Programme Booklet 2017.Pmd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
Paolo Macchiarini Mot
PFU-SAK NR. 104/17 KLAGER: Paolo Macchiarini PUBLIKASJON: NRK PUBLISERINGSDATO: 10., 17. og 23.04.2017 STOFFOMRÅDE: Helse SJANGER: Dokumentar SØKERSTIKKORD: Saklighet og omtanke, forhåndsdom, samtidig imøtegåelse, tilsvar, feilaktige opplysninger, gjengi meningsinnhold korrekt, skille kommentar fra fakta REGISTRERT: 09.05.2017 BEHANDLET I PFU: 23.01.2018 BEHANDLINGSTID: 254 dager KLAGEGRUPPE: Fagperson PFU-KONKLUSJON: HENVISNING VVPL.: OMTALE/ANONYM.: MERKNADER: Gjengivelsen av uttalelser i sammendraget er basert på teksting- manuset (se vedlegg). Det er altså ikke transkripsjoner av hva som blir uttalt. For en detaljert og dekkende beskrivelse av dokumentarserien, se den tilsendte dokumentaren. SAMMENDRAG: NRK sendte mandag 10. april 2017 første del av en svenskprodusert dokumentar i tre deler, «Legens dødelige eksperimenter» (svensk tittel, Experimenten). Del to og tre ble sendt de påfølgende mandagene, 17. og 23. april 2017, og hele serien lå også tilgjengelig på NRKs nettsider fra 10. april 2017 og ut juli måned. Dokumentaren omhandlet Paolo Macchiarini, kirurg og forsker innen regenerativ medisin, og hans forsøk på å utvikle kunstige (syntetiske) luftrør. Av dokumentarserien fremgikk det at kirurgen har fått internasjonal oppmerksomhet for sine operasjoner (transplantasjoner) av luftrør. En del av forsøkene skjedde ved Karolinska Institutet (KI) i Sverige, der han var gjesteprofessor i perioden 2010 til 2016, samt gjennom en studie og samarbeid med universitetet i Krasnodar, Russland. Dokumentarens første del åpnet med et bilde av Macchiarini og teksten (super): «En erfaren kirurg vet når han skal skjære og når han skal la være.» Pressens Faglige Utvalg (PFU) er et klageorgan oppnevnt av Norsk Presseforbund. PFU behandler klager mot mediene i presseetiske spørsmål. Adresse: Rådhusgata 17, 0158 Oslo E-post: [email protected] 2 Sak nr. -
Un Film De / a Film by Raoul Peck Une Coproduction / a Coproduction : Velvet Film, ARTE France (France / Haïti, 2009, 105Mn, D-Cinéma)
Un film de / A film by Raoul PECK Une coproduction / A coproduction : Velvet Film, ARTE France (France / Haïti, 2009, 105mn, D-cinéma) Un film de / A film by Raoul PECK Moloch Tropical raconte les dernières In a fortress perched on the top of a mountain, vingt-quatre heures d’un pouvoir avant sa chute. a democratically elected « President » and his Dans le huis clos d’un palais-forteresse niché closest collaborators are getting ready for a state au sommet d’une montagne, le « président » celebration. Foreign chiefs of state and dignitaries élu démocratiquement entouré de ses proches of all sorts are expected. But in the morning of the collaborateurs, se prépare pour une soirée de gala event, he wakes up to find the country inflamed commémoratif, où seront présents dignitaires et the streets in turmoil. As the day goes on, rebellion chefs d’États étrangers. Mais ce jour-là dans la worsens. Meanwhile, expected guests are ville, des barricades s’élèvent. Et c’est là que les withdrawing from the party one after another… choses vont déraper… RAOUL PECK / RÉALISATEUR, SCÉNARISTE, proDUCTEUR / DIRECTOR, SCREENWRITER AND ProDUCER. Né à Port-au-Prince, Haïti // Born in Port-au-Prince, Haiti. Ministre de la Culture et de la Communication de la République d’Haïti (1996 - 1997) // Minister of Culture and Communication of the Haitian Republic (1996 - 1997). Récipiendaire du Prix Irene Diamond pour l’ensemble de son travail en faveur des Droits Humains, 2001, Human Rights Watch // Honoured by the Irene Diamond Prize for his entire work in favour of human rights, 2001, Human Rights Watch. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Raoul Peck Raoul Peck
RAOUL PECK RAOUL PECK HAITIAN CORNER SO 01.04.18 13:15 RAOUL PECK MO 09.04.18 21:00 WE CAN FIGHT! DO 26.04.18 21:00 LUMUMBA: LA MORT DU PROPHÈTE Mit seinem furiosen Filmessay über den af- MI 04.04.18 19:30 I Am Not Your Negro DO 19.04.18 18:30 roamerikanischen Schriftsteller James Baldwin und die Ära der L’HOMME SUR LES QUAIS MO 02.04.18 18:30 amerikanischen Bürgerrechtsbewegung sorgte er im vergange- FR 13.04.18 21:00 nen Jahr für Aufsehen und wurde mit zahlreichen internatio- SO 22.04.18 20:15 LUMUMBA nalen Auszeichnungen bedacht. Doch längst zuvor galt der Ha- FR 06.04.18 18:30 SO 15.04.18 20:30 itianer und Kosmopolit Raoul Peck als einer der engagiertesten SA 28.04.18 15:15 Regisseure der zeitgenössischen Filmszene und eine der prä- SOMETIMES IN APRIL SO 15.04.18 15:00 genden Figuren eines neuen Black Cinema. Raoul Peck will MI 18.04.18 21:00 die Welt verändern. In enger Taktfolge widmet er sich seit sei- MOLOCH TROPICAL MI 11.04.18 18:15 nem Erstling (1990) tief politischen Themen. Von SA 14.04.18 22:15 Haitian Corner SO 29.04.18 18:00 der Ermordung Patrice Lumumbas, des ersten Ministerpräsi- ASSISTANCE MORTELLE SO 08.04.18 13:15 denten des unabhängigen Kongo, über den Genozid in Ruan- MO 23.04.18 18:30 da bis zu den destruktiven Wirkungen neoliberal geprägter MEURTRE À PACOT SA 07.04.18 19:45 Katastrophenhilfe nach dem grossen Erdbeben in seiner Heimat MO 16.04.18 18:30 SO 22.04.18 15:15 Haiti. -
FOR IMMEDIATE RELEASE Contacts: Annette Caine
FOR IMMEDIATE RELEASE Contacts: Annette Caine, African American Performing Arts Center 505-222-9756; [email protected] Secondary contacts Laurel Wyckoff, New Mexico PBS 505-277-8296; [email protected] Donna Hardwick, ITVS 415-356-8383; [email protected] Signature photo downloadable here: http://bit.ly/2B9AnEe NEW MEXICO PBS AND THE AFRICAN AMERICAN PERFORMING ARTS CENTER PRESENT A SPECIAL 10th ANNIVERSARY PRESENTATION OF ACADEMY AWARD NOMINATED DOCUMENTARY I AM NOT YOUR NEGRO SCREENING TO FEATURE Q&A WITH Mr. DEVONT’E KURT WATSON (Albuquerque, New Mexico) — New Mexico PBS and African American Performing Arts Center are excited to present an Indie Lens Pop-Up screening of Raoul Peck’s I Am Not Your Negro, one of the most acclaimed films of the year and a 2017 nominee for Academy Award for Best Documentary. In 1979, James Baldwin wrote a letter to his literary agent describing his next project, to be called Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends — Medgar Evers, Malcolm X and Martin Luther King, Jr. But at the time of Baldwin’s death in 1987, he left behind only 30 completed pages of his manuscript. Now, in this incendiary documentary, which premieres on New Mexico PBS Monday, January 15, 2018, 8:00 - 9:30 PM, filmmaker Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words, spoken by Samuel L. Jackson, and a flood of rich archival material. -
About ”SILENCE of PHNOM PENH”
About ”SILENCE OF PHNOM PENH”: Om ”TYSTNADEN I PHNOM PENH”: These days, the Cambodian Holocaust during Pol Massmorden under Pol Pot-regimen i Kambodja Pot´s regime is well known. However, the fact that är välkända idag. Mindre ofta talar man om det in- the Khmer Rouge were supported by the interna- ternationella stöd som de röda khmererna en gång tional community is not discussed very often. Now åtnjöt. Nu när ansvariga för dödandet för första that those responsible for the genocide may, for the gången eventuellt kommer att ställas inför en in- first time, be brought before a U.N. tribunal on war ternationell FN-tribunal i Kambodja, kan det också crimes in Cambodia – it may also be about time to vara på tiden att granska västvärldens kontakter examine international connections with the regime med regimen under tiden för själva mördandet. during the time of the killings. ”Tystnaden i Phnom Penh” undersöker Sveriges In ”Silence of Phnom Penh” Bosse Lindquist explo- unika position hos de röda khmererna. Under större res Sweden´s unique relationship with the Khmer delen av regimens tid vid makten var Sverige det Rouge. Sweden was the only country in the West enda västlandet som över huvud taget släpptes in that stayed in close contact with Cambodia during i det nästan totalstängda landet. Sverige var också most of the Khmer Rouge Years. A handful of Swe- det västland som gjorde flest besök hos de röda dish diplomats, journalists and intellectuals travelled khmererna. Medan katastrofen pågick reste en round the country during the holocaust. What did handfull svenska diplomater, journalister och intel- they see and what stories did they tell when they lektuella runt i landet. -
68 Prix Italia Lampedusa – September 30
68TH PRIX ITALIA LAMPEDUSA – SEPTEMBER 30TH - OCTOBER 2ND TV DOCUMENTARY: 43 ENTRIES ________________________________________________________________________________________________________ BELGIUM VRT Everyday Heroes Les petits héros Eroi di tutti i giorni Molenbeek Molenbeek Molenbeek ________________________________________________________________________________________________________ CANADA CBC/SRC SQ Abuse - Women Break the Silence Abus de la S.Q. – Les femmes brisent le silence Gli abusi della SQ (Sûreté du Québec) – Le donne rompono il silenzio The Nature of Things - Moose: A Year in the Life of a Twig Eater The Nature of Things – Orignal : Une année dans la vie d’un mangeur de brindilles La natura delle cose – L’alce americano: il primo anno di vita del mangiatore di ramoscelli ________________________________________________________________________________________________________ CROATIA HRT Alka Alka L'Alka Republic, a History of Dubrovnik La République : l’histoire de Dubrovnik Repubblica, la storia di Dubrovnik ________________________________________________________________________________________________________ CZECH REPUBLIC CTV Through the Eyes of the Photographer A travers le regard d’une photographe Attraverso gli occhi di una fotografa Refugees Réfugiés Rifugiati ________________________________________________________________________________________________________ DENMARK DR Children of the Hippies Fils de hippies Figli degli hippies Hello Syria! Allô la Syrie ! Pronto, è la Siria? ________________________________________________________________________________________________________ -
Un Film De / a Film by Raoul Peck
Un film de / A film by Raoul PECK Une coproduction / A coproduction : Velvet Film, ARTE France (France / Haïti, 2009, 105mn, D-cinéma) DIFFUSION SUR ARTE deuXIÈme semestre 2010 PECK Un film de / A film by Raoul Moloch Tropical raconte les dernières In a fortress perched on the top of a mountain, vingt-quatre heures d’un pouvoir avant sa chute. a democratically elected « President » and his Dans le huis clos d’un palais-forteresse niché closest collaborators are getting ready for a state au sommet d’une montagne, le « président » celebration. Foreign chiefs of state and dignitaries élu démocratiquement entouré de ses proches of all sorts are expected. But in the morning of the collaborateurs, se prépare pour une soirée de gala event, he wakes up to find the country inflamed commémoratif, où seront présents dignitaires et the streets in turmoil. As the day goes on, rebellion chefs d’États étrangers. Mais ce jour-là dans la worsens. Meanwhile, expected guests are ville, des barricades s’élèvent. Et c’est là que les withdrawing from the party one after another… choses vont déraper… RAOUL PECK / RÉalisateur, scÉnariste, producteur / Director, screenwriter and Producer. Né à Port-au-Prince, Haïti // Born in Port-au-Prince, Haiti. Ministre de la Culture et de la Communication de la République d’Haïti (1996 - 1997) // Minister of Culture and Communication of the Haitian Republic (1996 - 1997). Récipiendaire du Prix Irene Diamond pour l’ensemble de son travail en faveur des Droits Humains, 2001, Human Rights Watch // Honoured by the Irene Diamond Prize for his entire work in favour of human rights, 2001, Human Rights Watch. -
Carleton Gajdusek & Kuru
by Pierre Paul Gros & Douglas Allchin Visuals || Main Text Supplement: Allegations of Sexual Abuse For Gajdusek, his "adoptions" in Papua-New Guinea were genuine in spirit. But the crossing of cultural boundaries also proved problematic. When Gajdusek returned to the U.S., he brought some of his adoptees with him. He provided for their education and well being. Eventually, over several decades, he assumed the role of foster parent for 56 children, mostly boys. But in the 1990s, allegations of improper sexual conduct with the boys emerged. Further complaints subsequently emerged from a former neighbor, who alleged being molested over a long period of time during his youth (1970s). Gajdusek himself admitted to having sexual encounters with between 200 and 300 boys. However, he said that he never forced himself upon the children and that the boys consented to all actions. In 1996 Gajdusek was arrested and charged with child molestation. He pleaded guilty and spent 12 months in U.S. federal prison. THINK (12). How should this episode shape our perceptions of Gajudsek's scientific claims and of Gajdusek as a scientist? Consider: Were the relationships Gajdusek established important to his scientific work? What responsibilities did Gajdusek have to his "adoptees" in Papua New Guinea, especially when he planned to return to the U.S.? Whose cultural norms should guide a judgment of what is "appropriate" in this case? In what ways, if any, are Gajdusek's scientific work or achievements relevant when assessing his sexual behavior? In what ways, if any, is his alleged molestation relevant to his science or how we regard Gajdusek as a "scientist"? Scientists are inevitably human: How should we integrate the personal and professional dimensions of their identity? In parallel, what principles should guide how the scientists themselves integrate these coupled identities? This dimension of the case is addressed in a 2009 film documentary, "The Genius and the Boys," by Bosse Lindquist and co-produced by the BBC, Arte, SVT, NRK and DR.. -
In 'Exterminate All the Brutes,' Raoul Peck Takes Aim At
_________________________________________________________________________________________________________________ In ‘Exterminate All the Brutes,’ Raoul Peck Takes Aim at White Supremacy After the success of “I Am Not Your Negro,” HBO gave Peck carte blanche for his next big project. What resulted is a sweeping meditation on colonialism and the nature of truth itself. Raoul Peck’s new four-part series is part personal essay, part corrective to the dominant historical narrative about Western expansionism. “Europe got to tell the story for the last 600 years,” he said.Credit...Matthew Avignone for The New York Times By Robert Ito April 5, 2021 After completing his 2016 documentary “I Am Not Your Negro,” the director Raoul Peck felt he’d had his say on the topic of U.S. race relations. Or at least his subject, the writer James Baldwin, had. In the film, Baldwin called whiteness a “metaphor for power” and called out this country’s legacy of racism in the bluntest of terms. What more could Peck say that Baldwin hadn’t? “Baldwin is one of the most precise scholars of American society,” Peck said in a video interview from his home in Paris. “If you didn’t understand the message, that means there is no hope for you.” The film went on to win over a dozen film awards and an Oscar nomination for best documentary feature. In addition to the accolades and rave reviews, “I Am Not Your 2 Negro” prompted a revival of interest in Baldwin’s work that continues today. In the wake of last summer’s Black Lives Matter protests, the writer’s work seems as relevant as ever. -
Sob O Signo Da Travessia: a Figura Do Refugiado/Imigrante No Filme Haitian Corner, Do Cineasta Haitiano Raoul Peck
ARTIGO Sob o signo da travessia: a figura do refugiado/imigrante no filme Haitian Corner, do cineasta haitiano Raoul Peck Marcelo Rodrigues Esteves Doutorado em Literatura, Cultura e Contemporaneidade | PUC- RIO Contato: [email protected] RESUMO Ao se tornar mundialmente conhecido, em 2016, devido ao sucesso de seu documentário I Am Not Your Negro, o haitiano Raoul Peck já possuía extensa carreira como cineasta, com um primeiro longa-metragem de ficção, Haitian Corner, lançado desde 1987. O filme conta a história de um poeta haitiano, imigrante, que vive no Brooklyn, Nova York, atormentado pelos fantasmas da tortura sofrida no Haiti, na era Duvalier. Ele próprio marcado pelo signo do deslocamento – Peck viveu no Haiti, na República Democrática do Congo, na Alemanha, nos Estados Unidos e na França –, o cineasta inaugura com Haitian Corner uma extensa lista de personagens deslocados ou em trânsito que marcarão tematicamente muitas de suas obras. Este artigo pretende revisitar a figura do refugiado/imigrante nesta obra inicial de Peck, com ênfase nas abordagens do diretor sobre os temas da memória e do trauma causado no âmbito do refúgio. Palavras-chave: refúgio; imigração; deslocamento; memória; filme ABSTRACT At becoming worldly known, in 2016, thanks to the success of his documentary I Am Not Your Negro, the Haitian Raoul Peck already possessed an extensive career as a filmmaker, with a first fiction film, Haitian Corner, released in 1987. The movie tells the story of na haitian poet, immigrant, who lives in Brooklyn, New York, tormented by the ghosts of torture suffered in Haiti in the Duvalier era. Himself marked by the sign of displacement – Peck lived in Haiti, in the Democratic Republic of Congo, in Germany, in the United States and France – the filmmaker starts with Haitian Corner a long list of characters displaced or on transit that would thematically shape many of your works.