MEDIEVAL SWORDS and Weapons Replicas Catalog
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The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Flag of Oman - a Brief History
Part of the “History of National Flags” Series from Flagmakers Flag of Oman - A Brief History Where In The World Trivia The proportion of the National Flag is 1:2, the State Flag is 4:7, the Ceremony Flag is 5:7 Technical Specification Adopted: 25TH April 1995 Proportion: 1:2 Design: A white-red-green horizontal tricolour with a vertical red band and white national emblem on the left side. Colours: PMS Green: 347 Red: 186 Brief History Between 751 and 1970 Oman Proper, Oman Imamate was part of Oman and a plain white field with a red emblem featuring crossed swords, a khanjar and a belt was adopted as the flag. A plain red field was flown as the flag of the Sultanate of Muscat. In 1820 the Imamate of Oman joined with Muscat to create the Sultanate of Muscat and Oman. The flag adopted was a plain red field similar to the ones flown on the Gulf at the time. The Flag of Oman Proper, Oman Imamate Sultanate of Muscat (751 – 1970) (1650 – 1820) Sultanate of Muscat and Oman (1820 – 1970) The modern national flag of Oman was adopted in 1970. It features a white-red-green horizontal tricolour with a vertical red band and white national emblem featuring crossed swords with a khanjar and belt on the left side. The green colour represents the Jabal al Akdar mountains, the white is the Imam and the red is the traditional colour of Gulf state flags. In 1995 the Proportions of the flag were changed from 2:3 to 1:2 with a thicker horizontal red stripe at the Sultan’s request. -
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/AntiPaladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double -
The Fight Master, September 1986, Vol. 9 Issue 3
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors 9-1986 The Fight Master, September 1986, Vol. 9 Issue 3 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons SEPTEMB ER 1986 American Fencers Supply Co 1180 Folsom Street San Francisco CA 94103 415/863-7911 DEPARTMENTDEPARTMENT OF OF THEATRE THEATRE ARTS ARTS COLLEGECOLLEGE OFOF ARTS ARTS AND AND LETTERS LETTERS UNIVERSITYUNIVERSITY OF OF NEVADA, NEVADA, LAS LAS VEGAS VEGAS JOURNAL OF THE SOCIETY OF AMERICAN FIGHT DIRECTORS September 1986 Volume IX number 3 6 A MODERN SWORDSMITI-1 SWORDSMITH OF TOLEDO by Richard J. Gradkowski 8 TO CUT OR TI-f THRUST? RUST? by Linda McCollum 12 STUDYING WITI-1 WITH THE MASTER AT THETI-IE MONASTERY by Craig Handel 15 MAYHEM IN MEMPHIS by Dr. Robin McFarquhar 18 The Three Musketeers Romeo and Juliet Extremities 19 Julius Caesar 3 Editor's Comments 3 President's Report 5 Vice President's Report 4 Treasurer's Report 23 Points of Interest 28 Society News 20 Letters SOCIETY OF AMERICAN FIGHT DIRECTORS THE FIGHT MASTER President Joseph Martinez Journal of the Society of American Fight Directors or,.", President Drew FrecherFracher Treas.urerTreasurer David Boushey Editor Linda Carlyle McCollum Secretary Linda McCollumMcCol/um Associate Editor Olga Lyles Contributing Editors David Boushey -;-"'J-eT'1-eSociety Society of American Fight Directors was founded in May; 1977. It is a non·non Joseph Martinez profIT organization whose aim ;sis to promote the art of fight choreography as Graphic Design AkikoAklko Onaka an integral part of the entertainment industry. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Swordplay Through the Ages Daniel David Harty Worcester Polytechnic Institute
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2008 Swordplay Through The Ages Daniel David Harty Worcester Polytechnic Institute Drew Sansevero Worcester Polytechnic Institute Jordan H. Bentley Worcester Polytechnic Institute Timothy J. Mulhern Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Harty, D. D., Sansevero, D., Bentley, J. H., & Mulhern, T. J. (2008). Swordplay Through The Ages. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3117 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP 48-JLS-0059 SWORDPLAY THROUGH THE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by __ __________ ______ _ _________ Jordan Bentley Daniel Harty _____ ________ ____ ________ Timothy Mulhern Drew Sansevero Date: 5/2/2008 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor Keywords: 1. Swordplay 2. Historical Documentary Video 3. Higgins Armory 1 Contents _______________________________ ........................................................................................0 Abstract: .....................................................................................................................................2 -
Keltiké Makhaira. on a La Tène Type Sword from the Sanctuary of Nemea
JAN KYSELA · STEPHANIE KIMMEY KELTIKÉ MAKHAIRA. ON A LA TÈNE TYPE SWORD FROM THE SANCTUARY OF NEMEA An iron sword (IL 296) was discovered in Well K14:4 in the sanctuary of Zeus at Nemea (today Archaia Nemea, Corinthia / GR) in 1978 (fg. 1, N). Although promptly published (Stephen G. Miller 1979; 2004) and displayed in the local archaeological museum, and known therefore for four decades now, it has received only very little attention so far (the only exception being a brief note in Baitinger 2011, 76). The present paper is an attempt to make up for this disinterest. DESCRIPTION The iron sword has a straight symmetrical two-edged blade tapering towards the point with some preserved wooden elements of the hilt (fg. 2). The measurements of the sword are as follows: overall L. c. 83 cm; blade L. c. 72 cm; blade W. at the hilt 4.9 cm; tang L. c. 11 cm; L. of the preserved wooden handle 6.5 cm; W. of the guard 5 cm; L. of rivets in the hilt 24 mm. The sword has not been weighed. The object was re- stored after its discovery; no information about the nature and extent of this intervention has been pre- served, however. It underwent a mechanical cleaning and was heavily restored with epoxy 1. A later and duly documented conservation in 2010 aimed mostly at the stabilisation of the object. The blade is bent but complete. In several spots (particularly in its upper fourth and towards its very end), the remains of iron sheet cling to the blade surface. -
Knives 2019 Amoureux—Armour
custom knifemakers ABEGG—AMOS Uses stainless, salvage wrought iron, brass and copper for fi ttings. Handle materials A include stabilized and natural domestic and exotic fi gured woods, durable synthetics, ABEGG, ARNIE stacked leather. Makes own sheaths. Prices: $300 and up. Remarks: Part-time maker. 5992 Kenwick Cr, Huntington Beach, CA 92648, Phone: 714-848-5697 First knife sold in 2013. Doing business as Aldrich Knife & Tool. Emphasis put on clean ABERNATHY, LANCE lines, fi t and fi nish and performance. Mark: An arched ALDRICH. Sniper Bladeworks, 1924 Linn Ave., North Kansas City, MO 64116, Phone: 816-585- ALEXANDER, EUGENE 1595, [email protected]; Web: www.sniperbladeworks.com Box 540, Ganado, TX 77962-0540, Phone: 512-771-3727 Specialties: Tactical frame-lock and locking-liner folding knives. Alexander,, Oleg, and Cossack Blades ACCAWI, FUAD 15460 Stapleton Way, Wellington, FL 33414, Phone: 443-676-6111, Web: www. 130 Timbercrest Dr., Oak Ridge, TN 37830, Phone: 865-414-4836, gaccawi@ cossackblades.com comcast.net; Web: www.acremetalworks.com Technical: All knives are made from hand-forged Damascus (3-4 types of steel are used to Specialties: I create one of a kind pieces from small working knives to performance create the Damascus) and have a HRC of 60-62. Handle materials are all natural, including blades and swords. Patterns: Styles include, and not limited to hunters, Bowies, daggers, various types of wood, horn, bone and leather. Embellishments include the use of precious swords, folders and camp knives. Technical: I forge primarily 5160, produces own metals and stones, including gold, silver, diamonds, rubies, sapphires and other unique Damascus and does own heat treating. -
Download Ahf Messer Workbook V1
MESSER FENCING According to Hans Lecküchner MESSER WORKBOOK CURRENT VERSION 1.0 Messer translation and notes by Michael G. Thomas (C) 2011-2016 Academy of Historical Fencing Contents INTRODUCTION ............................................................................................................... 3 BASICS .............................................................................................................................................. 4 THE WEAPON .................................................................................................................................. 4 INITIATIVE ....................................................................................................................................... 8 FOOTWORK ...................................................................................................................... 9 PASSING STEP .................................................................................................................................. 9 TRIANGLE STEPS ......................................................................................................................... 10 BROKEN STEPS ............................................................................................................................ 11 DREI WUNDER (THREE WOUNDERS) .................................................................... 12 CUTS .............................................................................................................................................. -
Représentât^148500014 / Reçu CLT/CIH / ITH ICH-02 - Form Le United Nations
Représentât^148500014 / Reçu CLT/CIH / ITH ICH-02 - Form Le United Nations . Intangible - 8 MARS 2019 Educational, Scientific and . Cultural Cultural Organization . Héritage REPRESENTATIVE LIST 0F THE INTANGIBLE CULTURAL HERITAGE 0F HUMANITY Deadline31 March 2019 for possible inscription in 2020 Instructions for completing thé nomination form are available at: htt s://ich. unesco.or /en/forms Nominations not complying with those instructions and those found below will be considered incomplète and cannot be accepted. States Parties are further encouraged to consult thé aide-mémoirefor completing a nomination to thé Représentative List of thé Intangible Cultural Héritage of Humanity, which is available on thé same webpage. A. State(s) Party<ies) .\^T For multinational nominations, States Parties should be listed in thé order on which they hâve mutually agreed. SultanateOfOman B, Name of thé élément B. 1. Name of thé élément in English or French Indicate thé officiai name of thé élément that will appear in published material. Not to exceed 200 characters Oman! Khanjar: thé symbol ofAuthenticity and national cultural identity. B. 2. Name of thé élément in thé language and script of thé community concerned, if applicable Indicate thé officiai name of thé élément in thé vernacular language corresponding to thé officiai name in English or French (point B.1). Not to exceed 200 characters 4jsl£î| A^jA AJj^Jlj ^SL^ÏI Joj : ^Lull ^=J| B.3. Other name(s) of thé élément, if any In additionto thé officiainame(s) of théélément (point B.1), mention alternate name(s), ifany, by whichthé élément is known. Saidi Khanj'ar Form ICH-02-2020-EN- revised on 21/03/2018- page 1 Nizwani Khanjar Suri Khanjar Batini Khanjar (Sahli Khanjar) Sadahia khanjar (Janbiya) C. -
UNRIVALED TURKISH SWORD with a UNIQUE DESIGN: “YATAGHAN” Prof
International Journal of Cultural Heritage Tarık Baykara http://iaras.org/iaras/journals/ijch UNRIVALED TURKISH SWORD WITH A UNIQUE DESIGN: “YATAGHAN” Prof. Dr. Tarık Baykara Dogus University Faculty of Engineering, Mechanical Engineering Department Istanbul-Türkiye [email protected] Abstract: “Yataghan”, a unique and unparalleled sword design with its inverse curved or concave shape blade could be traced through the history back to the kurgan culture of the Central Asian steppes dating to 2000-3000 BCE. Widely used during the Ottoman period in the Anatolian penninsula and in the Balkans, it was a traditional weapon used by janissaries-Ottoman infantry soldiers, levents-Ottoman marines and zeibecks-chivalrous gangs of the Aegean Region. The typical inverse curved shape was found in the Northern Ordos bronze blades of the Hunnic-Turkic heritage and evolution of the form can be traced through the ages into the final destination into the town of Yatagan located in southwest Turkey, greater city of Denizli and the town is still very famous for its blacksmithing. Therefore, the 5000 years old tradition could be followed for yataghans based on archeological excavations in the Northern Ordos Region, the Syberian steppes and the Inner Mongolia. A detailed investigation on the geometrical shapes and forms of both “yataghan” and “kinglu” blades (The Northern Ordos bronze blades) could reveal the evolutionary progress of these swords during the ages. Key Words: Yataghan, swords, yataghan blade, inverse blade, 1. Introduction yataghan sword as “Kulaklı (in Turkish)– Yatagan or Yataghan… “Yataghan” is Eared” (Figure 2). a widely known traditional Turkish sword with a unique and unparalleled design which is one Historically, curved shape swords are typical handed with an edge on concave/incurved blade Turkic invention dated back to years 400-500 and a short hilt without a guard. -
Song of Swords Beta 1.9.9 Opaque Studios
h[YnabXcamZ\g Song of Swords Beta 1.9.9 (MICRO UPDATE) from Opaque Studios LATEXified Revision - Alpha version 0.2.0 April 1, 2017 © Zachary Irwin,James Lacombe, 2015. All Rights Reserved h[YnabXcamZ\g h [a\ g Beta Rules for Song of Swords Roleplaying Game Lead Designer: James “Rome” Lacombe Executive Designer, Producer: Zachary T. Irwin Supplementary Design Team: Daniel Leiendecker, Forrest Phanton, Taylor Davis Art Director: Taylor Davis Cover Art: Kenneth Solis Book Art: Darren Tan, Frankie Perez, Duc Pham, Taylor Davis, Kassandra Swager Additional Development: Justin Hazen, Travis Mitchell, Alex Gann, Nicholas Henry, Alan Baird and The Five Cells, Dusan Nadimakovic CEO: Zachary T. Irwin All contents copyright © 2012-2015 by Zachary T. Irwin, James T. Lacombe. All rights reserved. This book is dedicated to Daniel Paris. Special thanks to our families, friends, teachers, Bret Sweet, Sherri Paris, Kenneth Solis, Charlie Krank, Nicholas Nacario, and our fans met on /tg/ and other places, everyone else, everyone else’s grandmother, the moon, God, any other deities you might care to name except Moloch because he’s a tool, Thomas Sowell, Zeljko Raznatovic’s pet tiger, Lu Bu, Mr. Rogers, Margaret Thatcher, G.K. Chesterton, Thomas Aquinas, Hidetaka Suehiro and Andrew Jackson If you can think of anyone else we didn’t name, write it in. We even left a space. opaquegames.com facebook.com/OpaqueIndustries opaque.freeforums.net Kickstarter is live! XcamZ\g g f i Contents 1 Introduction 1 1.1 What is Song of Swords?......................................... 3 1.2 What is a Roleplaying Game?...................................... 4 1.3 Basic Mechanics Explained.......................................