Radiocentre Marks 40Years of Commercial Radio With
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Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
Gerrit Swanepoel DUBBING MIXER
Gerrit Swanepoel DUBBING MIXER C R E D I T L I S T Horizon – Trail – The Lost Tribes Of Humanity Factual - 1x60’ - BBC2 - BBC Factual All Together Now: The Great Orchestra Challenge Factual - 4x60’ - BBC2 & 4 - BBC Music Coach Trip - Road To Ibiza Light Entertainment - 30x30’- E4 - 12 Yard Separated at Birth Factual - 7x60’ - TLC – CTVC British Army Girls Factual - 1x60’ - Lion TV – Channel 4 The Real Story Of…. Factual–10 x 60' - Discovery - World Media Rights Great British Benefits Handout Factual - 4x60’ - Channel 5 - Dragonfly TV PQ 17: An Arctic Convoy Disaster Factual - 1 x 60’ - BBC2 - BBC Factual Steve Backshall's Extreme Mountain Challenge Factual - 2 x 60’ - BBC2 - BBC Factual Psychedelic Britannia Factual - 1x60' - BBC4 - BBC Factual Music Moguls: Mythmakers Factual - 1x60' - BBC4 - BBC Music Britain's Bomb Factual - 1x60' - BBC – BBC 4 Wonders Of Nature Factual - 6x30' - BBC – BBC Science George Clarke's Amazing Spaces Series 1-4 Factual - 26 x 60’ - Channel 4 - Plum Pictures Sex And The West Factual 3 x 60’ - BBC2 - BBC Factual My Life: Mr Alzheimers and Me Factual - 1 x 30' - CBBC - Tigerlily Films World’s Most Extreme: Airports Factual Entertainment - 1 x 60’ - More4 - Arrow Media Border Country: The Story Of Britain's Lost Middleland Factual - 2 x 60’ - BBC2 - BBC Factual Come Dine Champion Of Champions Factual - 20 x 60’– Channel 4 - Shiver Hair Factual - 1 x 30' - BBC Series Horizon - First Britons Factual - 1 x 60' – BBC2 – BBC Factual Jodie Marsh: Women Who Pay For Sex Factual - 1 x 60’ - Discovery TLC - Thumbs Up -
Radio City 2 and City Talk Requests to Change Formats
Radio City 2 and City Talk Requests to change Formats Consultation Publication date: 21 July 2015 Closing date for responses: 2 September 2015 Requests to change Formats – Radio City 2 and City Talk Contents Section Page 1 About this document 2 2 Details and background information 3 Annex Page 1 Responding to this consultation 6 2 Ofcom’s consultation principles 8 3 Consultation response cover sheet 9 4 Consultation questions 11 5 Format Change Requests - Radio City 2 & City Talk 22 6 Existing Formats of Radio City & City Talk 23 7 Other commercial and community radio stations in the Liverpool area 24 1 Requests to change Formats – Radio City and City Talk Section 1 1 About this document 1.1 Ofcom has received two Format change requests from Radio City (Sound of Merseyside) Ltd, which holds an AM and two FM commercial radio licences for Liverpool. 1.2 A station’s Format describes the type of programme service which it is required to provide, and forms part of the station’s licence. 1.3 Radio City (Sound of Merseyside) Ltd wishes to change the ‘Character of Service’ of its AM licence (currently Radio City 2) and one of its FM licences (currently City Talk). 1.4 Radio City 2’s published Format requires the service to broadcast “a classic soft pop music-led service”. The licensee wishes to change this to a service of “rock hits with news, local sport and information programming.” 1.5 City Talk’s published Format requires the service to broadcast “speech and soft pop- led music programming”. -
Dfa Investment Trust Co
SECURITIES AND EXCHANGE COMMISSION FORM N-Q Quarterly schedule of portfolio holdings of registered management investment company filed on Form N-Q Filing Date: 2004-10-27 | Period of Report: 2004-08-31 SEC Accession No. 0001104659-04-032148 (HTML Version on secdatabase.com) FILER DFA INVESTMENT TRUST CO Business Address 1299 OCEAN AVE CIK:896162| IRS No.: 000000000 | State of Incorp.:DE | Fiscal Year End: 1130 11TH FLOOR Type: N-Q | Act: 40 | File No.: 811-07436 | Film No.: 041100436 SANTA MONICA CA 90401 3103958005 Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM N-Q QUARTERLY SCHEDULE OF PORTFOLIO HOLDINGS OF REGISTERED MANAGEMENT INVESTMENT COMPANY Investment Company Act file number 811-7436 THE DFA INVESTMENT TRUST COMPANY (Exact name of registrant as specified in charter) 1299 Ocean Avenue, 11th Floor, Santa Monica, CA 90401 (Address of principal executive offices) (Zip code) Catherine L. Newell, Esquire, Vice President and Secretary The DFA Investment Trust Company, 1299 Ocean Avenue, 11th Floor, Santa Monica, CA 90401 (Name and address of agent for service) Registrant's telephone number, including area code: 310-395-8005 Date of fiscal year end: November 30 Date of reporting period: August 31, 2004 ITEM 1. SCHEDULE OF INVESTMENTS. The DFA Investment Trust Company Form N-Q August 31, 2004 (Unaudited) Table of Contents Schedules of Investments The U.S. Large Company Series The Enhanced U.S. Large Company Series The U.S. Large Cap Value Series The U.S. -
European Citizen Information Project FINAL REPORT
Final report of the study on “the information of the citizen in the EU: obligations for the media and the Institutions concerning the citizen’s right to be fully and objectively informed” Prepared on behalf of the European Parliament by the European Institute for the Media Düsseldorf, 31 August 2004 Deirdre Kevin, Thorsten Ader, Oliver Carsten Fueg, Eleftheria Pertzinidou, Max Schoenthal Table of Contents Acknowledgements 3 Abstract 4 Executive Summary 5 Part I Introduction 8 Part II: Country Reports Austria 15 Belgium 25 Cyprus 35 Czech Republic 42 Denmark 50 Estonia 58 Finland 65 France 72 Germany 81 Greece 90 Hungary 99 Ireland 106 Italy 113 Latvia 121 Lithuania 128 Luxembourg 134 Malta 141 Netherlands 146 Poland 154 Portugal 163 Slovak Republic 171 Slovenia 177 Spain 185 Sweden 194 United Kingdom 203 Part III Conclusions and Recommendations 211 Annexe 1: References and Sources of Information 253 Annexe 2: Questionnaire 263 2 Acknowledgements The authors wish to express their gratitude to the following people for their assistance in preparing this report, and its translation, and also those national media experts who commented on the country reports or helped to provide data, and to the people who responded to our questionnaire on media pluralism and national systems: Jean-Louis Antoine-Grégoire (EP) Gérard Laprat (EP) Kevin Aquilina (MT) Evelyne Lentzen (BE) Péter Bajomi-Lázár (HU) Emmanuelle Machet (FR) Maria Teresa Balostro (EP) Bernd Malzanini (DE) Andrea Beckers (DE) Roberto Mastroianni (IT) Marcel Betzel (NL) Marie McGonagle (IE) Yvonne Blanz (DE) Andris Mellakauls (LV) Johanna Boogerd-Quaak (NL) René Michalski (DE) Martin Brinnen (SE) Dunja Mijatovic (BA) Maja Cappello (IT) António Moreira Teixeira (PT) Izabella Chruslinska (PL) Erik Nordahl Svendsen (DK) Nuno Conde (PT) Vibeke G. -
Via Email: 18 February 2009 Dear Mr Request for Information
Via email: 18 February 2009 Dear Mr Request for Information – RFI20080111 Thank you for your request of 22nd January 2009 under the Freedom of Information Act 2000 seeking the following information: Is it possible to tell me how much the BBC spends on entering external awards, for example the Sony Radio Academy awards, BAFTA Television awards, Online Journalism awards etc? Would you be able to break it down to radio, TV and online entries? By way of background, it may be helpful for me to provide some explanation of the way in which the BBC manages entry into external awards and how such expenditure is recorded. The BBC submits entries to a huge number of awards across multiple divisions. Entry into awards is coordinated differently within the BBC, depending on the awards in question and there is no general ledger code for this type of expenditure which means that we are unable to obtain a report on this category of expenditure from our central finance system. Entry into a number of identified “priority” awards is coordinated centrally by BBC Vision’s Awards Unit – this includes the BAFTA Television Awards, RTS Programme Awards and international events such as the International Emmys and the Banff World Television Festival. Where this is the case, information about the cost of entering these awards is centrally collated and readily accessible. Entry into a wide range of other awards is either partly or wholly managed locally by individual divisions. In this case cost information is not necessarily collated centrally by that team and is therefore not readily accessible. -
Download Valuing Radio
Valuing Radio How commercial radio contributes to the UK A report by the All-Party Parliamentary Group on Commercial Radio The data within Valuing Radio is largely drawn from a 2018 survey of Radiocentre members. It is supplemented by additional research which is sourced individually. Contents 01 Introduction 03 Overview and recommendations 05 The public value of commercial radio • News and information • Economic value • Charity and community 21 Commercial radio people 27 Future of radio Introduction The APPG on Commercial Radio helps provide this important industry with a voice in parliament. With record audiences and more ways to listen than ever before, the impact of the industry should not be underestimated. While the challenges facing the sector have changed over the years, the steadfast commitment of stations to provide public value content every day remains. This new report, the first of its kind produced by the APPG, showcases the rich public value content that commercial radio provides to listeners for free. Valuing Radio explores the impact made by stations up and down the country, over and above the music and entertainment output that audiences expect. It looks particularly at radio’s role in providing news and information, the sector’s significant support for both charitable fundraising and education, in addition to work to improve diversity within the industry. Alongside this important public value content is a significant economic contribution to local economies across the UK. For the first time we have analysis on the impact of local advertising and the return on investment (ROI) that this generates for particular nations and regions of the UK. -
Dramatis Personae
Dramatis Personae Chris McCabe and Tom Jenks Argotist Ebooks 2 Cover image by Chris McCabe and Tom Jenks Copyright © Chris McCabe and Tom Jenks 2014 A rights reserved Argotist Ebooks 3 This is a se ection from the five co aborations written by Chris McCabe and Tom Jenks for the Camarade pro$ect between 2011 and 2013. Thanks to SJ Fow er, the curator of the pro$ect, for initiating and supporting the co aborations. Thanks a so to Mark Cob ey whose Red Cei ings Press pub ished the first co aboration as Gnomes in 2011, and to Sophie ,er-heimer for costumery and other visua input into the performances of this piece. 4 Dramatis Personae 5 The fo owing is a se ection from co aboration 1, written in August 2011 Avai ab e at http.//cmt$maintenant.wordpress.com This se0uence was pub ished by Red Cei ings Press with the tit e Gnomes. 6 THE LONDON FINGER 1hy did you put your finger in your mouth in 2ondon3 I didn’t put my finger in my mouth in London. 1hose finger did you put in your mouth in 2ondon3 I didn’t put anyone’s finger in my mouth in London. 1hose finger was it then3 4Chris McCabe5 7 RADIO PLAY ,op-scotching dog shits on the pavement. Knots of bronze. 7ou know about the white ones3 The white ones? 1hite dog shits. What? 8utcher9s bones : turns to ca cium in the intestines. How do strays get the butcher’s bones is it a Beano chase? It9s not the strays, they eat out the back of the baker9s. -
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
Completed Acquisition by Global Radio Uk Ltd of Gcap Media Plc
COMPLETED ACQUISITION BY GLOBAL RADIO UK LTD OF GCAP MEDIA PLC UNDERTAKINGS TO BE GIVEN BY GLOBAL RADIO UK LTD TO THE OFFICE OF FAIR TRADING PURSUANT TO SECTION 73 OF THE ENTERPRISE ACT 2002 WHEREAS: (a) On 6 June 2008 Global acquired GCAP; (b) It appears to the OFT that, as a consequence of that transaction, a relevant merger situation has been created in the UK; (c) The OFT has a duty to refer a completed merger to the CC for further investigation where it believes that it is or may be the case that the creation of that merger situation has resulted or may be expected to result in a substantial lessening of competition within any market or markets in the UK for goods or services; (d) Under section 73 of the Act the OFT may, instead of making such a reference and for the purpose of remedying, mitigating or preventing the substantial lessening of competition concerned or any adverse effect which may be expected to result from it, accept undertakings to take such action as it considers appropriate, from such of the parties concerned as it considers appropriate, in particular having regard to the need to achieve as comprehensive a solution as is reasonable and practicable to the substantial lessening of competition and any adverse effects resulting from it; (e) The OFT considers that, in the absence of appropriate undertakings, it would be under a duty to refer the acquisition of GCAP to the CC; and (f) The OFT further considers that the undertakings given below by Global are appropriate to remedy, mitigate or prevent the substantial lessening of competition, or any adverse effect which has or may have resulted from it, or may be expected to result from it, as specified in the Decision. -
Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’
Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’ Lee Marsden A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Department of Sociological Studies Date: 20 September 2020 1 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Declaration I, the author, confirm that the Thesis is my own work. I am aware of the University’s Guidance on the Use of Unfair Means (www.sheffield.ac.uk/ssid/unfair-means). This work has not previously been presented for an award at this, or any other, university. 2 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren “If public attitudes are informed by inaccurate, ideological and stigmatising representations of the poor, then policies preferred by the public (and political elites) are unlikely to seek to tackle the structural causes of inequality [...] In essence, this works to ensure that the working / underclass are positioned in a top-down society created for them, and they are expected to involve themselves in that society under those prearranged social constructs” (Power, 2011 p3). “For a long time the quarry was full of snowdrifts and nothing could be done. Some progress was made in the dry frosty weather that followed, but it was cruel work, and the animals could not feel so hopeful about it as they had felt before. They were always cold, and usually hungry as well. Only Boxer and Clover never lost heart. Squealer made excellent speeches on the joy of service and the dignity of labour, but the other animals found more inspiration in Boxer's strength and his never-failing cry of "I will work harder!” (George Orwell: Animal farm, 1945 p80) 3 Lee Marsden. -
Digital One’S Response to the Ofcom Consultation “Future Pricing of Spectrum Used for Terrestrial Broadcasting”
Digital One’s Response to the Ofcom Consultation “Future pricing of spectrum used for terrestrial broadcasting” 1. Digital One operates the UK’s only national commercial DAB digital radio multiplex. Its shareholders are GCap Media (63%) and Arqiva (37%). Digital One’s transmission network (which is operated by Arqiva) is the world’s biggest DAB digital radio network with coverage well in excess of 85% of the British population. Digital One’s multiplex broadcasts: - the three INRs (Classic FM, Virgin Radio and talkSPORT); - four digital-only national stations (Capital Life, Core, Oneword and Planet Rock) with a further station being launched in the next few months; - TV channels and an Electronic Programme Guide broadcast as part of BT Movio. Digital One is a leading stakeholder in the UK’s Digital Radio Development Bureau and the WorldDAB Forum (which is responsible for the DAB digital radio standard and works to coordinate the international roll-out of Eureka 147 based technologies). 2. Digital One is licensed under the 1996 Broadcasting Act, and has licence obligations which help deliver public policy benefits. These limit Digital One’s ability to use the spectrum it has been allocated in the most efficient manner (in economic terms). For example: - the obligation to operate a transmitter network which delivers high population coverage; - the obligation (at the direction of the Secretary of State for the Department of Culture, Media and Sport) to carry the three INRs and to offer each INR an amount of capacity dictated by the regulator;