DOCSLIB.ORG

Y:\00 BERNAERTS MUSIC\Copy of 00

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Y:\00 BERNAERTS MUSIC\Copy of 00 Performance Time : 3.24 min. Music composed by Mr. Lordi, Mr. Kita, Mr. Amen, Mr. Kalma & Miss Awa 9 Heavy and Powerful Rock q = 126 HARD ROCK HALLELUJAH Flute 1,2 Eurovision Song Contest Winner 2006 and Performed by Lordi ff Concert Band - Harmonie - Blasorchester Arranged by Jan van Kraeydonck Oboe Misterioso in organ style q = 126 5 ff Bassoon Flute 1,2 mf f ff Oboe Eb Clarinet mf f ff Bassoon Bb Clarinet 1 mf f ff Eb Clarinet Bb Clarinet 2 mf f ff Bb Clarinet 1 B Clarinet 3 b mf f ff Bb Clarinet 2 E Alto Clar. b mf f ff Bb Clarinet 3 Bb Bass Clar. mf f ff Eb Alto Clarinet E Alto Sax. 1 mf b f ff Bb Bass Clarinet mf f Eb Alto Sax. 2 ff Eb Alto Saxophone 1 Bb Tenor Sax. mf f E Alto Saxophone 2 ff b mf f Eb Bar. Sax. B Tenor Saxophone ff b mf f Bb Trp./Crnt. 1 E Baritone Saxophone ff b mf f Bb Trp./Crnt. 2 B Trumpet/Cornet 1 b ff mf f Bb Trp./Crnt. 3 Bb Trumpet/Cornet 2 ff mf f F Horn 1 Bb Trumpet/Cornet 3 ff mf f F Horn 2 F Horn 1 mf f ff F Horn 2 F Horn 3 mf f ff F Horn 3 C Trombone 1 mf f ff C Trombone 1 C Trombone 2 mf f ff C Trombone 2 C Trombone 3 mf f ff C Trombone 3 C Euph./Bar. mf f ff C Euphonium/Baritone C Bass mf f C Bass ff mf Timpani Samplef Score ff Timpani s.c. t.t. l.c. Drums Drums ff Floor Dr. Floor Drum ff Tam-Tam Tam-Tam mf ff mf ff mf Glockenspiel Glock. 2 3 4 5 f 6 Copyright © HMC-Helsinki Music Company. 7 8 9 10 11 12 Used by kind permission of BMG Music Publishing B.V. Authorised edition 2007 : Bernaerts Music bvba, Music Publishers, Willebroek-Belgium, E.C. 2007.0517 2 17 21 Flute 1,2 Flute 1,2 Oboe Oboe Bassoon Bassoon E Clarinet Eb Clarinet b B Clarinet 1 Bb Clarinet 1 b B Clarinet 2 Bb Clarinet 2 b B Clarinet 3 Bb Clarinet 3 b Eb Alto Clar. Eb Alto Clar. Bb Bass Clar. Bb Bass Clar. Eb Alto Sax. 1 Eb Alto Sax. 1 E Alto Sax. 2 Eb Alto Sax. 2 b B Tenor Sax. .
Load more

Recommended publications
  • Lordi Killection
    Lordi Killection Release January 31, 2020 Genre Hardrock / Heavy Metal Producer Studio Cover Artwork Mr. Lordi TIP Photographer Nobody knows exactly how old the Finish monsters really are or how long they’ve been striking terror into people’s hearts. Officially the Rock/Heavy Metal monsters LORDI were founded in 1992 by lead singer, songwriter, visual art designer and costume designer Mr. Lordi. The band has deep Finnish roots, originating from the city of Rovaniemi, in Lapland. In 2006 they celebrated their international breakthrough by winning the Eurovision Song Contest (“Hard Rock Hallelujah”) They are Finland’s only winners to date and they earned more points than any other artists in the history of the Eurovision Song Contest up to that time. But is it possible that this is only a pale misperception of our poor, small, pathetic reality? Is there, however unlikely it may seem, another truer reality? What if LORDI would have already been making music since the early 70's? And what if they have been releasing one hit single after the other since those times and now, almost 50 years later, are looking back on a full collection of songs that have been successful ever since? This is exactly the idea that LORDI are celebrating, or maybe a more appropriate word is executing, with their newest studio album “Killection.” Killection will be released on January 31st via AFM Records/Soulfood Music. Once more Mr Lordi, the master of the masquerade, presents us with one of his ideas, absurd and genius at the same time, and comes up with a concept that has never been done before in the music industry: "Killection" is a compilation album that simply says “what if” LORDI had been in existence since the early 70's.
    [Show full text]
  • 90 Av 100 Ålänningar Sågar Upphöjd Korsning Säger Nej
    Steker crépe på Lilla holmen NYHETER. Fransmannen Zed Ziani har fl yttat sitt créperie till Lilla holmen i Mariehamn och för första gången på många år fi nns det servering igen på friluftsområdet. Både salta och söta crépe, baguetter och kaffe fi nns på menyn i det lilla caféet med utsikt över fågeldammen Lördag€ SIDAN 18 12 MAJ 2007 NR 100 PRIS 1,20 och Slemmern. 90 av 100 ålänningar sågar upphöjd korsning Säger nej. Annette Gammals deltog i Nyans gatupejling om Ålandsvägens upphöjda korsning- ar. Men planerarna har politikernas uppdrag att se Men frågan är: Vems bekvämlighet är viktigast? till också den lätta trafi kens intressen. NYHETER. Ska alla trafi kanter – bilister, – Jag tycker mig känna igen trafi kplane- ålänningarna kanske har svårare än andra att – Jag hatar bumpers, sa Ingmar Håkansson cyklister, fotgängare och gamla med rullator ringsdiskussionen från 1960-talet när devisen ge avkall på bilbekvämligheten. från Lumparland som har jobbat 26 år som – behandlas jämlikt i stadstrafi ken? var att bilarna ska fram, allt ska ske på bilis- – Åland är väldigt bilberoende. Men man yrkeschaufför. Ja, säger planerarna i Mariehamn. Politi- ternas villkor och de oskyddade och sårbara måste ändå tänka på att också andra har rätt 90 personer svarade nej på frågan om de vill kerna har godkänt de styrdokument som de trafi kanterna får klara sig bäst de kan, säger till en säker trafi kmiljö. ha upphöjda korsningar, tio svarade ja. baserar ombyggnaden av Ålandsvägen på. tekniska nämndens ordförande Folke Sjö- Känslorna var starka då Nyan i går pejlade – Jag har barn som skall gå över Ålandsvä- Det som nu har hänt är att en del politiker lund.
    [Show full text]
  • Ite Tehty Hirviö
    ITE TEHTY HIRVIÖ Tomi Putaansuun taiteilijakuva Pro gradu-tutkielma Kaarle Westlie Kuvataidekasvatus Lapin yliopisto 2016 Lapin yliopisto, taiteiden tiedekunta Työn nimi: ’’Ite tehty hirviö’’ Tomi Putaansuun taiteilijakuva Tekijä: Kaarle Westlie Koulutusohjelma/oppiaine: Kuvataidekasvatus Työn laji: Pro gradu-tutkielma Sivumäärä: 67 sivua, 2 liitettä Vuosi: 2016 Tiivistelmä Käsittelen pro gradu-tutkielmassani Tomi Putaansuun taiteilijuutta ja kartoitan hänen tai- teilijakuvaansa. Tutkin hänen taiteilijuutensa lähtökohtia ja käyn läpi hänen taiteellisen työskentelynsä lapsuudesta nykypäivään elämänkerrallisessa muodossa. Selvitän, missä määrin Putaansuuta voidaan pitää ITE-taiteilijana ja miten hänen taiteilijaidentiteettinsä on kehittynyt ja muuttunut hänen elämänsä aikana. Fenomenologis-hermeneuttisen tutkiel- mani aineisto koostuu haastattelusta, Putaansuun teoksista ja Mr. Lordista erillisen tarkas- telun kohteena. Haastattelun olen analysoinut narratiivisin keinoin. Aloitan käymällä läpi taiteilijatyypitysten ja taidemaailman määrittelyjä, jonka jälkeen esittelen ITE-taiteen il- miön. Tarkastelen myös alkuperäiskansojen taidetta maskien, tatuointien ja rituaalien muodossa, ja vertaan niitä ilmiöperäisesti Mr. Lordiin. Putaansuu on taiteilijana moniosaaja. Taidemaailmallisesti hän työskentelee pääosin mar- ginaalissa ja hän lukeutuu postmodernin taiteilijuuden taide-eläjä-tyypiksi. Itseoppineisuu- den, tee-se-itse-elämäntavan, yksilöllisen taiteilijuuden ja omaperäisen luovuuden perus- teella häntä voidaan nimittää myös ITE-taiteilijaksi.
    [Show full text]
  • Extensions of Remarks
    May 31, 1989 EXTENSIONS OF REMARKS 10445 EXTENSIONS OF REMARKS ABORTION-RIGHTS AND dren, however, does not seem to be the con­ ing" family doctor where the secret would RESPONSIBILITIES cern of the anti-abortionists. be hidden forever. For as long as history has To the people who say, "I object to paying been written, we know that women who do for all these women to have abortions", we not want their pregnancies have aborted HON. FORTNEY PETE STARK can point to how much more it costs society ... too often having to face the problem OF CALIFORNIA to deal with unwanted children who wind alone and paying the price with their own IN THE HOUSE OF REPRESENTATIVES up "in the system" as people burned out on lives. That is an environment we cannot drugs or in prison. or as emotionally recreate for American women. Wednesday, May 31, 1989 handicapped people, unloved and unwanted We would need to see the social stigma Mr. ST ARK. Mr. Speaker, today I would like as children, who spend their whole lives taken out of the act of giving a child for to bring to the attention of my colleagues an trying to figure out why they can't ever adoption; we need to educate "children who article written by a constituent of mine, Ms. "make it" with jobs, relationships, parent­ are having children" before they get preg­ Carol B. Layton. Ms. Layton is the issues ing, etc. Another economic factor is that a nant; we need to have programs that help young woman who becomes a parent and provide nurturing care for children born to management chair for the Bay Valley District has no education, training or personal sup­ mothers who didn't find motherhood the Chapter of Business and Professional Women port system (family> almost always becomes emotionally rewarding fantasy they had en­ in Alameda, CA.
    [Show full text]
  • El Festival De Eurovisión: Más Allá De La Canción
    ISSN electrónico: 2172-9077 https://doi.org/10.14201/fjc201715145162 EL FESTIVAL DE EUROVISIÓN: MÁS ALLÁ DE LA CANCIÓN Eurovision Song Contes, beyond the Song Laura ORTIZ MONTERO España E-Mail: [email protected] orcid.org/0000-0001-6185-2846 RESUMEN La Unión Europea de Radiodifusión (UER) nació en 1950 para mejorar el servicio de radio y televisión mediante la colaboración y el intercambio de contenidos. Este, en un principio, se limitaba solo a noticias y deportes. Para au- mentar sus servicios, en 1956 apostaron por crear un certamen donde la música sirviera de nexo de unión entre los pueblos: el Festival de Eurovisión. Sesenta y un años más tarde, el Festival se ha convertido en uno de los programas de televisión más longevo del mundo, así como uno de los eventos que cuenta con más audiencia. Esta investigación pretende conocer si el Festival cumple con los objetivos de la UER, señalados en sus estatutos, que hacen referencia a la diversidad cultural e identidad de los pueblos. Palabras clave: Festival de Eurovisión; diversidad cultural; identidad de los pueblos; Unión Europea de Radiodifusión. ABSTRACT The European Broadcasting Union (EBU) was born in 1950 to improve service radio and television through collabora- tion and sharing content. This was, initially, limited only to news and sports. Therefore, in order not to be based only on that content, in 1956 they opted to create an event where music was a link between peoples: the Eurovision Song Con- test. Sixty-one years later, the Song Contest has become one of the longest running programs in television in the world as well as one of the events that have the highest audience.
    [Show full text]
  • Facultad De Filosofía Y Letras El Festival De Eurovisión: Más Allá De
    CURSO 2015-2016 Facultad de Filosofía y Letras Grado en Periodismo El Festival de Eurovisión: Más allá de la canción Alumna: Laura María Ortiz Montero Tutora: Nereida López Vidales 1ª Convocatoria: Julio de 2016 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. 2 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. MARCO LEGAL El presente Trabajo de Fin de Grado sigue las normas del Real Decreto 1393/2007, de 29 de octubre, regulado en la Universidad de Valladolid por las Cortes de Castilla y León y publicado en el B.O.C. y L. n.º 32, de 15 de febrero, modificado el 27 de marzo de 2013, por el que se establece la ordenación de las enseñanzas universitarias oficiales, indica que todas las enseñanzas oficiales de grado concluirán con la elaboración y defensa pública de un Trabajo de Fin de Grado, que ha de formar parte del plan de estudios. Los 6 ECTS a los que equivale este Trabajo de Fin de Grado son en los que el alumno deberá demostrar las competencias básicas de la titulación. 3 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. 4 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. Resumen La Unión Europea de Radiodifusión (UER) nació en 1950 para mejorar el servicio de radio y televisión mediante la colaboración y el intercambio de contenidos. Este, en un principio, se limitaba solo a noticias y deportes. Para aumentar sus servicios, en 1956 apostaron por crear un certamen dónde la música sirviera de nexo de unión entre los pueblos: el Festival de la Canción de Eurovisión.
    [Show full text]
  • May 22, 2006 the Free-Content News Source That You Can Write! Page 1
    May 22, 2006 The free-content news source that you can write! Page 1 Top Stories Wikipedia Current Events Wikipedia Current Events Explosion blasts Palestinian • The Mall of Asia formally opened Eurovision Song Contest 2006 intelligence service HQ to the public in Manila, with the song Hard Rock An explosion has ripped through Philippines. Philippine President Hallelujah. the headquarters of the Gloria Macapagal-Arroyo •Thoroughbred racehorse Barbaro Palestinian general intelligence inaugurated the mall May 20. suffers a career-ending injury in service in the Gaza Strip. In Louisiana, United States, Ray the Preakness Stakes at Pimlico Palestinian officials say several • Nagin is re-elected Mayor of New Race Course in his quest to people were wounded in the Orleans. become the 13th winner of the explosion, including intelligence Triple Crown of Thoroughbred chief Tareq Abu Rajab. The construction of the Three • Racing, thus extending the Gorges Dam wall, the largest drought to 28 years. 300 Vietnamese fishermen dam in the world, is completed in rescued after record China the People's Republic of China. typhoon Missing girl from British Campaigning in Montenegro's China has rescued more than 300 • Columbia found safe Vietnamese fishermen who were referendum on independence A missing 11 year old girl was missing in the wake of a record ends at midnight local time, with found safe on Thursday around typhoon which blasted the South voting scheduled to begin the 5:00 am PDT after disappearing China Sea. Survivors were found following morning. (B92) A final May 16 while riding her scooter to on 22 Vietnamese ships near the poll shows the independence a local video store near the north Pratas islands, off the southern forces with 56% support, slightly Okanagan town of Armstrong, coast of Guangdong province.
    [Show full text]
  • Festival Eurovisão Da Canção: 60 Anos
    121 Veredas da História, [online], v.8, n.1, 2015, p. 121--139, ISSN 1982-4238 FESTIVAL EUROVISÃO DA CANÇÃO: 60 ANOS: MULTICULTURALISMO, DIVERSIDADE E ALTERIDADE. José Fernando Saroba Monteiro1 Universidade Federal Rural do Rio de Janeiro. Resumo: Um dos mais assistidos programas de entretenimento no mundo, o Festival Eurovisão da Canção chega em 2015 ao seu sexagenário. Criado para fazer competir canções representantes de diferentes países europeus, o Festival Eurovisão da Canção hoje se apresenta muito mais do que uma simples competição musical. Hoje, com proporções globais, o Festival Eurovisão da Canção tem no multiculturalismo, na diversidade e na alteridade palavras-chave para a sua compreensão, abrigando diferentes grupos e promovendo a inclusão e a interação em seu certame, que também a cada ano e cada vez mais levanta a bandeira da igualdade e da unificação entre os povos. Palavras-chave: Festival Eurovisão da Canção, multiculturalismo, diversidade. Abstract: One of the most watched entertainment programs in the world, the Eurovision Song Contest, comes, in 2015, to their sixties. Created as contest among songs from different European countries, Eurovision Song Contest today presents much more than a single musical competition. Nowadays, with global proportions, the Eurovision Song Contest has multiculturalism, diversity and alterity keywords for your understanding, joining different groups and promoting inclusion and interaction in your contest, which also each year and increasingly raises the banner of iguality and unity among peoples. Keywords: Eurovision Song Contest, multiculturalism, diversity. Apresentação O Festival Eurovisão da Canção (Eurovision Song Contest – ESC) completa em 2015 sessenta anos de existência, sendo um dos mais antigos concursos televisivos do mundo e o programa favorito entre os europeus.
    [Show full text]
  • El Festival De Eurovisión, Desde Su Creación En 1956, Ha Potenciado
    El Festival de Eurovisión, desde su creación en 1956, ha potenciado una ficción de comunidad a través del medio audiovisual que aquí se analizará a través de cuatro conceptos: hospitalidad, contención, pronunciación y serialidad. La creciente y exitosa participación de los países “del este” de Europa en el concurso ha favorecido una “venganza de los márgenes” (Björnberg 2007), “representándose” así cierta “condición de periferia” a través de la fórmula “Canción”, limitada a tres minutos, a la temática “no política” de su letra y su despliegue escenográfico. Además, junto a la cuestión idiomática del (dis)continuo flujo de traducción/pronunciación de la gala, dicha participación genera, como espectáculo anual, una programación, siendo el Festival testigo de las transformaciones de la “Europa” de los últimos 60 años. Apoyándonos en tesis existentes el ámbito anglosajón, apostamos así por una relectura del show televisivo no deportivo más multitudinario del mundo desde el análisis y la estética de la imagen en movimiento. Eurovisión, identidad, hospitalidad, espectáculo, serialidad Since his creation (1956), the Eurovision Song Contest has promoted a fiction of community through audio-visual media that here we’ll analyse through concepts of hospitality, containment, pronunciation and seriality. At first, the rising interest and victories from Eastern European countries of this show, allows a sort of “revenge of margins”, an own representation centring notions of periphery. Under the “Sing” formula, limited on three minutes, also in the “non-political” lyrics, and into a scenography display, it have been generated an own entity with the idiomatic question because of the discontinuous flux of translation and pronunciation.
    [Show full text]
  • Events Spring 2013
    FinnisH CLAIRE AHO CULTURE 19.4-21.5 EVENTS SPRING 2013 CLAIRE AHO FIVE QUESTIONS WITH MR LORDI OTTO TOLONEN 19 April – 21 July, London 23 May, London Q. What is the one thing you would most like to The Photographers’ Gallery presents Claire Aho: the time. Her prolific, quality output across a broad range change about the world and why? Otto Tolonen is one of the most successful Finnish Studio Works, the first solo international showcase of industries created a demand for her services among A: Everyone should see the world like I see it, classical guitarists. Born in 1980, he has studied music FIND US ON FACEBOOK of Aho’s photographs, a pioneer of Finnish colour leading commercial brands and publications, making her so it would feel like there are fewer idiots around. since he was five. He first studied guitar with Andrzej AND FOLLOW OUR TWEETS photography and a key cultural figure in her homeland. one of the most prominent photographers of the period. That would also be the complete end of hip hop Wilkus at the Espoo Music Institute. He continued his www.facebook.com/FinnishEmbassyLondon This exhibition will focus on Aho’s 1950-70 studio based and a new rise of 80’s hair metal. music studies at the Sibelius Academy in Helsinki as a www.twitter.com/@finlandinuk works, displaying images from the world of advertising, While running her own studio Aho remained in complete student of Timo Korhonen and Jukka Savijoki and got editorial and fashion, alongside original Finnish lifestyle control of the space, commanding every stage of the Q: Have you got any lucky underwear? his soloist diploma from the Sibelius Academy with magazines featuring her cover pictures.
    [Show full text]
  • Picchio Maggio 2009 N 37.Pub
    IL PICCHIO n. 37—MAGGIO 2009—anno IX Istituto Comprensivo “Gianni Rodari” Santa Giustina ———B LBLL Via Cal de Formiga 16 ——— 320353 2 0 3 5———Tel. — Tel. e fax 0437858182 [email protected] IL PICCHIO Direttrice: Mikela Llupo, Vicedirettrice: Elisa Dal Pan, Redattori: Floriano Fontana, Giacomo Belli, Mariangela Panait, Giorgia Brancher, Rachele Costa, Anna Giazzon, Matteo Casagrande, Enrico Tonin, Daniele Perot, Bohdan Labovka, Ilaria Rossi, Serena Tronto, Manuel Tonin, Melissa Cossalter, Aurora Valoppi. Docenti responsabili: Matteo Masini e Michele Vello SOMMARIO In bocca al lupo! CRONACA E APPROFONDIMENTI - In bocca al lupo di Mikela Llupo p. 1 Al via gli esami di licenza media - Si sono schiuse le uova del Picchio La Redazione p. 1 Sta per finire la scuola e quelli di terza se - Frutta e verdura classe 2^D p. 2 ne andranno… intanto gli volevamo dire - La 2^C a Valpore di Anna Giazzon p. 3 che: ci mancherete tantissimooooo- - Le mie impressioni su Valpore o…!!!!!!!!!!!!!!!!!! Ma siamo felici per voi… di Rachele Costa p. 4 Questo è il loro ultimo anno qua ma pri- - Giochi matematici ma di andarsene hanno gli esami… Anna De Gol, De Nadai Matteo, Volpez Simone p. 5 poveri… SPORT - Campionesse Provinciali di pallavolo (continua a pag. 5) di Mariangela Panait p. 6 - Il Giro d’Italia passa per Feltre di Matteo Casagrande p. 7 Si sono schiuse le uova LIBRI - Viaggio al centro della Terra di Enrico Tonin p. 8 del Picchio CINEMA - Angeli e demoni di Enrico Tonin p. 9 Sono quattro i nuovi nati del Picchio. Quattro MUSICA splendidi pulcini, diversi per carattere, sono - Tara, peso netto e peso… ...Lordi venuti alla luce in questi giorni.
    [Show full text]
  • Trotz Vermeintlich Harmlosem Image Und Weitestgehend Skandalfreier Bandgeschichte Sind LORDI Eine Polarisierende Band: Die Einen
    Das neue Album ist seit kannst im Prinzip fast überall Halloween draußen. Ich in Europa hingehen und einem habe gehört, dass die kleinen Kind oder einem stein- Aufnahmesession dieses alten Opa ein Bild von uns zei- Mal ein wenig anders ab- gen und fragen „Kennen sie lief. Kannst Du ein wenig diesen Typ?“ und er wird sa- davon erzählen? gen „Ja!“, selbst wenn er sich Die letzten 2 Alben haben nicht an den Song oder den wir in Nashville mit Michael Style unserer Musik erin- Wagener aufgenommen. Wir nert. Das ist also definitiv haben schon am Ende zu den ein Plus, das wir aus der Aufnahmen vom letzten Album Zeit damals mitnehmen. beschlossen, das nächste in Aber wir haben kein grö- Finnland aufzunehmen. Wir ßeres Publikum bekom- wollten in einer komplett an- men. Die Sache mit dem deren Umgebung aufneh- Eurovision-Zeug ist, dass men. Die Drums und den nur eine kleine Prozentzahl Bass sowie ein paar Grand der Leute, die das schauen, Piano Sachen haben wir auch wirklich langfristiges Foto: Plattenfirma in Helsinki in den Finnvox Interesse an Musik haben. Studios aufgenommen. Den Die meisten finden es gut – Hauptteil der Aufnahmen für ein Jahr. Dann kommt was haben wir allerdings im neues und das Alte wird ver- Juli ganz oben im Norden gessen. gemacht, da ich selbst in Lappland im arktischen Teil des Ich habe etwas von einer Doku Landes lebe. Wir waren also mitten im namens „Monsterman“ gelesen – kannst du mir darüber etwas Nirgendwo in einer Hütte, die ei- Trotz vermeintlich harmlosem Image und weitestgehend nem in Finnland sehr bekannten erzählen? Komiker gehört hatte, der 2001 skandalfreier Bandgeschichte sind LORDI eine polarisierende Band: In Finnland ist sie bereits er- gestorben ist.
    [Show full text]