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Council of the District of Columbia Committee of The
C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District -
Go-Go, Yesterday and Today
Brown and the Soul Searchers, Trouble Funk, Lead Go-Go, Yesterday Head, Hot, Cold Sweat, Cro Magnum Funk, Stacy & the Soul Servers, Class Band & Show, Mouse and Today Trap, The Shadows, and go-go icons including Ice Berg Slim and Big Tony, began to add the "live" by Iley Brown II features of go-go to their shows or recordings: he early 1970s in Washington, D.C., choreography, smoke and fog machines, go-go marked the beginning of a new musical dances, and extended instrumental solos including T sound that was still untitled. Basements in the trademark cowbells, whistles, and drum and neighborhoods throughout the city were convert conga solos added to known radio songs popular ed into after-school stages and rehearsal halls for ized by local radio stations. Radio hits that became budding bands and musicians. In many parts of go-go hits were "Family Affair" by Experience the city, an organist would meet up with percus Unlimited, "Run joe" by Chuck Brown, and sionists and drummers, who "Trouble Funk Express" by in turn would know of a Trouble Funk, which is a horn player. Bands were cob take from "Trans Europe bled together, and bonds Express" by Kraftwerk. were formed. In live performances audi To satisfy audiences of ences engaged the bands in teenagers, young adults, and call-and-response segments grown-ups, local "funk" of songs, usually during bands would play the radio percussion breaks ranging hits of Mandrill, Kool & The from a three-minute teaser Gang, New Birth, Average - a short percussion solo White Band, or Herbie with strains of the radio Hancock, among others. -
THE PEOPL'e's VOICE a Time to Prepare
THE PEOPL’E’S VOICE VolumeV Number 2 Universityof California,San Diego March 1982 IIII I I I Budget Cuts put the Squeeze On A Time To Prepare by Robyn Broughton These reports have prompted an are filed and if the necessary the federal government will investigation by the UCSD informationis completed.This garnisheetax returnsto obtain FACT: Studentswho cannotafford RegistrationFee Committeeinto the necessitatesthat we getour financial paymentfor theseloans. We mustbe basicnecessities (i.e., rent, food, management of SFS. This aid information in as soon as carefulin acceptingloans so as to clothing),cannot afford to be possibleto insurereceiving some preventfalling into a spiralof debts students. investigationis presently underway. formof aid.Applicants should have oncewe graduate. FACT:By 1984,students dependent The People’s Voice talked with theirfiles completed no laterthan on governmentmonies alone will not Thomas Rutter, the director of The numberof studentsapplying StudentFinancial Services, to get April I, even though the final be ableto affordbasic necessities. forfinancial aid is increasingalong some clarityon the financialaid deadlineis notuntil July l. withthe highercosts of education. FACT: It is estimatedthat more pictureat UCSD. Thetype of awardsgiven will be of The Reagan Administration, than70% of the Blackstudents here While there are still some a lowerquality but of equalquantity, however,is benton cuttingstudents at UCSD are receivingsome form of unanswered questions over the meaningstudents will probablybe downto size. financialaid moniesto providefor managementof SFS,there are plans offeredmore loans, and there will be theirbasic living expenses. Targetedfor fundingelimination loomingin Congresswhich threaten increasesdistributed among the in Reagans1983 proposal are mostof Tlaedevasting impact of recent to sweepstudents under the budget expected parental and student the forms of financialaid that changesand proposedchanges in cuttingcarpet. -
Sugar Hill Label Album Discography
Sugar Hill Label Album Discography SH 245 - Rapper’s Delight – Sugar Hill Gang [1979] Here I Am/Rapper’s Reprise (Jam-Jam)/Bad News//Sugar Hill Groove/Passion Play/Rapper’s Delight SH 246 – The Great Rap Hits – Various Artists [1980] 12” Vinyl. Spoon’nin’ Rap – Spoonie gee/To the Beat (Ya’ll) – Lady B/Rapping and Rocking the House – Funky Four Plus One//Funk You Up – The Sequence/Super Wolf Can Do It – Super-Wolf/Rapper’s Delight – Sugarhill Gang SH 247 – Kisses – Jack McDuff [1980] Kisses/Say Sumpin’ Nice/Primavera/Night Fantasies//Pocket Change/Nasty/Tunisian Affair SH 248 Positive Force – Positive Force [1980] Especially for You/People Get on Up/You’re Welcome//Today It Snowed/We Got the Funk/Tell Me What You See SH 249 – The 8th Wonder – Sugar Hill Gang [1981] Funk Box/On the Money/8th Wonder//Apache/Showdown/Giggale/Hot Hot Summer Day SH 250 – Sugar Hill Presents the Sequence – Sequence [1980] Simon Says/The Times We’re Alone/We Don’t Rap the Rap//Funk a Doodle Rock Jam/And You Know That/Funky Sound/Come on Let’s Boogie 251 252 253 254 SH 255 – First Class – First Class [1980] Give Me, Lend Me/Let’s Make Love/Coming Back to You/No Room For Another//I Wasn’t There/Lucky Me/Going Out of My Head/Hypnotize 256 SH 257 – Hard and Heavy – Wood, Brass and Steel [1980] Re-Entry/Open Up Your Heart/Long Live Music/Love Incognito/Be Yourself//Are You Busy/Superstar/Welcome/Space Walk/Fly with the Music 258 SH 259 – Brother 2 Brother – Brother to Brother [1980] Backlash/I’ve Been Loving You/I Must’ve realized/Latin Me//Let Me Be for Real/Love -
Swingin' Through the Music Capital
Proofed by: phadkep Time: 10:46 - 01-19-2007 Separation: C M Y K HIGH-RES PROOF. IMAGES ARE RIPPED. FULL PROOF INTEGRITY. Product: SOURCE LayoutDesk: SOU PubDate: 01-21-07 Zone: DC Edition: EE Page: RDTRIP C M Y K M8 SOURCE 01-21-07 DC EE M8 CMYK M8 Sunday, January 21, 2007 DC x The Washington Post RoadTrip Swingin’ Through the Music Capital WHERE: Alexandria and Washington. Chuck Brown mixed funk with Latin C O N percussion to invent go-go at the N WHY: A lizard king in Old Town, de-funked venues and a military E C long-gone Maverick Room. T IC man. U “Bustin’ Loose” by Chuck Brown T A V E N U HOW FAR: About 17 miles, or one hour with stops. E DISTRICT OF COLUMBIA The house where Duke Ellington was delivered n Washington, the military and presidents seem to garner was torn down to make room for a post office. all of the big monuments, while the area’s musicians are re- “East St. Louis Toodle-Oo” by Duke Ellington duced to the record bin. But not always. On a magical tour of musical landmarks, fans can pay homage to local per- The rowhouse that contains formers, and as a bonus, we’ve supplied a playlist to help re- Beat Records Crooked KALORAMA ROAD e graced the create that live experience (see map for song selections). used to be a commun Singing sensation Marvin Gay , now vacant. 11TH ST. I performance space called Madam al M Howard Theater Let’s start at the end, beautiful friend. -
The Story of Kato Hammond, the D.C. Go-Go Scene's Best News
3/17/2017 The Story of Kato Hammond, The D.C. GoGo Scene’s Best News Source | Bandwidth home H videos sounds local wamu.org HEARD ON WAMU Capital Soundtrack May 15, 2015 S H A R E : The Story of Kato Hammond, The D.C. Go-Go Scene’s Best News Source By Steve Kiviat D.C.'s Rare Essence (shown in 2015) made Kato Hammond, founder of TMOTTGo-Go, a lifelong go-go fanatic. LIAISON RECORDS http://bandwidth.wamu.org/thestoryofkatohammondthedcgogoscenesbestnewssource/ 1/10 3/17/2017 The Story of Kato Hammond, The D.C. GoGo Scene’s Best News Source | Bandwidth Kehvoinm Heammond was 14 when he saw D.C. go-go band Rare Essence — in matching red H swveidatesousits — perform at Prince George’s Community College. The band didn’t do a song, stop, thesonu sntadrst another one like other groups he knew. Essence just kept going. It was 1979, and that shloowca clhanged Hammond’s life. wamu.org This year Hammond — who goes by Kato — turns 50. After that Rare Essence gig, he went on to sing and play guitar in go-go bands Pure Elegance and Little Benny and the Masters and rap in Proper Utensils. In 1996 he founded the website that would become a news source for the go-go community: Take Me Out to the Go-Go. It’s still active today. Today, Hammond releases his self-published memoir, called, of course, Take Me Out To The Go-Go. -
Sean Khan – ‘Slow Burner’
1. Mixed Grill - A Brand New Wayo 2. Kris Okotie - Show Me Your Backside 3. Murphy Williams - Get On Up 4. Joe Moks - Boys and Girls 5. Amas - Slow Down 6. Oby Onyioha - I Want To Feel Your Love 7. Dizzy K. Falola - Excuse Me Baby 8. Chris Mba - Funky Situation 9. Bayo Damazio - Listen to the Music 10. Martha Ulaeto - Music Alone 11. Segun Robert - Big Race 12. Amel Addmore - Jane 13. Honey Machine - Pleasure 14. The Stormmers - Love or Money 15. Emma Baloka - Letís Love Each Other With this release, Comb & Razor Sound launches its exploration of the colorful world of popular music from Nigeria, starting with the post-disco era of the late 1970s and early 80s. The years between 1979 and 1983 were Nigeria’s Second Republic, when democracy finally returned after twenty-three years of uninterrupted military dictatorship. They were also the crest of Nigeria’s oil boom, when surging oil prices made the petroleum-producing country a land of plenty, prosperity and profligacy. The influx of petrodollars meant an expansion in industry and the music industry in particu- lar. Record companies upgraded their technology and cranked out a staggering volume of output to an audience hungry for music to celebrate the country’s prospective rise as global power of the future. While it was a boom time for a wide variety of popular music styles, the predominant commercial sound was a post-afrobeat, slickly modern dance groove that retrofitted the relentless four-on-the- floor bass beat of disco to a more laidback, upbeat-and-downbeat soul shuffle, mixing in jazz-funk, synthesizer pop and afro feeling. -
Americanlegionma493amer.Pdf (9.884Mb)
FORRESTAL WAS RIGHT By George Fielding Eliot Football Forecast for '50 By Ed FiUgerM . "/ was curious . I tasted it... The Beer that made Milwaukee Famous ! ©isso jos schutz brewing co. Milwaukee, wis. — OFFICIAL POST CAPS CONVENTION and MASSACHUSETTS Style No. 1 Leilering YEAR 'ROUND NEEDS Deluxe — Style No. 1 lettering Post numerals on the right hand side, and state name in full on the left beneath the emblem. Extra fine quality lining, and wide genuine leather sweat band. Price . $3.05 Standard — Style No. 1 lettering Same as deluxe quality except fur- nished without lining, and less ex- pensive sweat band. Price . $2.75 Two weeks required for delivery. Specify size. APPLET0N,W1S. Style No. 2 Lettering Deluxe — Style No. 2 lettering Post numerals on the right hand side, and the town name in full with state abbreviated on the left be- neath the emblem. Extra fine qual- ity lining and genuine leather sweat brand. Price $3.95 STYLE XXX ZELAN JACKET T-RIM T SHIRT Standard — Style No. 2 lettering Oyster color (Cream) Light weight water repellent. Same as deluxe except furnished Well made, soft cotton white Legion T-shirt with Complete with Legion insignia processed on left without lining, and less expensive fast color Legion blue neck trim. "American Le- chest. Excellent for summer, late Spring and early sweat band. Price $3.65 gion" and emblem processed in blue on front. Sizes: Fall wear. Sizes: small (36), medium (38-40), Two weeks required for delivery. small, medium, and large. When ordering be sure large (42-44) and extra large (46-48). -
The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T. -
Ba. Ruch· Budget Increase
'r.~_": _'~"'. .~ ~o. ~, ~',.. r. --:." .o.. ... ..... '-'. .... ~.,.,.. ;,.. '1.,;, .. ' 0 ~.> r:· . .../ .-. it··, . ~.'" ~ ~.~. r.;.: .'. .- • New- Security Measures·Planned by Micbael Flanigan The Security Department is considering the implementation of new measures in an 'effort to upgrade the safety of the college's students, faculty and. property. Foremost among these is a plan to have all persons display their Baruch College .' Identification card upon entering the buildings of the college.. Security Chief, Richard Dillon, "suggested the idea" when he arrived at Baruch, some nine'months ago, "although it .. had been previously raised by other individuals." Un ; derscoring a finn belief that anticipation.and positive action are crucial in the deterrence of crime, Dillon cited "a changing environment around the school" as being.largely responsible for "spurring this idea into maturity." Instituting this system is easier Vice-president for Ad- /' said than done and Dillon, in· ministration,.Dr. D8Yid <BeeR, recognizing this, carried out a foreseesothercost factors such as .. survey in the CUNY colleges, in "logging in of visitors, provision order to uprovide a 'package" of duplicateI.D. cardsanc:l~ ttul.twill work best for Baruch. and maintenance of macbiDel'Y. Although,oit ,is, ..Jllilized by. all However. be weleOmeadle: at- -< .co.UeIes, some do so with t~ru:C! ..... '-j~..... ·:·f.i..~ .' ':' ... - _~..;. _.. • •• ..... -'"":~ _'="""-~ _;~- _, __.' -_., ~ __~_~-- _' ,~~•..;..t..Q: .1Ii __ ~ U: R..J~~ .._,_~~--. ~.i-' :... -- ,. .- .mactifi&aticms.in .terillS. of.liIUe . Statiqg .. 4Mt -:ofJrrre.·,--.e:.:...." d •• and/or.buildings, 4~quitea few i~tS, 'iJivoIviDs Its effect on student traffic property in particuJar.7t between classes, has also been "Although there might be considered. -
Go-Go Forever
mtv news FEATURE GO-GO FOREVER THE RISE, FALL, AND AFTERLIFE OF WASHINGTON, D.C.’S ULTIMATE RHYTHM 06/14/2017 MTV ERICKA BLOUNT DANOIS Ericka Blount Danois is based in Baltimore and writes about music and culture. Her first book, 'Love, Peace and Soul,' about the show 'Soul Train,' was published in 2013. We had made plans to walk the more than 10 treacherous blocks to the show that Saturday autumn night in the Chocolate City. So we walked from my friend Cheryl's building on 14th and Fairmont Streets all the way to The Black Hole, one of the most popular go-go spots in town, strolling past hustlers and the infamous Clifton Terrace projects as we went. We weren't in heels, like most girls going to nightclubs. We wore New Balance tennis shoes with our Guess jeans. At The Black Hole, you had to be prepared to run at any moment. In Washington, D.C.'s 1980s go-go scene, The Black Hole was what CBGB was to punk rock, what The Paradise Garage was to dance music. You couldn't call yourself a true go-go head if you'd never stepped past its hefty bodyguards after wading through the mass of bodies stretching down Georgia Avenue whenever a show was happening. It was a hole in the wall, really — a former car garage that regularly packed in excess of 400 sweaty teenagers. And it was our spot to hear uncut go-go, dance all night, and be seen. Dancing there was the closest thing that a non- churchgoer could find to catching the spirit at a Pentecostal church, and as close to a juke joint as a saved soul could experience. -
The Moving Power of Parliament Funkadelic
Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands.