree I can the record for our history of the assassination. I've aid added about 250 pp to this article and am far from finished. I4two young women retyping two other book manuscripts. One of them I thought I'd completed but am adding an epilogue almost finished and to which I'll return after wr4tng this. Which will aait a day to reduce my confabulation when -L read and oorrect it. 'y experiences with C have been so unpleasant and disappointing I've hot even offered them tho sequel to REVE2. AGAIN! The copy editing, which was to have been done a year and a half ago and aftier this page fron their catalogue of which they did not bother even to inform me)' was promised for a month ago, was again promided for this week and I do not yet have it.
    [Show full text]
  • OSHER LIFELONG LEARNING INSTITUTE @ BRANDEIS BOLLI: Fall Term 2013
    OSHER LIFELONG LEARNING INSTITUTE @ BRANDEIS BOLLI: Fall Term 2013 Preparation times are estimated per week. If handouts are listed as readings, reimbursement for copies will be made to the Study Group Leader; arrangements for this will be made in the class. eBoards are online communication and information tools available to study groups. If they are being used in a course, they are listed in the course descriptions. SGL contact info can be found on the BOLLI member website. If you expect to be absent for 3 or more weeks during the semester, please read the course descriptions carefully. Courses where the SGL has indicated the importance of regular attendance are not appropriate for you. Please select an alternative. Art2-10-Tu1 Painters of the Italian Renaissance Leader - Suzanne Art Tuesday – Course Period 1 – 9:00 am to 10:25 am Description The Renaissance was an exciting time of rediscovery of the ideals of classical antiquity. Nowhere is this more apparent than in the paintings produced in Italy. In this course, we will learn about humanism and see how its principles are reflected in the art of the times. After a brief look at examples of Byzantine and Gothic paintings of the late medieval period, we will examine the innovations made by artists such as Giotto and Duccio during the “proto-Renaissance” of the late 13th and early 14th centuries. Then we will plunge into a study the major works of Early Renaissance painters, such as Masaccio, Fra Angelico, and Botticelli. Finally we will look at the paintings of the great masters of the High Renaissance - Leonardo da Vinci, Michelangelo, Raphael, and Titian - as well as those of some of their most talented contemporaries.
    [Show full text]
  • Dissertation.Pdf
    ABSTRACT Title of Dissertation: VERMEER IN DIALOGUE: FROM APPROPRIATION TO RESPONSE Marguerite Anne Glass, Doctor of Philosophy, 2003 Dissertation directed by: Associate Professor Mary Corbin Sies Department of American Studies The intrinsic value of art rests in the response it conjures in its audience and the information this response can convey about the culture in which it resides. The paintings of the 17th century Dutch artist Johannes Vermeer are proving particularly relevant to our contemporary culture. The scholarly discourse on Vermeer and his paintings, the exhibition of his works, their reproduction in diverse media, and their appropriation by artists, novelists, and filmmakers have created dialogues on Vermeer that promote understanding of his meaning today. Surrounding Vermeer with the various dialogues that have surfaced in culture provides a way of understanding how meaning has been ascribed to this artist and just what this meaning is. The degree of attention afforded to Vermeer through the exhibition forum has shifted his paintings into the full view of a broad international audience, made the artist and his paintings celebrities, and established Vermeer’s aesthetic as a cultural emblem of beauty open to public response and interpretation. This thesis is argued within the context of five museum exhibitions related to Vermeer that took place between 1995- 2003 and through an in-depth discussion of the appropriation of his paintings by other artists, writers, filmmakers and their critics. Critical methods from art history, visual culture studies, film studies, consumer culture studies, anthropology, and ethnography are employed to support this thesis Appropriation is an important theme in our contemporary culture; yet, there is also an historical context through which it has evolved.
    [Show full text]