Go-Go Forever
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Celebrate Black Music Month on Siriusxm, Pandora, and Stitcher with Exclusive Music Channels, Streaming Stations, and an Original Podcast
NEWS RELEASE Celebrate Black Music Month on SiriusXM, Pandora, and Stitcher with Exclusive Music Channels, Streaming Stations, and an Original Podcast 6/1/2021 The 2PAC Channel debuts on SiriusXM today Limited-run channel from the legendary Prince also available now Black Music Forever Radio channel, an extension of Pandora, debuts on SiriusXM SiriusXM, Pandora and Stitcher honor Black Music Month with the launch of original podcast series, 'All Music is Black Music' featuring Kelly Rowland, Ne-Yo, St. Vincent, Regina Spektor and more Pandora Playback virtual event will feature Moneybagg Yo NEW YORK, June 1, 2021 /PRNewswire/ -- SiriusXM, Pandora and Stitcher today announced the launch of three exclusive limited-engagement channels, a groundbreaking original podcast, and specialty music programming in honor of June's Black Music Month. SiriusXM will kick-o Black Music Month with two channels saluting groundbreaking Black artists with The 2PAC Channel and The Prince Channel. SiriusXM has collaborated with these iconic artists to deliver unique radio listening experiences that can only be found on SiriusXM. Pandora's popular Black Music Forever Station will also extend to its own SiriusXM channel, Black Music Forever Radio. For details on SiriusXM's limited-engagement channels and additional SiriusXM specialty programming, please see below: The 2PAC Channel (ch. 104) will take listeners on a comprehensive journey through the genius of 2PAC's full music career. Hear about the iconic artist's life and music, rst-hand, with exclusive commentary from his close friends and peers, including E.D.I. Mean, an original member of 2PAC's group The Outlawz. -
The Fine Art of Rap Author(S): Richard Shusterman Source: New Literary History, Vol
The Fine Art of Rap Author(s): Richard Shusterman Source: New Literary History, Vol. 22, No. 3, Undermining Subjects (Summer, 1991), pp. 613- 632 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/469207 Accessed: 30/11/2009 16:24 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to New Literary History. http://www.jstor.org The Fine Art of Rap Richard Shusterman ... rapt Poesy, And arts, though unimagined, yet to be. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
WHITTIER • COLLEGE R October 26,2000 &
• Wait...What Are • New Courses foi • Radiohead Rules! • Football Ties for Those Blue Bins For? January and Spring First Place in SCIAC Students debate the merits of recycling Interested in wilderness, sculp We couldn't get tickets, but we Poets go 2-0 in the Conference and wonder where our environment is tures, U.F.O.s, medicine or went to the concert anyway. with a win over Occidental. headed. bookmaking? WHITTIER • COLLEGE r October 26,2000 & John Qrtaikaf Quaker The Voice Of The Campus Since 1914 http://www.whittier.edu/qc Students Hold Forum to Discuss Alleged Discrepancies impeach Collard, but to inspire appointed, including the majority • FORUM activism on campus. of the Executive Council, have "Apathy makes me sick," he that much of a similar opinion that said. it won't make a difference." by Amy Stice "I'd be happy if we had this Another anonymous group QC News Editor forum and at the end everyone posted responsive fliers in the hated us, but at least they'd have mailroom on Wednesday, Oct. 25 Fliers calling for the impeach an opinion," junior forum orga criticizing the forum's organiz ment of senior COR President nizer Travis Nass said. "[Proceed ers. These fliers directly attack Jonathan Collard were distribut ing with impeachment] depends the organizers—calling them "The ed to campus mailboxes on Mon Anti-Social Club for Non-Con on the forum turnout. If we're Field oxidated. day, Oct. 23 by an anonymous convinced at the forum that COR forming Conformists of the Con group of students, protesting that is doing what they're supposed to servative Liberal Movement"— the Council of Representatives and that Collard's actions are ap and "invite you to stand up against (COR) is not adequately repre propriate, we wouldn't [sic]. -
3 Elections Result in Run-Off Races SGA Committee President Refuses to Release Kevin Hughes and Alex Pedersen Will Compete in a Run-Off Election on April 3
'Da Butt': Only one type of dance music 16 THURSDAY. MARCH 29. 1990 JAMES MADISON UNIVERSITY VOL. 67 NO. 46 3 elections result in run-off races SGA committee President refuses to release Kevin Hughes and Alex Pedersen will compete in a run-off election on April 3. Tim Knapp number of votes was eliminated from the race. J By Mark DeLaFleur SGA reporter Of the 2,080 votes cast, the presidential1 candidates Three races in Tuesday's Student Government received 2,052 votes. The SGA Association election will be decided in a run-off, and would not release individual the SGA will not release the vote counts for the three vote tallies. races. A run-off election will be held next Tuesday for SGA president, administrative vice president and secretary. Only Mark Chernisky, a candidate for treasurer, and three unopposed candidates won their races. Administrative vice Secretary None of the other candidates received SO percent of president the vote plus one vote — the count necessary to win an SGA election. The top two candidates in each race AIM Gordon and Heather Wiley will will meet next Tuesday in a run-off election. compete In the run-off election. The SGA major elections committee would not Andrew Lewis and Yoly Leon were John Pagels and Julie McEntee will compete release the vote counts for the races because, it says, eliminated from the race. In ths run-off election. Greg Grzybowski was it would give one candidate an unfair advantage. eliminated from ths race. "We do not want to influence in any way the Of the 2,080 votes cast, ths administrative vies Of ths 2,080 votss cast, ths secretarial candidates received 1,804 votss. -
Meshell Ndegeocello Bio for New Album, Comet, Come to Me (June 3 Release on Naive Records)
Meshell Ndegeocello Bio For new album, Comet, Come to Me (June 3 release on Naive Records) Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. Her 11th release, it is possibly a culmination of all previous work: lush, vocal, seeking, wise, collaborative, and driven by the signature bounce and precise pocket of Ndegeocello on bass. The album features special guests Shara Worden (My Brightest Diamond) and Doyle Bramhall, along with long-time collaborators Christopher Bruce (guitar) and Jebin Bruni (keys), and Earl Harvin on drums. Assured of her place as an authentic musical thinker and an uncompromising artist, Comet continues to discover, examine, and explore all that music has to offer her and how she can return the gift. “Comet, Come To Me was a little labor but a lot of love. It was made with my favorite collaborators, and it felt good to channel the sounds in my mind after having Nina in residence for a while,” ” says Meshell, referencing her last album, a tribute to Nina Simone. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
UNDERNEATH the MUSIC Ellington
ABSTRACT Title of Document: UNDERNEATH THE MUSIC Ellington Rudi Robinson, Master of Fine Arts, 2008 Directed By: Professor, Jefferson Pinder, and Department of Art I see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life. UNDERNEATH THE MUSIC By Ellington Rudi Robinson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts 2008 Advisory Committee: Professor Jefferson Pinder, Chair Professor Patrick Craig Professor Margo Humphries Professor Brandon Morse Rex Weil © Copyright by Ellington Robinson 2008 Preface The smell of the coffee bean aroma surrounded by the books and music, the phone rings. “Good afternoon, thank you for calling Borders Books and Music, how can I help you?” “El! What’s up man, I have some bad news.” This is an all too familiar greeting. -
Council of the District of Columbia Committee of The
C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District -
Taking Charge of What You Can: a Covid-19 Toolkit
TAKING CHARGE OF WHAT YOU CAN: A COVID-19 TOOLKIT COMMUNITY ADDICTION AND MENTAL HEALTH - SUNRIDGE Date Issued: 04/01/2020 Prepared by Vanessa Chong, Ph.D., R, Psych. Contributors Karen Lane, RN Erin Moss, Ph.D., R. Psych. Artwork Marla Wirasinghe (cover page, pgs. 1-2) COVID-19 TOOLKIT 1 A World in Crisis The Covid-19 epidemic has drastically changed the way we live, work, and connect each other in a very short period of time. As a world, we are experiencing a collective crisis, the likes of which most of us have never encountered. Right now it is NORMAL to be experiencing a whole host of emotions, including anxiety, anger, sadness, and uncertainty. Our minds and our bodies are closely connected, so it is also likely that you are losing sleep and experiencing other physical symptoms, such as muscle tension, aches and pains, headaches, and low energy. WE ARE ALL IN THIS TOGETHER! On one hand, this means that everyone in the world is going through a really awful time. That sucks! But this also means that we will get through this together, by collaborating, connecting, and supporting one another. As a species, humans are really good at overcoming adversity. How Will This Toolkit Help? We all need to find a sense of control right now. This toolkit is designed to help you focus on the parts of your life that you can take charge of and stop spending energy on the things you cannot control. The Anxiety Onion You can think of anxiety as an onion. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.