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instrument and accessory catalog RHYTHM TECH Go Pro. Every professional knows that being “the best” is just the beginning. No matter what style of music you play, or our popular, innovative tambourines to the where you’re playing - garages, rehearsal fresh, exciting, musically relevant sounds of halls, clubs, stadiums, arenas or theaters, Rhythm Tech’s Canz, Shakers and Hat Tricks all serious musicians have one basic thing in to the ergonomic improvements of the common: a constant desire to be the best Gemini dual Maracas and the hands-free they can be. It’s this inner drive to achieve Skratchers and Trigger Triangle. Our new, quality and consistency that raises the bar, premium-quality collection of Metalworks sets the true professional apart from other percussion instruments adds an entirely new players and leaves a unique and lasting contribution to the art. collection of cutting-edge sounds to the drummer and percussionist’s bag of tricks At Rhythm Tech our mission is to bring the by combining old-school craftsmanship and same dedication, passion, skill and unconventional designs; then elevating them intelligence to instrument design as great to modern-day manufacturing standards. musicians bring to every performance. For us, every musical ending is just another From the development of the original opportunity for a fresh start. The thing that Rhythm Tech Tambourine over 25 years ago keeps us going is the same thing that keeps to the recent advances of the Pro, our goal you going: we never stop thinking of ways has been to make it easier for musicians to be their best by perfecting traditional to improve what’s already great. instruments and creating new ones. So don’t settle for just being the best. This current catalog contains dozens of Always strive to make it better. That’s what examples of our philosophy in action, from Rhythm Tech and going Pro is all about. PERCUSSION Table Of Contents Tambourines The Rhythm Tech Pro Tambourine. 4 The Rhythm Tech Tambourine, Solo, True Colors . 5 Hand Held Instruments Rhythm Tech & Piccolo Cabasas, Rhythm Tech, Gemini & True Colors Maracas, Maraquitas, Tambinos. 6 Live, Studio & Cocktail Shakers, Canz, Eggz, Fruits . 7 Clavés, Chatterbox, Trigger Triangle, Barbells. 8 Mounted Instruments Drumset Tambourines, Hat Tricks, Studio Cowbells . 9 Skratchers, Moon Blocks, Chop Blocks, Crashers . 10 Bar Chimes, Studio Chimes, Oak Chimes . 11 Metalworks Percussion Mounted & Hand-Held Agogo Bells, Cha-Cha, Clavé & Triple Timable Bells, Lens Drums, Jingle Shake . 12 World Percussion Rhythm Tech Series Congas, Bongos, Djembés, Timbales. 13 Eclipse Series Congas, Bongos, Djembés. 14 Mounts and Stands DSM2 Universal, DSM Quad, Gig Tray, ProMount . 15 SideMan, MicMan, Trigger Mount, Wireless mic Clip, Bongo Stand . 16 Drum Accessories Pro-Torq Drumkey, Active Snares, iT Tuners & Balance BD Beater, Trick Bag . 17 Practice Aids Laptop, Turn It Up & Lay It Down CDs, Drum Circle . 18 Pre-Packs and Replacement Parts Drumkit Pack (DKP), Performer Plus Pack, Studio Pack, Trick Bag Pack, Replacement Parts . 19 The Rhythm Tech Pro Tambourine After 25 years the technical possibilities have caught up with our vision. We redesigned the handle, changed the jingle layout and the balance point. We gave it a unique cushioned over-molded playing edge, and added more than 15 other design innovations to create the new Rhythm Tech “Pro” Tambourine. The Pro has a lighter, more responsive and comfortable feel with a sound that can only be described as “turbo-charged”. Features The Handle, a marvel of ergonomics not only feels great, but also controls the instrument better so that less effort is required. The Pro features an over-molded soft playing edge molded onto both sides of the frame to form a seamless permanent playing surface that provides unparalleled comfort. Another new innovation, Stainless Steel jingles. Stainless Steel is a harder more durable material that has a truer fundamental pitch. That means less overtones and longer sustain. These jingles have more volume to really cut through. The Pro is also available with our traditional Brass Jingles. Brass has a deeper chunkier sound that sounds great for recording. We adjusted the center of gravity of the instrument ever so slightly so that it would feel lighter and more responsive and we changed the layout of the jingles. Now they are grouped on the arc to react faster so that you get more sound with less effort. The holes in the corners of the Pro easily slip onto the new ProMount*. The mount will fit onto a DSM2 or DSM Quad Mount (or any other device that attaches to a stand and accepts a standard 3/8” rod), and allows the Pro to slip on and off so that it can instantly be converted to a mounted tambourine. RT PRO10 Black/Gray - Stainless Steel Jingles RT PRO20 White/Blue - Stainless Steel Jingles The Pro is packaged in it’s own tough Poly Propylene case. designed to RT PRO30 Red/Black - Stainless Steel Jingles protect the Pro in travel situations. Like bouncing around a trap case or Trick RT PRO11 Black/Gray - Brass Jingles RT PRO21 White/Blue - Brass Jingles Bag filled with all your other essentials. RT PRO31 Red/Black - Brass Jingles *ProMount sold separately Pro11 Black/Gray - Brass Jingles Pro30 Red/Black - Stainless Steel Jingles Pro10 shown mounted on the The Pro comes in its own molded Pro20 White/Blue - Stainless Steel Jingles optional ProMount (p. 15) protective Gig Case 4 Hand Held Instruments The Rhythm Tech Tambourine The legendary shape of the Rhythm Tech Tambourine, with its molded grip, has made it the most popular instrument of its kind in the world. Nothing else feels or sounds like a Rhythm Tech. Available with either Nickel Steel or Polished Brass Jingles. Nickel Steel Polished Brass Jingles: Jingles: RT 1010 BLACK RT 1011 RT 1020 WHITE RT 1021 RT 1030 RED RT 1031 RT 1040 BLUE RT 1041 RT 1050 YELLOW RT 1051 RT 1070 MIDNITE SUN RT 1071 RT 1080 PURPLE RT 1081 The Rhythm Tech SOLO Tambourine SOLO Tambourines have a narrower handle and frame with a single row of eight pairs of jingles (the same quality jingles found on the standard Rhythm Tech Tambourine). Younger players, or anyone who wants a fun, easy to play tambourine will love the SOLO. Made of tough ABS material, the SOLO will stand up to plenty of hard playing and still sound great! RT 1210 BLACK RT 1220 WHITE RT 1230 RED RT 1240 BLUE RT 1280 PURPLE True Colors Tambourines High quality instruments manufactured by Rhythm Tech. Available in two models, a 10" double row (sixteen pairs of Nickel Jingles) and an 8" single row (seven pairs of Nickel Jingles). True Colors Tambourines feature molded handles that makes playing easier. 10” 8” Double Row: Single Row: TC 4010 BLACK TC 4018 TC 4020 WHITE TC 4028 TC 4030 RED TC 4038 TC 4040 COBALT TC 4048 TC 4050 YELLOW TC 4058 Hand Held Instruments 5 The Rhythm Tech Cabasa Our cabasa has a unique rubber grip for easier and more com- fortable playing. Features a linear pattern scraper (for a brighter, more cutting sound) and chrome hardware. RT 8000 The Rhythm Tech Cabasa The Rhythm Tech Piccolo Cabasa A smaller, higher pitched instrument that’s easier and more comfortable for children and students to play. RT 8002 The Rhythm Tech Piccolo Cabasa Gemini Maracas Rhythm Tech Maracas Easier to handle than two single maracas, With their cushioned grip and bright colors, our Gemini Maracas give players ease of these new additions to our hand percussion use with added sound. Cushioned grip line are true Rhythm Tech. They have a for increased control. bright sound that’s easy to control. Great for live performances. RT 2302 Gemini Maracas RT 2300 Rhythm Tech Maracas True Colors Maracas Our True Colors Fiber Maracas come in two sizes and they each have a bright, present sound and lively attack. TC FML True Colors Maracas (large) TC FMM True Colors Maracas (mini) Maraquitas Tambino Small package. Large sound. Maraquitas give The Tambino is a fun safe instrument for you that crisp, Latin sound with solid children ages 3 and up. Its dual-handled control. Just right for studio musicians, design allows for easy grasp. No sharp educators and kids. edges, glues or toxic materials. Conforms to safety requirements of RT 2230 Red Maraquitas-Pair RT 2250 Yellow Maraquitas-Pair ASTM F963-95. Available in the RT 2240 Blue Maraquitas-Pair following color combinations. RT 2280 Purple Maraquitas-Pair RT 1500 Tambino Blue/Pink RT 1510 Tambino Orange/Green RT 1531 Tambino Red/Yellow RT 1541 Tambino Blue/Yellow RT 1580 Tambino Purple/Orange Shown: RT 1531 Red/Yellow 6 Hand Held Instruments Live Shaker The Live Shaker is constructed from a seamless tube of hard- ened aluminum and has a bright sound that’s particularly suited for live use. RT 2030 Live Shaker Red RT 2040 Live Shaker Blue Studio Shaker The Rhythm Tech Studio Shaker features unique internal ridges that control the feel of the instrument and create a dry, crisp, present sound. RT 2015 5" Studio Shaker RT 2019 9" Studio Shaker Cocktail Shaker 7" long, 1 1/2" wide. Small enough to hold onto with a drum- stick in your hand, loud enough to play from within the drum- set. Great for club performances. RT 2035 Cocktail Shaker Canz Three eye-catching flavors of sound. These unique shaker instru- ments combine our special blend of fill with the unique sound of household cans. Professional-level instruments perfect for Rock, Jazz and Latin. RT CN-G Light and Zesty Green RT CN-B Smoky Blue RT CN-R Hot Salsa Red EGGZ Shakers EGGZ are small shakers (fun and easy to play) with a great sound for recording and acoustic use.
Recommended publications
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    Newsletter Accent New Faculty Faces Angelemia Bacherman, Eguie Castrillio We are pleased to announce that the college has added two new, important faces to the Percussion Department faculty, Angelemia Bacherman and Eguie Castrillio. With the increase in enrollment that we experienced at the beginning of the Fall ‘99 semester, especially in the area of drumset principals, the college has added an exceptionally talented drumset artist to its ranks (Angelemia). Angelemia is cer- tainly no stranger to the Percussion Department, having substituted for other faculty in the past and has taught in the college’s 5-Week program for the past few years. With the departure from our faculty of Bobby Sanabria, the college has added one of the most respected Afro-Cuban hand percussionists around, Eguie Castrillio. Origionally from Puerto Rico, Eguie has already made a major impact on the many Afro-Cuban lab offerings in the department. Berklee Percussion Department Volume 8, Issue 2 Volume Fall ‘99 Clinics Two remaining visiting artist clinics will take place during the Fall‘ 99 semester. On November 18, vibist Bill Molenhoff returns from Europe leading his own band for a performance in the David Friend Recital Hall from 1-3pm. On November 29, MIDI percussion specialist, Hiroshi Chu Okubo (Yamaha), will present Yamaha’s new MIDI body percussion controller system in a clinic in Recital Hall 1A (1140) from 1-3pm. November 1999 November Berklee Percussion Department Volume 8, Issue 2 November 1999 New CD from Matthias Lupri Berklee College of Music alumnus Matthias Lupri '94, celebrated the release of his latest CD, “Shadow of the Vibe”(Chartmaker Jazz CMG5060) with his quintet on Tuesday, November 16, 1999, at the Regatta bar.
  • Nitro Drum Kit Assembly Guide

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  • PASIC 2010 Program

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  • TD-30 Data List

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  • The Orchestra What Does an Orchestra Play?

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  • Drum Kit List

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  • 5-Piece Junior Drum Kit Assembly Instruction

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  • Make It Happen

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    Make it Happen 1 Volume, 1 DVD 2 printed scores by Enrico Bertelli PhD Music University of York September 2012 Y3479621 PhD Enrico Bertelli Abstract Works for percussion are often neglected and underperformed because of instrumental unavailabil- ity, logistic limitations and notation issues. This research addresses these problems by delivering eight self-contained, adaptable and transportable multipercussion-based projects. The first three works solve these problems by using found objects, body percussion and imaginary instruments, revolving around the concept of interchangeable, if not transportable, instrumentation. The fol- lowing two projects look at the snare drum as a harmonious box (a resonant body), augmenting its timbre with extended techniques - such as mallets and hybrid hand/stick techniques- and live electronics. The audio processing starts with short and crisp sounds and looks at ways to gen- erate pitch via resonators, and how to control length with reverb. The remaining three projects focus exclusively on MIDI percussion, filling a wide gap in the repertory. These are the first works composed with this instrument in mind and not as a transcription or as a substitute for more common instruments. They cover, respectively, the areas of sampling, automated pitch randomizers and live MIDI scaling and shaping. Furthermore, the max4live MIDI patches serve as a link between the pitched and unpitched percussion, empowering the drum kit with harmonic and melodic controls. All the projects are designed to solve logistic problems and are developed as concerts-in-a-suitcase, a concept which is at the basis of my research Make it Happen. All the scores and types of notation put the performer’s needs first; this is why I produced performance editions, sometimes to the disadvantage of the original composition.
  • Bass Drum Journal May 2018 of the Harvard University B and Vol

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    the bAss Drum JournAl May 2018 of the hArvArD university b AnD Vol. 98 No. 1 three Cheers for 100 yeArs ne of the really special things to me about the band is our Ohistory and the traditions that have emerged from it. When I was interviewing everyone running for junior staff, I asked each of them what their favorite silly band tradition was. I originally intended this to reduce tension and allow any nervous freshmen to relax with an easy frst question, but the responses I received highlighted many of the wonderful aspects of band. My most shocking takeaway from that question was that no two people had the same answer. All 24 people who were interviewed each had The Band caroling in downTown BosTon To spread The holiday spiriT a unique favorite tradition. While many we lead the band into its 100th year, answers were the ones I would expect: as many playing the bottle cheer. Looking maintaining its history and adding to it march down, flower/flour, confetti, forward, planning for the 100th Reunion is while we go. I’ve loved working with verse 2, cuts, and Bagpipes, there well underway. The reunion will take place on you all these past six months, and I were also many traditions the weekend of October 12th, 2019 when our have no doubts that you will all be great I had never even thought football team takes on Cornell. We’d love going forward and make the band even of, such as the trumpets to have as many crusts as possible, and I better.
  • 10186 SPL D4420 D4522 Assembly Manual.Indd

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