Colección Torre Rosa De Vinilos Y
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The Hilltop 4-7-1989
Howard University Digital Howard @ Howard University The iH lltop: 1980-90 The iH lltop Digital Archive 4-7-1989 The iH lltop 4-7-1989 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_198090 Recommended Citation Staff, Hilltop, "The iH lltop 4-7-1989" (1989). The Hilltop: 1980-90. 222. http://dh.howard.edu/hilltop_198090/222 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1980-90 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • • • • • ' • . • al1221a 72, N1111tlaar 23 AIDS rapist gets 8·1-243 _year prison ·term • • Donald Hatch, 40, threatened victims with infected hyperdermic needle • • By Eric Smith Hilltop Staff Reponer AIDS virus and rat poisoning. applauded the sentence in the case c~pus, Dawson responded, ''We're According to a Washington Times but . believes it was too long i~ trying to be sensitive to strangers on Donald Hatch, the ''AIDS rapist'', article, Hatch is a suspect in at least coming. the campus, but we can't be • who terrorized the Howard com· everywhere that a crime might OC· munity in fall ·of 1987 was ten other rapes or attempted rapes at ''It illustrates that the wheels of cur." sentenced. last week to 81 to 243 years the time near the campus in 1981 and justice turh very slowly. It is a tn prison. 1982, but cannot be prosecuted in Since the 1987 rape attacks, Hatch,40, was sentenced by the those cases because the statute of marvelous sentence, but ideally it Howard's security division has in· D.C superior court after being con· would have come swifter," Dawson victed in August of 1988 on a 14 liffiitations ran out two years ago. -
Driver 2 Soundtrack List
Driver 2 soundtrack list click here to download Allister Brimble, Richard Narco, Full Original Soundtrack, Composed soundtrack. Allister Brimble, Richard Narco, Havana at Day, Composed soundtrack. Allister Brimble, Richard Narco, Havana at Night, Composed soundtrack. Allister Brimble, Richard Narco, Havana Escape at Day, Composed soundtrack. Allister Brimble. Driver 2: Back on the Streets (named Driver 2: The Wheelman is Back in North America) is the to the limitations compared to the PlayStation. List of GameBoy Advance Missions end credits of the game. A member of the Driver Madness community has created a lossless unofficial soundtrack, available for download. Driver 2: Back on the Streets is the second installment of the Driver video game series. It was developed by Reflections Interactive and published by Infogrames. A port to the Game Boy Advance was released in , being developed by Sennari Interactive and was released under Infogrames' Atari range of products.Gameplay · Plot · Cities. Driver 2 Soundtrack - Chicago At Day. Here is the score and soundtrack to Driver 2, by Allister Brimble and Richard Narco. Licensed music is credited appropriately. I have created an LP-type piece of work with cutscene audio interwoven with the tracks to bring all of the music together as an album. Audio format is 16 bit FLAC. Licensed music is. Driver 2 (Video Game ) SoundTracks on IMDb: Memorable quotes and exchanges from movies, TV series and more. Favorites List; List of favorite songs posts. Related Subreddits · Useful Links; Contains VGM sites, events, news and subreddit related stuff. Remixer List; List of remixers, message psycosulu to add your favorite remixer. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
270 Songs, 17.5 Hours, 1.62 GB Page 1 of 8 Name BPM Genre Rating
Page 1 of 8 WCS 270 songs, 17.5 hours, 1.62 GB Name BPM Genre Rating Artist Album Year Freezing 76 Pop Music Mozella Belle Isle (Deluxe… 2010 Thinking Out Loud 79 Pop Ballad Ed Sheeran x 2014 I'm So Miserable 83 Country Billy Ray Cyrus Some Gave All 1992 Too Darn Hot (RAC Mix) 83 R&B Ella Fitzgerald Verve Remixed: T… 2013 Feelin' Love 83 Blues Paula Cole City of Angels OST 1998 I'm Not the Only One 83 Pop Ballad Sam Smith In the Lonely Hou… 2014 Free 84 R&B Haley Reinhart Listen Up! 2012 Stompa 84 Alt Pop Serena Ryder Harmony 2012 Treat You Better 84 Pop Music Shawn Mendes Illuminate 2016 Heartbreak Road 85 Blues Rock Colin James Hearts on Fire 2015 Shape of My Heart 85 Rock Ballad Theory of a Deadman Shape of My Hear… 2017 Gold 86 Pop Music Kiiara low kii savage - EP 2015 I'm the Only One 87 Blues Rock Melissa Etheridge Yes I Am 1993 Rude Boy 87 Pop Music Rihanna Rated R 2009 Then 88 Pop Music Anne-Marie Speak Your Mind 2017 Can't Stay Alone Tonight 88 Pop-Rock Elton John The Diving Board… 2013 Vinyl (Remix) 88 Jazz-Pop Euge Groove feat. x-t.o.p. Sax S Euge Groove 2000 Wake Up Screaming 88 Country Gary Allan Used Heart For Sale 2000 Anything's Possible 88 R&B Jonny Lang Turn Around 2006 Slow Hands 88 Pop Music Niall Horan Slow Hands - Sin… 2017 Touch Of Heaven 88 Pop-Rock Richard Marx Flesh & Bone 1997 Forever Drunk 89 R&B Miss Li Beats & Bruises 2011 Let's Get Back To Bed Boy 89 R&B Sarah Connor Green Eyed Soul 2002 I Can't Stand the Rain 89 Pop-Soul Seal Soul 2008 Happy 90 R&B Ashanti Ashanti 2002 Mood For Luv 90 R&B B.B. -
Spectacle, Masculinity, and Music in Blaxploitation Cinema
Spectacle, Masculinity, and Music in Blaxploitation Cinema Author Howell, Amanda Published 2005 Journal Title Screening the Past Copyright Statement © The Author(s) 2005. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/4130 Link to published version http://www.latrobe.edu.au/screeningthepast/ Griffith Research Online https://research-repository.griffith.edu.au Spectacle, masculinity, and music in blaxploitation cinema Spectacle, masculinity, and music in blaxploitation cinema Amanda Howell "Blaxploitation" was a brief cycle of action films made specifically for black audiences in both the mainstream and independent sectors of the U.S. film industry during the early 1970s. Offering overblown fantasies of black power and heroism filmed on the sites of race rebellions of the late 1960s, blaxploitation films were objects of fierce debate among social leaders and commentators for the image of blackness they projected, in both its aesthetic character and its social and political utility. After some time spent as the "bad object" of African-American cinema history,[1] critical and theoretical interest in blaxploitation resurfaced in the 1990s, in part due to the way that its images-- and sounds--recirculated in contemporary film and music cultures. Since the early 1990s, a new generation of African-American filmmakers has focused -
Sarah Connor Green Eyed Soul Mp3, Flac, Wma
Sarah Connor Green Eyed Soul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: Green Eyed Soul Country: Russia Released: 2001 Style: Europop, Downtempo, Ballad, RnB/Swing MP3 version RAR size: 1476 mb FLAC version RAR size: 1743 mb WMA version RAR size: 1294 mb Rating: 4.7 Votes: 633 Other Formats: AHX FLAC WMA AA MMF TTA VOX Tracklist Hide Credits Let's Get Back To Bed - Boy! Backing Vocals – Colin Rich, Rob Tyger, Sarah ConnorFeaturing – TQLyrics By – Kay 1 3:56 Denar, Rob Tyger, Terence QuaitesMusic By – Kay Denar, Rob TygerProducer – Kay D.*, Rob Tyger If U Were My Man 2 Arranged By [Vocals] – B. Aris*Backing Vocals – Sarah ConnorLyrics By – T. SamsonMusic 3:38 By – B. Aris*, T. SamsonProducer, Mixed By, Arranged By – Bülent Aris French Kissing 3 Backing Vocals – Sarah ConnorMusic By, Lyrics By – Kay Denar, Rob TygerProducer – Kay 3:35 D.*, Rob Tyger Magic Ride (Whatever U Wish 4) Arranged By [Vocals] – B. Aris*Backing Vocals – Sarah ConnorFeaturing [Guest] – TQLyrics 4 4:29 By – Eddie Martin, Kenny Yeomans, Terence QuaitesMusic By – Eddie Martin, Kenny YeomansProducer, Arranged By, Mixed By – Bülent Aris From Sarah With Love Backing Vocals – Colin Rich, Sarah Connor, The Jordan SingersConductor [Orchestra] – 5 5:08 Fietje Van HaagMusic By, Lyrics By – Key Denar, Rob Tyger, Sarah ConnorProducer – Kay D.*, Rob TygerStrings, Horns, Woodwind – Amsterdam Session Orchestra Make U High 6 Backing Vocals – Sarah ConnorMusic By, Lyrics By – Key Denar, Rob Tyger, Sarah 3:33 ConnorProducer – Kay D.*, Rob Tyger In My House 7 Backing Vocals – Sarah ConnorMusic By, Lyrics By – Rick JamesProducer – Adam Charon, 3:13 Mekong Age, Rufi-OhRecorded By, Mixed By – Triage Where Do We Go From Here 8 Backing Vocals – Sarah ConnorMusic By, Lyrics By – Adam Charon, Mekong Age, Rufi- 3:55 OhProducer – Adam Charon, Mekong Age, Rufi-Oh I Can't Lie 9 Arranged By [Vocals] – B. -
Edwin Starr 634-5789 Soulsville
SOUL CITY SURVIVORS Whole Alphabetical Song List 25 Miles (45); - Ab - Edwin Starr 634-5789 Soulsville USA (2); - D - Wilson Pickett Ain’t Nobody (66); - E – Chaka Khan Ain’t That Peculiar (5); - E - Marvin Gaye Ain’t To Proud Too Beg (73) – The Temptations - C – Baby I Love You (37); - G – Aretha Franklin Be My Girl (70); A – Soul City Survivors Blues Brothers (I Can’t Turn You Loose) Intro (1); - C - Brickhouse (63); - A – The Commodores Celebration (59) - Ab – Kool & The Gang Chain Of Fools (4); - C – Aretha Franklin Cold Sweat (38) D – James Brown Cool Jerk(8); - E – The Capitols Dance To The Music (54); G - Sly And The Family Stone Dark End Of The Street (20); - G – James Carr Don’t Fight It; (start on the 5) (9) - A – Wilson Pickett Down To The Nightclub (44); - Bb – Tower of Power Everybody Needs Somebody To Love (3); - Eb – Solomon Burke Everyday People (53); Ab - Sly And The Family Stone Funky Broadway (11); - E – Wilson Pickett Give Up The Funk (Tear The Roof Off The Mother) (48); -E-Parliament/Funkadelic Goin’ To A Go-Go (67) – Smokey Robinson & the Miracles - G Hold On I’m Comin’ (25); - Gb – Sam & Dave I Can’t Get Next To You (22); - C – The Temptations I Got You, I Feel Good (15); - C – James Brown I Heard It Through The Grapevine (74) - C – Gladys Knight & The Pips I Love Every Little Thing About You – Ab – Stevie Wonder I Want To Take You Higher (52); A - Sly And The Family Stone I Want You Back (78); Ab – Jackson 5 I Wish (62)- Eb – Stevie Wonder I’ll Be There (16); - E – Jackson 5 I’m A Roadrunner – Jr. -
High Society 2
HIGH SOCIETY Written by Noga Pnueli October 2019 INT. ESTEE’S HOUSE - KITCHEN - NIGHT Jacksboro, Texas. Population 1,311. A neglected old family home. Looks like a family lived here twenty years ago, but no longer does. ESTEE, 30’s, is what is locally referred to as a LIFER, aka a woman who never left her pathetic hometown and whose wasted potential has made a home atop her shoulders like a ton of bricks. She is currently avoiding her existential woes by baking complicated SOURDOUGH RYE BREAD in her kitchen. She looks small in the big empty house, like a child whose parents never came back home. She wears an old pajama dress full of holes from years of use. She places all the baking ingredients on the table, and starts bringing them to life like a mad conductor. Flour, yeast, sugar, eggs -- a congregation of disparate materials, manipulated into one cohesive, smooth, harmonious ball of dough in her skilled hands. (AND YES THIS IS A METAPHOR FOR LATER, THANKS FOR ASKING.) She puts her full arm strength into it, exorcising her demons into the dough. (They say the demons make it rise faster.) She dumps the dough into a bowl, puts a wet towel over it to let it rise. Finished, she slumps into a chair and chugs from a bottle of bourbon. Just a casual low-key small sip. Then another. Then another. Then another. INT. ESTEE’S HOUSE - BEDROOM - LATER Estee lies spread out in bed, drunk. Her sheets look childish, like she’s been using them since she was a teen. -
Madrid Miércoles, 10 De Junio De 2020
Movilidad total entre provincias y distancia física de 1,5 metros a partir del 22 de junio NUEVA NORMALIDAD El decreto establece que seguirán las multas si no se usa mascarilla SIN FECHA Las medidas estarán en vigor hasta que el Gobierno decrete el fin de la pandemia MADRID MIÉRCOLES, 10 DE JUNIO DE 2020. AÑO XXI, Nº 4652 PÁGINAS 2 Y 3 www.20minutos.es Un estudio concluye que los niños se contagian de la Covid-19 igual que los adultos Los niños se infectan de la Covid-19 igual que los adul- tos cuando están expuestos a una fuente de infección, aunque la enfermedad se manifiesta de una forma ADIÓS A PAU mucho más leve. Es la primera conclusión que han podido sacar los investigadores del estudio Kids Corona, llevado a cabo por el hospital Sant Joan de Déu de Barcelona. PÁGINA 6 DONÉS, QUEDAN LOCAL LAS CANCIONES La juez del 8-M rechaza archivar QUE NOS DIO la causa contra el El cantante y líder de Jarabe de Palo Delegado de Gobierno fallece a los 53 años, víctima del cáncer que padecía desde hace cinco años. PÁGINA 12 La investigación por el 8-M sigue adelante y José Manuel Franco se sentará hoy ante la juez en calidad de investi- gado en el contexto de la celebración de las marchas, des- pués de que la magistrada rechazara archivar la causa, como pedía la Abogacía del Estado. PÁGINA 4 La costa española, El Gobierno con 688 banderas destinará 75 azules en total, millones al año a lidera el ‘ranking’ implantar la ley mundial PÁG. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time.