Issue Includes: ...Them Bammas Be Crankin! * Proper Utensils
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Past, Present and Future of DC's Hip-Hop Movement" by Sidney Thomas
Diamonds In The Raw will take you on a trip through Washington DC's inner-city streets in search of talented musicians struggling to survive in a game where the odds are stacked against them. For the first time ever, step into the world of the DMV! Diamonds in the Raw: "The Past, Present and Future of DC's Hip-Hop Movement" By Sidney Thomas Order the book from the publisher Booklocker.com https://www.booklocker.com/p/books/11554.html?s=pdf or from your favorite neighborhood or online bookstore. Copyright © 2009-2021 Sidney Thomas Paperback ISBN: 978-1-64719-331-7 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., St. Petersburg, Florida. Printed on acid-free paper. BookLocker.com, Inc. 2021 (#6) The Go-Go Rappers The go-go industry was so dominant in the DC area that hip- hop music had a difficult time becoming established. So by neces- sity, the most talented rappers in DC gravitated towards the go-go scene. Many rappers during the 80’ and 90’s got their chance to shine by rapping on stage with the go-go bands. Tony Blunt, P.O.P. (Prince of Poetry), Hechinger Mall Zhigge and Fat Rodney were some of the names that dominated the go-go/rap game. On the national level, hip-hop was growing by leaps and bounds and the more records that were sold, the more hip-hop cul- ture became interlaced with popular culture. -
3 Elections Result in Run-Off Races SGA Committee President Refuses to Release Kevin Hughes and Alex Pedersen Will Compete in a Run-Off Election on April 3
'Da Butt': Only one type of dance music 16 THURSDAY. MARCH 29. 1990 JAMES MADISON UNIVERSITY VOL. 67 NO. 46 3 elections result in run-off races SGA committee President refuses to release Kevin Hughes and Alex Pedersen will compete in a run-off election on April 3. Tim Knapp number of votes was eliminated from the race. J By Mark DeLaFleur SGA reporter Of the 2,080 votes cast, the presidential1 candidates Three races in Tuesday's Student Government received 2,052 votes. The SGA Association election will be decided in a run-off, and would not release individual the SGA will not release the vote counts for the three vote tallies. races. A run-off election will be held next Tuesday for SGA president, administrative vice president and secretary. Only Mark Chernisky, a candidate for treasurer, and three unopposed candidates won their races. Administrative vice Secretary None of the other candidates received SO percent of president the vote plus one vote — the count necessary to win an SGA election. The top two candidates in each race AIM Gordon and Heather Wiley will will meet next Tuesday in a run-off election. compete In the run-off election. The SGA major elections committee would not Andrew Lewis and Yoly Leon were John Pagels and Julie McEntee will compete release the vote counts for the races because, it says, eliminated from the race. In ths run-off election. Greg Grzybowski was it would give one candidate an unfair advantage. eliminated from ths race. "We do not want to influence in any way the Of the 2,080 votes cast, ths administrative vies Of ths 2,080 votss cast, ths secretarial candidates received 1,804 votss. -
UNDERNEATH the MUSIC Ellington
ABSTRACT Title of Document: UNDERNEATH THE MUSIC Ellington Rudi Robinson, Master of Fine Arts, 2008 Directed By: Professor, Jefferson Pinder, and Department of Art I see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life. UNDERNEATH THE MUSIC By Ellington Rudi Robinson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts 2008 Advisory Committee: Professor Jefferson Pinder, Chair Professor Patrick Craig Professor Margo Humphries Professor Brandon Morse Rex Weil © Copyright by Ellington Robinson 2008 Preface The smell of the coffee bean aroma surrounded by the books and music, the phone rings. “Good afternoon, thank you for calling Borders Books and Music, how can I help you?” “El! What’s up man, I have some bad news.” This is an all too familiar greeting. -
Council of the District of Columbia Committee of The
C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District -
Go-Go, Yesterday and Today
Brown and the Soul Searchers, Trouble Funk, Lead Go-Go, Yesterday Head, Hot, Cold Sweat, Cro Magnum Funk, Stacy & the Soul Servers, Class Band & Show, Mouse and Today Trap, The Shadows, and go-go icons including Ice Berg Slim and Big Tony, began to add the "live" by Iley Brown II features of go-go to their shows or recordings: he early 1970s in Washington, D.C., choreography, smoke and fog machines, go-go marked the beginning of a new musical dances, and extended instrumental solos including T sound that was still untitled. Basements in the trademark cowbells, whistles, and drum and neighborhoods throughout the city were convert conga solos added to known radio songs popular ed into after-school stages and rehearsal halls for ized by local radio stations. Radio hits that became budding bands and musicians. In many parts of go-go hits were "Family Affair" by Experience the city, an organist would meet up with percus Unlimited, "Run joe" by Chuck Brown, and sionists and drummers, who "Trouble Funk Express" by in turn would know of a Trouble Funk, which is a horn player. Bands were cob take from "Trans Europe bled together, and bonds Express" by Kraftwerk. were formed. In live performances audi To satisfy audiences of ences engaged the bands in teenagers, young adults, and call-and-response segments grown-ups, local "funk" of songs, usually during bands would play the radio percussion breaks ranging hits of Mandrill, Kool & The from a three-minute teaser Gang, New Birth, Average - a short percussion solo White Band, or Herbie with strains of the radio Hancock, among others. -
Sugar Hill Label Album Discography
Sugar Hill Label Album Discography SH 245 - Rapper’s Delight – Sugar Hill Gang [1979] Here I Am/Rapper’s Reprise (Jam-Jam)/Bad News//Sugar Hill Groove/Passion Play/Rapper’s Delight SH 246 – The Great Rap Hits – Various Artists [1980] 12” Vinyl. Spoon’nin’ Rap – Spoonie gee/To the Beat (Ya’ll) – Lady B/Rapping and Rocking the House – Funky Four Plus One//Funk You Up – The Sequence/Super Wolf Can Do It – Super-Wolf/Rapper’s Delight – Sugarhill Gang SH 247 – Kisses – Jack McDuff [1980] Kisses/Say Sumpin’ Nice/Primavera/Night Fantasies//Pocket Change/Nasty/Tunisian Affair SH 248 Positive Force – Positive Force [1980] Especially for You/People Get on Up/You’re Welcome//Today It Snowed/We Got the Funk/Tell Me What You See SH 249 – The 8th Wonder – Sugar Hill Gang [1981] Funk Box/On the Money/8th Wonder//Apache/Showdown/Giggale/Hot Hot Summer Day SH 250 – Sugar Hill Presents the Sequence – Sequence [1980] Simon Says/The Times We’re Alone/We Don’t Rap the Rap//Funk a Doodle Rock Jam/And You Know That/Funky Sound/Come on Let’s Boogie 251 252 253 254 SH 255 – First Class – First Class [1980] Give Me, Lend Me/Let’s Make Love/Coming Back to You/No Room For Another//I Wasn’t There/Lucky Me/Going Out of My Head/Hypnotize 256 SH 257 – Hard and Heavy – Wood, Brass and Steel [1980] Re-Entry/Open Up Your Heart/Long Live Music/Love Incognito/Be Yourself//Are You Busy/Superstar/Welcome/Space Walk/Fly with the Music 258 SH 259 – Brother 2 Brother – Brother to Brother [1980] Backlash/I’ve Been Loving You/I Must’ve realized/Latin Me//Let Me Be for Real/Love -
John Valadez Interviewed by Karen Mary Davalos on November 19 and 21, and December 3, 7, and 12, 2007
CSRC ORAL HISTORIES SERIES NO. 10, DECEMBER 2013 JOHN VALADEZ INTERVIEWED BY KAREN MARY DAVALOS ON NOVEMBER 19 AND 21, AND DECEMBER 3, 7, AND 12, 2007 John Valadez is a painter and muralist. A graduate of East Los Angeles College and California State University, Long Beach, he is the recipient of many grants, commissions, and awards, including those from the Joan Mitchell Foundation, the California Arts Commission, and the Fondation d’Art de la Napoule, France. His work has appeared in exhibitions nationwide and is in the permanent collection of major museums; among them are National Museum of American Art at the Smithsonian, Bass Museum of Art in Miami Beach, Museum of Contemporary Art San Diego, Mexican Museum in Chicago, and Los Angeles County Museum of Art. Valadez lives and works in Los Angeles. Karen Mary Davalos is chair and professor of Chicana/o studies at Loyola Marymount University in Los Angeles. Her research interests encompass representational practices, including art exhibition and collection; vernacular performance; spirituality; feminist scholarship and epistemologies; and oral history. Among her publications are Yolanda M. López (UCLA Chicano Studies Research Center Press, 2008); “The Mexican Museum of San Francisco: A Brief History with an Interpretive Analysis,” in The Mexican Museum of San Francisco Papers, 1971–2006 (UCLA Chicano Studies Research Center Press, 2010); and Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora (University of New Mexico Press, 2001). This interview was conducted as part of the L.A. Xicano project. Preferred citation: John Valadez, interview with Karen Mary Davalos, November 19 and 21, and December 3, 7, and 12, 2007, Los Angeles, California. -
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
Swingin' Through the Music Capital
Proofed by: phadkep Time: 10:46 - 01-19-2007 Separation: C M Y K HIGH-RES PROOF. IMAGES ARE RIPPED. FULL PROOF INTEGRITY. Product: SOURCE LayoutDesk: SOU PubDate: 01-21-07 Zone: DC Edition: EE Page: RDTRIP C M Y K M8 SOURCE 01-21-07 DC EE M8 CMYK M8 Sunday, January 21, 2007 DC x The Washington Post RoadTrip Swingin’ Through the Music Capital WHERE: Alexandria and Washington. Chuck Brown mixed funk with Latin C O N percussion to invent go-go at the N WHY: A lizard king in Old Town, de-funked venues and a military E C long-gone Maverick Room. T IC man. U “Bustin’ Loose” by Chuck Brown T A V E N U HOW FAR: About 17 miles, or one hour with stops. E DISTRICT OF COLUMBIA The house where Duke Ellington was delivered n Washington, the military and presidents seem to garner was torn down to make room for a post office. all of the big monuments, while the area’s musicians are re- “East St. Louis Toodle-Oo” by Duke Ellington duced to the record bin. But not always. On a magical tour of musical landmarks, fans can pay homage to local per- The rowhouse that contains formers, and as a bonus, we’ve supplied a playlist to help re- Beat Records Crooked KALORAMA ROAD e graced the create that live experience (see map for song selections). used to be a commun Singing sensation Marvin Gay , now vacant. 11TH ST. I performance space called Madam al M Howard Theater Let’s start at the end, beautiful friend. -
Curtis Johnson and Samuel Jones Interviewer
Date: 6/30/2004 Interviewees: Curtis Johnson and Samuel Jones Interviewer: Jacob Rabinbach Location: Stax Museum of American Soul Music, Memphis, TN Collection: Stax Museum Oral Histories Notes: Interviewer: I’m going to have to ask you guys to speak up a bit because we couldn’t figure out – we don’t have the technology yet to have microphones for this thing, unfortunately. So we just gotta pick it up in here. I just want to say thanks for coming, I really appreciate it, I'm sorry you guys had to wait. I'd just like to ask, everybody, you know, what is soul music for you guys, how do you define it? Jones: Soul Music... It's gotta be from the heart, straight from the heart, you know, playing what you feel. And the way we did it here, to define soul, it was just everybody getting together and chilling, making it happen, with not a lot of arrangements, not a lot of sheet music. It was just like coming together and making it happen. Soul, you know, is just a certain feel, when you get those goose bumps and you know when it's there. [01:00] Interviewer: When was it there for you guys? Johnson: Well, we started doing background here at Stax, but we started in high school. We went to school together, and we started in high school with a little group, and we thought we had it together long before we really did. Interviewer: I think that’s how it is in high school. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon.