Barron News-Shield — Wed., April 11, 2012 — 9B
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Watching Television with Friends: Tween Girls' Inclusion Of
WATCHING TELEVISION WITH FRIENDS: TWEEN GIRLS’ INCLUSION OF TELEVISUAL MATERIAL IN FRIENDSHIP by CYNTHIA MICHIELLE MAURER A dissertation submitted to the Graduate School-Camden Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Childhood Studies written under the direction of Daniel Thomas Cook and approved by ______________________________ Daniel T. Cook ______________________________ Anna Beresin ______________________________ Todd Wolfson Camden, New Jersey May 2016 ABSTRACT Watching Television with Friends: Tween Girls’ Inclusion of Televisual Material in Friendship By CYNTHIA MICHIELLE MAURER Dissertation Director: Daniel Thomas Cook This qualitative work examines the role of tween live-action television shows in the friendships of four tween girls, providing insight into the use of televisual material in peer interactions. Over the course of one year and with the use of a video camera, I recorded, observed, hung out and watched television with the girls in the informal setting of a friend’s house. I found that friendship informs and filters understandings and use of tween television in daily conversations with friends. Using Erving Goffman’s theory of facework as a starting point, I introduce a new theoretical framework called friendship work to locate, examine, and understand how friendship is enacted on a granular level. Friendship work considers how an individual positions herself for her own needs before acknowledging the needs of her friends, and is concerned with both emotive effort and social impact. Through group television viewings, participation in television themed games, and the creation of webisodes, the girls strengthen, maintain, and diminish previously established bonds. -
CHILDRENS Dvds – As of JULY 2014
CHILDRENS DVDs – as of JULY 2014 CHILDREN'S TITLES (including Parent Collection) NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Milo and Otis (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with Wink & Blink: A day in the life of a firefighter (CC) NRA Adventures with Wink & Blink: A day in the life of a zoo (CC) G African cats (SDH) PG Agent Cody Banks 2: destination London (CC) PG Alabama moon G Aladdin (2v) (CC) G Aladdin: the Return of Jafar (CC) PG Alex Rider: Operation stormbreaker -
2011 Kevin & Bean Clips Listed by Date
2011 Kevin & Bean clips listed by date January 03 Monday 01 Opening Segment-2011-01-03-No What It Do Nephew segment.mp3 02 Show Biz Beat-2011-01-03-6 am.mp3 03 Highlights Of Dick Clark and Ryan Seacrest-New Years Eve-2011-01-03.mp3 04 Harvey Levin-TMZ-2011-01-03.mp3 05 The Internet Round-up-2011-01-03.mp3 06 Show Biz Beat-2011-01-03-7 am.mp3 07 Thanks For That Info Bean-2011-01-03.mp3 08 Broken New Years Resolutions-2011-01-03.mp3 09 Show Biz Beat-2011-01-03-8 am.mp3 10 Eli Manning-2011-01-03-Turns 30 Today.mp3 11 Patton Oswalt-2011-01-03-New Book Out.mp3 12 Show Biz Beat-2011-01-03-9 am-Patton Oswalt Sits In.mp3 13 Dick Clark New Years Eve-More Highlights-2011-01-03-Patton Oswalt Sits In.mp3 14 Calling Arkansas About 2000 Dead Birds-2011-01-03-Patton Oswalt Sits In.mp3 15 Show Biz Beat-2011-01-03-10 am.mp3 January 04 Tuesday 01 Opening Segment-2011-01-04.mp3 02a Bean Did Not Realize It Was King Of Mexicos Birthday-2011-01-04.mp3 02b Show Biz Beat-2011-01-04-6 am.mp3 03 Calling Arkansas About 2000 Dead Birds-from Monday 2011-01-03-Patton Oswalt Sits In.mp3 04 and 14 Hotline To Heaven-2011-01-04-Michael Jackson.mp3 05 Oprah Rules In Kevins House-2011-01-04.mp3 06 Show Biz Beat-2011-01-04-7 am.mp3 07 Strange Addictions-2011-01-04-Listener Call-in.mp3 08 Paula Abdul-2011-01-04-On Her New TV Show.mp3 09 Show Biz Beat-2011-01-04-8 am.mp3 10 Bean Passed Out On Christmas Eve-2011-01-04-Wife Donna Explains.mp3 11 Psycho Body-2011-01-04.mp3 12 Show Biz Beat-2011-01-04-9 am.mp3 13 Afro Calls-2011-01-04.mp3 15 Show Biz Beat-2011-01-04-10 am.mp3 -
MASONIC CHARITIES of the R.W
2014 ANNUAL REPORT MASONIC CHARITIES of the R.W. Grand Lodge F. & A.M. of Pennsylvania “We like to watch out for each other. When one of us is down, the other tries to be strong, but if we ever have any doubts, someone is always right here to take care of us. We couldn’t be luckier.” - Eva and Clyde Jordan, residents of Masonic Village at Elizabethtown THE MASONIC CHARITIES FUND MASONIC CHARITIES FUND AR.W. message GRAND fromMASTER ROBERT J. BATEMAN Our Masonic Charities balance the challenge of providing for current needs with anticipating what the future will bring. The mission of each charity drives us to provide for individuals in need in the name of Freemasonry and to prepare for the needs of tomorrow. The Masonic Library and Museum houses our fraternity’s and country’s historical artifacts, as well as beautiful artwork, enclosed in the architecturally- magnificent Masonic Temple. These items are a resource to us within Pennsylvania, as well as the international community. The Pennsylvania Masonic Youth Foundation gives kids a great advantage in life. It teaches them lessons for a successful and altruistic future. It also helps address important issues like bullying and child protection and recognizes adults for their dedication to shaping young lives. The Masonic Children’s Home gives up to 40 youth the chance to reach their goals in life while experiencing structure, guidance and friendship. They receive daily necessities and assistance to succeed in school and become responsible adults. The Masonic Villages are home to more than 2,800 individuals who have found a friendly, caring community. -
Katie Eischen
Katie Eischen Gender: Female Service: 818-769-1777 Height: 5 ft. 7 in. Mobile: 818-823-6772 Weight: 118 pounds E-mail: [email protected] Eyes: Brown Web Site: http://www.KatieEisc... Hair Length: Long Waist: 26 Inseam: 30 Shoe Size: 8 Physique: Slim Coat/Dress Size: Small 3 Ethnicity: Caucasian / White Photos Film Credits The Bourne Legacy Stunt Double: Rachel Weisz Chris O'Hara- Stunt Coordinator / Dan Bradley- 2nd Unit Director John Carter of Mars Utility Stunts Mark Ginther Rosewood Lane Stunt Double Monty Simons Carnal Innocence Stunt Performer Monty Simons Super 8 Stunt Double John Stoneham Cowboys and Aliens Stunt Double: Olivia Wilde Tom Harper Project X Stunt Performer Alan Graff Date Night Stunt Double: Tina Fey Jack Gill Iron Man 2 Utility Stunts Tom Harper 17 Again Stunt Performer Webster Whinery The Human Contract Stunt Double: Paz Vega Gary Wayton Generated on 10/03/2021 08:40:30 am Page 1 of 4 Gary Powell The Happening Utility Stunts Jeff Habberstad The Dead Undead Stunt Performer Eddie Conna Hellbinders Utility Stunts Banzai Vitale Death in Charge Utility Stunts Carolyn Day Halloween 2 Stunt Actress Rawn Hutchinson The Surrogates Trailor Stunt Actress Greg Smith Now You See Me Stunt Performer Stephen Pope The Watch Stunt Double: Rosemarie DeWitt Jack Gill Sleepwalker Stunt Double: Ahna O'Reilly Mark Rayner Barely Lethal Stunt Double: Jessica Alba Trevor Habberstad The Scribbler Stunt Double: Katie Cassidy Ray Siegle Television Body of Proof Stunt Performer Danny and Lisa Weselis NCIS Stunt Double: Melissa Ponzio Diamond -
Nicole Lawrence Thesis
The Pennsylvania State University The Graduate School College of Communications SASSY COWS AND MAGICAL JUJU: REPRESENTATIONS OF RACE AND ETHNICITY ON THREE NICKTOONS PROGRAMS A Thesis in Media Studies by Nicole M. Lawrence © 2012 Nicole M. Lawrence Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 ii The thesis of Nicole M. Lawrence was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Adviser Matthew F. Jordan Associate Professor of Communications Michael Elavsky Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School. iii ABSTRACT This thesis critiques programming on the children’s media channel Nicktoons for patterns of racial representation -- including the presence of stereotyping -- in characters. As research has shown that representation of ethnicity may be especially influential to children viewers, and that there are precedents for problematic racial representations in popular media, including children's media, the continued examination of patterns of racial-ethnic group member representation and stereotyping in character depictions has significant implications. Utilizing textual analysis, three Nicktoons’ programs are examined for racialized constructions of characters, including constructions with hegemonic and ethnocentric implications. The thesis argues that three programs, Back at the Barnyard, Avatar: The Last Airbender, and Tak and the Power of JuJu problematically construct analogies of African Americans, Asians, and native peoples, respectively. The constructions in these Nicktoons programs typically “other” these groups when contrasted to dominant white culture -- or at least the animated stand-ins for dominant white culture -- and imply cultural hierarchies in which white culture is superior and/or the norm. -
Tuesday Morning, June 5
TUESDAY MORNING, JUNE 5 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View Dr. Jill Biden; author Live! With Kelly (N) (cc) (TVPG) 2/KATU 2 2 (cc) (Cont’d) Drew Manning. (N) (cc) (TV14) KOIN Local 6 at 6am (N) (cc) CBS This Morning (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) NewsChannel 8 at Sunrise at 6:00 Today Jill Biden; Jenny McCarthy. (N) (cc) Anderson (cc) (TVG) 8/KGW 8 8 AM (N) (cc) Sit and Be Fit Wild Kratts (N) Curious George Cat in the Hat Super Why! (cc) Dinosaur Train Sesame Street Princess Show. Sid the Science Clifford the Big Martha Speaks WordWorld (TVY) 10/KOPB 10 10 (cc) (TVG) (cc) (TVY) (TVY) Knows a Lot (TVY) (TVY) Playing princesses. (TVY) Kid (TVY) Red Dog (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) MORE Good Day Oregon The 700 Club (cc) (TVPG) Law & Order: Criminal Intent Anti- 12/KPTV 12 12 Thesis. (cc) (TV14) Positive Living Public Affairs Paid Paid Paid Paid Through the Bible Paid Paid Paid Paid Paid 22/KPXG 5 5 Creflo Dollar (cc) John Hagee Breakthrough This Is Your Day Believer’s Voice Billy Graham Classic Crusades Doctor to Doctor Behind the Sid Roth’s It’s Life Today With Today: Marilyn & 24/KNMT 20 20 (TVG) Today (cc) (TVG) W/Rod Parsley (cc) (TVG) of Victory (cc) (cc) Scenes (cc) Supernatural! James Robison Sarah Eye Opener (N) (cc) My Name Is Earl My Name Is Earl Swift Justice: Swift Justice: Maury (cc) (TV14) The Steve Wilkos Show A 16-year- 32/KRCW 3 3 (TV14) (TV14) Jackie Glass Jackie Glass old runaway. -
Safety Guide
RIDER SAFETY GUIDE Printed January 2016. © 2016 Viacom International Inc. All Rights Reserved. SpongeBob SquarePants created by Stephen Hillenburg. CONTENTS 03 .. WELCOME 05 .. ACCESSIBILITY 06 .. BASIC RIDE INFORMATION 10 .. SPECIAL SERVICES 11 .. ADDITIONAL REQUIREMENTS 15 .. KEY SYMBOLS/RATING SYSTEM 47 .. APPROVED RIDES + ATTRACTIONS 2 WELCOME TO NICKELODEON UNIVERSE® Our goal is to make sure that you experience all the thrills and chills this theme park has to offer while staying safe. This instruction manual was created to assist you in making the correct decision on which rides are right for your use. 3 NICKELODEON UNIVERSE® PROVIDES THESE SAFETY SYSTEMS: Theme park rides incorporate safety systems designed by the manufacturer to accommodate people of average physical stature and body proportions. These safety systems may place restrictions on your ability to safely experience the ride. Guests with the following may want to reconsider riding the ride, as the rider may not be safely accommodated: • History of heart problems • Back or neck troubles • Had recent surgery • Currently pregnant • Body braces, leg or arm casts • Restrictive devices • Physical disabilities The ride admission policy has been developed based on the recommendations of the manufacturer, past experience and evaluation of each ride, in regular and emergency operating conditions. The ultimate consideration is the ability of each person to endure the dynamics of each ride without risk of injury to the individual or other riders. Our ride operators are trained to make your visit a memorable one. However, they are not trained to transfer guests with mobility impairment in or out of the ride. It is essential that a responsible person accompany guests requiring such assistance. -
Gender Roles & Occupations
1 Gender Roles & Occupations: A Look at Character Attributes and Job-Related Aspirations in Film and Television Stacy L. Smith, PhD Marc Choueiti Ashley Prescott & Katherine Pieper, PhD Annenberg School for Communication & Journalism University of Southern California An Executive Report Geena Davis Institute on Gender in Media Our earlier research shows that gender roles are still stereotyped in entertainment popular with children.1 For example, female characters in feature films populate less than 30% of all speaking roles. A slightly better percentage emerges across our research on gender roles in children’s television programming. Not only are on screen females present less frequently than on screen males, they are often sexualized, domesticated, and sometimes lack gainful employment. To illustrate this last point, our recent analysis2 of every first run general audience film (n=21) theatrically released between September 2006 and September 2009 reveals that a higher percentage of males (57.8%) than females (31.6%) are depicted with an occupation. While females hold marginally more professional jobs than their male counterparts (24.6% vs. 20.9%), women are noticeably absent in some of the most prestigious occupational posts. Across more than 300 speaking characters, not one female is depicted in the medical sciences (e.g., doctor, veterinarian), executive business suites (e.g., CEO, CFO), legal world (e.g., attorney, judge), or political arena. More optimistically, 6 of the 65 working females (9%) are shown with a job in the hard sciences or as pilots/astronauts. These findings suggest that females have not shattered as many glass ceilings in the “reel” world as one might suspect. -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders. -
Building Ideas Move Ahead
75¢ COLBY Wednesday September 17, 2014 Volume 125, Number 145 Serving Thomas County since 1888 10 pages FFREEREE PPRESSRESS Building ideas move ahead Thomas County reviewed a would be disqualified for asking draft of a “request for qualifi- a commissioner a question about cations” for architectural and the project. Berens said that type building services to plan the jail of contact likely would not dis- project at their Monday meeting, qualify a bidder but the commis- although the process still needs sioner should direct the bidder to several steps of approval. the project contact person. The At their Sept. 9 meeting, the commissioners later decided they commissioners decided to pursue want that contact person to be a design-build project model in Commissioner Mike Baughn. which the same contractor both Steele also wanted to know if designs and builds the building. he was prohibited from contact- This requires a public hearing pri- ing potential bidders to encourage or to issuing a request for qualifi- them to participate. cations. “The whole point of this is to Music flourishes into fall The commissioners had several get people to submit their infor- questions about the process for mation and do it through an or- “The President’s Own” County Attorney Kevin Berens, derly process,” Berens said. United States Marine who participated in the meeting by Steele said he did not feel local Band (top) started the telephone, most centering around bidders would get involved unless music season with a what contact county officials can they were encouraged to bid. flourish of brass Sunday, have with bidders. -
Anna and the Apocalypse Poster
ORION PICTURES AQUIRES NORTH AMERICAN AND LATIN AMERICAN RIGHTS TO BLAZING GRIFFIN’S ZOMBIE MUSICAL ‘ANNA AND THE APOCALYPSE’ Los Angeles – January 9, 2018 — Orion Pictures, recently relaunched by Metro- Goldwyn-Mayer (MGM) as a new, stand-alone U.S. theatrical marketing and distribution company, has acquired the North American and Latin American rights to John McPhail’s award-winning zombie holiday musical Anna and the Apocalypse. The announcement was made today by John Hegeman, President, Orion Pictures. Orion plans to release Anna and the Apocalypse in the 2018 holiday season. The film stars Ella Hunt (Our Robot Overlords) as Anna, Mark Benton (The Halcyon), Paul Kaye (Game Of Thrones) and a breakout group of emerging talent including Malcom Cumming, Ben Wiggins, Sarah Swire, Christopher Leveaux and Marli Siu. Embraced by fans and critics alike, the film’s world premiere at Fantastic Fest this year was met with critical acclaim. It also played at Sitges Film Festival, where it won the award for Best Midnight X-Treme Feature Length Film. Anna and the Apocalypse is based on the 2010 BAFTA winning short film Zombie Musical; directed by John McPhail (Where Do We Go From Here); written by Alan McDonald and the late Ryan McHenry (Ryan Gosling Won’t Eat His Cereal viral series); with original music by Roddy Hart and Tommy Reilly. The film was produced by Naysun Alae-Carew and Nicholas Crum of Blazing Griffin and Tracy Jarvis of Parkhouse Pictures in association with Creative Scotland. Hegeman said, “The team at Orion can’t wait to work with Blazing Griffin in making Anna and the Apocalypse a holiday spectacular for the ages.