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UNDERNEATH the MUSIC Ellington
ABSTRACT Title of Document: UNDERNEATH THE MUSIC Ellington Rudi Robinson, Master of Fine Arts, 2008 Directed By: Professor, Jefferson Pinder, and Department of Art I see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life. UNDERNEATH THE MUSIC By Ellington Rudi Robinson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts 2008 Advisory Committee: Professor Jefferson Pinder, Chair Professor Patrick Craig Professor Margo Humphries Professor Brandon Morse Rex Weil © Copyright by Ellington Robinson 2008 Preface The smell of the coffee bean aroma surrounded by the books and music, the phone rings. “Good afternoon, thank you for calling Borders Books and Music, how can I help you?” “El! What’s up man, I have some bad news.” This is an all too familiar greeting. -
Council of the District of Columbia Committee of The
C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District -
Go-Go, Yesterday and Today
Brown and the Soul Searchers, Trouble Funk, Lead Go-Go, Yesterday Head, Hot, Cold Sweat, Cro Magnum Funk, Stacy & the Soul Servers, Class Band & Show, Mouse and Today Trap, The Shadows, and go-go icons including Ice Berg Slim and Big Tony, began to add the "live" by Iley Brown II features of go-go to their shows or recordings: he early 1970s in Washington, D.C., choreography, smoke and fog machines, go-go marked the beginning of a new musical dances, and extended instrumental solos including T sound that was still untitled. Basements in the trademark cowbells, whistles, and drum and neighborhoods throughout the city were convert conga solos added to known radio songs popular ed into after-school stages and rehearsal halls for ized by local radio stations. Radio hits that became budding bands and musicians. In many parts of go-go hits were "Family Affair" by Experience the city, an organist would meet up with percus Unlimited, "Run joe" by Chuck Brown, and sionists and drummers, who "Trouble Funk Express" by in turn would know of a Trouble Funk, which is a horn player. Bands were cob take from "Trans Europe bled together, and bonds Express" by Kraftwerk. were formed. In live performances audi To satisfy audiences of ences engaged the bands in teenagers, young adults, and call-and-response segments grown-ups, local "funk" of songs, usually during bands would play the radio percussion breaks ranging hits of Mandrill, Kool & The from a three-minute teaser Gang, New Birth, Average - a short percussion solo White Band, or Herbie with strains of the radio Hancock, among others. -
Natalie Hopkinson Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson
Go-Go Live ★ The Musical Life and Death of a Chocolate City ★ Natalie Hopkinson Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson “Natalie Hopkinson knows the music, the heartbeat, and the people of Washington well, but Go-Go Live: The Musical Life and Death of a Chocolate City is much more than a book about D.C.’s indigenous sound. It is a vital, lively, and ultimately inspiring look at the evolution of an American city.”—George Pelecanos, writer and producer of The Wire and Treme “Taking us into the little-studied terrain of go-go, the cousin of hip-hop born and bred in Washington, D.C.¸ Natalie Hopkinson reveals go-go as a lens for seeing, in stark colors, how the economy, politics, and especially the drug trade have traduced black communities around the world.”—Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the “Godfather of Go-Go,” created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. -
2400 Tulane Ave. 822-9907
915 .. ·~ . new tnustc• Ivan Bodley 37 TargetzAnd it Burns "Okay all ofyou rock and roll hopefulls and Exploding out of Chattanooga, TN. not cookie/and morons, let me tell you a few things unlike their infamous locomotive, And it about my favorite industry. " - Joe Burns, produced by former R.E.M. producer Pop-o-pie Don Dixon, is another massive debut lp. Their uniquely targeted song "Ring of Fire" It is easy to adopt Joe's cynicism about this is a much-covered song from the Carter wild and crazy business we call "music" but I Cash family's repertoire and immediately hope I can offer some spark in the void that is gives the listener insight as to just where the industry we call "recording." these four young men are shooting from. I am often asked, "Hey, Ivan, what's Their sound conjures up images of the Alarm, new," and am equally often reduced to a Mignight Oil and other new music rockers shivering mass of molten cholesterol as my while remaining unique and innovative. brain overloads at the sheer volume of the Cruzados Cruzados new releases each week. So I've spent some A major label debut for this four man outfit time meditating high atop our broadcast formerly known as the Plugz, Cruzados is tower to collect my thoughts so I can offer quickly indentified as a fusion of several West only a few of my favorites. Coast sounds including Mexican, surf rock, What is This What is This punk and good old rock and roll. This project Now reduced to a trio, this Hollywood is amazingly accessible and well produced, based outfit combines tasteful and effective not unlike a harder rocking yet smoother elements of funk, rock and soul to create their cruising Los Lobos. -
Swingin' Through the Music Capital
Proofed by: phadkep Time: 10:46 - 01-19-2007 Separation: C M Y K HIGH-RES PROOF. IMAGES ARE RIPPED. FULL PROOF INTEGRITY. Product: SOURCE LayoutDesk: SOU PubDate: 01-21-07 Zone: DC Edition: EE Page: RDTRIP C M Y K M8 SOURCE 01-21-07 DC EE M8 CMYK M8 Sunday, January 21, 2007 DC x The Washington Post RoadTrip Swingin’ Through the Music Capital WHERE: Alexandria and Washington. Chuck Brown mixed funk with Latin C O N percussion to invent go-go at the N WHY: A lizard king in Old Town, de-funked venues and a military E C long-gone Maverick Room. T IC man. U “Bustin’ Loose” by Chuck Brown T A V E N U HOW FAR: About 17 miles, or one hour with stops. E DISTRICT OF COLUMBIA The house where Duke Ellington was delivered n Washington, the military and presidents seem to garner was torn down to make room for a post office. all of the big monuments, while the area’s musicians are re- “East St. Louis Toodle-Oo” by Duke Ellington duced to the record bin. But not always. On a magical tour of musical landmarks, fans can pay homage to local per- The rowhouse that contains formers, and as a bonus, we’ve supplied a playlist to help re- Beat Records Crooked KALORAMA ROAD e graced the create that live experience (see map for song selections). used to be a commun Singing sensation Marvin Gay , now vacant. 11TH ST. I performance space called Madam al M Howard Theater Let’s start at the end, beautiful friend. -
Go-Go Forever
mtv news FEATURE GO-GO FOREVER THE RISE, FALL, AND AFTERLIFE OF WASHINGTON, D.C.’S ULTIMATE RHYTHM 06/14/2017 MTV ERICKA BLOUNT DANOIS Ericka Blount Danois is based in Baltimore and writes about music and culture. Her first book, 'Love, Peace and Soul,' about the show 'Soul Train,' was published in 2013. We had made plans to walk the more than 10 treacherous blocks to the show that Saturday autumn night in the Chocolate City. So we walked from my friend Cheryl's building on 14th and Fairmont Streets all the way to The Black Hole, one of the most popular go-go spots in town, strolling past hustlers and the infamous Clifton Terrace projects as we went. We weren't in heels, like most girls going to nightclubs. We wore New Balance tennis shoes with our Guess jeans. At The Black Hole, you had to be prepared to run at any moment. In Washington, D.C.'s 1980s go-go scene, The Black Hole was what CBGB was to punk rock, what The Paradise Garage was to dance music. You couldn't call yourself a true go-go head if you'd never stepped past its hefty bodyguards after wading through the mass of bodies stretching down Georgia Avenue whenever a show was happening. It was a hole in the wall, really — a former car garage that regularly packed in excess of 400 sweaty teenagers. And it was our spot to hear uncut go-go, dance all night, and be seen. Dancing there was the closest thing that a non- churchgoer could find to catching the spirit at a Pentecostal church, and as close to a juke joint as a saved soul could experience. -
Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical. -
Rareessence Final.Pdf
Tweet It! Rare Essence, the “Best Go-Go Band” in Washington D.C., will bring its funk-infused music to the @KimmelCenter’s FREE Sittin’ In this #PIFA2018. Hear @REWickedestBand 6/6! More info @kimmelcenter.org/pifa #ArtHappensHere Press Contact: Monica Robinson Rachel Goldman 215-790-5847 267-765-3712 [email protected] [email protected] WASHINGTON D.C.’S LEGENDARY GO-GO BAND RARE ESSENCE TO PERFORM AT THE KIMMEL CENTER’S PHILADELPHIA INTERNATIONAL FESTIVAL OF THE ARTS FOR A SPECIAL EDITION OF ‘SITTIN’ IN’ JUNE 6, 2018 FOR IMMEDIATE RELEASE (Philadelphia, PA, April 30, 2018) –– Rare Essence, Washington D.C.’s wickedest Go-Go band, will bring its original, funky sound to the Kimmel Center’s 2018 Philadelphia International Festival of the Arts (PIFA). The band will perform live for a special PIFA edition of the Kimmel Center’s FREE Sittin’ In program, taking place Wednesday, June 6, 2018 at 8:00 p.m. in the Commonwealth Plaza. “We are ecstatic to have this legendary Go-Go band Rare Essence join our PIFA celebration,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “The band has been performing for more than four decades and is a Washington, D.C. institution. They’ve played with The Roots, DJ Kool, LL Cool J, Shabba Ranks, and Erykah Badu just to name a few. Now, they will showcase their diverse, unique artistry for our audiences.” Rare Essence began its musical journey in 1976, when several D.C. area elementary schoolers came together to jam to the era’s most popular funk and soul hits. -
The Ibex - Tower of Power Remembering Terrence Johnson Women in Go-Go Go-Go Anthology Part 3 of 3
www.tmottgogo.com January - March 2000 The Ibex - Tower of Power Remembering Terrence Johnson Women in Go-Go Go-Go Anthology Part 3 of 3 40 1 Got TMOTTGoGo? PUMPIN’ LIVE GO-GO MUSIC Straight from the Go-Go Capitol of the World! Weekly drawings for FREE PA Tapes, Videos & CDs 5099 Jefferson Davis Highway (Route 1) Fredericksburg, Virginia 2 39 Available in stores NOW!!! GIMMIE THAT BEAT! 25 YEARS OF GO-GO MUSIC Go-Go music is Washington, D.C.’s unique contribution to American popular culture. Since its emergence in the middle 1970s, Go-Go has been the District’s single most New Dimension Band Jigaboo Band important voice for indigenous African American expressive Beyond The Beltway Str8 Given U That culture. But it is more than just music. Go-Go is an event encompassing dance, verbal arts, and dress as well. On Saturday, April 15, 2000 the Music and Recreation Coming up in the next issue... Division of the D.C. Pulbic Library will host a conference, “Gimmie That Beat! Twenty-Five Years of Go-Go on the Streets of Washington, D.C.” Musicians, writers, scholars, Exclusive and entrepreneurs will examine the role of Go-Go music in interview with Lawrence “The this city over the past twenty-five yars. The conference is Maniac” West funded by a grant from the Humanities Council of Washington, D.C. with additional support provided by the Phyz Wunders Malcom X Foundation and the Africana Studies Program at the George Washington University. Go-Go Reunion II Celebration at Wilmer’s Parks Featuring special performance by O1P! plus, more.. -
February 2016 | Page 1
TMOTTGoGo Magazine | February 2016 | Page 1 99 & KATO: THE RADIO EXPERIENCE ONE TIME FOR“ YOUR “MIND!!! 99andKatoRadio.com TMOTTGoGo Magazine | February 2016 | Page 2 99 & KATO: THE RADIO EXPERIENCE • The Crooner 8 • Black History Fun Facts 12 • The Wanda Pratt Story 14 • #SandyStillSpeaks in Baltimore 18 • She’s Single... On Valentine’s Day 20 • CHD Awareness 22 • Top Boy on the UMC 24 • RIP Maurice White 28 • Frank “Scooby” Sirius 32 • Stinky Dink Pictorial 40 • Michael Muse 42 ONTENT C FEBRUARY 2016 Publisher Kato Hammond Creative Director Tahira Chloe Mahdi Marlon Green Contributing Writers Maiah Coles Jennifer Angellatta-Moore Tahira Chloe Mahdi Preston Blue Photos Michael Mustbnice Bell Preston Blue Chip Py Don Wilson Memories Are Worth Keeping Tia Warhall Graphics & Layout Kato Hammond For Advertising and Sponsorship inquiries, email us at: [email protected] tmottgogo.com tmottradio.com tmottzone.com tmottwebdesign.com © TMOTTGoGo 2016 FROM THE PUBLISHER’S DESK Kato Hammond The Crooner The club scene is crowded, but it’s not a boisterous one. Just about everyone has a drink in their hand, and is engaged in quiet conversation, or perhaps just silently enjoying the evening. Setting the mood is an old-school crooner; a gentleman all dressed up and filling the room with his witty banter and warm, jazzy singing. It’s a classy and romantic environment, helped in large part by the charismatic guy on stage. The Crooner is an American epithet that was given to singers of jazz standards, either backed by a full orchestra, a big band or by a piano. The silky-voiced singer of these senti- mental jazz favorites, particularly a male sing- er, were especially popular from the late 1920s until the early 1950s. -
Liner Notes, No. 17
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 17 / 2012-2013 Logan H. Westbrooks: Music Industry Executive, Entrepreneur, Teacher, Philanthropist aaamc liner notes 17 121712.indd 1 12/21/12 10:52 AM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and Since 2010, the AAAMC has been (sub-distributors or wholesalers), while dissemination of materials for involved in a documentation and oral record retail outlets, management and the purpose of research and history project that preserves the legacy concert promotion agencies, music study of African American of African American pioneers who industry publications, and other music and culture. established and became executives of related businesses proliferated. African www.indiana.edu/~aaamc black music divisions at major record Americans also purchased radio and companies, as well as others who have television stations and expanded local driven the success of independent and syndicated programs featuring record companies specializing in black music. Operating as a collective, black music. This project builds upon these entrepreneurs, along with their Table of Contents research I began in the early 1980s while white counterparts, moved black music attending conventions of the Black from the racial margins of society into From the Desk of Music Association, Jack the Rapper, and the mainstream, which contributed the Director ..................... 2 Black Radio Exclusive, which featured to the growth of a multibillion dollar seminars on a range of related topics. industry. Kenny Gamble, chairman In the Vault: These conventions and my interviews of Philadelphia International Records with industry pioneers (available as part and co-founder of the Black Music Recent Donations ............