Nickelodeon to Launch New CG Animated Kung Fu Panda: the Series from Dreamworks Animation SKG
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Animating Failure
ChApter six Animating Failure enDing, Fleeing, surviving Who am I? Why a fox? Why not a horse, or a beetle, or a bald eagle? I’m saying this more as, like, existentialism, you know? Who am I? And how can a fox ever be happy without, you’ll forgive the expres- sion, a chicken in its teeth? —Fantastic Mr. Fox On the topic of animation, as on so many other topics, I disagree with Slavoj Žižek (2009), who, in an article on the link between capitalism and new forms of authoritarianism, offers up the ani- mated film Kung Fu Panda (2008) as an example of the kind of ideological sleight of hand that he sees as characteristic of both representative democracy and films for children. For Žižek, the fat and ungainly panda who accidently becomes a kung fu mas- ter is a figure that evokes George W. Bush or Silvio Berlusconi: by rising to the status of world champion without either talent or training, he masquerades as the little man who tries hard and succeeds, when in fact he is still a big man who is lazy but suc- ceeds anyway because the system is tipped in his favor. By em- bedding this narrative in a fluffy, cuddly panda bear film, Žižek implies, what looks like entertainment is actually propaganda. Žižek has managed to get a lot of mileage out of his reading of this film precisely because his “big” critiques of economy and world politics seem so hilarious when personified by a text sup- posedly as inconsequential as Kung Fu Panda. -
ALPHABETICAL LIST of Dvds and Vts 9/6/2011 DVD a Mighty Heart
ALPHABETICAL LIST OF DVDs AND VTs 9/6/2011 DVD A Mighty Heart: Story of Daniel Pearl A Nurse I am – Documentary and educational film about nurses A Single Man –with Colin Firth and Julianne Moore (R) Abe and the Amazing Promise: a lesson in Patience (VeggieTales) Akeelah and the Bee August Rush - with Freddie Highmore, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, Robin Williams Australia - with Hugh Jackman, Nicole Kidman Aviator (story of Howard Hughes - with Leonardo DiCaprio Because of Winn-Dixie Beethoven - with Charles Grodin, Bonnie Hunt Big Red Black Beauty Cats & Dogs Changeling - with Angelina Jolie Charlie and the Chocolate Factory - with Johnny Depp Charlie Wilson’s War - with Tom Hanks, Julie Roerts, Phil Seymour Hoffman Charlotte’s Web Chicago Chocolat - with Juliette Binoche, Judi Dench, Alfred Molina, Lena Olin & Johnny Depp Christmas Blessing - with Neal Patrick Harris Close Encounters of the Third Kind – with Richard Dreyfuss Date Night – with Steve Carell and Tina Fey (PG-13) Dear John – with Channing Tatum and Amanda Seyfried (PG-13) Doctor Zhivago Dune Duplicity - with Julia Roberts and Clive Owen Enchanted Evita Finding Nemo Finding Neverland Fireproof – with Kirk Cameron on Erin Bethea (PG) Five People You Meet in Heaven Fluke Girl With a Pearl Earring – with Colin Firth, Scarlett Johannson, Tom Wilkinson Grand Torino (with Clint Eastwood) Green Zone – with Matt Damon (R) Happy Feet Harry Potter and the Half-Blood Prince Hildalgo with Viggo Mortensen (PG13) Holiday, The – with Cameron Diaz, Kate Winslet, -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
DAVID FLUHR (Continued)
David E. Fluhr, C.A.S. Re-Recording Mixer Awards & Nominations 1 CAS Award; 6 CAS Nominations 9 Emmy Awards; 38 Emmy Nominations (1984-1998) Selected Credits Director/Picture Editor/Production Co. TINKER BELL AND THE GREAT FAIRY RESCUE Bradley Raymond/ Lisa Linder & Kevin Locarro/Disney Toon Studios TANGLED Nathan Greno & Byron Howard/Tim Mertens/ Walt Disney Pic STEP UP 3-D John Chu/Andrew Marcus/Walt Disney Pic PREP & LANDING Kevin Deters & Stevie Wermers/William Caparella/ Walt Disney Pic THE PRINCESS AND THE FROG Ron Clements & John Musker/Jeff Draheim/ Walt Disney Pic SURROGATES Jonathan Mostow/Kevin Stitt/Walt Disney Pic TINKER BELL AND THE LOST TREASURE Klay Hall/Alan Stewart/Disney Toon Studios THE JONAS BROTHERS 3D CONCERT Bruce Hendricks/ Michael Tronick/Walt Disney Pic THE UNINVITED (addl. re-recording) Charles & Thomas Guard/Jim Page/ DreamWorks SUPER RHINO (Short Film) Nathan Greno/ Shannon Stein/ Walt Disney Pic BOLT Byron Howard & Chris Williams/Walt Disney Pic HANNAH MONTANA BEST OF BOTH Bruce Hendricks/Michael Tronick/Walt Disney Pic WORLDS CONCERT TOUR-3D COLLEGE ROAD TRIP Roger Kumble/Roger Bondelli/ Walt Disney Pic ENCHANTED (music re-recording mixer) Kevin Lima/Gregory Perler/Walt Disney Pictures THE GUARDIAN Andrew Davis/Dennis Virkler/Touchstone Pictures MEET THE ROBINSONS Stephen Anderson/Ellen Keneshea/Walt Disney Pic THE LOOKOUT Scott Frank/Jill Savitt/Miramax, Spyglass BARNYARD Steve Oedekerk/Paul Calder/Paramount BLACK SNAKE MOAN Craig Brewer/Billy Fox/Paramount CHICKEN LITTLE Mark Dindal/Dan Molina/Walt Disney Pictures THE GREAT RAID John Dahl/Pietro Scalia/Miramax THE GREATEST GAME EVER PLAYED Bill Paxton/Elliot Graham/Walt Disney Pictures THE ALAMO John Lee Hancock/Eric Beason/Imagine Ent. -
Nicole Lawrence Thesis
The Pennsylvania State University The Graduate School College of Communications SASSY COWS AND MAGICAL JUJU: REPRESENTATIONS OF RACE AND ETHNICITY ON THREE NICKTOONS PROGRAMS A Thesis in Media Studies by Nicole M. Lawrence © 2012 Nicole M. Lawrence Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 ii The thesis of Nicole M. Lawrence was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Adviser Matthew F. Jordan Associate Professor of Communications Michael Elavsky Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School. iii ABSTRACT This thesis critiques programming on the children’s media channel Nicktoons for patterns of racial representation -- including the presence of stereotyping -- in characters. As research has shown that representation of ethnicity may be especially influential to children viewers, and that there are precedents for problematic racial representations in popular media, including children's media, the continued examination of patterns of racial-ethnic group member representation and stereotyping in character depictions has significant implications. Utilizing textual analysis, three Nicktoons’ programs are examined for racialized constructions of characters, including constructions with hegemonic and ethnocentric implications. The thesis argues that three programs, Back at the Barnyard, Avatar: The Last Airbender, and Tak and the Power of JuJu problematically construct analogies of African Americans, Asians, and native peoples, respectively. The constructions in these Nicktoons programs typically “other” these groups when contrasted to dominant white culture -- or at least the animated stand-ins for dominant white culture -- and imply cultural hierarchies in which white culture is superior and/or the norm. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
Irradiance Caching at Dreamworks
Global Illumination Across Industries Ray Tracing vs. Point-Based GI for Animated Films Eric Tabellion [email protected] Introduction • Global Illumination (GI) usage at DreamWorks Animation – Bounce lighting – Ambient occlusion – HDR Environment map lighting (IBL) – Used on many films since “Shrek 2” • Used in a variety of shots • Various characters, props and environments • Global Illumination system – Using Ray Tracing and Irradiance Caching (IC) • [Tabellion and Lamorlette 2004] • [Krivanek et al. 2008] – Using point-based GI • [Christensen 2008] Direct Lighting Only Direct + Indirect Lighting Example: “How To Train Your Dragon ” Example: “How To Train Your Dragon ” Example: “Shrek Forever After” GI in Animated Film Production • Requirements: – High Quality • No noise, buzzing or popping – Artistic control • Offer physically correct starting point • Let the user tweak shaders further – Good shader integration – Speedy interaction • Add bounce cards to control lighting • Apply localized filters to GI – Scene complexity • Scene complexity is unbounded (more or less tuned) GI in Animated Film Production • Multi-department Impact: – Modelling & Animation • Geometry with bad contact / penetrations – Surfacing • Account for GI as a lighting scenario • Define bouncing characteristics – FX • Effects do illuminate and occlude – Lighting • GI not always intuitive – Light is coming from everywhere • GI produces simpler lighting rigs • Propagates well to other shots / sequences Ray-Tracing-Based GI System Overview • Micropolygon Deep Frame Buffer Renderer -
KUNG FU PANDA Fun Facts
KUNG FU‘N’ FACTS! Starting With Some Cool Stuff • Including voice actors, 448 different people put over 21,442 manweeks into the film. That’s 107,210 mandays or 857,680 manhours. • It took a total of 391 artists to create “Kung Fu Panda” (the total crew number minus production staff and voice talent). “Kung Fu Panda” was in production for approximately 4.5 years (from Fall 2003 to Spring 2008). • The “Kung Fu Panda” Animation department is comprised of animators from around the globe, including artists from the USA, China, Canada, France, Italy, Spain, Ireland, the United Kingdom, Mexico, Philippines, Japan, Sweden, Belgium and Israel. • Every time a scene was finalized in Animation, the animator received one fortune cookie (with a customized fortune inside). • During the development process, there was talk of cutting one of the five and making them the Furious Four…but everyone had grown so attached to them all that DreamWorks couldn’t part with any of the characters. • The animators’ first pass shots of kung fu were choreographed in 2D before being animated in CGI. • There are 1,478 unique villagers in the Valley of Peace and 2,306 spectators in the stadium during the Dragon Warrior ceremony. • It took a combined 54 systems (including rockets, trails, lights and emitters) to create the single effect of Po riding the rocket chair into the stadium. Kung Fu Panda ™ & © 2008 DreamWorks Animation L.L.C. “Kung Fu Panda” Fun Facts 2 Now, About That Panda… • The weirdest animation control was for Po’s uvula. • Q: What do pandas eat? A: Mostly bamboo shoots, leaves and stems, plus some other vegetation. -
Movie Program Family Movies in Canada Exclusively the BEST NEW SUMMER MOVIES at ACF!
Call us now at The best copyright Exclusive access to the 1 800 289-8887 coverage for your largestlargest selectionselection ofof Movie Program family movies in Canada Exclusively THE BEST NEW SUMMER MOVIES at ACF! The best blockbusters available! 1 800 289-8887 ★ www.acf-film.com ★ [email protected] Fax: 514-493-9058 COPYRIGHT MOVIE LICENSING ABOUT US WHAT DOES THE LAW SAY? Founded in 1966, Audio Cine Films Inc. is one of the The Canadian Copyright Act applies in all cases, even if films are: largest rights representatives in Canada, and is Purchased from retail stores or online vendors. Obtained from personal collections or borrowed from the exclusive Canadian non-theatrical distributor for public libraries (for example). numerous major studios, producers and thousands of Shown freely, for charity purposes or to small groups. films. As such, it issues performance licenses that legalize Complete information on copyrights can be found at the public presentation of commercially available films. www.acf-film.com. ACF HAS EXCLUSIVE RIGHTS IN CANADA No other entity in Canada or the United States is allowed to issue public performance licenses from our partner studios (among others) and their movies. Licenses obtained from organizations outside of Canada do not cover or allow for the presentation of movies from the studios we represent in Canada. A complete listing of studios exclusively represented by ACF in Canada is available in this document. 100% Canadian . Since 1966. HOW TO OBTAIN A LICENSE? Simply complete the application form included -
Distribuzione Warner Bros. Pictures Italia
WARNER BROS. PICTURES e THE WEINSTEIN COMPANY presentano Una produzione IMAGI ANIMATION STUDIOS LEONARDO DONATELLO MICHELANGELO RAFFAELLO Scritto e diretto da KEVIN MUNROE Prodotto da THOMAS K.GRAY H.GALEN WALZER PAUL WANG Basato sui personaggi creati da PETER LAIRD KEVIN EASTMAN Effeti visivi KITH NG Direttore della fotografia STEVE LUMLEY DISTRIBUZIONE WARNER BROS. PICTURES ITALIA Durata: 1h. 26 min. www.tmntfilm.it Le Tartarughe Ninja tornano sul grande schermo in una inedita avventura in CGI, scritta e diretta da Kevin Munroe. Dopo aver sconfitto il loro nemico di sempre, il diabolico Shredder, le Tartarughe sono cresciute lontane l’una dall’altra e il saggio topo Sprinter, mentre cerca di riunirle, scopre con preoccupazione che stanno apparendo strane creature a New York City. Il magnate della tecnologia Maximillian J. Winters sta raccogliendo un esercito di antichi mostri e solo una squadra di super-ninja può fermarli: Leonardo, Michelangelo, Donatello e Raffaello! Con l’aiuto dei loro alleati storici, April O’Neil e Casey Jones, le Tartarughe sono pronte alla battaglia della loro vita, ma devono affrontare nello stesso tempo anche il misterioso Foot Clan, che ha messo la sua abilità nelle arti marziali al servizio di Winters. Per questa nuova avventura delle TMNT è stata usata un’animazione CG d’avanguardia, con il look del XXI secolo. Facciamo il film, amico - Peter Laird, co-ideatore di TMNT Le Tartarughe Ninja sono state create nel 1984 da Peter Laid e Kevin Eastman. Kevin Munroe, che ha scritto e diretto “TMNT”, rivela: “L’idea era di prendere in giro il mondo dei supereroi. -
Antz Bee Movie El Dorado Flushed Away Kung Fu Panda How to Train Your Dragon Madagascar Madagascar: Escape 2 Africa Monsters Vs
YOU ARE CORDIALLY INVITED TO THE OPENING RECEPTION FOR an exhibition of visual development and production artwork from DreamWorks DreamWorlds Animation’s feature films. PLEASE JOIN DREAMWORKS ANIMATION ARTISTS AND EXECUTIVES, ART CENTER PRESIDENT LORNE BUCHMAN, ART CENTER TRUSTEE ALYCE WILLIAMSON, ILLUSTRATION DEPARTMENT CHAIR ANN FIELD AND WILLIAMSON GALLERY DIRECTOR STEPHEN NOWLIN FOR THE OPENING OF DreamWorlds, a behind-the-scenes look at the artistry and imagination of animated filmmaking. THURSDAY, MARCH 4, 2010 7–8 PM PANEL DISCUSSION Ahmanson Auditorium 8–9 PM WILLIAMSON GALLERY RECEPTION Panel Discussion: Kathy Altieri DreamWorks Production Designer for the soon-to-be-released How to Train Your Dragon (March 26, 2010), Art Center alumna, ILLU ’81 Kendal Cronkhite DreamWorks Production Designer, Madagascar films, Art Center alumnus, ILLU ’87 Sam Michlap DreamWorks Visual Development Artist and DreamWorlds co-curator Alyce de Roulet Williamson Gallery Art Center College of Design | 1700 Lida Street | Pasadena, CA 91103 (Once on campus, please follow the signs for parking information.) featuring artwork from: ANTZ BEE MOVIE EL DORADO FLUSHED AWAY KUNG FU PANDA HOW TO TRAIN YOUR DRAGON MADAGASCAR MADAGASCAR: ESCAPE 2 AFRICA MONSTERS VS. ALIENS OVER THE HEDGE PRINCE OF EGYPT SHARK TALE SHREK SHREK 2 SHREK THE THIRD SINBAD SPIRIT: STALLION OF THE CIMARRON EXHIBITION DATES: MARCH 5 – MAY 9, 2010 DreamWorlds has been made possible through the support of DreamWorks Animation, Williamson Gallery Patrons and the Pasadena Art Alliance. Art Center extends a special thanks to all DreamWorks staff who have contributed to the exhibition’s development — in particular Angela Lepito, Sam Michlap, Brian Smith and Beverly Herman, without whose expertise, patience and commitment this project would never have been realized..