Biographie Et Filmographie De L'auteur-Réalisateur

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BIOGRAPHIE ET FILMOGRAPHIE DE L’AUTEUR-RÉALISATEUR RAOUL PECK BIOGRAPHIE (auteur – réalisateur – producteur) Né en Haïti, Raoul Peck grandit au Congo, en France, en Allemagne et aux Etats-Unis. Après des études d’ingénieur-économiste à l’Université de Berlin, il entre à l’Académie de Cinéma et de Télévision de Berlin (DFFB). A l’origine d’une œuvre riche de films documentaires et de fiction, Raoul Peck a travaillé aussi bien pour le cinéma que la télévision. Ses principaux long-métrages de fiction sont L’Homme sur les Quais (compétition Cannes, 1993) et Lumumba (Quinzaine des Réalisateurs, 2000). En 2005, il produit et réalise pour HBO Sometimes in April, sur le génocide rwandais (compétition Berlin 2005). Son dernier film, Moloch Tropical, a été présenté à Toronto et Berlin. Le reste de son travail inclut des films documentaires, tel Le Profit et Rien d’autre (2000), et des mini-séries comme L’Affaire Villemin (2006) et L’Ecole du Pouvoir (2008). Raoul Peck a été ministre de la Culture de la République d’Haïti entre 1996 et 1997. Il a reçu de la part de Human Rights Watch le Prix Irene Diamond pour l’ensemble de son travail en faveur des droits de l’Homme. En janvier 2010, il est nommé Président du Conseil d’administration de l’Ecole Nationale Supérieure des Métiers de l'Image et du Son (La fémis). FILMOGRAPHIE (auteur – réalisateur – producteur) Longs-métrages 1988 - Haitian Corner Festival de Locarno, Forum - Festival de Berlin, 1988 1993 - L'Homme sur les Quais Compétition Festival de Cannes, 1993 1997 - Corps Plongés Festival de Montréal 2000 - Lumumba Quinzaine des Réalisateurs, Cannes 2000 2005 - Sometimes in April (HBO) Compétition Festival International de Berlin, 2005 2009 - Moloch Tropical (ARTE) Toronto et Dubai 2009, Berlinale et Tribeca 2010 Documentaires 1991 - Lumumba - La mort du Prophète Prix du meilleur documentaire au Festival de Fribourg, Festival de New York, Cinéma du Réel, 1992 1994 - Desounen, Dialogue avec la mort (BBC, ARTE) NAAEE Film and Video Festival, 1994 1994 - Haïti, le silence des chiens (ARTE) 2001 - Le profit et rien d'autre (ARTE, RTBF) 2012 - Assistance Mortelle (100’, ARTE, RTBF, TSR, Canal+ Overseas, Sundance, BritDoc) Mini-séries 2006 - L’Affaire Villemin (6x60’, ARTE, France 3) Prix du Syndicat français de la Critique 2008 - L’école du Pouvoir (4x60’, CANAL+, ARTE) Festival Européen des 4 Ecrans Projet en pré-production Le Jeune Karl Marx (Scénario Pascal Bonitzer/Raoul Peck, Velvet Film, Agat Films, X Filme) Projet en développement Continental Drift (d’après le livre de Russell Banks, Velvet Film) Meurtre à Pacot (Lyonel Trouillot/Pascal Bonitzer/Raoul Peck, Velvet Film).

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The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
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Un Film De / a Film by Raoul Peck Une Coproduction / a Coproduction : Velvet Film, ARTE France (France / Haïti, 2009, 105Mn, D-Cinéma)
Un film de / A film by Raoul PECK Une coproduction / A coproduction : Velvet Film, ARTE France (France / Haïti, 2009, 105mn, D-cinéma) Un film de / A film by Raoul PECK Moloch Tropical raconte les dernières In a fortress perched on the top of a mountain, vingt-quatre heures d’un pouvoir avant sa chute. a democratically elected « President » and his Dans le huis clos d’un palais-forteresse niché closest collaborators are getting ready for a state au sommet d’une montagne, le « président » celebration. Foreign chiefs of state and dignitaries élu démocratiquement entouré de ses proches of all sorts are expected. But in the morning of the collaborateurs, se prépare pour une soirée de gala event, he wakes up to find the country inflamed commémoratif, où seront présents dignitaires et the streets in turmoil. As the day goes on, rebellion chefs d’États étrangers. Mais ce jour-là dans la worsens. Meanwhile, expected guests are ville, des barricades s’élèvent. Et c’est là que les withdrawing from the party one after another… choses vont déraper… RAOUL PECK / RÉALISATEUR, SCÉNARISTE, proDUCTEUR / DIRECTOR, SCREENWRITER AND ProDUCER. Né à Port-au-Prince, Haïti // Born in Port-au-Prince, Haiti. Ministre de la Culture et de la Communication de la République d’Haïti (1996 - 1997) // Minister of Culture and Communication of the Haitian Republic (1996 - 1997). Récipiendaire du Prix Irene Diamond pour l’ensemble de son travail en faveur des Droits Humains, 2001, Human Rights Watch // Honoured by the Irene Diamond Prize for his entire work in favour of human rights, 2001, Human Rights Watch.
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Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
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Raoul Peck Raoul Peck
RAOUL PECK RAOUL PECK HAITIAN CORNER SO 01.04.18 13:15 RAOUL PECK MO 09.04.18 21:00 WE CAN FIGHT! DO 26.04.18 21:00 LUMUMBA: LA MORT DU PROPHÈTE Mit seinem furiosen Filmessay über den af- MI 04.04.18 19:30 I Am Not Your Negro DO 19.04.18 18:30 roamerikanischen Schriftsteller James Baldwin und die Ära der L’HOMME SUR LES QUAIS MO 02.04.18 18:30 amerikanischen Bürgerrechtsbewegung sorgte er im vergange- FR 13.04.18 21:00 nen Jahr für Aufsehen und wurde mit zahlreichen internatio- SO 22.04.18 20:15 LUMUMBA nalen Auszeichnungen bedacht. Doch längst zuvor galt der Ha- FR 06.04.18 18:30 SO 15.04.18 20:30 itianer und Kosmopolit Raoul Peck als einer der engagiertesten SA 28.04.18 15:15 Regisseure der zeitgenössischen Filmszene und eine der prä- SOMETIMES IN APRIL SO 15.04.18 15:00 genden Figuren eines neuen Black Cinema. Raoul Peck will MI 18.04.18 21:00 die Welt verändern. In enger Taktfolge widmet er sich seit sei- MOLOCH TROPICAL MI 11.04.18 18:15 nem Erstling (1990) tief politischen Themen. Von SA 14.04.18 22:15 Haitian Corner SO 29.04.18 18:00 der Ermordung Patrice Lumumbas, des ersten Ministerpräsi- ASSISTANCE MORTELLE SO 08.04.18 13:15 denten des unabhängigen Kongo, über den Genozid in Ruan- MO 23.04.18 18:30 da bis zu den destruktiven Wirkungen neoliberal geprägter MEURTRE À PACOT SA 07.04.18 19:45 Katastrophenhilfe nach dem grossen Erdbeben in seiner Heimat MO 16.04.18 18:30 SO 22.04.18 15:15 Haiti.
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FOR IMMEDIATE RELEASE Contacts: Annette Caine
FOR IMMEDIATE RELEASE Contacts: Annette Caine, African American Performing Arts Center 505-222-9756; [email protected] Secondary contacts Laurel Wyckoff, New Mexico PBS 505-277-8296; [email protected] Donna Hardwick, ITVS 415-356-8383; [email protected] Signature photo downloadable here: http://bit.ly/2B9AnEe NEW MEXICO PBS AND THE AFRICAN AMERICAN PERFORMING ARTS CENTER PRESENT A SPECIAL 10th ANNIVERSARY PRESENTATION OF ACADEMY AWARD NOMINATED DOCUMENTARY I AM NOT YOUR NEGRO SCREENING TO FEATURE Q&A WITH Mr. DEVONT’E KURT WATSON (Albuquerque, New Mexico) — New Mexico PBS and African American Performing Arts Center are excited to present an Indie Lens Pop-Up screening of Raoul Peck’s I Am Not Your Negro, one of the most acclaimed films of the year and a 2017 nominee for Academy Award for Best Documentary. In 1979, James Baldwin wrote a letter to his literary agent describing his next project, to be called Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends — Medgar Evers, Malcolm X and Martin Luther King, Jr. But at the time of Baldwin’s death in 1987, he left behind only 30 completed pages of his manuscript. Now, in this incendiary documentary, which premieres on New Mexico PBS Monday, January 15, 2018, 8:00 - 9:30 PM, filmmaker Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words, spoken by Samuel L. Jackson, and a flood of rich archival material.
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Un Film De / a Film by Raoul Peck
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In 'Exterminate All the Brutes,' Raoul Peck Takes Aim At
_________________________________________________________________________________________________________________ In ‘Exterminate All the Brutes,’ Raoul Peck Takes Aim at White Supremacy After the success of “I Am Not Your Negro,” HBO gave Peck carte blanche for his next big project. What resulted is a sweeping meditation on colonialism and the nature of truth itself. Raoul Peck’s new four-part series is part personal essay, part corrective to the dominant historical narrative about Western expansionism. “Europe got to tell the story for the last 600 years,” he said.Credit...Matthew Avignone for The New York Times By Robert Ito April 5, 2021 After completing his 2016 documentary “I Am Not Your Negro,” the director Raoul Peck felt he’d had his say on the topic of U.S. race relations. Or at least his subject, the writer James Baldwin, had. In the film, Baldwin called whiteness a “metaphor for power” and called out this country’s legacy of racism in the bluntest of terms. What more could Peck say that Baldwin hadn’t? “Baldwin is one of the most precise scholars of American society,” Peck said in a video interview from his home in Paris. “If you didn’t understand the message, that means there is no hope for you.” The film went on to win over a dozen film awards and an Oscar nomination for best documentary feature. In addition to the accolades and rave reviews, “I Am Not Your 2 Negro” prompted a revival of interest in Baldwin’s work that continues today. In the wake of last summer’s Black Lives Matter protests, the writer’s work seems as relevant as ever.
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Sob O Signo Da Travessia: a Figura Do Refugiado/Imigrante No Filme Haitian Corner, Do Cineasta Haitiano Raoul Peck
ARTIGO Sob o signo da travessia: a figura do refugiado/imigrante no filme Haitian Corner, do cineasta haitiano Raoul Peck Marcelo Rodrigues Esteves Doutorado em Literatura, Cultura e Contemporaneidade | PUC- RIO Contato: [email protected] RESUMO Ao se tornar mundialmente conhecido, em 2016, devido ao sucesso de seu documentário I Am Not Your Negro, o haitiano Raoul Peck já possuía extensa carreira como cineasta, com um primeiro longa-metragem de ficção, Haitian Corner, lançado desde 1987. O filme conta a história de um poeta haitiano, imigrante, que vive no Brooklyn, Nova York, atormentado pelos fantasmas da tortura sofrida no Haiti, na era Duvalier. Ele próprio marcado pelo signo do deslocamento – Peck viveu no Haiti, na República Democrática do Congo, na Alemanha, nos Estados Unidos e na França –, o cineasta inaugura com Haitian Corner uma extensa lista de personagens deslocados ou em trânsito que marcarão tematicamente muitas de suas obras. Este artigo pretende revisitar a figura do refugiado/imigrante nesta obra inicial de Peck, com ênfase nas abordagens do diretor sobre os temas da memória e do trauma causado no âmbito do refúgio. Palavras-chave: refúgio; imigração; deslocamento; memória; filme ABSTRACT At becoming worldly known, in 2016, thanks to the success of his documentary I Am Not Your Negro, the Haitian Raoul Peck already possessed an extensive career as a filmmaker, with a first fiction film, Haitian Corner, released in 1987. The movie tells the story of na haitian poet, immigrant, who lives in Brooklyn, New York, tormented by the ghosts of torture suffered in Haiti in the Duvalier era. Himself marked by the sign of displacement – Peck lived in Haiti, in the Democratic Republic of Congo, in Germany, in the United States and France – the filmmaker starts with Haitian Corner a long list of characters displaced or on transit that would thematically shape many of your works.
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I Am Not Your Negro Discussion Guide About the Film
Page 1 of 13 I Am Not Your Negro Discussion Guide About the Film In 1979, James Baldwin wrote a letter to his literary agent describing his new endeavor: the writing of his final book, Remember This House, recounting the lives and successive assassinations of his friends Medgar Evers, Malcolm X, and Martin Luther King, Jr. Baldwin was not able to complete the book before his death, and the unfinished manuscript was entrusted to director Raoul Peck (Lumumba, Sometimes in April, Moloch Tropical, Murder in Pacot) by the writer's estate. Built exclusively around Baldwin's words, Peck's I Am Not Your Negro delves into the complex legacy of three lives (and deaths) that permanently marked the American social and political landscape. Framing the unfinished work as a radical narration about race in America, Peck matches Baldwin's lyrical rhetoric with rich archival footage of the Civil Rights and Black Power movements, and connects these historical struggles for justice and equality to the present-day movements that have taken shape in response to the killings of young African-American men including Trayvon Martin, Tamir Rice, Mike Brown, and Amir Brooks. Exploring what it means to be Black in America today, Peck reflects on the legacy of racial violence that still permeates the country. In Baldwin's words, "You cannot lynch me and keep me in ghettos without becoming something monstrous yourselves. And furthermore, you give me a terrifying advantage: you never had to look at me; I had to look at you. I know more about you than you know about me.
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International Documentary & Short Film Festival Of
FESTIVAL BOOK & OF KERALA INTERNATIONAL INTERNATIONAL DOCUMENTARY SHORT FILM FESTIVAL ID D TH SF I F SF F INTERNATIONAL DOCUMENTARY & SHORT FILM FESTIVAL www.idsffk.in OF KERALA 16-20 JUNE 2017 THIRUVANANTHAPURAM | KAIRALI SREE NILA 10 TH IDSFFK 1 10TH IDSFFK 1 CREDITS Chairman & Festival Director, IDSFFK: Kamal Vice Chairperson & Artistic Director: Bina Paul Secretary & Executive Director: Mahesh Panju Treasurer: Zulfikar Rahman A Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Finance): Radha Krishnan M Programme Manager (Festival): Deepika Suseelan Programme Manager (Programmes): Vimal Kumar V P Librarian (Technical Coordinator): Gopeekrishna S Online Media: Riyaz Ahamed Programme Assistants: Saiyed Farooq Z, Geethanjali C, Sreevidhya J, Revathy L Festival Cell: Sivakumar P S, Velayudhan Nair K, Mary Ninan, Padmakumar P R, Shyamlal S S, Harikumar K, Venukuttan Nair K, Ravikumar K, Jayakumari D, Sandhya B, Naveen Nath G S, Sukumaran K, Jaya L, Sasikala G, Arun R, Sahadevan R, Vijaya Mohan B, Lizy M, Omana J, Naveen L Johnson Filmmakers Liaison: Bandhu Prasad Aleyamma Guest Relations: Arjun A, Jayesh L R, Shelly J, M Rameez Media Relations: I & PRD, Government of Kerala Projectionists: John Kurian, Nishanth S T, Abhilash Software: Eventival, CDit Website Support : CDit Festival Design: B Priyaranjanlal Signature Film: Shameer Babu Festival Book Chief Editor: Mahesh Panju (Secretary, KSCA) Editor: H Shaji (Deputy Director, KSCA) Editorial Team: N P Sajeesh, Usha V T Word Processing & Page Setting: B Sivaprasad Academy is grateful to various film journals, festival publications, Film Festival websites from which we have borrowed materials to put together this book. The opinions expressed herein are not necessarily that of the Kerala State Chalachitra Academy or the Editors.
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Presseinformation Mord in Pacot
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Programme Booklet 2017.Pmd
DOCUMENTARY FILMMAKING WORKSHOPS 13 SEPTEMBER, WEDNESDAY my Own and On my Own Again, with PSBT, French nouvelle vague, had proclaimed that have been screened at various film festivals he found the medium of cinema really elite, 10:00 AM – 05:00 PM: WORKSHOP including 100 Years of Cinema, Yamagata, that the cost prevented ordinary people from FIPA Biarritz, Mumbai, Madrid and Karachi. DIVING INTO DOCUMENTARIES making films. He even said that he would not Nirnay, also for PSBT, which she co-directed make films, till the technology, the process, ANUPAMA SRINIVASAN and edited, won the Most Innovative Film became almost as cheap as writing or (FOR REGISTERED PARTICIPANTS ONLY) Award at the Mumbai International Film painting.Today, with the advent of amazing Festival. phone cameras, this is happening all around Can we move beyond rigid categorisations, us. The Masterclass will demonstrate the and delve into the amazing world of audio- Anupama was Director of the IAWRT Asian above, with concrete examples of visual expression with openness, fearlessness Women’s Festival for three years and of the documentaries and short experimental films, and a sense of freedom? This interactive Peace Builders International Festival for one. session seeks to take participants through a She has been visiting faculty at NID shot on phone. journey of exploration of the cinematic form, Ahmedabad, Ashoka University and SACAC, It will talk about the way people are through excerpts from documentaries, Delhi and has mentored several short films eschewing the conventional grammar – shot under the aegis of IIT Delhi, National Bal especially from the Indian context, that bring breakdown, long shot, midshot, close shot, forth the plurality of forms that filmmakers Bhavan, DPS Ghaziabad, Katha, Pravah and over shoulder, etc.
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